Attend To The Quiet [on KS Friday]

My studio is a place of quiet. Inside and out. It is the place where I go – where I’ve always gone, when I need to recenter myself of exit the crazy-brain. Lately, my studio has been blown to bits. Water has been a near constant invader, either from the ceiling when the pipe broke in the spring or from the floor when roots clogged the sewer main. Twice. It seems as if water wants me to take a break from painting. There’s a metaphor in there somewhere.

Each time the water rises, the paintings rise, too. We scramble to move everything up the stairs. Mostly, they are stored on blocks so live protected above the rising tide – but pulling up carpet or clearing space for the plumbers has meant a perpetual studio deconstruction. Kerri stubbed her toe – okay, broke her toe – on one of the bigger paintings that now populate our sitting room. It’s a maze of paintings out there. Yet, she is wise. She’s insisting that we leave the paintings where they are, scattered here and there. At least for now. At least until we can clear out and rethink our space.

Kerri is much more sound sensitive than I am. I am much more spatially sensitive than she is. The sign on our deck, “Shh” addresses her need for sound-quiet. It’s all about space-quiet for me. Space-quiet means open space. It’s been that way all of my life: if there’s too much stuff, I shut down.

The water, as it turns out, is trying to tell me something. Lately, when I go down into the blasted-apart-and-now-empty-studio-space, I can breathe. I feel it every time I descend the stairs. I breathe. My space had become too impacted. Too many paintings, too many tables, too little space. “Shh.”

I’ve often written about the time, after I moved to Seattle, that I burned most of my paintings. I needed space. I felt like I couldn’t breathe. I was tired of hauling and storing paintings. I didn’t know what else to do. I needed air and fire brought it to me.

And, so, the water pours from the ceiling. It bubbles up through the floors. Again. What feels like a catastrophe comes with a cautionary message. No fire is needed this time. To attend to the space is to attend to the quiet. Stop. “Shh.” Breathe.

SILENT DAYS on Kerri’s album BLUEPRINT FOR MY SOUL, available on iTunes or streaming on Pandora

read Kerri’s blog post about SHH.

silent days/blueprint for my soul ©️ 1997 kerri sherwood

Stand In The Narrow Place [on Merely A Thought Monday]

“Western civilization has been a 2,000 year long exercise in robbing people of the present. People are now learning the joys that hide in the narrow place of the hour glass, the eternal moment.” ~ George Leonard, Mastery

The observation has become something of a yearly ritual. Every 9/11, I hear or participate in this conversation: one day, people got out of bed, drank their coffee, brushed their teeth and went to work or boarded an airplane. And then, they never came home.

We are fairly smothered in sentiments about appreciating life, seizing-the-day, living in the present moment, take nothing for granted… “You never know.”

Quinn gave me his copy of Mastery. As was his practice, he underlined significant passages in red pen – and the book was a festival of underlined passages. For years I kept the book on my desk or beside my bed. I’d flip it open and read the red sections. They served as a daily meditation. They gave my busy mind something generative and hopeful to occupy.

George Leonard called presence, “the plateau.” Eckhart Tolle calls it “the now.” In one of the gospels NOT included in the bible, Jesus is reported to have said, “The kingdom of heaven is on earth but men do not see it.” The Way of the Buddha leads to the present moment.

What do we see if we stop thinking long enough to experience the present moment?

2996 people died in the terrorist attacks on 9/11. These people could do nothing about what happened to them on that day. They brushed their teeth. They left for work or got on an airplane.

“You never know.”

This year, there was a new river-of-thought that ran through the annual ritual observation: the daily COVID death toll last week in these un-united states was above 1,000 a day. On January 7th, 2021, 4,147 people died of COVID. In the divided-united states, more than 660,000 people have died of COVID. World-wide 4,550,000 people have perished.

It’s impossible not to look at the numbers and wonder why-and-how we became our own terrorists.

In the past year, with the availability of a vaccine, with the proven effectiveness of masking and social distancing, these people, had they united with the help of their friends and neighbors, had choices. They – we – could have done everything to save their lives. We did not. We divided. 1000 yesterday. 1000 today. 1000 tomorrow. And growing.

Sometimes we know.

