Laugh With It [on Merely A Thought Monday]

Yesterday we celebrated an anniversary. Nine years ago we spoke on the phone for the first time. An offer of a free coaching call changed both of our lives. Kerri said, “Just think, we talked on the phone nine years ago and all hell broke loose.” I laughed. Her comment was, above all things, an understatement. Our road together has been both magical and tumultuous.

This season we are sitting on the cusp of the new. Appropriately, before turning our eyes to what’s-next, we’ve been looking back, sense-making what-was. We’re cleaning out. Making sense of the past is making space for the future. More than once I’ve said to myself, “If I knew then what I know now, I would never have had that problem. Or made that mess. Or tolerated that situation.”

What do I know now that I did not know then? Things are messy. Most of the ogres I fought existed nowhere but in my head. Some did not, but what was true of the imagined variety, the tangible ogres also were not worth fighting. “Take nothing personally” tops the list of “best-advice-ever.” Number two on the list is “Make no assumptions.” People are crappy. I’ve been crappy. People are great. I’ve been great. That’s pretty much true of everyone so a bit of grace and understanding goes a long way.

Burned into the things-I-know-now, way beyond a Facebook platitude, is this: life is as short as this moment so it’s best to appreciate everyone you love in this moment. For us, 2021 was the year of water but also it was a year of loss. Our sweet BabyCat left us quite suddenly. Our dear H passed in the summer. Peter died. We learned that Lance died, too young. My dad passed in September. And Ruby followed not long after. There are so many things I wish I’d said or done for Ruby. There were tug-of-wars that I had with my dad – that ate up months of life – that seem utterly silly to me, now.

The boxes that are coming out of my inner-attic are stuffed with the-need-to-be-right. Justifications. Explanations. Control fantasies. Armor. They are quite heavy and I am relieved to be tossing them into the bin.

I hope I am turning my face to see what Quinn knew and tried to teach me. Relationship is a messy business. No one knows what they are doing. There’s abundant love in all of it and it’s made visible when you choose to laugh with it rather than fight with it. The important stuff is lost or found in the very heart of the mess.

read Kerri’s blog post about MESSY

Dump The Mystic [on saturday morning smack-dab.]

Years ago a woman broke up with me because, “Dating a mystic was too hard.” What she really meant but-was-too-polite-to-say was that I was broke and artistic and the stuff that came out of my mouth was not normal. I’m just not good at cocktail parties where office politics and investments drive the dialogue. I spend my time wondering why I – and now we – were invited. That, and I can’t help but ask questions that go beneath the blather-layer. I am an artist with a weak-inner-editor. I want to know what makes people tick. You’d be amazed – or not – at how frightened people become when asked what passions lurk behind their portfolio. It’s a conversation stopper every time.

It was a great relief in my life the day I met Kerri. We were at O’Hare airport. I locked fingers with this woman I’d never met and, together, we skipped out of the airport. Our hearts were singing so skipping seemed natural and appropriate. Apparently adults are not supposed to skip through airports. People took cover. They scowled and stared. She didn’t care either. We laughed. We skipped.

It’s probably among the reasons we don’t have a portfolio (well, not the financial type). But, at the end of my days, when weighing my choices, I’ll be most grateful that I skipped. We skipped. And laughed. And asked real questions at polite parties. And climbed through the window onto the roof to have a glass of wine – because, for us, that is normal. I will also be grateful for learning – after a lifetime of introspection – to simply give voice to the real stuff BECAUSE it always comes to my mind.

read Kerri’s blog post about NOT NORMAL

smack-dab. © 2021 kerrianddavid.com

Await The Return [on KS Friday]

This time of year I do a lot of staring into the night sky, pondering vastness. Reflecting on the year. It’s what we’re hard-wired to do as we approach the darkest night of the year. And, along with the darkest night of the year, comes the turning point. The return of light. This fact of earth’s orbit has spawned ritual, religious metaphor, and all manner of contemplation, letting go, setting new intentions, since humans first started, as I did last night, looking into the sky. We feel our smallness looking into the face of starry infinity.

