Answer The Call [on DR Thursday]

Eve copy 2This painting makes me laugh. It is an inside joke [in my exclusive club of one], a mash-up between Newton’s apple and the variety enjoyed by Eve. The apple, in both stories, is a symbol for knowledge – or, better, that most human of characteristics: curiosity.

Curiosity is piqued when forbidden. Isn’t that the point of Pandora’s box or Eve’s apple? That piece of symbolic fruit is better understood in a greater illustrative context (making it, therefore, useful): in the story, there are two trees in the allegorical garden, 1) a tree of knowledge and 2) a tree of everlasting life. To “know” requires separation. Eat of this apple and you will forever discern between this and that. With this apple comes self-knowledge. You will “know” rather than simply “be.” You will, in your separation from your Self, spend the rest of your days attempting to get back into the garden to eat from the other tree (unity, wholeness, no-separation,…purpose, meaning, etc.). It’s a parabolic life cycle. Don’t bite that apple, I dare you.

The other apple-of-legend knocked some insight into Newton. “And, why did that apple fall straight to the ground?” Newton asked himself. His answer: universal gravitation! Every body in the universe is attracted to every other body with a force that is directly proportional to the product of their masses and inversely proportional to the square of the distance between them [my comprehension and advanced math stopped at the word “force” so the rest of the law is yours to sense-make]. This apple was most welcome!

In both cases, I imagined, seated in front of my easel, that both the symbolic Eve and the actual Sir Isaac, in their respective apple moments, looked to the sky and uttered, “You have got to be kidding me!” And, so, curiosity calls.

 

read Kerri’s blog post about EVE

 

 

 

 

sunsetonisland website box copy

eve ©️ 2004ish david robinson

 

 

Hug The Pain [on Merely A Thought Monday]

you're my favorite copy

Put on your seat belt. I’m going to indiscriminately fling stereotypes at myself and my wife and that requires me to indiscriminately snag other fish in my broad net of oversimplification. To make you feel safe in reading further, please note that this a not so cleverly disguised survival guide for two people living together in this age of stay-at-home-orders.

We are both artists. I often wonder if the universe put Kerri and me in relationship as some kind of whacky psychological experiment. Imagine the laughter on Mount Olympus! If you are an artist or know any artists, please join me now in making a list of adjectives: volatile, hypersensitive, moody, procrastinating,.. Now, multiply that times two. Let’s just say that we do not cancel out each other. We are certain that our friends invite us to dinner for the sheer entertainment value of hearing about our latest train wreck. We are both good storytellers so we take comfort knowing that at least we make our mayhem amusing.

True story: yesterday I apologized to DogDog that neither Kerri or I was an engineer. “You have hard duty this time around,” I said, patting him on the head. He didn’t disagree.

Since we are already standing at the edge of chaos I can see no reason not to jump. It was too late in our developing relationship when we realized that, not only were we both artists but we are diametrically opposed in our approach . Kerri is so detail-oriented that it makes my head hurt. I am such a big-picture-generalist that she regularly has to run screaming from the the room so as not to get lost in my thought.

Kerri organizes through piles. I organize by eliminating piles. I seem incapable of learning the lesson that what-looks-like-a pile-to-me-looks-like-order to her. I’ve probably set her back a decade by imposing my idea of order to her system of filing. We’re still looking for the project notes she lost the day I moved in and decided to help out by cleaning up the piles. Last week I attempted to hang up her snow pants and her icy glare melted my good intention; I let them slip to the chair where they remain to this day.

She is easier in the world than I am. If I begin a project or a painting it is nearly impossible for me to stop thinking about it until it is complete. I dream about it. I ponder and muse. Okay, go ahead and think it: he is obsessive-compulsive. I cannot deny it. In my defense, by bride is incapable of holding on to a thought or completing a single task. She works in circles. Attention deficit. Now, imagine, if you can, the process we’ve developed in working together. If we were a band, our name would be Creative Tension.

DogDog walks in circles around the house. I used to think it was a trait of his breed but I’ve come to believe that circle-walking is what happens to an over-sensitive dog when one of his parents is obsessive and the other is ADD. He simply can never relax since we are such a danger to ourselves.

