Find It [on DR Thursday]

Although it probably does not appear this way to you, this photograph is the road back to my easel. It was an immediate inspiration. Kerri did not intend for it to spark the cold coals of my artistic fire, but it did. It was immediate. I couldn’t stop staring at it.

This painting is called Joy. Look at the floral shapes and lines both within and around the figure:

Joy, mixed media, 50x56IN

Many of my paintings of the past several years are floral wonderlands. They infuse the figures, they are bouncing balls of symbolic trees and oversized shrubbery. They remind me to have fun. To play and experiment. I must have forgotten all of that or turned away.

I hit a wall when I painted my red mess. It’s been on my easel for months. Beneath the red mess, the painting that I’d originally sketched on the canvas, is this:

I think I’d had too much of despair-and-comfort and needed to explode my themes. Thus, the red mess.

When Kerri showed me her photograph of tiny pink flowers, I saw the painting, this painting, complete in my imagination. Not despairing, but vibrant and subtle, alive with those amazing floral shapes, five-petal-bursts of life. Contemporary. Huge. Broad strokes. Almost a sculpture.

There is a story from Plato’s Symposium that I’m using as the basis for my script revision for The Creatures of Prometheus , the original human, cleaved by the gods because it was too powerful, searching through life to find its other half. This painting is (or will be) about the search for love, the transcendence of separation. Finding.

And, as you know, once it lives in the imagination, all that remains is the volition to get there.

read Kerri’s blog post about PINK FLOWERS

joy ©️ 2014 david robinson

Enter The Sanctuary [on Not So Flawed Wednesday]

This is an image of sanctuary. The back yard of dear friends, time spent together, taking precautions to be safe in a time of pandemic.

There’s more than one compromised immune system represented in this photograph. It is why we continue to meet outdoors. It is why, until we were vaccinated, we were careful to keep distance between us. How odd to honor the love of dear friends by inserting space between us. Our flip flops and sandals are stand-ins for a group selfie.

When our postal carrier came to the door to deliver a certified letter, she groused about the process for capturing the required signature, “We have to do this because of COVID,” she sneered, “even though there is no COVID.” We’ve learned not to push back on ignore-ance. I was reading about Brazil eclipsing the the over 500,000 deaths-mark when the doorbell rang. Kerri signed for the letter. She closed the door and we simply stared at each other. No words.

I delight in this photograph because, to me, it is slightly disorienting. If you had to guess which direction the photo was taken, you’d most likely guess blue. You’d be wrong. Perspective is just that – perspective. From my perspective, the photograph is upside-down. The photographer wears black flip flops.

We constantly locate ourselves in our stories. The location we choose is not passive or general. It is unique, dynamic. It gives us a point of view but does not afford us a lock on truth. Learning to question your unique perspective, to challenge your story-as-central, is an important growth step. It is maturation. Learning to question what you are told is an invaluable skill to develop.

As a lover of story, as a student of perspective, I am fascinated by the story-war raging in my nation. Politicians drape themselves in the flag, defending a violent insurrection on democracy, while demonizing and fearmongering BLM. Propaganda, hate-mongering and conspiracy theory is run amok and fueled by entertainment posing as news. Voter suppression laws, gerrymandering, stuffing the courts, all in the name of…what? The story of division. The dedicated maintenance of a half-story. A national story increasingly exposed as redacted. Why should a democracy work so hard to prevent a portion of its population from voting? To prevent its full history from being told? As we ask in the coaching world, “What’s underneath?”

Nations, like people, cannot grow until they look at the whole of their story, until all perspectives are voiced.

I’ve wandered back into the world of entrepreneurs and business. Each day I read or am shown the data on teamwork or the power of collaboration. The software-as-a-service world is dedicated to facilitating better communication, efficiency in sharing and collaborating, crossing disjointed platforms, and reaching into clouds where all are stronger as one than when in silos. I’m finding it intensely hopeful. Progress is calling us together. The economy is global as is the pandemic. We are in this together.

No one is healthy if all are not healthy. It’s the rule of the backyard, the honoring of dedicated friendship. My job is to protect you and yours is to protect me. It’s the story of the sandals and flip flops, the image of sanctuary, and, if not the yearning of this nation, it is the reality of this interconnected world.

read Kerri’s blog post about SANDALS

Feed The Hunger [saturday morning smack-dab.]