This year there’s a delightful serendipity associated with the solstice. We cross the line from darkest night to return of the light on December 21. On December 22nd, as we creep our way back into light, the James Webb telescope will be launched into space and, when it unfurls and points its lens into other star systems, it will be looking for life on other planets. It will be looking for other beings staring into the night sky who might also be pondering their relationship with the universe. I look at you, you look at me.

We are candle people. We light them all the time for various reasons, marking auspicious occasions or simply to lift our spirits. We bought a menorah this fall. Kerri’s clan is religiously complex and we wanted to celebrate Hanukkah with her cousins. I read a bit since I am fond of finding the roots of rituals. I learned that the menorahs with seven branches, among other things, represent the five visible planets plus the sun and the moon. The rounded shape of the branches represents their trajectories across the sky. We lit the candles each night, singing poorly but with love and conviction the prayers. Connecting with her cousins, connecting with the light and pondering our place in a spinning universe.

Sitting at my desk, upstairs, too long staring at a computer screen, I heard her at the piano. I crept halfway down the stairs not wanting to break the spell. She played a carol, quietly. It’s rare these days that she plays. Broken wrists. Resistant fingers. Bruised heart. Yet, the piano calls. The lighting of the candles, the quiet pondering of “what’s it all about”, has made a crack in the darkness. There is a vast inner universe, too. We shoot telescopes into our selves. I look at you, you look at me. Smiling on the steps, I realized that I am anxiously awaiting the return of the light.

read Kerri’s blog post about LIGHT

Throw Some Light [on KS Friday]

“The principles of true art is not to portray, but to evoke.” ~Jerzi Kosinski

Out of seeming chaos, pattern is found. And, from pattern, chaos is born. It’s a creative cycle. I spent some time this week swimming up the river of systems theory, synthesis instead of analysis. The means of production in an agrarian economy; the means of production in an industrial economy; the means of production in an information economy. The relationship between the methods and materials, the behaviors and the purpose, systems take on a life and energy of their own. The toil to feed more people led to toil to automate to relieve manual toil, led to automation to relieve intellectual toil, will lead to… we can only imagine. And, we do imagine: imagination is the relationship between the present and the future. Stand back and you’ll see, amidst the mess and chaos, we attempt to evoke a better world.

It is not a coincidence that a banana taped to the wall is considered art in an age in which Tucker Carlson is considered a source of truth. Ironically, in the golden age of information, we are befuddled by vapid minds and empty suits. Bananas and duct tape. Shock without substance can only evoke anger and will illuminate nothing. Anger for anger’s sake can only destroy. There’s no nourishment in all of this anger candy but it is certain to lead to national-diabetes and rot our teeth.

Marcel Duchamp, at the beginning of the last century, entered a toilet as sculpture in an art exhibit. He lived and worked in the age of industry at the threshold of mass production. His gesture had purpose and aesthetic framing. What was formerly craft and individual creation was now stamped into being on an assembly line. That’s old news to us but, in his time, it was a shocking revelation. A world war was raging. The collision of old practices meeting new technology was playing out on the battlefield. His exhibit entry evoked questions about loss and gain in the dawn of a new world order.

Sometimes it seems that we are spiraling into chaos. Polynices and Eteocles, brothers who will not compromise, kill each other in a battle for dominance. All lose. A father’s curse fulfilled. In our great art, the work that evokes truth and throws light to our hearts and minds, we have all the guidance we need – if we choose to pay attention. Yesterday I wrote to Mike that it seems we will need to walk the path of Romeo & Juliet: “Two households, both alike in dignity…”will lose their children to violence rather than sit down at a table and earnestly talk. And, when it is too late, when the primary is lost, the formerly indignant will sit and mourn together.

Chaos. Pattern. Sometimes the pattern is chaos. The children die. The mother takes her son across state lines with a big gun and pretends, after he murders people with his big gun, that his crime was self-defense. Bananas taped to a wall. A judge who broadcast to all that a guilty verdict might trigger his decision for a mistrial. He’ll just wait and see if he agrees with the jury. So, here we are. Lady Justice takes off her blindfold and takes sides. Is there a more profound statement of ethical collapse? In the age of information, misinformation gets equal billing; anger-candy.

