Hold It Lightly [on Merely A Thought Monday]

humorous thing called life copy

Roll this description around in your thought-bowl:

“The Spoon River Anthology, a sequence of free verse epitaphs spoken from [the occupants of] the cemetery of the town of Spoon River. When the collection first saw publication in 1915, it caused a great sensation because of its forthrightness about sex, moral decay, and hypocrisy…”

We saw a snippet of Spoon River performed last week at our new artistic home, TPAC. It’s almost impossible to see even a bit of Spoon River and not realize how fragile and temporary is life. It’s a not-so-subtle poetry-reminder that most of what we think is sooooooo important is, in fact, a tilt at windmills. In its forthrightness, its perspective on hypocrisy and moral decay, we found Spoon River to be remarkably contemporary.

Tom told me that he always used Spoon River to teach his beginning actors. “It’s all there,” he said, “All of it!”

He read a piece from the anthology at his great aunt Bunty’s funeral. It takes life to love life. After Tom’s death, Kerri and I performed the same piece in my play THE LOST BOY, a script derived from interviews with Tom. Words that end the first act. Words that described Bunty. Words that Tom adored:

Untitled-3

It’s the best of paradoxes. Kerri and I remind each other everyday that our work, our artistry is not nearly as important as we think it is. We remind each other to hold it all lightly. And in holding it lightly, we open the door to experience it richly. To laugh rather than resist. To know, that we will, one day, populate a plot on the hill, and the only thing that will have mattered is that we paid attention and participated in our moment, that we loved the little bit of life that we had.

 

read Kerri’s blog post about DUST

 

bootsbythestage website box copy

Love The Journey [on KS Friday]

tpotj song box copy

This morning, sitting on the steps off the back deck, sipping coffee, DogDog sniffing around the yard, I watched the eagles fly across the bay, dodging seagulls protecting their brood. I fell into one of those moments, those precious few moments, of profound appreciation for my life. This part of my journey is surprising and as orienting as it is disorienting. Both/and.

I like to travel precisely because it throws me off center. Even the simplest things require attention. Which side of the road am I supposed to drive on? Oh my god, where is the corkscrew? What did I just order (I couldn’t even pronounce it)? Once, in a barter culture, I failed miserably because I bartered myself to a higher price. The merchant and I laughed until we cried and then he patted me on the back and only accepted half of my money. Laughter was my coin. That part of my journey changed the trajectory of my life entirely.

Read the order of the tracks on Kerri’s album, THIS PART OF THE JOURNEY, and you notice that the final two titles on the album are This Part Of The Journey followed by The Way Home. She is hyper-intentional so I believe she did that on purpose. Sitting on the deck this morning, I knew without doubt that this part of the journey, no matter how complicated or lost-feeling or unnerving or uncomfortable…or peaceful, is a great gift. It is a step on the way home. And, it will someday make for the best stories, perhaps the best part of my story.

THIS PART OF THE JOURNEY sparkles like the sun on the lake. It is as abundant as DogDog’s curiosity on his discovery trip around the yard. It is as full of laughter as a merchant in Bali who, to this day, tells the story of the tourist who had no idea what he was doing.

THIS PART OF THE JOURNEY on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about THIS PART OF THE JOURNEY

 

not our best morning minturn website box copy

 

this part of the journey ©️ 1998 kerri sherwood

Welcome The Turtle [on Not So Flawed Wednesday]

the moon and first ave copy

the view from our gathering

Horatio and I had a hysterical phone conversation about the injuries that have slowed us down. He was, at the time of our conversation, supine on his couch with strategically placed ice packs easing his pain. I made him howl with my gruesome tales of catheter bag mishaps and the levels of humility that I have come to know.

Slowing down.

Sometimes when a be-suited business professional clacks past us en route to a very-important-something-or-other, Kerri leans in and whispers, “Strider.” Trying to become or achieve or attain. It is, as 20 says, age and stage. We’ve all been Striders.