She’s a New Yorker.  I am from Colorado. I was taught that talking over someone else was rude. She was raised in a part of the world where it is essential. Our conversations are sometimes hysterical but mostly shattered language fragments and hesitations. If only I were a better playwright!

Now, flip all of this too-much-information over. Perceptive, deeply felt, intuitive, adventurous, improvisational. Sometimes mystic. We crawl out the window to drink our wine on the roof. Our life is never routine, never dull. We cultivate surprise whether we intend to or not. Her artistic eye makes mine better. She pulls me from my obsessive mind so that I might breathe and relax. I help her step back from the detail and see another perspective.

The moral: there is no better collaborator, no more treasured companion, than the pain-in-the-ass pushing back on your idea, the one talking over you, the one challenging your choices, the one that you love and trust with your most vulnerable life & artistic decisions because (you begrudgingly admit to yourself) they see things differently. This equal and opposing force that shares space with you is the very reason you are capable of expanding your mind, your perspective, and your heart.  They are what you mean when you utter this word: together.

 

read Kerri’s blog post about PAIN IN THE ASS

 

picnic table website box copy

 

Plant What You Love [on DR Thursday]

K.Dot Dogga Close Up copy

“All that we are arises with our thoughts. Speak or act with a pure mind and heart and happiness will follow you as your shadow, unshakable.” ~The Buddha

What is it to speak or act with a pure mind and heart? I’ve often thought about Don Miguel Ruiz’s 4th Agreement: be impeccable to your word. He writes that being impeccable to your word is the most self-loving thing you can do. Mean what you say. Say what you mean.  And, beyond that, say nothing. How often have I said something I didn’t mean? How often have I done something out of anger or spite or fear that I knew I would later regret?

Pure (adjective): free of contamination.

Wayne Muller wrote a book I admire, How Then Shall We Live. In it, he asks four questions. The second question is, “What do I love?” He writes that “we must plant what we love in the garden of our lives.” Plant anger and you will grow anger. Plant generosity and you will grow generosity. Nurture reactivity and your garden will run amok with weedy reactivity. So, self love: say what you mean and only that. Mean what you say and only that. Jay made me laugh out loud when she told us what she used to say to her young students: “You can think it in your mind but don’t let it out of your mouth.”

Horatio told me that I needed to get back into the studio, even if it was only to sit and sip a glass of wine. I took his advice. On the easel was a canvas with the trace of an image that I had sketched and then wiped clean. On a cold autumn day, DogDog and BabyCat asleep on the bed, Kerri (pre-broken wrists) crawled between them and cuddled with DogDog.

An image of what I love. In this time of high anxiety, anger, division and fear, in the quiet of my studio (which induces quiet in my mind), perhaps my entry back into painting should be attention to my garden. In this first image, I will plant what I most love.

 

k.Dot Dogga BCat copy

 

read Kerri’s blog post about SKETCHES

 

 

 

 

cropped head kiss website copy

Turn Around [on Two Artists Tuesday]

stump copy

Jen suggested green. So, throughout the day, to keep us sane in our home-stay-life, we shared pictures of green things, surprising and ordinary, that we found around the house or in our walks. The next day was lines. Then circles. We use our seclusion to open our eyes and see what is beautiful and striking – and mostly unnoticed until now.

Late the other night, 20 and Kerri spent an hour on the phone. 20 is among the those at highest risk and has self-quarantined. There is a park close to his house and, once a day, when it is likely that few other people will be out, he walks the paths in the park. He takes amazing photographs and each day sends us his latest pictures. On the phone, he introduced Kerri to the app he uses to tweak his gorgeous photos. “This opens a whole world of possibilities!” she exclaimed.

Have you noticed the hysterical songs, art, games, mock-challenges (the is-it-a chihuahua-or-a-blueberry-muffin? challenge is my current favorite). Creativity flourishes within constraints. It is a form of paradox-magic that I’ve always appreciated. A good constraint has the power to yank people out of their daily problem solving morass and turn them around into the creative.

Robert Fritz has the best definition for this magic: problem solving is trying to eliminate what you don’t want. Creating is trying to bring into being what you do want. It is a matter of direction (wink, wink: the direction of intention). At first glance these challenges and games might seem frivolous but a deeper look always reveals something more profound. We are opening our eyes to what is right in front of us. We are sharing, trying to help each other through a difficult time. Our natural capacity for play and whimsy rises to the top. Possibilities rise to the top. Instead of asking “why?” we begin asking “why not?” We create.

