An Open Hand [David’s blog on Not So Flawed Wednesday]

“Keep something beautiful in your heart to survive difficult times and enjoy good times.” ~ John O’Donohue, Anam Cara

Several times over the past few days I’ve read or heard variations on this theme: I will not let him (them) take from me my peace.

Although we recognize the necessity of pushing back against the maga-hatred worming the heart of the nation, we also know it is more potent and powerful to walk toward a better vision. Maga is a black hole and will suck the light out of all that enter its gravitational pull.

Kerri and I are taking John O’Donohue’s advice. We are intentionally and consciously incubating something beautiful in our hearts and minds.

Right now resistance and focusing-on-the-positive seem one and the same.* Perhaps they are. Saul-the-tai-chi-master used to say, “Look beyond the opponent into the field of possibility.” Even though we are reeling by the vote for salivating corruption, even though we are disoriented by the collapse of the government’s moral center, we know that obsessing on the muck and mire will only serve to begrime our spirits and bog down our lives.

To recover balance I daily remind myself of a simple truth: overcoming the obstacle is not the goal. The circumstance-of-the-moment is not the center.

The goal is presence – a woo woo word for a very basic intention: deal with what is actually in front of you rather than wrestle with the fear of an abstraction. To be in “what is” rather than struggle to get through “what should be”. Therein lives the capacity to see all the beauty of the moment. Therein lives the capacity to see and share goodness, to magnify kindness. Choosing to live in the moment is choosing a path of heart. The only requirement is to choose where we place our focus.

It is a necessity in these dark times, more than a survival strategy it is to learn how to thrive.

I delight each time I see the message float by in my stream, “I will not surrender my peace…” Each one a mantra from someone who feels as I do; an ally in sanity. A reinforcement to stand solidly in the clear center and not get pulled into the ugly circumstance. Each one a reinforcement of another truism: peace will not abide a closed fist; it cannot be held; the best way to grow peace is to share it. To give it. To spread it far and wide. Peace always finds an open heart, it flourishes in an open hand.

*(Peace, like love, need not be soft and amorphous. Peace, like love, can be ferocious. As we are told in our mythology, it can move mountains. It is not the absence of conflict, it is what we do in the face of conflict. Peace is the light brought by everyday people in dark, dark times. Peace is the light we shine on corruption, indecency and malice.)

read Kerri’s blog about THE PATH

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Live In The Lull [David’s blog on KS Friday]

We’ve written about the lull, the precious days with nothing-but-open-space on the calendar and our intention to not-fill-them-up. A moment to pause, to quiet our minds. And, as good fortune would have it, right smack-dab in the middle of the lull, the opportunity to go “up north” with friends to a cabin on a lake. Sweet serendipity.

On the first day of the lull Kerri’s computer died. We decided to let it be dead. Resuscitation, if possible, would have to wait. Then, on the drive up north, little-baby-scion struggled and almost didn’t make it. Hectic circumstances. It seemed like this great big universe was testing our resolve, tempting us to exit the lull or to fill it up with angst.

We decided to stay solidly in the lull. We decided to only make decisions that required immediacy, to cross the bridges as we came to them and not before. We certainly felt angst and frustration but opted not to inflate it or hang on to it or rage at it or weave it into a woe-full narrative.

We weren’t avoiding or denying the inevitable. We simply refused to magnify it. We honored our intention to keep the lull unencumbered – knowing we’d have clearer minds, more capable minds, when the time came to address the list.

We suspended the story.

After a consultation with our mechanic, after hatching a safety-net-plan with our friends, rather than fret, we stepped into the canoe and explored the lake.

The next morning there was barely a ripple of breeze on the water. It was like glass. We paddled gently, not wanting to interrupt the stillness. In the middle of the lake we stopped all movement, rested our paddles, and listened. Far away the loons called. We turned our faces to the sun, took a deep breath, and settled into the lull.

At that moment we realized (again) that we could make the same choice, the same decision, every single day, no matter the state of the calendar or the circumstance of the moment. We could choose to live in the lull.

Joy © 2005 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LULL

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A Sculpture Worth Making [David’s blog on Two Artists Tuesday]

The question floated across my screen, something I’d asked a group many years ago. I don’t remember the moment so it was a blast from the past of a former me: apparently I asked, “What if no one else has your answers?”

The timing was interesting since I am currently without answers. Well, more accurately – more honestly – I’m standing still surveying the wreckage.

