Touch The Liminal [on KS Friday]

I did not know the word columbarium: a room or building with niches for funeral urns to be stored. Each niche, a life. Or two.

Bruce just sent an article from The Atlantic, The Eerie Comfort of Liminal Spaces. The article helped me put my finger on the feeling I had the day we interred Beaky’s ashes. Row after row after row of niches. I was oddly comforted standing in the Florida sun between the rows at the columbarium. I felt ancient and that feeling surprised me.

Liminal spaces are threshold places. I turned my face to the sun and appreciated how, in this liminal space, all the trials and tribulations of life fell away. The divisions dissipate. Sisyphus sits in the boat in the underworld and watches all the souls wander on the beach, believing that they are all alone, until they play out all the worries in their minds. Once their stories are “told”, they see each other, gravitate toward each other, and join together, becoming a single bank of mist. From one form into an other.

In this resting place, I felt the essence of the threshold. The comfort of a liminal space. The rows and columns are for those of us on this side of the veil. On the other side, the need to seek or tell or feel is suspended.

I reached and wrapped my fingers in Kerri’s hand. It was glorious, this capacity to feel, so under-appreciated every day. Here, I knew without doubt that touch is the ultimate liminal experience. Thich Nhat Hahn offered a meditation I appreciate (I can’t recall the book) that begins, “Darling, I am here with you.”

That sums it up.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about COLUMBARIUM

legacy/released from the heart © 1995 kerri sherwood

Choose Awe [on KS Friday]

Of course, it’s not enough to appreciate the cloud-stripes that stopped our motion on the trail. I might have painted them in one of my pieces – for no other reason other than they are a cool pattern. Of course, I would have believed I was making it up. Imagination at its finest. But, in mid-trail, to peer up and see them painted on the sky-canvas sent us into a Google frenzy. You’ll be relieved to know that striped patterns in cloud formations are due to an oscillation called the Kelvin-Hemholtz instability. Phew! Not aliens or Van Gogh run amok, just ordinary old Kelvin-Hemholtz, unstable and oscillating. Again.

Nature continues to astound me. Nature continues to blow my imagination to new heights. As an artist, I am relieved knowing that I will never create anything as perfect or profound as what nature tosses up every minute of every day. There’s nothing left to do but play in these fields and appreciate the conversation. Since I am also a unique-form-thrown-up-by-nature, respecting the conversation, having deep gratitude for the moment, wouldn’t hurt.

Standing on the trail, watching the miraculous lines scratched into the blue-blue sky, I re-realized something important: Google might be able to explain it – which is no small feat – but explaining it, labeling it, putting it into a context-box also diminishes it. It gives us the illusion that we are separate from it; that we can control-it-by-rationalization. Visitors at the zoo.

Sometimes I think awe is a better path than explanation. I imagine that we might approach global warming, weather weirding differently, if we weren’t under the illusion that we could Google nature into submission. Awe is participatory, boundaries dissolve. I-am-that. Life beyond definition, beyond category and sub-category, glimmers.

Next time, I will opt for a few more moments of astonishment before reaching for my phone. Explanations and easy answers can wait their turn in line.

Lost. In the Questions ~ Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STRIPES

lost. in the questions © kerri sherwood

Wink With Piet [on Not So Flawed Wednesday]

My first thought was of Piet Mondrian. Not the colorful compositions but a never-before-seen shadow side. Abstract reduction into simple geometry. An artistic vocabulary concerned with spirituality and universal values. I used to ponder how a utopian pursuit of the spiritual landed on clean hard geometry; bold primary colors set inside hard black lines. I’m certain that, given a similar pursuit, my visual vocabulary would have been softer. Ethereal.

It was the first snow. I looked down at the aging planks of the bench. A criss-cross-apple-sauce of workmanship dusted with white. We’ve never painted the loveseat. After so many years, so many winters and summers, rain and snow and sun, the grain of the wood is alive with texture. An aged face.

One of my favorite rituals of spring is the first sitting. After another freezing winter, another year of age, will the wood continue to hold my weight, our weight? We hold hands and sit slowly, gingerly. Our knees creak before our weight finds the planks. Like a baton pass, the wood takes on the groaning as our knees pass our load to the seat. We sit for a moment with eyes open wide. And then, after a slight bounce-test, we relax. The wood will hold. Our loveseat is like a faithful friend.

The snow melted as fast as it arrived. That is the way of first snow. Blink and you’ll miss it. Except for the love seat and matching chair, we hauled all the other summer furniture into the garage. The table and umbrella. The small ladders that serve as end tables. The fire pit. The first dusting of snow is the cue. The pond freezes so we pull the pump and fountain. Soon, we’ll stack the plastic Adirondack chairs and they’ll take the last available spot in our tiny garage. We push the loveseat to the wall beneath the kitchen window.

We stand on the deck and sigh, feeling the weight of coming winter. The dark days. For a moment, the yard seems bleak. But then, the birds land on the wire. The squirrel highway is open for business. We hear the ancient croak of the cranes in the distance. A cold gust brings a blizzard of falling leaves. A wholly different kind of abundance. The energy moves underground. A time for sleeping and quiet rejuvenation.

