Perspective | The Direction of Intention

Discover The Miracle [David’s blog on Two Artists Tuesday]

Posted on November 14, 2023 by davidrobinsoncreative

The wide strip dividing the parking areas hosted a vast colony of Shaggy Mane mushrooms. From a distance they looked like an epic creation of Andy Goldsworthy. There were so many, made stark white in the sun, that they begged a closer look. “What is that?” she asked. I had no idea.

We’ve all seen pop-up memorials, a sea of markers or flags placed in a field to represent the number of people lost. From far away the colony appeared to be one of those. Human made. A tiny-yet-vast shrine. A passing car stopped abruptly. The driver jumped out with his camera. We were not alone in our curiosity.

They did not come into focus until we were right on top of them. “Mushrooms” she gasped and reached for her camera. My head spun. Not human but nature made! The shock of realization made me laugh. I was almost relieved that, in these times, we’d discovered a miracle of abundant life and not a memorial to unimaginable loss.

The thought gave me pause.

I turned to face the sun and closed my eyes. I listened to the rustling leaves and her care-full excitement at capturing images without damaging the colony. I smelled the crisp air and wished to be nowhere else. Miracles of abundant life.

read Kerri’s blogpost about MUSHROOMS

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Filed under: Gratitude, Metaphor, Perspective, Two Artists Tuesday | Tagged: abundance, abundant life, Andy Goldsworthy, artistry, bloggers, composer, curiosity, david robinson, davidrobinsoncreative.com, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, loss, memorials, miracle, miracles, mushrooms, painter, photographer, presence, present, realization, shaggy mane mushrooms, shrine, story, studio melange, the melange, two artists, writers | 2 Comments »

See What You See [David’s blog on Two Artists Tuesday]

Posted on November 7, 2023 by davidrobinsoncreative

In the 1960’s it was called a mantra. Today, we’d call it branding: “What you see is what you see.” The mantra-brand for minimalist art. Rather than capturing an image or referencing an emotion, the minimalist desired to expose forms and materials in the pursuit of essence.

Artists are not separate from the times in which they live. The minimalist movement arose following the second world war. These artists were young men and women who, early in their lives, experienced the reality of fascism; a rhetoric of purity masking mass murder. A promise of the return to greatness with the actuality of thuggery fueled by pathological lies. The promise of greatness has never aimed so low or been more feeble.

Is it any wonder that the young artists of that time desired to expose forms and materials. To pull off the mask of the promiser and expose the essence of the message? They understood the necessity, the real human cost, of investing in an empty illusion. A delusion of past greatness that never existed in the first place. Anger is easy to exploit. Division is easy to create. Gaslight illuminates a path to nowhere.

As history tries to repeat itself and thuggery at home and worldwide is on the rise, perhaps a return to minimalism is the antidote we require. Turn off the noise. Expose the form and the materials used. Circle back to the minimalist mantra: what you see is what you see.

read Kerri’s blogpost about MINIMALISM

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Filed under: Art, Perspective, Two Artists Tuesday | Tagged: anger, artistry, authoritarian, brand, david robinson, davidrobinsoncreative.com, delusion, division, essence, exploitation, fascism, form, gaslighting, illusion, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, mantra, material, minimalism, minimalist art, pathological lie, story, studio melange, the melange, thuggery | 2 Comments »

Aim The Magic Lens [David’s blog on KS Friday]

Posted on September 15, 2023 by davidrobinsoncreative

“That men do not learn the lessons of history is the most important of all the lessons of history.” ~Aldous Huxley

You may be as amazed as I to learn that Dogwood is not Doll’s Eye. They have a similar creepy Seussian stare but are not kin. In this brave new world, all we need do is aim Google Lens at the question, “What is that?” and, voila! An answer!

I delight that I am living in the time of easy access to information. I could not write as I do without instant access to synonym and antonym, the lighting fast check-of-fact or spelling, the interesting variations-on-a-theme that pop up the minute I jump down a thought-rabbit-hole. Technology has made it possible for me to be a writer. Were I confined to pen and paper my output would be minimal and certainly impossible to read.