I appreciated my blast from the past because now, at this point in my life-journey, were I working with a group, I’d flip the equation and ask, “What if no one else has your questions?” I’m no longer a big believer in answers.

We stopped in the long hallway leading to the contemporary art collection to admire the lens. I didn’t note the title or the name of the artist so I cannot give credit where credit is due. I’ve looked at the piece before but never with the same appreciation. Never from this moment in time. It was suddenly, intensely relevant. All points bend toward a common center. A point of view that generates circles. A single intersection.

“It’s an ego,” I thought. It believes it’s the center of everything that’s happening. It made me laugh. It brought to mind the ubiquitous lesson from Quinn: “There are six billion people on this planet and you are the only one that cares what you think.” Or feel. Or see.

No one else has your questions. No one else has your answers.

Standing before the sculpture I imagined flipping the script and reversing the circle: what would it look like to genuinely care what other people think. Or feel. Or see. With no need to understand it or change it or control it. Only care about it. About them. There’s a common center available in that paradigm, too.

Now, how do I make that lens? That’s a question worth asking, a sculpture worth making.

read Kerri’s blogpost about THE LENS

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Clean Inside And Out [David’s blog on KS Friday]

And by the grace of some unseen internal trigger, the long-awaited-often-discussed-house-cleaning-out has commenced. I have no other explanation than the time must be right.

The time is right.

In truth, I’m just beginning to understand that the external house cleaning is an extension of the internal house cleaning that has been going on for some time now. It just finally hit the surface. The bags I take to the trash, the boxes readied for the Goodwill, are extensions of that ongoing internal process.

Making space on the outside is labor intensive. It takes some sweat and muscle. Dedicated time. Making space on the inside begins with the intense heat of disruption. Discomfort. The disorientation of masks falling off, the scary peel of protective layers. Exposure. Loss and lost.

Kerri introduced me to a phrase that I at first resisted: People don’t change, they just become more of who they are. Now, I think she is spot-on with one slight adjustment: People don’t change, they just reveal more of who they are.

It turns out that I am none of the labels that I so eagerly apply to myself. I’m not a winner or loser, an artist or an educator. Those designations are either things I do or fleeting judgments about the things I do. It’s very easy to get lost in the dark forest of self-stick labels. I love what I do. Even so, the labels are not who I am.

Talking about Abe Lincoln – who knows how we got there – Horatio hit me with some of his usual uncanny insight. “His fame is a fluke but his good works are not,” he said, “We often confuse the two.” Good works are intentional. Fame is circumstantial.

As the onion peels and the layers of circumstance fall-off, I discover more center. Or, said another way, applying Kerri’s rule, I become more of who I am. Less peel. More heart.

The river keeps moving. Neither hard times or easy days are permanent, nor are they entirely one thing or the other: hard times hold easy days. Easy days invite hard reflections. In the cleaning-out, in the opening of space, there is one thing that is becoming abundantly clear: Bob Marley has it right. No matter what, “Every little thing is going to be alright.” Because it already is.

Taking Stock/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about EVERY LITTLE THING

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Trance Dance [David’s blog on KS Friday]

Our son is an artist. He composes EDM – electronic dance music. The proper term is “DJ” but that doesn’t begin to describe the art form. He does more than select tunes and spin discs. He builds layer-upon-layer of sound to create new and uniquely styled pieces. A surprise weave of repetition and pounding rhythm; it is a master class of tension-and-release. Improvisation meeting intention. Storytelling in sound.

His artistry is a pure root reaching into trance traditions, ancient impulse colliding with modern technology. To me, it is an invocation of ecstatic dance, freeing human bodies of their inhibitions so they might give over to the rolling wave of music. It is an invitation to ecstasy. It invites full-body surrender allowing the music to shake free the spirit. Earplugs are the only requirement.

I love the juxtaposition, the music composed by the mother and the music composed by the son. Kerri’s piano compositions are meditative, they turn the eye inward. They slow the pace like a rich memory. She eschews vocal acrobatics preferring a simple line. Craig’s EDM compositions thump every thought from the noggin, assault the senses, accelerate the pace, tossing bodies into the movement of the moment in a fête of complexity. Both mother and son induce a type of trance; one gently, the other with ferocity.

I’ve watched him watch her play. I’ve watched her watch him play. There is wild respect both ways. On the surface it would appear that their artistry – their music – is worlds apart but, like all things, surface impressions miss the greater depth of the human spirit. There is harmony in their appreciation. There is a shared center in their impulse to make music.