What might Duchamp put on his pedestal today? What might evoke an honest conversation, throw some light and love, on what is lost and what is gained?

read Kerri’s blog post about FIRE AND SMOKE

Kerri’s music is available on iTunes and streaming on Pandora

Hold A Greater Space [on Merely A Thought Monday]

The sun was setting as we drove away from the memorial service. A celebration of life. We were quiet, lost in our thoughts. “I don’t know if I’ve ever before been to a celebration of life where I LEARNED something about life,” Kerri said. I was thinking the exact same thing. I’d just received a master class on how to live a good life. I just learned about the untenable nature of love.

It was Nancy’s service. Her husband of many years spoke. Her daughters spoke. Her stepchildren sang and read poetry. She was a longtime member of the church so the pastor told stories about her. The service was alive with laughter and with tears. Both. People applauded at the end of the slideshow, a photographic journey of a life that began in 1933.

We are inundated with notions that ‘the good life” should have no pain. It should be above hardship. Nancy’s life did not support that half-narrative. She experienced canyons of loss. As her daughter said, “She could have become hardened and bitter.” But, she didn’t. She didn’t ignore her pain or deny it, she allowed it. It was part of the color of her life. She did as the Buddhists recommend: joyfully participated in the sorrows of the world. She participated. She chose. She decided. She created.

She surrounded herself with flowers and loved her garden. She made her table a magnet for family and friends. She did not sit and complain, she had no time for woe-is-me. She found opportunities to give and engage. Story after story of a woman, even in the heat of cancer, while awaiting the results of the latest scans that would determine the number of days she would have on earth, turned trips to the doctor into opportunities to shop with her daughters. Lunches. Expeditions to a beloved bakery. Create the extraordinary in the simple moment, regardless of the circumstance. We heard again and again these companion phrases, “She chose love.” The pain and the love, “Both belong,” Heidi said.

In an intentional life, one does not negate the other. Tragedy and triumph. Devastation and joy. It’s a decision. Where we focus will determine our experience of life. Nancy stood in her pain and uncertainty; she had every opportunity to become bitter. Instead, she focused on love. She created it. Nurtured it. Grew it. Offered it. She didn’t deny her pain. She held space for it in a greater container.

It was apparent in the laughter evoked in the stories told, it was apparent in the generosity of the service we experienced. This was not a Hallmark movie. It was a celebration of a life of texture, of impossible mountains to climb and of enormous blessings. It was the lesson Nancy lived because it was woven through every story told about her. “It’s what she taught me,” Heidi said, “Both belong.”

read Kerri’s blog post about BOTH BELONG

See The Dance [on Two Artists Tuesday]

“You can only push the truth down for so long, and then it bubbles back up.” ~ Cassandra Clare

“Oh, for the wonder that bubbles into my soul.” ~ D.H. Lawrence

Last night we made a fire in the fire pit. We decided to have a pop-up dinner by the fire so we set up our table, lit candles, poured some wine, and brought our dinner out under the stars on a chilly October night. There wasn’t a cloud in the sky so we looked at the stars. We wondered if the brightest lights were planets.

There are many, many works of art from a genre in the Middle Ages known as the Dance Macabre. Dance with death. The scary images were meant to remind people of life’s fragility, its passing nature. They were also meant to point out the obvious: we are all united in our final destination. No one is better or worse than any other in the grand scheme of things, in the Dance Macabre. In the Middle Ages, the allegory was meant to suggest it was best to aim your focus at the afterlife. Do good works as an investment in your future or go to the fiery place below.

Were I to paint a series of Dance Macabre images today, my intent would be the exact opposite: aim your eyes at this moment. There is nothing more precious or wonder-full than this moment. If there is a heaven, it is now. And, it will go unnoticed if the dance is not acknowledged. There is no sadder phrase on earth than, “Same-old-same-old.”

According to some cultures, I am now in sacred space. I’m seeing all things relative to my dad’s recent passing. Sitting by the fire, our dinner complete, we talked about his death and my inability lately to invest too much emotional energy in anything. Things that would have upset me a few months ago barely register. I’m watching the usual list of anxieties and worries drop off. Why would I give an ounce of my wonder to something so…small? Perspective is the gift of the dance macabre. Clarity of sight and intention comes with this kind of perspective.