Simple geometry. Reduction to cold days and hard lines. Brilliant blue sky. A wink from Piet Mondrian.

read Kerri’s blogpost about THE DECK

See Your Choices [on Merely A Thought Monday]

He began with silence. He looked them all over, one fox at a time, and his eyes looked deep into theirs. Lucy wanted to hide when his eyes came to her but instead she fell into his gaze. He seemed to be listening. Then, he made up his mind, and in a voice that was both powerful and quiet, he said, “Words are strong magic, misused they are tragic, but handled with care they bring insight and good cheer. So listen, dear friends, listen with care.” ~ Lucy & The Waterfox

“Choice” is a very powerful word. Perhaps one of the most powerful.

Lucy was a story I told many years ago at a conference of healthcare workers. Actually, it wasn’t the primary story; it was an addition. The organizers asked if I had a second story in my bag o’ tricks and I’d just written Lucy.

After the conference I illustrated and self-published it. It was the early days of self-publishing so the layout is wonky. I’ve never really liked how the book looks. I’d turn Kerri loose on it if we were bored and didn’t have other things to do. We’re not bored.

Lucy makes two choices in the story. The first is to hide her special talent. To conform. The second is to own her special talent. To take flight.

She achieves both choices through the intervention of others. The first choice was made with the help of social pressure; who doesn’t want to belong, to fit in! To conform. This choice nearly kills her. The second is made with the help of a storyteller, a role model. Who doesn’t want to fulfill their passion! Follow their bliss? This choice fills her with life.

I’d write a sequel but it’s already imbedded in the first book. What happens to Lucy when she chooses the left hand path? She becomes, as all artists do, the carrier of the story, the mythologist and mythology of the pack.

Sometimes it doesn’t feel like a choice. To hide your fire. Bend to pressure. To burn brightly. Follow an inner imperative. Yet they are choices, both.

“Lucy was a red fox who lived as other red foxes do, playing in the fields and forests. But Lucy had a secret. She could fly. Not a run-and-jump-to-this-rock kind of fly. No! She could fly like a bird…”

read Kerri’s blogpost about CHOICE

Lucy & The Waterfox © 2004 david robinson

Put It On The Wall [on DR Thursday]

“What you think, you become. What you feel, you attract. What you imagine, you create.” ~ Buddha

I sometimes wonder what the Buddha might think about how words, attributed to him, are now available on Wayfair.com as posters or large decals for every living room wall. Does the ease and ubiquity of the message make it less meaningful? A decoration rather than a wisdom? Or, that we are capable of immersing ourselves in inspiration, a reminder-to-live-well in every room, are we meditating on the messages? Are we incorporating them into our actions and choices?

I’ve read that the only requirement when hanging prayer flags is to hold positive thoughts and intentions in the mind. Intend goodness and goodness will spread. That is, after all, the point of the flag. To spread on the wind goodness, peace, kindness,…

Kerri’s philosophy – her religion – is much the same as Dolly Parton: “You just try to be nice to everybody ’cause you know everybody’s got a dream.” Kerri’s version: “If it’s not about kindness it’s not about anything.” It’s simple.

Minds are powerful things. It’s why stories are so impactful; stories are the stuff that fills-the-minds. What you feel. What you think. What you imagine. It’s not passive. Although a trick of the English language, your thoughts, your feelings, your imaginings, are not really separate from “you.” They are you. The story you tell yourself about yourself in the world.

I suppose that’s why we rub the sentiment onto the living room wall. A desire to be better in the world. To tell a better story. Better about each other. Better for each other. What else?

read Kerri’s blogpost about PRAYER FLAGS

in serenity © 2018 david robinson

Connect The Dots [on Two Artists Tuesday]

A curious sentiment painted on the concrete support wall of a busy overpass in a burgeoning city. Crumbling cement sidewalks, hard asphalt, steel cable supports securing a post just outside of the picture frame. A message about bridges painted beneath a bridge.

People hustle by as if there was no time to spare. They drive fast over and around the curious sentiment. The painter-of-the-sentiment placed it adjacent to a stoplight. Perhaps, while revving their engine, awaiting the return of the green light, a motorist might turn and read the thought. Perhaps the motorist might breathe it in. Perhaps the motorist might consider the message as they passed beneath the bridge.

What gets you from here to there? From birth to death? Amidst the hard realities of the road, the steel cables, the thoughtless people whizzing passed, the persevering grasses pushing through the cracks in the cement, the litter at your feet? A thirteenth century Sufi poet thought it important enough to write about it. A twenty-first century painter thought it important enough to paint the poem on a wall.

People across time and cultures have thought it necessary to place significant messages on walls. Aspirations and appeals to our better nature. A compass pointing the way for what might be, what exists but goes largely unseen. The primary thing. Every parent knows this bridge beyond the abstraction of a message on the wall. Every time rings are exchanged, vows spoken, the unseen is understood.

The hawk landed on the fence. Kerri met its eyes and they stared at each other for what seemed a very long time. Divisions disappeared. Forms fell away. Life experienced life.

