An Experience [David’s blog on Not So Flawed Wednesday]

“In the modern era, one of the most active metaphors for the spiritual project is “art.” ~ Susan Sontag (via The Marginalian)

It was within a meditation on silence that Susan Sontag wrote this thought. With planes and trains and automobiles, with cell phones and 24 hour news cycles, with weed whackers and garbage trucks and sirens, with podcasts to plug into and streaming on demand…opportunities for silence are rare, indeed.

All of my life I have retreated to my studio to “get quiet.” I’ve learned – and it seems to me a no-brainer -that there is a direct connection between silence-of-the-mind and presence. And, the experience of ‘something-bigger-than-me” can only happen in the present moment. It’s a direct experience, not an abstraction.

Marion Milner – under the pen name of Joanna Field – wrote that happiness cannot be found in the narrow focus of purpose because it lives “out there”, it promises fulfillment somewhere in a distant imagined future. It’s only in the broad focus of the senses that happiness can be found because it is immediate. Happiness is only possible/available/accessible in-the-here-and-now. It’s an experience, not an abstraction.

Art brings us into the present moment. Art has the power to break through isolating mental abstractions into the shared space of experience.

Joseph Campbell wrote that our endeavor in meaning-making is the opposite of our distant ancestors. For them, meaning was made (or found) through the group. We are tasked with finding it within ourselves.

“It” is never found in insistent preachers or rule-books or exhibitions of righteousness. These are the noisy aspects of the narrow focus erected on a platform of “should”.

If “it” is to be found, if “it” is to be experienced, inner silence is the threshold.

Take a walk in nature. Become captive to the color of the leaves. Entice the quiet found in the studio. These are the secrets of the composer whose music lifts your spirit, the poet who stirs your humanity, the dancer who challenges your idea of what’s possible…all bringing you into the dazzling present moment. It’s a place the artist knows well, an experience beyond words.

read Kerri’s blogpost about RED LEAVES

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No Basis For Real [David’s blog on saturday morning smack-dab]

An MSNBC opinion piece hit the nail on the head: the reason why so many of us find this presidential campaign so uniquely unsettling is that “…so many of our fellow citizens embrace a candidate and a message so fundamentally un-American.”

“This is fascist rhetoric. More specifically, it’s Nazi rhetoric. But the crowds at [his] rallies aren’t horrified by such language. They lap it up.”

And so, here we are. These “citizens” embracing a fascist intention are our sisters and brothers, mothers and fathers. They are people we know and love but no longer recognize. They are not abstractions.

Kerri has a theory. She calls it “the flat friends”, the relationships available online that win likes and strokes for agreement. These relationships are abstractions; they are not real. They are easy, uncomplicated, and come with instant gratification. No dialogue required. No real communication. No imperative to support assertions with facts or data or…reality. Hate bubbles filled with easy lies and even easier agreement amongst flat friends. An ugly meme is all the verification needed in flat-friend-land. No real thinking required.

It’s a convenient place to run and hide when the three dimensional world, the woke world, the world of evidence and reason and thinking and questioning and open minds, asks, “What the hell are you talking about?”

In the flat-friend-world it is possible to silence me with the click of a button. And, if you think about it, all of the rhetoric spewed by the hate candidate and magnified by the faux-news-fox pander to the same idea. Easy two dimensional solutions – fodder that is only palatable to a flat world dedicated to non-thinking. Mass deportations. Banning books. Eliminating the Department of Education. Blasting women back into the dark ages. Enemies abound! Snap! Easy-peasy. Big-Red-Daddy will solve it all for you. Click.

Eliminating those that disagree is not a solution outside of flat-friend-world. It is an illusion – and laughably childish – though Big-Red-Daddy has suggested that he will use the military to silence those who criticize him. Apparently, he believes he will be able with a click of the military to un-friend 50% of the nation, the congress, the justice system…the American system of governance.

In the three dimensional world it is not so easy to silence me or the rest of us that remember how to lift our eyes from the screen and fact check what we see in flatland, those of us who still understand that agreement is a lousy test of real information, that democracy is a complex ongoing idea that deserves responsible stewards and that an easy “like” is no basis for real community.

read Kerri’s blogpost about FLAT FRIENDS

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Doodlebug It! [David’s blog on Not So Flawed Wednesday]

Some words are just too yummy to ignore. For instance, doodlebugging! Who wouldn’t want to toss that delicious word into almost any conversation-salad or happy poem? “The poor man was doodlebugging to no avail!” I am surprised that doodlebugging escaped the keen word-eye of Dr. Seuss!