Idealistic blather or pattern? Problem solving has a way of creating more problems – it is a myopic. Turn around and consider the world you want to create. Walk at that. You’ll find that your eyes open, your thoughts expand. Playing-to-play will be valued and necessary. You’ll note, with gratitude, that you are not in this creative ride alone.

 

read Kerri’s blog post about CIRCLES

 

megaphones website box copy

Be Us [on KS Friday]

always with us prayerflags copy

It is times like these that the grand illusion of every man/woman for themselves drops away. It doesn’t take long in a crisis to reveal how interconnected and interdependent we really are. As New York Governor, Andrew Cuomo, said this morning, what I do impacts you and what you do impacts me. There is, in essence, no such thing as you and me.

This is true in good times, too. It is true in all times. It is simply true. What I do affects you. What you do affects me. What I do is often a ripple of what you’ve done and vice versa. We are not nearly as separate nor independent as we like to pretend.

The delusion plays itself out. The run on TP. We’ve all seen the lines at the gun store. Sooner or later it will occur – as it always does – that the best form of self-protection is participation in community. Participation is protection.

Ironically, it is the sturdy fabric of the interconnection – in good times – that allows us to delude ourselves into thinking that – in bad times –  we can do it all by ourselves. Stop for a moment, look at the food on your plate and ask yourself how many people were necessary for you to enjoy your meal. The rings of interdependence will run farther than your capacity to imagine. That is always the case.

An article shot crossed my email this morning. It was from an artist sharing her realization in the midst of this pandemic that she does not create art for audiences, she creates with audiences. Like her, my paintings are not complete until people engage with them. People are not complete in the absence of art. Listening to Kerri play is more life-giving than any of the news broadcasts we’ve been glued to. There are levels to meaning making and the heart level rarely requires data but always requires other people and their gifts.

This morning we are hearing of the real difficulty of social distancing: mental health is stressed in isolation. We do not do well in quarantine. We, do, however, get creative. Jen prompted us to text images of all things green so we are looking around the house for green things. Emails and phone calls are on the rise. Mike reminded me last night that Shakespeare wrote King Lear while in quarantine for the plague. He meant it as a challenge, “Any takers?” he winked.

Rob wrote, “In times like these we NEED art.” Yes. We need art because we need to create with people. To experience with people. To story our experiences with people. To grieve with other people. To laugh with other people. With. Always. Us.

 

 

ALWAYS WITH US from the album AS IT IS available in iTunes & CDBaby

 

 

read Kerri’s blog post about ALWAYS WITH US

 

 

hands website box copy

 

always with us/as it is ©️ 2004 kerri sherwood

Draw [on DR Thursday]

Peri Winkle Square copy

Sue’s request was clear: write a story that is hopeful but does not pretend that everything will be easy or rosy in the end.

In 2005, while Sue Eskridge was teaching a course on children’s literature at The University of the Pacific, Hurricane Katrina devastated the Gulf Coast of America. Sue had an idea. She refocused her class to help children who were displaced or had lost their parents in the storm. Her class approached several artists and children’s book authors and asked them to write and illustrate a story, to make single-copy-books. The books would be bundled with other supplies and through service organizations would go to children that needed them. “We want to give them hope but not false hope,” she said when she asked if I would “quick do a book.”

What do you do when the forest fire comes? The hurricane? The pandemic? Run. Hide. But then what? People pull together. People pull apart. The disaster invokes the best in us. The disaster invokes the worst in us. Ultimately, we realize that we are in it together and our togetherness can be defined through selflessness or through selfishness.

What defines us? I lived in Los Angeles during the riots and martial law. People turned on each other. I also saw the same community, just two years later during the Northridge earthquake, pull together. 9/11. AIDS. Our rhetoric does not define us. Our actions do.

I did as Sue asked. I quick did a book, Peri Winkle Rabbit Was Lost. I only had a few days and managed to write the story and smack out 16 illustrations. A story of personal gifts brought to communal need in the aftermath of a fire. When I bundled the original and sent it off to Sue I promised myself that I would someday go back into the story and draw all the pictures, fill in the 10 or so illustrations that I did not have time to realize.