I’ve often pondered what to call our middle-of-the-night meals. Lately, we call it our “3am banana.” I used to call it my “life preserver.” Over time, as my capacity to anticipate the feeding-moment has improved, middle-of-the-night-meals have become much less dangerous.

read Kerri’s thoughts about CEREAL WITH BLUEBERRIES

smack-dab ©️ 2021 kerrianddavid.com

Fill the Gap [saturday morning smack-dab.]

As Shakespeare wrote, “The truth will out.” Kerri makes certain that I remain humble. Keeping me in proper perspective is a difficult job. I, for one, am delighted that I won out over the parakeet.

read Kerri’s thoughts on this smack-dab saturday

smack-dab. ©️ 2021 kerri sherwood & david robinson

Take A Second Chance [on Merely A Thought Monday]

This is a story about second chances. Both of us had first go-rounds and neither went according to the dream. The gap between life and dream is sometimes daunting, vast. But, the good news with all-things-daunting is that, if you are lucky – and we are, you emerge on the other side, not only with a better sense of humor, but an understanding of the hard work it takes to make dreams a reality. Or, said another way, you live into a better sense of yourself. Kerri and I could be the poster children for people who’ve crossed the gap and come out laughing.

Early in our relationship we danced in the living room to Rascal Flatt’s song, The Broken Road. After our dance, we spent a long evening talking about our broken roads. There’s something powerful (and telling) about two people who willingly pull out their broken pieces and spread them across the table for the other to see, not for a pity-party but to say without shame, “This is me. This is what I’ve done and where I’ve been. I don’t want to hide any of it from you because I want you to see me, barnacles and all.” It is the mark of the tribe of second chances. Vulnerability as a strength.

In a second chance you have the opportunity to discover yourself anew. That might sound thrilling – and it is in retrospect – but it requires a good deal of hot fire to burn away the former shell. It’s as if the rules of life that have always applied, the rules that have always provided orientation to the game-of-life suddenly no longer apply. Trying to hold onto the old version is like trying to hide the fact that you are aging. It’s impossible. We started collecting our beautiful moments of denial and rude-awakening because, well, they were and are funny. For instance, I looked in the mirror one day and saw my grandfather staring back. It happened overnight and I was horrified! I spent the rest of the day looking for soft light so I might delay Kerri seeing my new grandfatherly face.

Second chances come to all of us. We have friends and family in our circle that are recent empty-nesters. The kids are gone. The house is quiet. They are asking two questions: 1) Who is this stranger sitting across the table? And 2) Who am I, the person looking back at the stranger across the table? Like us, they are walking through the rule changes, the body changes, the purpose changes, the identity changes. We hope that they, like us, recognize their barnacles as a shared map forward, a reason to bond and learn each other, and themselves, anew.

That’s the reason and the story behind our comic strip SMACK-DAB. Like us, it is a second run at a good idea only this time, less armored. For now, we’ll publish a new strip every Saturday. Our chronicle of second chances. Smack-dab in the middle of middle age. The laughter and good love that comes from splaying all the broken pieces across the table and saying, “This is me and I want you to know and share every last shard. For the rest of my life.”

Every long lost dream led me to where you are
Others who broke my heart, they were like Northern stars
Pointing me on my way into your loving arms
This much I know is true
That God blessed the broken road
That led me straight to you
~ Bless The Broken Road, Rascal Flatts

read Kerri’s blog post about SMACK-DAB.

Count What Is Right [on KS Friday]

As I came up through the garbage layer of sleep, that half-awake state where all the gunk of being human floats like detritus on the ocean awaiting consciousness’ return, I thought, “I want to have a full day in which I make no diagnosis. In other words, solve no problems, make no judgements, resolve no issues…A mindful day.

Mindfulness is only mindfulness when there is no judgment or discernment or necessity involved. Have the experience, make no meaning. Try it. It’s hard to do. Minds like to story things. I know that, later today, I will sit at the drafting table, script and draw the next batch of images for my latest project – try doing that without judgment or discernment!

Somewhere in my dark and sordid past I realized that I never had a problem or a stress that I didn’t create. The Greek tragedy, the absolute imperative, the all-too-important-agendas were not happening outside of me. I was making the agendas and lists, storying myself into rushing around or fighting back against ogres of my own making. Minds like to story things and conflict is the driver of story. Yearning meets obstacle. Desire meets impediment.