Doodlebugging means to dowse or divine for treasure or petroleum. I ask myself, “What would I rather find, petroleum or treasure?” Well, I guess I would need more information. What kind of treasure? I imagine myself diligently doodlebugging in the backyard, my “Y” shaped stick goes wild! I dig a deep hole. Kerri stands on the deck, none-too-pleased with my doodlebugging destruction, until I leap into the hole and pull up a hefty pirate’s treasure, complete with many gold doubloons!

And, if I don’t divine for imagined treasure, I need to know whether or not I own the rights on the land I am doodlebugging. There’s no sense in doodlebugging for oil if someone else gets the profits for my newly dowsed black gold, texas tea.

I’ve decided that our poor sad nation needs a good doodlebugging. Despite the rhetoric, petroleum won’t cure what ails us so I suggest we doodlebug for treasure. Specifically, we seem to have lost our most valuable treasure: our moral compass. It has to be out there in the grass somewhere. Perhaps if neighbors across the land, regardless of political affiliation, met in the front yard or on the street, each with a handy “Y” shaped stick, and began a serious doodlebugging project in search for that pesky compass, together we’d find what we seek. A common cause which, after all, forms the foundation for unity and provides the seeds for ethical decision-making. Ethics are usually surfaced – or resurface – when people decide to serve something larger than their own interests.

We used to have one. I mean a common cause. It was called the Constitution, a document that framed, guided and preserved our democracy. Toward a more perfect union. By the way, union means ‘joining’ or ‘uniting.’ It’s what makes our common cause, in the midst of so much rich diversity, more perfect. The challenge is that the Constitution is lost or in hiding. Parchment is notoriously hard to doodlebug. One person will never find it. So, maybe if we all meet together in the front yard, armed with a harmless stick and a good intention, shake hands, laugh a little, and work with the people we so dearly love to vilify, we just might find the medicine our divided-against-itself nation needs. It’s hard to hate someone once you meet them in person, talk for a spell about family, food and “So, what do you do for work?”

A little friendly neighbor-chat while doodlebugging together will do away with the abstractions, labels, and dial-down the fear-mongering. In our common search for the lost compass, we just might learn that we have more in common than we’ve been led to believe.

read Kerri’s blog about Y

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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All The Way To The Skin [David’s blog on Merely A Thought Monday]

The fortune read, “Sprinkles of joy will shower upon you in unexpected ways.” She stared at in disbelief. It was a whispered reinforcement from an old friend. A much needed affirmation of good things to come.

For me it brought a memory: she was introducing me to Lake Geneva. We were just getting to know each other. The skies opened suddenly and dumped buckets of rain on us. We laughed and laughed, ducking into a doorway for some cover. We were soaked and giddy. Showers of joy came upon us in unexpected ways. So much joy showered us that we had to put towels on the seats of the car to protect the upholstery.

Last night, walking by the cemetery, we talked about the hillside covered in headstones. “These were people with voices and dreams and desperation. Lives.” I said. “Like us. They had just so many days on earth. These stones for me are not an abstraction.” She agreed. We must not waste our precious days lost in the weeds. Railing against the weather.

When the deluge comes, it’s best to hold hands, turn into it, and laugh. Joy may sometimes come in sprinkles but for us it usually arrives in buckets that soak us all the way to the skin.

read Kerri’s blogpost about JOY

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Gain Some Perspective [David’s blog on Not So Flawed Wednesday]

If you’ve not yet bumped into Piet Mondrian’s paintings of trees, this is your chance. Not only are the paintings beautiful but if you’ve ever scratched your head at his more famous abstract/geometric paintings, you will find the forest through his trees. Things are not always what they seem and, in the era of contemporary art, it is necessary to grok the context in order to fully appreciate the content. Of course, that rule also applies in this age of info-tsunami: content rushing across the screen is regularly embraced whole-cloth – sans context – so truth and lie have equal standing.

In the art world, placing content (an individual painting) into context (the historic era, the long-body-exploration of the artist’s work, the source of the exploration) is called “gaining perspective”. Because things are not always what they seem, it is drilled into every artist to regularly stand back, to clear their eyes, to get perspective on their work-in-progress. It is also (or used to be) drilled-in to offer the same courtesy to the work of other artists. Stand back from snap judgments. Check the sources. Understand the exploration. Grasp the historical context. It is never as simple as “liking” or “not liking”; appreciation opens a vast color palette beyond the numbing mindset of thumbs-up or down.