This week, we retreated into our home, this pandemic hot and frightening and eerily invisible, except for the growing and incomprehensible numbers on the screen. The unreal reality. The hurricane that cannot yet be grasped.  I asked myself what might be a worthwhile project to do while isolating?  And then I remembered my promise to Peri Winkle Rabbit.

Draw. And perhaps a new story? One that deals with the hot fire now raging through our divided world? Two narratives. One pandemic. What are the odds that this crisis will burn off our national division and clear our eyes so that we are capable of stepping into a single story. I will ask Peri Winkle Rabbit.

 

read Kerri’s blog post on PERI WINKLE RABBIT

 

 

their palettes website box copy

 

Step Into The Ripple [on DR Thursday]

sometimesfaith WITH EYES jpeg copy 2

I’ve never understood faith as a religious term. Look up the word in the dictionary and you’ll come across trust, belief, and conviction. Rather than a lofty word reserved for worship day, it has always struck me as an everyday something – that becomes extraordinary when you realize how ever-present-and-ordinary it actually is. Stepping blindly. Blindly stepping. Each and everyday.

We surround ourselves with calendars and lists and routines and rituals and patterns – all necessary mechanisms to plan our days but they also serve to protect us from the truth of our walk on this earth: there is not a moment, an hour, or day that is actually known before it is lived. Every moment of every day is a step into the unknown.

The real practice of faith is not about an abstraction.  It is a recognition that walking in faith is an essential part of the human condition. The real practice is in realizing it. Being right where you are, open to the reality and empty of the illusion of certainty that you know what is coming. You do not. The true spiritual practice is to empty yourself of the need for the illusion of control.

Fully inhabiting the moment. Standing at the crossroad of past and future without the map of ‘I-know-what’s-going-to-happen’ dulling the experience.

Spiritual practices are not meant to be other worldly. They are, at their best, concrete relationships found at the intersection of past and future, in that tiny slice of infinity called “the moment.” It is a miracle of unknowns and surprises.

The practice of faith is the practice of putting down what you think you know – dropping the notion that you know what will happen- and stepping fully and with intention into the rippling unknown.

 

read Kerri’s blog post about FAITH

 

 

frozen lake website box copy

chasing bubbles ©️ 2019 david robinson

chicken marsala ©️ 2016 david robinson & kerri sherwood

Listen To Chicken [on DR Thursday]

putyourfingersonthekeys WITH EYES jpeg copy 2

The original conceit behind Chicken Marsala came during a road trip. Kerri and I started talking about what life might have been like had we met when we were younger. Our conversation wandered into the question of mutual children and then became utterly hysterical when we started tossing possible names back and forth. Chicken Marsala, the imaginary child of two people who met late in life, was born.

ifpapahasOCD copy 3

Chicken had friends. Chicken went to school. Chicken had a full blown imaginary life. Chicken terrified his parents, making them do and say things that they would not have otherwise done. Chicken became the inner and outer voice of two artists trying to make their way in a world where they do not necessarily fit.

All of my life people who have cut themselves off from their inner artist have asked me, “Where do I begin?” They build studios for themselves, buy supplies, and then sit, frozen. Tom McK used to tell me that there was only one answer to that question: a writer writes and a painter paints. There is no magic. The muse can’t help unless you pick up the clay and throw the pot. Write many, many bad pages and soon you will discover that you are following an impulse rather than grinding “it” out or making “it” up.

One day, someone asked Chicken’s mom a question about composing. “How do you do it? What’s your secret?” It was a question from someone desperate to uncover their long buried inner artist. What’s the secret charm, the divine key? Chicken leaned into his mom and whispered: Sometimes you just have to put your fingers on the keys and follow the music.

It is no mystery, after a few years banished in the drawer, that Chicken is suddenly pulling on my sleeve. I haven’t been active in the studio for months. ‘A dry spell,’ I tell myself. ‘All of my creative energy is going to other things.’ ‘I’m bored with my work!’ ‘I’m blank…’ Yada Yada. Chicken shakes his head. ‘Not again!’ He giggles.

REDOyourimaginationcan'tbe copy 3

Put your fingers on the keys. Pick up your brush. Use that great imagination to play rather than plague yourself. Follow the music. It will always lead you home.

