“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte
A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.
Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.
Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.
Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.
The reasons to wield the rule are diametrically opposed.
It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”
“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.
As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…
“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi
[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]
read Kerri’s blogpost about FOG
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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.
Filed under: Art, Edges, Metaphor, Perspective, Two Artists Tuesday | Tagged: artistry, barriers, color, community, contrast, contrast principle, david robinson, David Whyte, davidrobinsoncreative.com, discord, distraction, false contrast, hue, hype, ideals, ideas, illusion, Kahlil Gibran, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, love, Mary Oliver, maya angelou, MLK, poems, revelation, Rumi, separation, story, studio melange, the melange, unity, value, worth | 1 Comment »
The Direction of Intention 