Easy information means easy misinformation. It means easy mass-misinformation. If I were the wizard of the universe I’d provide everyone with a Google Lens for information. All we’d need do is aim our magic lens at a pundit, news-bit or politician and, voila!” Accurate or Absurd or somewhere in between! It would make it fairly impossible to toss a lie into the commons and get away with it.

It’s not that I am enamored of just-the-facts. I’m not. I write stories so I prize a good dose of imagination. But in our time, knowing the difference – or caring about the difference – between fact and fantasy – is tantamount.

One of the great challenges of our brave new world is the intentional passing of fantasy for fact. For instance, Florida. If you are a student of history you’ll recognize in Florida (and, now, sadly, other states) the resurrection of the Lost Cause narrative, a history bending education initiative driven hard by the Daughters of the Confederacy at the conclusion of the Civil War. White supremacy sweeping its dark-side under the rug. Lipstick on a history pig.

I’m capable of imagining that my magic Google Info-Lens would put a stop to the cycle of non-sense but it’s starting to dawn on me that Aldous Huxley had it right: at this moment in history, we have the capacity to check every story, to look up every assertion, to scrutinize every source. It may not be as lightning fast as my imagined Lens but it’s close. We simply choose not to use it. It’s so much easier to believe without question than it is to question a belief.

“Huxley feared the truth would be drown in a sea of irrelevance.” Well.

Today on the trail I learned in a nanosecond that a Dogwood is different from a Doll’s Eye. I know it is possible to assert that slavery was on-the-job-training but it takes a dedicated-head-in-the-sand – and a heart full of ugly intention- to drown the truth of history in a sea of utter non-sense.

No lessons learned. No questions asked. Oops. Here we go again.

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about Dogwood

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Filed under: Education, KS Friday, Perspective | Tagged: Aldous Huxley, Amusing Ourselves to Death, artistry, belief, Brave new world, david robinson, davidrobinsoncreative.com, fact, fantasy, Google Lens, history, imagination, information, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, lie, Lost Cause narrative, misinformation, Neil Postman, nonsense, questioning, questioning a belief, questions, story, studio melange, the melange, truth, white supremacy | 3 Comments »

Triangulate [David’s blog on KS Friday]

Posted on September 8, 2023 by davidrobinsoncreative

It had to fall just right. What are the odds? When it snapped from the trunk, it fell into a perfect three-point cradle? Three points of contact.

Three-points-of-contact is the rule for safe climbing. It’s a shorthand phrase, like “turn-around-don’t drown,” the mantra meant to pop into your noggin at the moment you think it’s a good idea to drive through a flooded section of road. Three points of contact make it harder to fall.

A few years ago I collected conceptual models defined by three elements. Look around and you’ll find them everywhere, from brain processing to filmmaking, it seems that the three-points-of-contact rule provides stable footing for complex models of meaning making. Father-son-and-holy ghost. Brahma-Vishnu-Shiva.

Every story has a beginning, middle and an end. Though, no one tells us that the end is a new beginning in search of an unknown middle en route to an end. I’m currently working on a story and realized that I often tell myself to “triangulate.” Two plot points are a line, the third gives the story shape, depth, and movement.

The best visual compositions work on a model of thirds. Drawing a face is best learned by a rule of three. Many Renaissance paintings are built on a compositional triangle. Perspective works with three points even when we call it two-point-perspective.

Take heart. If you are lost, your rescuers will certainly triangulate to find your location.

As you walk through the day today, notice the patterns of three that are swirling all around you. Red light, yellow light, green. Like a limb falling from the sky, you might discover yourself cradled.

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LIMB

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Filed under: KS Friday, Pattern, Perspective | Tagged: artistry, composition, david robinson, davidrobinsoncreative.com, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, models, perspective, story, studio melange, the melange, three, three points, triad, triangle, triangulate, trinity | Leave a comment »

Be Unbearably Small [David’s blog on Two Artists Tuesday]

Posted on September 5, 2023 by davidrobinsoncreative

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.