I’ve decided that wisdom is a slow moving turtle. It takes some time on the couch or achy bones or a realization that life is a limited ride in order for slow-moving to become more important than racing to get “there”; it takes some dedicated slowing down before the turtle can catch up. And, perhaps wisdom is nothing more than paying attention. And, paying attention is nothing more than appreciating where you are.

We are surrounded by many great reasons to slow down. They are called “friends”. It never fails, during one of our spontaneous-filled-with-laughter gatherings, that time stops, I catch my breath at my good fortune and know to my core that there is no better place to be on earth. There is no other reason to be on earth.

 

read Kerri’s blog post about FRIENDS

 

neighborhood cheers website box copy

Be A Part Of The Wind [on KS Friday]

part of the wind songbox copy

I am a sturdy proponent of The Paris Theory. I made it up so it only follows that I am a stalwart adherent. The Paris Theory goes like this: if you try to get to Paris you will end up in Kansas City every time; the fastest way to Paris is to shoot for Kansas City.

A quick read of The Paris Theory implies that Kansas City is a lesser destination but that’s to miss the point entirely. The point? Adventure, rich vibrant experience, is available everywhere. And, most often, the richest experiences come along because “the plan” collapsed, the plane was diverted, the seat reassigned. In The Paris Theory, Paris is not a place. It is an orientation to experience. The quickest way to Paris is to recognize that there is no greater or lesser place – especially when you are standing in it. Open. Look around. Art and life and love and danger and interesting people, food…vital experiences are everywhere.

Artists steal ideas and I must now confess that The Paris Theory is ancient. I slapped some shiny new lipstick on it to make it my own.

We are here for such a short time. The winds blow us here and there. Sometimes it feels like we are in control, bobbing along, but then strong winds come and push us in new directions. How much time do we spend wishing we were some other place and miss where we are? How much time do we delude ourselves into thinking there will be a firm and lasting resolution? An arrival? The winds never stop blowing. As Kerri said [and so beautifully composed], “We are part of the wind.”

 

PART OF THE WIND on the album BLUEPRINT FOR MY SOUL is available on iTunes & CDBaby

 

read Kerri’s blog post about PART OF THE WIND

 

ChasingBubbles (full) copy

The Paris Theory = Chasing Bubbles

 

gate f8 website box copy

part of the wind/blueprint for my soul ©️ 1996 kerri sherwood

chasing bubbles ©️ 2019 david robinson

Laugh Together [on Merely A Thought Monday]

pt barnum quote copy

 

“Why don’t people care?” I frequently loop back to Stephen’s question – asked so many years ago – about art. He’s a prolific and gifted painter. I have so many responses, mostly contradictory. Everything from ‘People do care, it’s just inaccessible,’ to ‘Why should they care, it’s so personal to the artist (not communal, not inclusive) that it’s not accessible.”  The common word in all my inner-Stephen-musings is ‘access.’

My pot was irrevocably stirred during my time in Bali. There, the arts are practiced in the temple – a place, the central focus – for everyone and everything in the community. Every aspect of life is rooted-in and practiced-through the temple. That is to say, all things are still considered sacred – even and especially ‘the arts.’ As sacred, the arts belong to everyone, not just the artist or the elite who can afford it. They are accessible because they are not a possession, they are a sacrament. Additionally, the temple does not stop at the end of the compound. The whole world is the temple. In this temple, the arts serve as the binder, the carrier of the story that holds the treasure of the community: its identity.  The arts are not only accessible, they provide access. They affirm belonging.

In this temple, through this sacred story, laughter is highly valued. Laughter, foible, whimsy, – all reminders that, 1) we should not take ourselves so seriously, and 2) laughter is a potent force, like gravity. It joins us. It cuts through division, turns fear into powder. It provides perspective. Laughter is the sound of appreciation, the music people make together when worshiping the great mystery of life.

read Kerri’s blog post about THE NOBLEST ART

 

 

laughing website box copy

 

Savor Good Moments [on KS Friday]

goodmoments song box copy

When you find yourself wondering what it’s all about, play this game: fill in the blank, “In this life I have….” Fill in the blank again and again and again, searching your memory banks for all the magic, mysterious, and miraculous experiences you’ve enjoyed. The good moments.