Appreciating life is – and always will be, at the narrow place of the hour glass – a community affair. In presence, on the plateau, the line between me and you blurs. It is the reason why all of those firefighters and first-responders ran into the towers that day. My life cannot be precious if I cannot see that yours is also precious. Why – on earth – on any given day – would I not do everything possible – anything possible – to protect your life? Why would you not do the same for me?

read Kerri’s blog post about BLESSINGS ABOVE GROUND

Offer The Chair [on Flawed Wednesday]

“Indeed, the effect of the forum is all the more powerful if it is made clear to the audience that if they don’t change the world, no one will change it for them.” ~ Augusto Boal, Games For Actors And Non-Actors

Many of my pals in the theatre turned their noses up at me when I began doing work in corporations. They thought I was yet another theatre artist doing improvisation-games with the terminally neck-tied. I was not. My work was more in the tradition of Augusto Boal than Keith Johnstone. Some of the best plays I’ve ever facilitated, some of the most profound pieces of theatre I’ve directed and witnessed, happened in board rooms, classrooms or conference spaces. Here’s how I know: the actors and audience were one-and-the-same. Their play was personal. When they left “the theatre” they did not leave the nice story behind and end the evening with a cocktail. They were disrupted. They had seen something that could no longer be ignored or deflected. The hard work was about to begin.

People yearn. People entrench. People plant their flags and claim the most ridiculous territory. I’ve seen teachers come to blows over an overhead projector. I’ve seen lawyers undermine colleagues to gain dominion over a swiveling chair. And, the chair or the projector are never really the issue. The issue is usually an abstraction. Pecking order. Boundaries. Alliances. People have killed each other over a pair of shoes. It’s not the shoes but the status the shoes represent. Abstraction and illusion.

People are generally unconscious about the reasons beneath their passions. I’ve met a score of dedicated meditation practitioners who meditate to control their thoughts rather than realize them. Once I led a group of teachers through the ritual they enact each morning before the arrival of their students. The question was, “What are you preparing to do in your day?” Their answer was unnerving and revolutionary: they were preparing to control the kids. Teaching and learning were secondary.

We are witness to a country-wide communal piece of theatre, an unconscious play. The issue is not the mask. The issue has never been the mask. The issue is, I suppose, people feeling out of control, imposed upon. Fearful. They are, with their bare faces, making a stand. Drawing a line in the sand. That “no one can tell me what to do” might as well be “I am losing control over my life.”

And, as is always the case, as with the office chair and the overhead projector, refusing to don the mask does not really address the real issue, it merely deflects it. The energy and action is focused on non-sense. And when non-sense rules the day, the action taken actually brings about the thing-most-feared. Loss of control. The pandemic continues, the children are being taken, the economy suffers, the community fractures. It’s a lengthy list.

The lesson in the office chair wars and the overhead projector games is always the same. No one wins. Everyone loses in a toxic tug-of-war. The chair might be yours today but it will be theirs tomorrow. The game only ends when one of the players offers the chair to the other or the projector becomes a reason to share. The same will be true of the mask wars. People will die, the pandemic will continue until the mask becomes a generosity. Then, low-and-behold, the virus will abate and real control over our destiny will be within our grasp.

I hope that, like the lawyers or teachers who were brave enough to walk into the real story, to stand face-to-face with a dysfunction, that we meet our story and ask, “Why would so many sacrifice so much over a little piece of cloth?” An overhead projector. A pair of shoes. A chair that swivels…

read Kerri’s blog post about MASKS

Meet The Saw [on Merely A Thought Monday]

As the magician saws the woman in half, he tells her that, “Magic is not an exact science.” It is among my favorite Flawed Cartoons.

“There’s nothing sadder than a forty year old production assistant,” she said, sipping her drink, looking across the room at a man she clearly thought was a loser. I was living in Los Angeles and was at a party with movers-and-shakers. The gathering also included a few of the people who carried the cables, loaded the trucks, moved the electrics – the lowest rung on the ladder. The runners. I swallowed hard. At the moment she said it, I was thinking the exact opposite. There is nothing more interesting than a forty year old production assistant. I wanted to be standing with the very man she considered a loser. He’d have stories to tell. Experiences to share. The movers-and-shakers bored me. Dulled by their dedication to security, thoroughly protected from the unknown or surprising experiences, they sneered at the people who’d actually lived. I found my way across the room and spent the rest of the evening sitting in the kitchen talking with a man who traveled the world.

Were I at the party today, she would look across the room at me and whisper, “Sad.”