 

read Kerri’s blog post about FINGERS ON THE KEYS

 

 

 

 

 

wideopenmouths website box copy

chicken marsala ©️ 2016 david robinson & kerri sherwood

play 2 play illustration ©️ godknowswhenprobablybeforeyouwereborn david robinson

 

Knit A Better Structure [on Not So Flawed Wednesday]

impact 2 copy

“…the test of a civilization is how it cares for its helpless members.” ~ Pearl Buck

As a nation, we are currently enamored with tests, and it is not a stretch to say that we’d receive a failing grade on this test of civilization. The helpless members do not fare well.

As Horatio pointed out, much is lost between the cracks of the quintessential conundrum built into the DNA of these United States: the dueling philosophies of every-man-for himself versus I-am-my-brother’s-keeper. Republicans versus Democrats. Corporate greed versus social need. Black and white thinking that leaves gaping voids into which the helpless members disappear. There is no both/and to be found. Division has been a useful tool of control since the inception of the American experiment. The ideological cleaver is sharper than ever these days.

Yet, there is hope that reveals another side to our character.  Kerri said, “Look at this!” The Appalachian Wildlife Refuge put out a call for used mascara brushes. They are a useful tool in saving small critters and returning them to health. They received so many brushes, the response was so great, that they had to put limits on when they would accept new brush donations. It’s my bet that people of all political stripes and social strata sent their used mascara brushes to the Refuge. It’s my bet that the critters and the caregivers were grateful in every case.

When tragedy strikes, we rush to meet the need. When a photo moves us, we respond. Something pierces the superficial divide and reaches into our communal heart.

Robert Fritz teaches that behavior is like water, it follows the path of least resistance. If you want to change behavior, you must first change the underlying structure of the land. What might it take for us to challenge this superficial concocted divide, to reach deep  into our DNA and knit a better structure of the land – something more useful and more profound than perpetually dueling philosophies? What might it take for us to put down our cleaver and pick up our mascara brushes? What might we imagine and create together that would help history give us a better grade on our test?

 

read Kerri’s blog post about IMPACT

 

bonfire website box copy

Leave It At The Door [on DR Thursday]

assumeawe WITH EYES jpeg copy 2

There is a simple exercise that I am particularly fond of but less than terrific at practicing. It goes like this: don’t drag yesterday’s trash into today. See this day as it is: new. Live this day without the control fantasy of believing that you know what will happen, that you know or can control what other people think. Recognize that the burden you carry is exactly that – something you carry. Put it down for a spell. It will be there when you are ready to pick it up.

It’s not an exercise in denial. It’s actually the opposite. It’s an exercise in dealing with the real moment rather than the imagined monster. You’ll be amazed at the world of light, color, and possibility that opens when yesterday’s trash stays in yesterday, when the weighty story wrapped around the past-moment drops away.

I used to tell my actors, when entering the rehearsal hall, to leave their day at the door. Rehearsal halls, like artist studios, are sacred places. The art of the theatre is the mastery of presence and it’s a necessary skill to tuck the story-of-the-day into a safe keeping box before stepping onto the stage. And, what if, as master Will wrote, all the world is a stage? It seems to me that the art of living is the mastery of presence.

I call it the “garbage layer,” those moments when I am first coming out of sleep. Coming up from the bottom of the slumber-ocean there is a surface layer where all the trash floats. It is coming through the garbage layer that I have the option of leaving behind or picking up yesterday’s flotsam. The nagging to-do list, the contention, the worries, the fears and fights can all be scooped up and hauled into the new day or the story-of-yesterday can be left at the door.

And when I leave yesterday’s garbage in yesterday? An entirely different set of experiences and assumptions become available. Awe at the light in the trees. Awe at the smell of coffee brewing. Awe at the sun and the enormous cat that purrs when I sit close.

[Chicken Marsala was one of our cartoon creations. He tickled the syndicates but never got picked up. We love him still. We designed all manner of cool prints, cards, cups and other stuff that you can find here]

 

read Kerri’s blog post about ASSUME AWE

 

chicken and dogga roadtrip website box copy

chicken marsala ©️ 2016 david robinson & kerri sherwood

 

 

FaceTheSun copy

face the sun, mixed media, 18 x 24IN

 

chicken marsala ©️ 2016 david robinson & kerri sherwood

face the sun ©️ 2019 david robinson