I like this game because, inevitably, I arrive at the realization that the good moments are the smallest of moments. Although swimming with whales or seeing the northern lights are miraculous, the really good good moments are first kisses, watching your baby sleep, holding hands after the storm passes. Laughing hysterically with friends just because.

Kerri’s composition, Good Moments, is a musical river of small moments, quiet yearning, tender touches, the smell of autumn leaves. Play the game and begin with Good Moments. It will transport you back. It will unlock the door to your memory bank. It will also help you realize that this moment – this very moment – is a very good moment, indeed.

 

GOOD MOMENTS on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about GOOD MOMENTS

 

www.kerrianddavid.com

if you'd like to see kerri sherwood.. copy 2

 

good moments/this part of the journey ©️ 1998 kerri sherwood

KS Friday

jackettpotjjpegIn this age of brevity, tweets, freeways, fast tracks, efficiency and ubiquitous worship at the alter of time-is-money, I find this piece of music to be heart-full and hopeful.  It reminds me of the simple truth in this life: the important stuff lives in the fields beyond the achievements and striving. It’s A Long Story is beautiful and evokes a profound paradox: each moment is a long story  – especially if I choose to live IN it rather than rush to pass THROUGH it.

I listened to this album long before I met Kerri in person. I listened over and over again to this track, It’s A Long Story, and knew we were kindred. It asks you to stop and listen. It asks you to take time, to surrender any nagging efficiency, cost cutting race through life and sit in your moment. It’s a warm bath in the simple appreciation of living. It has made me smile and sometimes served as the soundtrack to my weeping. It always serves as a siren call into the present moment. That’s the heart of the artist’s gift and Kerri, my wife is a remarkable artist. On this KS Friday, hear her call from the melange, and fall into your Long Story.

ITS A LONG STORY from the album THIS PART OF THE JOURNEY (track 1) iTunes

KS FRIDAY

www.kerrisherwood.com – buy the album

read Kerri’s thoughts about IT’S A LONG STORY

www.kerrianddavid.com

IT’S A LONG STORY from THIS PART OF THE JOURNEY ©️ 2000 kerri sherwood

See Your Angels

angelsallaroundyou-jpeg

Products with this and other images available at society6.com

One of my favorite rituals is the reading-of-the-calendar on the last day of the year. It is no ordinary peruse through an ordinary calendar. Kerri, every day, writes in her calendar the events, the important calls, the amazing sightings, the simple and the profound moments. The day we first spotted the owl, the ice circles in the harbor, the generosity of the clerk at the store; they find a spot in the calendar. The tough stuff is in there, too. It is a habit she picked up from her mother. Calendar-as-diary. With a hot cup of coffee and nothing but time, we read through and talk about the days of our life.

It is probably not surprising that our most common exclamation is, “I’d forgotten about that!” I’m always amazed at how many of the years happenings are lost in the stream of time. The review not only helps me remember but also refreshes my appreciation for all that we navigated, discovered, survived and created in a mere 365 days.

At our gathering that night I laughed when Mary Kay told us that she dislikes New Year’s Eve because it always makes her feel as if she hasn’t done enough. I recognized Mary Kay’s disdain because earlier in the day I’d levied the same judgment against myself. The ritual reading of the calendar put my self-judgment to rest. After reviewing all that we’d done in a year, Kerri looked at me (tired of hearing my endless self-criticism) and asked, “Now, doesn’t that give you a greater respect for what we’ve done?” Yes. It did.

Although we didn’t say it this way, we told Mary Kay and Russ, Linda and Jim, John and Michele that they had made it into the calendar. This year was tough for us and when I was ill, when things were going badly, they brought us food, they offered to carry some of our load, they showed up to shovel our walks. So, rather than thinking of the year as bad, in our ritual we read about year of generosities extended to us.