Life is like magic. It is not an exact science. Ideals collapse. Dreams implode. Yet, the luckiest people I know are the few who have stepped out of their seats and volunteered to climb on to the stage. They’ve taken chances. Built wood buses or put their lifeblood into starting a theatre company or went boarding instead of dying in a cubicle. They’ve stepped beyond traditions and expectation. They’ve been cut in half, opened, challenged, surprised, disappointed, scared, triumphant, awed. They’ve learned. They’ve questioned their beliefs and perceptions. They’ve made titanic mistakes. They’ve stared down their demons. They’ve opted for curiosity rather than being right. They stepped off the edge. They followed, “What if…”

There’s no shortage of people who watch life from the safety of their seats. As Tom used to say, “They paint with a limited palette.” There are those lucky few who, if you see them at the party, most likely the people serving drinks, who’ve been cut in two and know from scary experience that there’s nothing more numbing or illusory than certainty. Follow them into the kitchen and ask about their lives. You’ll be amazed at the full spectrum of colors you find in them.

read Kerri’s blog post about SAWED IN HALF

flawed cartoon ©️ 2016 david robinson

Make Life Better [on Merely A Thought Monday]

Lately, the universe has pitched me headlong into a master class on efficiency. Maximum productivity with minimum wasted effort. A useful concept in certain arenas and an intensely destructive concept in others. For a person who’s spent his life in a study of curiosity, art, and the creative, it’s an unexpected study at this stage of the game. It is sometimes uncomfortable but I consider it an opportunity for balance. Artists rarely meditate on efficiencies. We’re more of a discovery clan and efficiency is generally the enemy of discovery. No one ever sailed to the edge of the world with efficiency-on-their-lips.

Once, I made the argument to a school board that daydreaming was highly productive. It seems a no-brainer to me that exercising the imagination should be highly valued in a learning environment. Einstein’s Theory of Relativity came to him in a dream about cows. It is not an accident that many insights and revelations come in the shower or while driving or peeling a carrot. Newton’s apple did not fall on his head while he was exercising maximum productivity. The mind, to be efficient, needs space to breathe, fields to roam. It is the most elegant of paradoxes but mostly lost on worshipers at the altar of efficiency. In the modern business world, efficiency is all about time since time is billable. You know the mantra: time is money. Do more with less. Somehow, we’ve turned that nonsense into a virtue, a thing to be desired. A reason to squeeze.

There’s another, more admirable side to efficiency-seekers. How to make work less arduous. Grease the wheels and remove the friction. Relieve the burden. Not faster but easier. Ann used to say, “Find a need and fill it.” She’d look at people toiling and ask, “How can I ease their struggle?” Beaky was that way, too.

Near our home there is a stretch of shoreline with an ineffective seawall. It was built with stones and debris that become projectiles when hit by forceful waves. The locals know to avoid that stretch during a storm. It’s deadly. After the storm, it has become our ritual to walk the path to see the destruction. It’s always impressive. How far can a wave throw a heavy stone? The answer: farther than you think. Mother Nature yawns when we think we can control her. The seawall has become my metaphor for human hubris but also masterful inefficiency. It would cost money to build a proper wall. So, instead, after each storm, crews collect the rocks and pile them back on the shore, readying them to be hurled by the next storm.

We saw a double-rainbow and turned toward the shore. Kerri never misses an opportunity to capture a little miracle or a slice of beauty. We parked in front of the seawall-of-inefficiency and I laughed out loud. A budding Banksy sprayed a message on the rubble: love. The secret message-maker could not have found a more appropriate word: Love. Can you imagine anything more inefficient and, at the same time, more potent? Love moves mountains but is not billable. It transcends time. What better reason to do anything? Well, perhaps reason has nothing to do with it and never has. Reason has the worshipers-of-the-efficient perpetually re-stacking stones.

It’s easy to be seduced but let’s face it, life reduced to billable hours is not life at all. On the other hand, there is nothing more inspiring, nothing more curiosity-invoking than asking, “How can I make life better for everyone?”

Love on a rubble pile. What could be better? On second thought, what could possibly be more efficient?

read Kerri’s blog post about LOVE ON A ROCK

See The Spaces [on DR Thursday]

The space around and between. Shapes that share edges. Emptiness that provides definition. In art it is called negative space. Not-the-object. In art classes, students draw the negative spaces in order to see or to learn a new way of seeing. Try it. See the holes and the space around the leaves as primary. It’s not as easy as it sounds.