Just try and place a word on that experience! A Sufi-poet tried. A contemporary street artist thought it necessary to paint the sentiment on a hard wall. What bridge connects the poet and the painter?

read Kerri’s blogpost about THE BRIDGE

Ramble [on DR Thursday]

I’m like a two-year old: I want to know “Why?” For instance, the lichen growing on the birch tree is Hypogymnia physodes, but it’s also known as “Monk’s Hood.” Why?

There’s a wildflower also known as Monk’s Hood. I read that the flower gets its name because its petals resemble the cowls once worn by monks. However, the flower is also known as “Wolfsbane.” Why? What does the bane of a wolf have to do with the hood of a monk? I’m capable of inventing a slew of possible connections but they will be just that: inventions.

In an attempt to bore you beyond rescue, I’ve lately been fascinated by how much of our world is a blizzard of unhinged information in search of a context. For instance, conceptual art needs an explanation. Without a curator, it’s nothing more than a banana taped to a wall. Twine with a dirty sponge. Oddity seeking to be taken seriously.

In the 21st century, we measure relevance by the number of followers, not by the substance-of-the-matter-being-followed. It’s a popularity contest. Lots and lots of flowing information, most of it useless. Without use. Without substance. And, scarily for us: without being questioned.

What is empty content pushed through a fabricated context? “Breaking” news. MAGA. Q.

It occurs to me that society needs more two year olds! A healthy practice of asking “Why” would spare us from certain death-by-bloviation.

A cowl, by the way, is both a monk’s hood AND a loose neckline in contemporary women’s clothing. Wouldn’t the monks be surprised if they’d confused their cowls!

Now, get out there and find context for this bit of useless information.

read Kerri’s blogpost about LICHEN

pieta with paparazzi © 2010 david robinson

Beg A Good Question [on Merely A Thought Monday]

She stopped, turned and went back to the truck. “What are you doing?” I asked. She pulled her camera from her purse and snapped a photo of the Sara Lee truck. She showed me the photo and slid her phone back into her purse.

“I thought this would make a good blog photo,” she said, adding, “If it wasn’t a marketing phrase it would beg a good question.”

How should goodness taste?

How should equality look?

How should community sound?

How should generosity smell?

How should love feel?

We experience the world through our senses. And then we make a story of what we sense. Senses first. Story second. It’s how the brain works. The language capacity, putting words to experience, is essentially a translation function. It does not lead, it follows. It’s why, for the most part, we choose the story we tell.

The word that strikes me the most on the bread truck photo is “should.” How should goodness taste?

How does goodness taste? To you?

How does equality look? To you?

For you, what’s the sound of thriving community?

To me, generosity smells like fresh baked bread and hot dark coffee. You?

And love? There are no words. But you know it when you feel it.

read Kerri’s blogpost about GOODNESS

Sing With Pooh [on KS Friday]

Why does a song suddenly pop-up in your mind and beg you to hum along? Yesterday, for no apparent reason, out of the blue, Loggins and Messina’s song, The House At Pooh Corner, washed over me and forced me to maul the lyrics. At the time I was writing a business blogpost about assembly lines (uff-da). House At Pooh Corner was released in 1971, it’s a bubble from the deep-deep archives.

It changed my day. I made such gumbo of the lyrics that I pulled it up on YouTube. I sang along so I might refresh the muddied words in my mind. In addition to word-recall, it lightened my spirits. Writing about spirit-stripping manufacturing processes, command-and-control structures, had my brows knitted and my brain squeezed. Maybe that’s why Pooh decided to visit. I had a honey jar stuck on my nose. I sang along and laughed.

By the end of the sing-along I was dedicated to taking myself less seriously. I suspect that’s the message and gift A.A. Milne released upon the world with Pooh and Piglet. None of it is as serious as we pretend. Will my knitted brow blogpost about new systems illuminate the world? Yawn. Probably not. Did it feel good to write? Absolutely. I love thinking about a better world. Pooh lives in one – and maybe that’s yet another reason he jumped a bubble and rode to the surface of my thinking. He came as a song. A lovely light-hearted wish. A seed pod of silly presence.

“…So I sent him to ask of the owl, if he’s there, how to loosen a jar from the nose of a bear…Help me if you can I’ve got to get back to the house at Pooh corner by one, you’d be surprised there’s so much to be done….” Kenny Loggins & Jim Messina

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about WISHES

i will hold you (forever & ever)/goodnight: a lullaby album © 2005 kerri sherwood

Tally [on KS Friday]

“It’s a haiku day,” I said, feeling empty of anything useful to write. She’s already rapidly clicking away on her keyboard.

The sunflower grows/More beautiful over time/Green vine seeks wisdom.

Counting syllables/ on my fingers, I tally/the word “beautiful.”

Three or four? I ask/She’s deep in thought, can’t hear me/Syllables confound.

Beautiful is three!/”My haiku, my choice,” I quip/Who invents these rules?

Green vine seeks wisdom/Rust has seen many seasons/Green seeks. Rust stands still.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about SUNFLOWER

silent days/blueprint for my soul © 1997 kerri sherwood