Why not make up a better story? Be careful! There’s an all-important caveat, a prerequisite in telling a better, stress free, story: it only becomes possible when the teller of the story relinquishes their oh-so-important-self-importance. Better stories are lived off the pedestal. Better stories, stress free, are available to tell when the teller realizes that their season on this earth is a passing thing and the notion of leaving a lasting mark just might be hubris.

I’ve been enjoying the reemergence of the hosta plants this spring. They are intrepid. They spread easily. Not so long ago their spiky heads jabbed up through the earth. They looked like little spearheads. DogDog had to dance between them. Overnight, the soldiers-beneath-the-soil transformed as their spears unfurled into tiny variegated leaves. A day later, or so it seemed, the tiny leaves swelled into thick dense clusters. Every year the hostas claim a bit more of the yard. People in these parts dig them up and give them away to their neighbors and friends when they realize that the hostas are taking over and will soon be spreading into the house.

I confessed to Kerri yesterday that I was, very intentionally, counting what is right in the world. It will come as no surprise to you that the list of what is right in the world greatly outstrips what is wrong. The hostas of my mind are the generosities and kindnesses. I want to be overrun by them. The little things. It will also not come as a surprise to you that, if you start counting what is right in your world, you’ll discover that the vast majority of what you find are the simple, the ordinary. The everyday. Kerri and I make dinner together. DogDog leads me to the gate when I’m taking out the trash. Feeling the breeze on my face as I open the door first thing in the morning. The first sip of coffee.

What is right in this world includes Kerri’s music. There is nothing I love so much as when she plays. She didn’t pick this composition for today’s melange. I wanted to hear it. That’s all. That’s enough. Right Now. It’s another name for mindfulness. It’s on the list, like hostas.

right now is available on iTunes

read Kerri’s blog post about HOSTAS

right now ©️ 2010 kerri sherwood

Laugh At Yourself [on DR Thursday]

Had you come across our website during the era of The Roadtrip, a play that Kerri and I wrote from the several-months-email-conversation we had before we first met face-to-face, you’d have read this phrase: smack-dab in the middle of middle age…a true story of quiet hope and the arrival of life’s second chances.

Smack-dab. In the middle of middle age. We met. We married. We walk the neighborhood arm-in-arm. We write these blog posts each day. She brings her wise-eyes into my studio and I tell her what her music makes me feel and think.

For an intense year or so, we tried-like-crazy to syndicate a cartoon strip called Chicken Marsala, the imaginary child of two people who met smack-dab in the middle of middle age. In the course of writing and drawing Chicken, we also pitched a single-panel cartoon, Flawed, and another called At The Door. Chicken Marsala had several iterations because the syndicate liked it…almost. They asked for improvements though never specified what those improvements might be – in the writing? The art work? In this age of too much information, no answer ever came back to us.

In the face of unspecified and uncertain improvements, this ONE thing is certain: we generated a mountain of material in the hunt for the elusive improvement. Oh, and this, too: we laughed heartily at ourselves. The mountain of material was about us. We were poking fun at the things we do and say each day.

This morning I found Kerri furiously working at her computer guffawing. She’d pulled up the old Chicken file. There was an iteration of the strip that was pre-Chicken, the middle-aged couple prior to the appearance of their imaginary son. We sat this morning and laughed again at ourselves. These things actually happen and how joyful is it to chronicle yourself in-and-as a cartoon?

I suspect we are going back to the drawing board. This time, we’ll not hide behind our imaginary son. This time, we’ll pull the blankets on the source. Smack-dab. In the middle of middle age. Two artists met and got married. What could be a better set-up for ridiculousness?

read Kerri’s blog post introducing SMACK-DAB

*don’t believe a word she writes, she guffaws all of the time.

smack-dab ©️ 2021 david robinson & kerri sherwood

Consider The Intention [on Merely A Thought Monday]

My least favorite character in Romeo and Juliet is Capulet, Juliet’s father. A few years back I thought it would be a good exercise to tell the story from his point of view. In his world of privilege and order, he has an out of control daughter, a teenager no less, ignoring the rules of the house and society, having sex with the son of a sworn enemy. He imagines a better future for her (and himself) and has worked hard to protect her and match her with royalty. Like every parent I know, he just wants his daughter to behave and thrive.

Every story has an agenda. That’s true of the stories we tell of ourselves at parties, it’s true of the stories we shout at each other when we are having fights, it’s true of the stories we tell when we are falling in love, it’s true of the stories we tell when breaking up. Every story has at least two sides and each side has an intention.