Mary Kay said, “But that was nothing.” Kerri responded, “That was everything! It changed our world.” We were reminded in our ritual that the world is changed for the better everyday, not by the grand gesture, but by the small things, the passing kindnesses. From the point of view of the doer, they are often too tiny to remember. From the standpoint of the receiver, they are monumental. Opening a door can change someone’s day. And who knows how far a kindness-ripple will travel?

From the archive: 'Angels At The Well.'

From the archive: ‘Angels At The Well.’ This painting is available at zatista.com

Fun products featuring details of my artwork are available at society6.com.

 

Save

Save

Save

Save

Save

Release The Edge

photo-4

Usually, there is a lake….

Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you dont give up. ~ Anne Lamott

Sometimes the fog hangs heavy all day along the shore of the lake. The sun tries in vain to penetrate the fog so the air glows. When, in combination with the fog, the lake is still, like it was today, it becomes invisible, inaudible; the lake disappears. Standing on the great rock barriers, staring into the void, it feels as if you have arrived at the edge of the world.

photo-5

looking the other direction

All of my life I have been fascinated by edges. What is the line between wild and tame? Most good stories require a stride beyond the boundary, a movement into territories unknown. And, at the end of the story, what was once known becomes unfamiliar. Every ending is a beginning. What is the line that distinguishes the known from the other place? A good dose of reason will assure us that most things can be understood but a walk through a spring meadow or a night spent gazing into the stars will remind us that understanding is illusive or at best illusionary. What do we understand?

Once, working with a group of teachers, we had a terrific discussion about beginnings. Where does a story or a life begin? There is always an easy answer, “Once upon a time,” a birth date, when two people meet, the day the crisis arrived on the doorstep. In fact there is always a multitude of easy answers, of possible beginnings, and none of them are definitive. Which beginning point is the beginning point? At what moment did success arrive? Or, when did failure begin? Does my life begin with my parents or their parents or…? Edges are esoteric!

There is a long tradition in the arts of Dances with Death. Paintings, dances, compositions, plays,…; Hamlet ponders life as he holds poor Yorick’s skull. It passes all too quickly. Most spiritual traditions carry the notion that life cannot be understood, valued, or fully appreciated without first grasping that this life-ride is limited. Living a good life, a fully appreciated life, demands a nod to the edge. It’s the ultimate paradox.

I’ve courted a bundle of trouble in my life because I rarely see the black-and-white of things. Where is the line between hope and hopeless? What wall delineates faith-full and faith-less? Like happiness, edges are made, not found. Ask a physicist if it is a particle or a wave and they will uniformly answer, “It depends upon where you place your focus.” Even in the era when people believed there was a hard edge to the world and finding it meant falling off, sailors supplied their ships and sailed toward the horizon to find it.

 Icarus reached for the sun.

Icarus

Appreciate It

#5

#5 in the process shots

Spring came fast. At this time last week there was a four-foot drift of snow on the back patio; it was Tripper Dog-Dog-Dog’s favorite plaything, leaping in and out of the snow monster. Today, a mere seven days later, the monster is gone, the back yard is snow free. Dog-Dog has already found a new favorite game: plucking leaves floating in the pond and then racing the circumference of the yard as if the newly plucked leaf was valuable treasure.

John’s dad passed yesterday. His passing was both sudden and not a surprise. His dad was an artist, a brilliant painter, and the celebration of his life will include much of his life’s work. “That’s what he would have wanted,” John said. After the call with John, Kerri looked at me and said, “There’s no time to waste.” Life happens so fast.

 

#6

#6

I went down to the studio and worked (yes, Skip, these are the next two process shots and the sketch;-). While I worked I listened to Kerri’s album, This Part Of The Journey. She came down to see how the painting was progressing and heard her music. She asked me to listen to a moment, a swelling of the strings, and told me of the day she and her producer mixed the track. It is a moment of music that can break your heart or make you yearn for home. “This is a piece I wrote for Wayne,” she said. Wayne was her brother; cancer took him many years ago. We listened in silence, appreciating the fullness of the moment, appreciating the power of her music, appreciating the painting that was emerging; appreciating life happening.

photo-4

from the sketchbook.