Filed under: Art, Creativity, Gratitude, Identity, Perspective, Two Artists Tuesday | Tagged: artistry, awe, change, david robinson, davidrobinsoncreative.com, Eugene O'Neill, guides, heart, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, mentors, perspective, purpose, reflection, reminiscence, story, struggles, studio melange, the melange, wonder | 3 Comments »

Clear Your Mind [David’s blog on Merely A Thought Monday]

Posted on September 4, 2023 by davidrobinsoncreative

There’s nothing like a walk in a garden to clear your mind. It was the end of the week – or was it the beginning? In any case, our brains were overloaded. We sought a garden.

So the story goes, Adam and Eve lost their spot in the garden. They ate from the tree of knowledge and started to think about things. They became self-aware, a by-product of apple-eating, they had to tell stories of where they’d come from. They had to tell aspirational stories of where they wanted to go. They made rules. Look back. Imagine forward. Neither direction is true in the absolute sense of the word. Memory and imagination are not fixed. They are fluid, changing, like a stream.

Listening to our stories it’s easy to conclude that this good earth couldn’t possibly manage without us. As global weirding progresses, it’s likely that we’ll learn the opposite of our control-story is the case: we can’t possibly manage without the good earth. We may have to adapt our narrative! We may have to consider that the garden and its many inhabitants didn’t really need names; we invented knowledge-management to suit our purposes. We might need to recognize that we invented all forms of management to suit our narrative.

We like to tell stories of being in control, of being at the top of the pyramid. We especially like narratives placing us at the center of the universe – and the micro level variety: being the chosen ones. Believing that it all spins around us is, well, comforting. Or hubris. Or both.

Of course, our story is pocked with kill-joys like Galileo. Though, to be fair, even though his telescope proved beyond a shadow of a doubt that humanity is NOT at the center, it’s had very little impact on our dedication to being all important. Above it all. We are a tenacious bunch when our story of primacy is threatened.

I was especially moved by the sign in the garden and wondered what it would take for us to turn the tables and imagine ourselves as part of the spinning universe rather than above-it-all. There are plenty of examples to draw from, humans in symbiotic relationship with their garden. Listening rather than instructing. Spinning with.

I think that is why, when our brains are overloaded, we head to the garden. A return to our senses. We breathe. We listen. We feel. We clear our minds and, even for a moment, re-enter a naturally healthy relationship.

read Kerri’s blogpost about HEALTHY RELATIONSHIPS

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Filed under: Identity, Merely A Thought Monday, Metaphor, Perspective | Tagged: artistry, climate change, control, control fantasy, david robinson, davidrobinsoncreative.com, feeling, galileo, garden, gardens, global warming, hubris, imagination, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, knowledge management, management, memory, naming, northwind perennial farm, primacy, self awareness, senses, story, studio melange, the melange | Leave a comment »

Share Through Your Eyes [David’s blog on Not So Flawed Wednesday]

Posted on August 30, 2023 by davidrobinsoncreative

We slept on the living room floor last night. Our chugga-chugga air conditioner doesn’t reach our bedroom at the back of the house. Record breaking heat drove us to improvisation. “We’re camping!” we exclaimed, spreading blankets on the throw-rug, Dogga jumping with enthusiasm into our bed-making-attempts, ruffling our efforts.

In the morning, we could barely move. “My shoulder is killing me!” I whined.

“My hips are burning,” she frowned.

We laughed and together howled, “OUCH!” I creaked to the kitchen to make coffee.

While waiting for the coffee to brew I thought of the underpass. On Saturday we explored a new part of the river trail that ran beneath several busy roads, including the interstate highway. As we left the heat of the sun and entered the cool of the underpass, Kerri asked, “Do you think people sleep under here?”

“Yes, I do.”

Standing at the coffeemaker I was awash with thankfulness. I slept on the floor by choice. Our dog woke us this morning nuzzling our faces. Our ancient air conditioner kept us cool through a brutally hot night. We laughed at our aches and pain.

It’s funny the way thoughts tumble and connect with memory, constellating into well-worn images or plowing new conceptual pathways. Udayana University, Bali. One of my graduate school peers had just completed a presentation on homelessness in the United States. The Udayana faculty was horrified. “But you are the richest country on earth,” a wide-eyed Balinese professor stuttered. “How can you let a member of your community go without a home?” To him, it was the height of shame for a community not to care for their own. It was, in fact, inconceivable. This moment was central to my memory: I saw in his eyes the high esteem he held for us fall into the dark basement. He was suddenly very proud to be Balinese. His community might not have financial resources but they had a form of wealth that made paupers of his American guests.