I am the lucky bystander. The proud husband and father. I am in awe no matter which way I look.

figure it out/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Listen to Craig’s music here or visit his site here

read Kerri’s blogpost about EDM

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Find The Hidden Message [on Two Artists Tuesday]

This morning, while the storm raged outside, thunder and wind shaking the house and dumping buckets of rain, I worked on my website. More specifically, I added a visual resume to our melange site. It’s a map of an artist taking his artistry into the marble halls of organizations…

In the past six months I’ve had several resume reviews. Advice from experts. Suggestions from friends. Modification upon modification akin to rearranging deck chairs on the Titanic. This mixmaster of my work history has had one incredible silver lining: I’ve had the opportunity to revisit every era of my career, the passions that drove my choices, the curiosity that necessitated stepping off the edge. In essence, so much thorough review and conversation has illuminated for me a through-line of my life-in-work.

My primary actions? I scatter ideas on the wind. Tom used to say, “You Johnny Appleseed-ed your way across the district.” I’m a consummate cross-pollinator: concepts from the stage introduced to the boardroom. And vice versa. But this most of all: I began this life with so little faith in myself that, over time, I became adept at guiding people to their self-belief; something I had to do for myself so I knew the path. I know the path well. It leads to center.

In the past I’ve been hyper-critical of my choices. They’ve often been less-than-lucrative, made from a different criteria – and have left me vulnerable. Now, from my view in the crows nest, looking back at where I’ve come from, I delight in my journey. To some it looks like the drunken path of a butterfly. To me it’s been a dedication to bringing my gift to the place where it was most needed. I followed the call. Every time. I continue to follow it. Following a calling rarely makes resume-sense.

Last week I wrote about sailing toward the horizon with the knowledge that your questions will only bring more questions, that masterpieces are made by sailing into unknown territory. And, if you are lucky, you’ll come to realize that what’s just over the horizon is more horizon. More curiosity. More experiences. More discoveries. More vital life.

This is the message hidden in my resume: I am unbelievably lucky.

read Kerri’s blogpost about THISTLE

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Locate The Center [on Two Artists Tuesday]

“The very center of your heart is where life begins. The most beautiful place on earth.” ~ Rumi

What, exactly, is the heart of the matter?

If you listen, what does your heart tell you?

What does it mean to “Follow your heart”?

Heart land? Heart song?

This weekend the question was asked, “Do you think there is an absolute truth?” I amused myself thinking of the oxymoron in the terms ‘absolute’ and ‘truth’. I am almost certain – but not absolute – that the question was really about the location of the center of heart. Is there a heart center? Where is the center of the universe? Here. And everywhere else.

Kerri pitched the small piece of chain onto the counter, saying, “This goes in the special box.” It landed in the shape of a heart.

“Hi, Pa!” I thought, and we laughed.

We wear pull chain as bracelets around our left wrists; the original pieces came from her father’s workbench. They are connective tissue to him and to each other. Heart chain. They periodically break so we are many generations from the original. The current chain is symbolic. This heart-piece was from my most recent chain break.

“What are the odds?” she asked.

Yes, indeed. What are the odds that a piece of pull-chain could so quickly bring us to the heart of the matter?

read Kerri’s blogpost about HEART

Stay On The Root [on KS Friday]

“Energy cannot be created or destroyed; it can only be changed from one form to another.” ~ Albert Einstein

Saul’s words have been ringing in my memory: “Stay on the root.” He was a tai chi master.

He might have said, “Stay grounded,” but his reference to “the root” is more dynamic. When on “the root” there is absolutely no resistance to circumstance. Nothing can knock you off center. You are solid, rooted; not for resistance or fight but for flow. No kinks in the energy-hose.

Presence is a requirement of being on “the root.” If your mind jumps into fear-of-the-future it will pull you off center. If your heart dives into regret of the past, it will yank you off balance. Saul might remind us that our bodies are always present. What else? Our minds story us into stress and, mostly, the horror stories we tell ourselves never actually occur. Or did occur.