We clinked our glasses, the cold night and the heat from the fire colliding around us under the stars. DogDog slept on the deck, a few feet away. We realized our moment. Fully. Magic was alive, bubbling everywhere.

read Kerri’s blog post about BUBBLES

Light A Candle [on DR Thursday]

A Double Haiku

Candle on a rock,

His favorite fishing hole.

Observance, our own.

Electric aspen,

Trout slide through glassy water.

Quiet, like his voice.

read Kerri’s blog post about OBSERVANCE

www.davidrobinsoncreative.com

See The Shape [on DR Thursday]

The Balinese would call this an auspicious day. They would never perform a funeral rite on a day that was not promising. This soul will come back in seven generations and requires a providential sending.

The Greeks placed coins on the eyes of their departed loved ones. Fare for safe passage over the river Styx.

Columbus’ son will give his eulogy. His son-in-law will guide the ritual. His granddaughter will sing for him. His daughter-in-law will play her compositions, prelude and postlude, and sing a special song for him. His coins are his family. They will pay his passage. Actually, that his family will perform every aspect of his service – his sending – is testament to his earth-passage, what he did during his time while walking on this planet.

Heart.

We laughed while driving across Kansas. The day was fraught with obstacles. Breakdowns and high winds. “Columbus is making this trip eventful,” I said. He was full of mischief.

“I can see that sparkle in his eye,” Kerri responded. Nothing was going to stop us from getting to his service. Nothing. Not even mischief.

I have often been asked, “What is the shape of your day?” A curious question to ask a visual artist. “Not flat nor two-dimensional,” I think but do not say. “Certainly organic. Not geometric. My days are rarely geometric.” I never know what lines-of-thought or surprise events actually close to give definition to my day until the end, when I stand back and look at the whole. That is true for all of us. No one knows the shape of their day at sunrise.

Today, the lines have closed so we gather to look at the shape of Columbus’ life.

Heart. Big heart.

read Kerri’s blog post about HEART LEAVES

Columbus circa 1998

Feel The Empty Space [on Two Artists Tuesday]

A Double Haiku

With the harvest moon,

he waned and found his way out.

A return to earth.

His whisper, the wind.

Invisible yet present,

We hug empty space.

Read Kerri’s blog post about STAR FLOWER

Say, “Hi Pa.” [on Two Artists Tuesday]

Our morning ritual involves turning on the coffee, feeding Dogga, opening the windows, and greeting the plants. As part of our intentional beauty creation this summer, we surrounded ourselves with succulents and plants that called out to us. The plants have names: KC, Boston, Ralph, Spiky, Lil’ Bitch (she bites if you’re not paying attention). We call this beauty Snake-In-The-Grass.

We have to reach over Snake-In-The-Grass to open the back window. It’s an awkward maneuver and my elbow inevitably hits-and-sounds the bamboo chime that lives above and to the left of Snake-In-The-Grass. I don’t know when it started, but each time that chime sounds, I automatically say, “Hi Pa.”

Pa is Kerri’s dad and the bamboo chimes were his. I never met him, he passed before I met Kerri, but I have a nice relationship with him. I feel that I know him. Knew him. Kerri talks of him often. I swear he touched my shoulder one night, early in our relationship when we were in Florida visiting Beaky. It scared the hell out of me. It was a sweet touch, approval (I hope). That single touch began my relationship with Pa. I invoke him when I’m doing home repairs. I sit with him when Kerri is driving me nuts. He nicknamed her “Brat” so I usually ask his advice for how to navigate The Brat. He never answers but he does laugh out loud. Kerri and I both wear on our wrists a length of pull-chain that came from his workbench.

We received news the other day that my dad is failing fast. The message in the email was, “This may be it.” It. I.T. Two letters that point to the unfathomable. The inevitable. Later, after receiving the email, I was closing up the house for the night and I brushed the chime with my elbow. “Hi Pa,” I said, and my voice stopped me in my tracks. The bamboo whispered. A second touch on the shoulder. Reassurance.

“Thanks, Pa.”

Two dads. Pa. Columbus. Rich, rich relationships. Time moves. The nature of the relationship changes. I fear it and am comforted by it. The wind gently sounds the bamboo. Snake-In-The-Grass makes me reach. An awkward maneuver. A lovely way to begin and end the day, the certainty of a father.

read Kerri’s blog post about SNAKE-IN-THE-GRASS