“It’s the contrast principle”, 20 says. Oppositions illuminate. Cultural differences clarify. What we normalize we cease seeing. I’ve stepped over people sleeping in the street. In Seattle, I routinely rode my bike on paths under a freeway lined with tents and shopping-cart-possessions. In Bali, a man stopped his work in the fields and walked with me because it was rude to let a guest walk alone. We did not speak because we did not share a common language. When I reached my destination, we nodded and shared through our eyes that most universal of gratitudes: genuine appreciation for the companionship of the other; an authentic wish for the well-being of all.

read Kerri’s blogpost about THE UNDERPASS

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Filed under: Flawed Wednesday, Gratitude, Perspective | Tagged: appreciation, artistry, Bali, community, companionship, cultural differences, culture, david robinson, davidrobinsoncreative.com, Gratitude, homeless, homelessness, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, privilege, story, studio melange, the melange, wealth | Leave a comment »

Be An Alien [David’s blog on Two Artists Tuesday]

Posted on August 29, 2023 by davidrobinsoncreative

“We are in an alien world…” he wrote, “and it is unraveling.” Somedays I wonder if I went to sleep and woke up in a tragicomedy. I wanted to reply that I feel more and more like an alien moving through an increasingly unrecognizable world. Well, truth be told, I’ve always felt like an alien. The rules of the game make no sense to me. For instance, if safe supportive society is what we seek, why are we arming ourselves to the teeth? I imagine I am not alone in my alien-feeling.

Walking the trail Kerri stopped and pointed. “Doesn’t that flower look like a spaceship?” Yellow petals stretched-like-wings in every direction. “Imagine the cool aliens!” she said, kneeling to take a photo.

The word “alien” brought to mind the recent congressional hearings on UFO’s (or UAPS: unidentified aerial phenomena). The hearings were a discussion about what we know. “No, really,” asked the panel, “What do we know?” It’s not known what we know or it’s known but concealed to the point of being unknown. The unknown is what makes an alien an alien, so, apparently, we’ll remain aliens to each other in the foreseeable future.

I had a jolting revelation yesterday. Kerri and I watch vlogs of PCT through-hikers. People who walk 2650 miles from Mexico to Canada. Thousands of people start the trail each year and only a small percentage actually finish. It seems a herculean task. They have tents, travel stoves, proper shoes, all-weather clothes, resupply stops, rest days and are well-funded. They speak lovingly of the kindness of strangers on the trail. In contrast, a hungry person leaving the Honduras walks approximately 2,558 miles, often with few or no resources, through dangerous and hostile environments, to reach the border of the mythical United States. Rather than celebrating their spirit, their fortitude and perseverance, qualities to be admired, qualities we celebrate as uniquely American, we vilify these people, calling them “aliens.” They do not tell stories of the kindness of strangers.

If you boil down the storyline of most apocalyptic-alien-invasion films, you’ll find the same inspiring moment. Humanity turns from its division and finally recognizes that ultimate survival necessitates combining forces, acting as one. Identifying as one. Transcending superficial differences and abstract lines on a map, redefining “us” to include “all human beings.”

He concluded his email with this: “I’m waiting for the crisis to finally arrive and further devastate us. At least then we can get to the Awakening phase during which we will come together and reunite as humankind.” He’s referring to the book The Fourth Turning. The cyclical pattern of chaos and order.

The question that identifies me more and more as an alien is this: why does it take a crisis? I know, I know…the rules of the game make no sense to me. And, after all, nature uses forest fires for renewal. I know, I know. Yet, why point a gun when extending a hand actually produces the safety and security we ultimately seek? Reaching creates kind humans; pointing a gun creates unkind humans. What am I missing? We always pull together in a crisis – it’s our natural impulse – so why wait for a crisis?

We are strange beings. Our stories are universally driven by conflict. Unknown to each other, we opt to be frightened of what we don’t understand (or refuse to consider). I’ve read that we are hardwired and dedicated to an Us-and-Them world.