Gaining perspective and learning are the same thing. The most well-educated people I know are not lawyers or doctors. They are actors, directors, dancers, and painters. Gaining perspective takes a lifelong dedication to questioning and researching and double-checking. It is to peek behind the curtain of popular and not get caught in the current reality spin. It is to know that things are not what they seem. It is to know that reactions are easy answers; questions take time. Gaining perspective takes time.

Sometimes she stops so quickly that it propels me forward a few stumbling steps. While I tumbled forward she knelt at a puddle and aimed her camera at a leaf. Or so I thought. I have learned (daily) that she sees things that I do not. I have learned that my assumptions are almost always wrong. She smiled when she stood up. “Look,” she said.

I gasped. I was terrifically wrong. The leaf was nowhere in sight. The reflection of trees in a puddle on the asphalt trail. A festival of texture. A masterpiece of illusion. Piet Mondrian must have knelt at a puddle reflection just like this! “Trees through an icy window,” I said.

Things are rarely – if ever – what they seem.

read Kerri’s blogpost about THE TREES

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Together Thrive [on Merely A Thought Monday]

“Art is an illusion that can convey the truth.” ~ Alex Grey

The little boy who was obsessed with drawing eyes – for hours on end – was not attempting to perfect the drawing; he was trying to reach beyond the visual and touch what was inside. Beyond. To the place of joining.

That motive has never wavered. I have always been at-service. For Kerri and me, art-as-service is the impulse behind our blogs. It’s at the center of our many cartoons. It’s the driving impulse in the plays I have yet to write and the few books that haunt me at night. It’s in the music Kerri amasses in her mind and hums when she’s walking down the trail.

We understand art is essential. That’s not an abstraction. Look into the abyss of your death and tell me where you go to wrap your mind around it? Politics? Business publications? Software? My bet is you read the poets. You listen to Arvo Pärt. You stare at The Sistine Chapel. You walk a labyrinth. You read the words of Anne Frank or ponder a psalm. How do you reach beyond what you can see and touch the essence of what is inside? Infinite? How do you make sense of the big questions? If we do good in the world, what does it inspire you to see? If you do good in the world, what does it help us to see?

It’s hard to put a price on it. It’s impossible to put words around it. And it is our reason for being.

Without you, we cannot thrive.

read Kerri’s blogpost about THRIVE

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Turn Around And Look [on DR Thursday]

One little line gives reference to the whole. The horizon line. It is how we naturally – visually – orient in space. It is a baseline of perception. It’s the beginning of discernment.

It is a line that disappeared.

Among other things, art is a reflection of its time. In the past century, art leapt into the abstract. We are “post-modern”. Expressions of personal fantasy rule over community truth, a breaking apart of shared ideals, instant doubt of objective theories…we are mirrored in post-modern art. What is art? What is it not? There’s not a whit of agreement to be found.

General distrust is the beating heart of the post-modern ideal. Division, aggression, tribalism, conspiracy…are its blossoms. Our children perform active-shooter-drills in school; a performance we shudder to attend while our leaders smile and look the other way. Post-modernism at its finest. The absence of a baseline.

Shared truth, group trust, community…requires an undeniable horizon line.

What is up? What is down? What has value? What does not? What has merit? What is undeserving? There is a line. Where is it?

Walking through the antique mall, Brad and I discussed chatGPT. I’m playing with it; he’s using it in his work. It’s raising some very big questions. The questions are not new. They are the next step in a series of questions people have been asking for the past 30 years: what is true? A photograph was once proof that something happened. That hasn’t been true for a few decades. A video was once proof an experience occurred. That is no longer true. News – a word that once implied the accurate reporting of an event. No more. No horizon line.

Brad and I turned our discussion to a sorely missing quality in our times: discernment. In the absence of a horizon line, people will – and do – believe anything. We speculated that, with the introduction of chatGPT into our world, perhaps discernment will once again become important. Perhaps the complete absence of a truth-anchor will turn us toward a common center and require us to look at each other, to seek and restore general trust. The post-modern tide will someday turn and we will draw an old/new line in the sand: we’re-all-in-this-together.