Stories are never neutral or passive. It’s precisely why Blind Justice is so important to the health and well being of a society: between two opposing/competing stories there is a point of equilibrium that we call “fact” or “truth.” Blind Justice carries a scale to symbolize that place of story-equilibrium, ideally free of status, privilege, sway…weighing the stories to arrive at fairness and equity.

Health is the capacity to consider the other side of the story.

It is the truly despicable character that steps with intention into the gap between competing narratives solely to create discord. To lie for gain. Iago is just such a character. He creates an illusion with no greater intention than to hurt, to destroy. Desdemona dies. Othello murders because he cannot see through the lie Iago is telling. Othello’s love turns to hate. He cannot or will not hear the other side, the love story, the truth of Desdemona.

Hatred is a territorial flag planted in a one-sided story.

The modern GOP is Iago. Othello is a cautionary tale relevant in our times. What or who will be murdered before the lie is laid bare?

I have always been a lover of myth and parable, stories that reach with intention to deeper truths. It is why I stepped into the theatre in the first place. Art, like Blind Justice, uses story to reach deeper truths, truths that can rarely be captured in words. It’s the paradox of art and truth is always found there.

No story has a single point of view. No truth is singular – that is the hallmark of the truly important challenges that every society faces. It is why successful governments tell their story with truth as their intention. It is why successful relationships sail through stormy seas. The intention is pure. The desire to stand in the shoes of the other-side-of-the-story is genuine and necessary in order for the relationship, the community, the country to thrive.

Capulet is not a bad man. He has good intention. The play ends when he becomes capable of standing in and considering the other side of the story. Hope and equity is the promise rising from the pain.

Iago, on the other hand, is a wholly different story. His play ends in a cage with a nasty celebration of the pain, death and havoc he’s wreaked, gloating about his capacity to snare others in his big lie. All are made fools.

read Kerri’s blog post about THE OTHER SIDE OF THE STORY

Seek The Old Gods [on KS Friday]

I’m thinking a lot about gods and goddesses these day. No, it’s not a weird fixation. It’s a project, a story that involves the old gods and the new. The elemental and the angry. The unified and the divided. We make ourselves in the images of the god[s] we embrace. It’s a story about reaching back to the old gods, to a time before the worship of the great divide.

We took a walk along a trail just behind our airbnb. We were only in the mountains for a short time, long enough to have dinner and a day with our daughter and her beau. On the trail we turned and gasped. The mountain towered above all things. It reached to the sky. So majestic in its presence, it did not look real. “Now, there’s an old god,” I whispered to no one. It challenges one to know it, to climb it and participate in the beauty and the ascent – with no opinion at all about who might deem themselves chosen or not. It does not discern nor divide. It reminds. You are this. Climb and breathe the fresh air.

Kerri saw hypericum berries [“You say hypernicum, I say hypericum, let’s call the whole thing off…”] in the grocery store. “These would look lovely on our table!” she exclaimed. They came back to the airbnb with us and found themselves placed in a fine Ball jar sitting in a prime spot on the table. She was right. Lovely. We did a bit of research and discovered that 1) no one can agree on the spelling of the berry [or they’re two different things but we could not discern the difference], and 2) it is often used as a winter wedding flower. Winter’s daisy. Red on green giving its color and presence at unions. “Another old god!” I declared to no one. Elemental. Till death do us part where we will once again unite.

She wrote a note of gratitude and placed the corner beneath the Ball jar that held the hypericum. “Our host will love these!” she said. Gratitude adorned with beauty. We hated to leave but had run out of time. We had to hit the road. We stood at the door and breathed deeply of the mountain air. More gratitude. The blue sky ringing against the red rock of the western slope. Old gods everywhere.

“We’ll be back soon,” I said.

“Maybe we shouldn’t leave,” she whispered.

“But oh if we call the whole thing off then we must part,
And oh, if we ever part, then that might break my heart.”

You say hypernicum. I say hypericum. Winter wedding. Both/And. Gratitude and mountains. Old gods. Old gods everywhere.

read Kerri’s blog post about HYPERICUM

kerri’s albums are available on iTunes

Go Home [on KS Friday]

Haiku From The Road

The blue mountains rise,

Like phantoms from the prairie.

Cairns to the way home.

Read Kerri’s blog post about THE WAY HOME