I’ve also read that the purpose of our big-big brains is to transcend our animal nature so I’m confident that, one day, in the far distant future, our big-big brains will respond to the latest crisis and transcend our ancient hardwiring.

read Kerri’s blogpost about ALIEN FLOWER

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Filed under: Identity, Metaphor, Perspective, Two Artists Tuesday | Tagged: alien, aliens, artistry, conflict, david robinson, davidrobinsoncreative.com, division, gun control, guns, humanity, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, reunite, spaceship, story, studio melange, the fourth turning, the melange, UAPS, ufo, ufos, unifying, unite, unity, unknown, us and them | 3 Comments »

Check Your Reaction [David’s blog on KS Friday]

Posted on August 25, 2023 by davidrobinsoncreative

I confess to being disconcerted. At lunch, Kerri asked me a question about my blog so I typed “the direction of intention” into Google. The top slots were a prayer, rather, a type of prayer originated by Saint Francis de Sales. “Oh, No!” I thought. I don’t want my blog to be associated in any way with any church or any religion. “I hope people know that I am not that,” I said, surprising myself with the vehemence of my sentiment.

We’d just finished reading and discussing a Washington Post opinion piece, I Left The Church And Now Long For ‘A Church For The Nones.’ “… I couldn’t ignore how the word Christian was becoming a synonym for rabidly pro-Trump White people who argued that his and their meanness and intolerance were somehow justified and in some ways required to defend our faith.” So Perry Bacon, Jr.’s very interesting opinion piece was fresh in my mind.

So, too, was a passage I’d read earlier in the day from Vāclav Havel‘s book, Disturbing The Peace. The interviewer asked him to define “absurd theatre” (Havel wrote absurdist plays). He responded that absurdist theatre “demonstrates humanity in a ‘state of crisis’…it shows man having lost his fundamental metaphysical certainty, the experience of the absolute, his relationship to eternity…, in other words, having lost the ground under his feet.” In my mind, he could not have written a more prophetic or accurate description of our times. We are untethered without a functioning moral compass. We are awash in a flood of content mostly bereft of shared context.

I attended a Catholic college. I am not Catholic. I have never identified as Christian or Buddhist or Hindu…Yet, I am not an atheist. One of my favorite memories of my college years are the many conversations I had with Father Lauren sitting on the stoop of the barracks, sipping tea, discussing his faith and my belief. We explored ideas. We compared and contrasted philosophies. We laughed. We asked questions. We considered and expanded each other’s point of view. We respected each other’s differences because we were both driven by a desire to do good for other people. We shared a common intention. A common direction of intention. We both believed in “something bigger” but did not share the same idea of what “something bigger” might be.

Suddenly, I yearned for that time of openness of thought and generosity of sharing opposing points of view. I imagined sitting again with Father Lauren. Eschewing any black-or-white opinion, attempting to practice what I preach – to practice what I believe – I clicked on a few of the links of Saint Francis de Sales. I read. I wanted to know rather than to judge.

I read that Saint Francis de Sales was noted for “…his deep faith and gentle approach to the religious divisions in his land…” We could use some gentle approaches to division in these rabidly discordant times…This also caught my attention: the direction of intention, the heart of Salesian spirituality, is a practice of prayer consciously directing to god what you are about to do… In other words, intending goodness of action.

My definition of the direction of intention: it’s not about what you get, it’s about what you bring. Saint Francis de Sales and I are not so far apart in our direction of intention. Other-focused. Purposive goodness. We both encourage consciousness of action in the world and awareness of the impact of our actions on others.

So, I amend my initial thought: I do not want to be associated with any church or religion, but there’s plenty of common ground to share when we’re driven – and united – by a conscious desire to do good for other people.

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about HEART LEAF

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Filed under: KS Friday, Language, Metaphor, Perspective | Tagged: artistry, belief, common ground, david robinson, davidrobinsoncreative.com, disturbing the peace, faith, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, Perry Bacon Jr., philosophy, religion, Saint Francis de Sales, spirituality, story, studio melange, The Direction of Intention, the melange, The Nones, Vaclav Havel, washington post | 3 Comments »

Find Up [on KS Friday]

Posted on August 18, 2023 by davidrobinsoncreative

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.