I know, I know. Pie-in-the-sky. However, I’d like to point out that shared dreaming brought us here. Shared dreaming is how we stood on the moon. It is how we can talk to someone across the planet using a small device that fits in our pockets. When a dream becomes shared it becomes powerful. Manifest. A shared dream is a form of a horizon line.

If a shared dream isn’t powerful enough to establish trust, try remembering the other one; the original line of discernment. The line that invites curiosity. It need not be debated. Turn around and look. The horizon line is everywhere.

Four-by-Four, 48x48IN, acrylic, (sold)

read Kerri’s blogpost about THE HORIZON

4×4 © 2007 david robinson

Reach Back To Move Forward [on Two Artists Tuesday]

I wrote with great derision of the day I went to the Museum of Modern Art in NYC and watched people line up to take selfies with Van Gogh’s Starry Night. So, more than 15 years later, I howled with laughter at myself when Kerri beckoned me to stand with her so we might take a shadow shot with Diebenkorn’s painting, Ocean Park #68. “We’ll call it ‘Richard and Us!” she smiled.

Kerri recently challenged me to let go of my figurative work, release the image and paint my feelings. The moment before she beckoned me to take the shadow shot, I was having a minor revelation. There’s a reason I have stood in front of this painting for hours. There’s a reason it “talks with me” about simplicity and courage. Early in his life Richard Diebenkorn was a figurative painter. Even earlier, his work was abstract and resembled the paintings of the masters he admired. As his work matured it circled back to abstraction. He didn’t “let go” of his figurative work; he grew through it. He reached through it. In Ocean Park, he fulfilled his unique voice.

I read that his Ocean Park series was greatly influenced by the work of Henri Matisse. I imagined Richard Diebenkorn standing in front of his favorite Matisse, having a quiet conversation about simplicity and the courage to explore. In the gallery light, his shadow cast upon the painting as he moved forward to study the brushstrokes. He leaned in. He reached back to Henri to move forward. Had he lived in the age of cell phones and easy shots, I’m certain he’d have taken a shadow-selfie so he might remember the moment his shadow touched Henri’s.

We were alone in the gallery when Kerri took our shadow-selfie with Richard. We had him all to ourselves. We leaned in. I thought it especially poignant, our shadows cast upon a painting, an artist, who has cast his long shadow upon me. We caught the moment our shadow touched Richard’s. Reaching back to move forward,

read Kerri’s blogpost about RICHARD AND US

Shape The Story [on KS Friday]

“It’s amazing how a little tomorrow can make up for a whole lot of yesterday.” ~ John Guare

Jen’s question sparked a many-days-conversation between Kerri and me. She asked about my favorite childhood birthday memory. I stared into space. My memory pool was empty. There was nothing but white noise between my ears. I sputtered something about awkward valentines in elementary school. Later, on the drive home, I confessed to Kerri how unnerved I was to have little or no distinct memory to recount. Both Jen and Brad had palpable stories to tell – and many of them.

Since that evening we’ve talked about the power of reminiscing. Neither of us has lived near our families. We’ve had relatively few opportunities to sit around a table and tell stories of childhood, recount foibles, ask questions, laugh at where we’ve been and what we’ve done with the people who shared the experiences with us. During our recent trip to Florida I was startled at Bill’s precise memories of his time in Vietnam. Each year he gathers with the surviving members of his squad and they tell stories of their service. His memories are clear because he regularly tells and hears the stories. It’s a ritual meant to keep vital the thread of connection to the past. Shared story is the glue that holds together a family, found-family or otherwise.

Last night we were wide awake at 3am. We turned on the light and returned to our conversation about the power of reminiscence. The power of enlivening stories with others who hold the same memory. Kerri can tell me stories about raising her children but I wasn’t there. We were not parents together so I am able ask questions but I am unable to spark a visceral memory with, “Do you remember when we…” A one way street is not as accessible as a memory street shared by two.

Inevitably, as the sun began to rise on our sleepless night, our conversation turned toward what we want to create. Together. What are the shapes of our dreams? We began to tell stories in the other direction. We imagined and, so, we created. The power of reminiscence balanced by the power of aspiration. We laughed and built metaphoric houses. We populated studios with creations. Kerri challenged me to paint in a new way, not images but to give color and shape to my feelings.

Feelings. Suddenly, I remember a birthday from a time I was very young, single digits. In the basement, made from refrigerator boxes, Columbus built a birthday surprise. A train or an airplane? I can’t remember. But I felt like it was yesterday, the thrill of running down the stairs to see what my father had made for me.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TRACKS

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