Some folks use the term “air space” because they get snagged on the word “negative.” It’s a term of opposition when set next to “positive.” Yet, just as there is an electric field that flows between negative and positive ions, electrons and protons, there is a field that flows between negative and positive space. Yin and Yang. A dynamic polarity. A creative field of movement and energy. The air space is alive because of the perceived opposition. The positive space is not visible without the negative.

When I was a consultant, I used the phrase “the space between” to imply relationship. There are people. There is the space between people. Relationship is invisible but it defines the people. Relationship illuminates the otherwise unknowable individual. They are impossible to separate. In a community obsessed with nouns, bottom lines, test scores and individual rights, the verbs and the relationships often go unnoticed and unappreciated. As if the negative space didn’t matter. The space between is where the movement lives and the problems are solved. It is where new seeing is possible. It is created and creative. The word “community” lives in the space between.

Try it. Take a day and focus on the space between. See relationship as primary. You may experience a whole new way of seeing.

20 sent this image,a memorial. It makes the point.

read Kerri’s blog post about NEGATIVE SPACE

iconic ©️ 2010 david robinson

Sit On The Curb [on DR Thursday]

As much as our wily-ole brains would like us to believe otherwise, we can be nowhere else but in the present. Everything else is imagination.

Years ago I belonged to a support group of independent consultants. We met once a month to discuss our business challenges, insights, and to give and receive some advice. One of the members of the group was a Byron Cady coach. I have no memory of the discussion that prompted her to offer this Byron-thought-metaphor: “If your house burns down, rather than race around in panic, the best thing you can do is sit on the curb and appreciate the moment.”

To the consumer-mind, wisdom often sounds like bad advice. That you are alive, that you have this moment, means that no real possession was lost. The question is, in the face of calamity, what will you make of the moment?

Brother Joseph told the story of holding a woman wearing expensive furs, each finger was diamond encrusted, as she died on the street. He was, in the moment, overwhelmed by the worthlessness of her stuff. The illusion of value once life has gone.

Life. This moment. Calamity is certain to come. Sit on the curb and see what is there, beyond what you think is there.

We’ve had our share of adversity these past few years. I would like to report that we laughed heartily in the face of lost jobs and broken wrists and pandemic madness and civil unrest. We did not. We shook our fists at the sky. We made up words and ran loops like Chicken Little. We invested in all manner of fear-of-the-future and ran from monsters-of-the-past. None of our racing around or fist-shaking brought comfort or change.

But, the moments that we took a breath, walked a trail or sat on the back deck and listened to the cardinals and crows, sipped hot coffee on cold mornings, held hands – sat on the curb and appreciated the undeniable truth of our moment: we have everything. We have this moment – the only moment of life that we’ll ever inhabit. We have each other. The rest, the fear of future, demons of the past, are pure imagination. In those moments, wrapped in a circumstance of calamity, we laughed at the beauty of it all.

read Kerri’s blog post about LAUGH IN THE FACE OF CALAMITY

Expect Surprise [on Not So Flawed Wednesday]

Walking through the Lake District in a driving rain, cold and soaked to the skin. Roger had a high fever and was near delirious. The hostel closed. We had to leave. It was miles to the next village. This day was not going according to plan. The trip was not going according to plan. It was the darkest moment in a series of dark moments. “What else could go wrong?” I asked. There was nothing to do but shiver and take another step. And then, unheard of at the time, an RV rounded the bend. The door popped open and a cheery voice asked, “Do you need a ride?”

I often think of that ride. That unlikely RV. Suddenly there were towels to dry ourselves. Aspirin for Roger. The mother of the clan took over and attended to my sick friend. Mugs of hot tea. We were delivered safely to the next village. They did not leave until they knew we had a warm place to stay until the rains passed. Something went right. It was breathtaking.

It was a life lesson for the younger version of me. My very own Aesop’s Fable. What looks like tragedy is often an opportunity, and vice versa. When it appears that things cannot get worse, they often do get worse en route to something better. The real lesson was to be in it, rain or shine. Joyful participation. I didn’t get the lesson right away. It took a few laps before it stuck.

That trip was decades ago and, to me, seemed ill-fated from the outset. But, when I think back on it, I remember the kind family in the RV, the man standing in line behind me who secured a ticket for me when I didn’t have enough money. The kindnesses too many to count. The utter shock of serendipity. What we needed always appeared somehow, in unexpected ways.