Here’s the most important part of his instruction: when staying firmly on”the root,” a place of no-resistance, flow is possible. In fact, anything is possible. That may, to some, sound like new-age nonsense but it is actually age-old wisdom. It’s a practice of getting out of your own way. Assume nothing. Lilies-of-the-field, etc. There’s a timeless fable about a farmer and a horse…

A week ago we walked our trail and the leaves were vibrant with color, electric. Now, they are mostly on the ground. Transforming. Nutrient for the soil. I doubt the leaves felt fear of falling or spent an ounce of life-energy in regret.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE LEAF

figure it out/right now © 2010 kerri sherwood

See The Exact Center [on Two Artists Tuesday]

Kerri took this photograph a week ago. We’d set up our pop-up table in the middle of the woods. We had a small cooler with cheese and crackers, tabouli and chips and wine. It was cold. We needed to take off our gloves to eat a bit of our snack and then put them on again, fingertips stinging. Since she is a photography maven, I knew to stand back after setting up so she might take shots of our snack-laden table. She finished, sat, and then pointed her camera to the sky.

Despite what you see in the photo, the trees did not reach to a common center. That is an illusion. Perspective as taught in art school. The point of view of a lens. “Lookit!” she said, red fingertips holding the camera so I could see the image. “We must have found the exact center of the forest,” I thought and smiled.

I often feel like that these days. We must have found the center.

Last night, on an all-too-rare warm evening, we sat with friends on their deck. The Up North Gang. We ate dinner. We laughed. I had my first ever sip of salted caramel whiskey. Dessert as a drink. Time stood still for me and I studied the moment. I wondered if anyone on earth was as fortunate as Kerri and me.

Perspective as taught in art school. Points converge creating the illusion of distance. At one time in history, a crossroads of art and mathematics, this simple recognition was a revolution. Linear perspective. A unique point of view. The accurate portrayal of three dimensions on a two-dimensional surface was powerful – the creation of illusion, shape and distance, produced new intentions and mathematical rules.

It also changed forever the viewer. To see the illusion one must occupy the illusion of a unique center. A new psychology. It’s possible to draw a direct line of descendancy from the hard perspective of the Renaissance to our abstract expressionism. The artist’s point of view, unconscious expression without limit or rule, is all that matters. Two ends of the same pole.

I told Horatio that I am, at long last, learning to keep quiet. To share what I see when asked, and not before (he says as he writes a blogpost about what he sees). I have made a career out of too adamantly trying to get people to see what I see. My adamancy might be traced to the Renaissance and the notion that I occupy a unique center, a specific point of view that makes my illusion of shape and distance somehow privileged and necessary.

Age is helping me challenge and release my investments. It is also a grand teacher of movement and moments. Nothing stands still, especially time. The best we can do is savor the spaces between, always shifting and moving. Children become parents become grandparents. A warm night. A cold day on the trail. It matters less and less what I see and sense-make with my unique hard lines and more and more that I taste the tastes and see the colors, my lens aimed at a common center, sharing the passing moments with others.

read Kerri’s blogpost about THE WOODS

Dream [on Not So Flawed Wednesday]

When does a dream turn into a goal?

Lately, I’m having conversations that confuse me. Business thinking, engineer minds, make models for creation. Creativity plans as action templates and guides.

Screen writers make plans, too. Step outlines. The difference is in the process. A creative mind makes models and plans with full intent to throw them away. To discover the best story, their plan involves making space for the better idea. Open up by tossing the model. Clear the deck by shuffling the plan. Sketches and rough drafts. It’s a conversation with the muse. Muses are notoriously structure resistant until the story makes an audience sit forward. Movement first. Then, the structure begins.

The engineer mind works in the opposite direction. The dream must wear the mask of a goal or it is considered invalid. Too squishy. Construction begins immediately with targets and tasks. Order. It is, in fact, the same process as the creative mind, only it is less forgiving of space. It forces the muse to move. Time is of the essence. Structure first. Then movement. Efficiency is a tree with shallow roots.

It confuses me. Dreams do not wear ties or leather shoes, yet, scrape the blueprint and you’ll find a dream every time. Perspective requires stepping away from the canvas. Standing too close for too long and loss of vision is the result. Every time. It’s not a mystery or voodoo. It’s physics. Great ideas and idea-break-throughs happen in the shower or walking on the trail. A clear mind. A different focus creates space. Too tight thinking, too close in for too long, sucks energy.

Once upon a time I worked with organizations and educators. They also confused me. Squeezing the air out of their space they’d gasp, “We can’t breathe.” A little bit of space, some play, a refocus on the relationships was good medicine. Fresh air. Step back and see the painting. The point of perspective is to see. The secret: permission to remove the status games and need to be an authority and, for a moment, reconnect the players to their dream.

At the nucleus of every goal beats the wild heart of a dream.

read Kerri’s blog post about DREAM