Quinn used to say, “Cultivate your serendipity.” Open yourself to chance, to the unexpected. Expect surprise.

read Kerri’s blog post about THINGS GOING RIGHT

Climb The Ladder [on Merely A Thought Monday]

Very few images are as potent as Tom Mck’s story of finding his 90 year old aunt Bunty on the roof of the farmhouse. There had been a storm. She’d hooked her cane on a rung and climbed the rickety ladder to make sure the shingles were intact, “Papa put a fine roof on this house,” she said, staring down at her alarmed nephew. Bunty was a farm woman. She saw no reason why she should not be on the roof. As the elder of the family, she was the keeper of the legacy. The house and ranch were the tangible creations of her ancestors and she was the steward.

Years later, when Bunty was gone and Tom was the ancestral steward, his task was untenable. The city was spreading like a fire, gobbling up farm land. He knew it was only a matter of time before the ranch was consumed. A Walmart was being built and he could almost see it from the porch. “What am I going to do?” he asked, knowing that he was the end of the line. His question was rhetorical. Sometimes the steward’s job is to close the door on an era. He knew what he had to do.

After Tom passed and the ranch was sold, I imagined him, like Bunty, standing on the roof of the farmhouse. He made sure that, as the land was lost, the legacy remained intact. He was strong, like Bunty. His ladder was rickety but he climbed it none-the-less. He made sure the shingles were intact. He met his task without self-pity.

I learned from him that life can forge you into strong metal or, if you choose, if you feel sorry for yourself, it can break you into tiny pieces. Jonathan told me that a tree must split its bark to grow and I understood that as a metaphor for aging. The bark splits because the spirit outgrows the body’s capacity to contain it. Beaky was like that. And, Dorothy. Mike. Grandma Sue. H. I admire them. Bodies break down. Aging hurts. Spirits, on the other hand, need not wither.

I’m told that, in her elderhood, Margaret stopped what she was doing each day to go out back and watch the sun set over the desert. She was made hardy by a hard life. She was made kind by how she chose to live within her hard life. Drying her hands, stepping out on the back porch, the sky electric with peach and pink, she met each sunset with gratitude. Intentional thankfulness for the day.

Gratitude is not a soft thing. It is an attribute of the strong. Hard won from a long life of choices. Bitterness is easy, a lazy thing. Climbing the ladder, standing on the roof, feeling the aches and the loses, facing the running sands with a smile and admiring the day’s end, celebrating the shingles that held fast through the storm and those who placed them, that takes grit. Courage. And, an understanding of the connected power and responsibility of standing in the long line of ancestry.

read Kerri’s blog post about STRONG WINGS

Appreciate The Moment [on Not So Flawed Wednesday]

Monumental moments in a life sometimes seem so small at the time. They pass as incidental but, in retrospect, are profound.

In his recent visit, Bruce and I reminisced about my inability and horror of singing. In the majority of my life, I couldn’t find a pitch if it was sitting on my shoulder. Kerri jumped into the conversation telling Bruce that I’d found my voice. Well, to be honest, she helped me find my voice. A patient teacher who simply taught me how to hear. Bruce’s mouth dropped open when I told him that I sang at my grandfather’s funeral. “It was terrifying,” I said.

“But you did it,” Kerri added.

When I met her, as I’ve previously recounted, I told Kerri that, “I don’t sing and I don’t pray.” And, then came the ukulele band. On the day I flew in for my third visit, Kerri picked me up from O’Hare and we rushed back to make the first rehearsal of her new group, the ukulele band. We met in the gardens of the Kemper Center, Lake Michigan humming by our side. She handed me a black uke. She taught the group to tune. We learned a chord or two. And picked and sang our way through a few easy songs. I dare anyone to avoid singing when they are in a group of silly colored ukuleles. It was my first of many lessons. I was having so much fun strumming, that I forgot that I was singing.

Such a simple moment. The beginning of challenging a faulty life-story. A self-imposed limit. Kerri was wise enough to know that I needed to begin with fun. Laughter is a great maker of courage. The first step.

Eight years ago. At the time it seemed so incidental. Following this amazing musician through her day. Playing along. Carrying her books. And, all along, it was her gentle way of saying, “Let’s challenge that obstacle. There’s a way around it and all you have to do is have fun and learn again to listen.”

read Kerri’s blog post about UKULELES