Refresh [on Two Artists Tuesday]

It’s been true since we met. People stop us in airports and on the street, they give us thumbs up or take a faux paparazzi-photograph. They tell us that we are cute or “lookin’ good!” Once, a shopkeeper came out of his store to tell us that we made him smile. When we walk the neighborhood, we are often met with people who tell us that we make their day. It always takes us by surprise and it always makes us smile.

What are people seeing? We are older and link arms when we walk. We hold hands. Our clothes are unintentionally the same. Black on blue jeans. We walk slowly. We talk to each other. We stroll; a walk without a destination. We don’t know what inspires the comments but always appreciate them.

Kerri always coos when she sees a horse. In our imaginary life, she has horses, a donkey, and an old truck. We were walking on the trail in our flip flops (that always gets a raised eyebrow or two) when the cowboy came around the bend. “A horse!” Kerri whispered, and squeezed my arm. The cowboy sat up in his saddle, nodded as he rode passed, then said, “You look like you like each other.”

“We do.” I replied.

Perhaps it is that simple. We like each other.

We’re fortunate. Our work allows us to be together all day. Every day. That would, I’m sure, be the end of most relationships. We like it. When I need feedback on a painting, she is my best wise-eyes. “What do you see?” I ask. We read our posts to each other before we publish. We edit together. We cook together. We create together. Our list of joint projects is growing. Lately, our once-weekly-cartoon about…well…us, Smack-dab., is giving us tremendous energy. It is fun. We poke fun at ourselves. We capture the ridiculous and the poignant. We pay attention to the marvels of simple relationship.

Picasso said that, “Love is the greatest refreshment in life.” He also said that, “Art is the elimination of the unnecessary.” Those thoughts, placed side-by-side, I believe, holds the reason a cowboy sat up in his saddle and a shopkeeper ran into the street. We are refreshed. We practice the elimination of the unnecessary – on canvas, at the piano, and in life.

We didn’t try to make 24/7 togetherness. There was no rule or expectation. It’s what we wanted. It’s what we want.

I am on jury duty this week and was at the courthouse most of the day. When she came to fetch me I got in the car and we said at the same time, “That was weird!”

“Tell me everything!” she said.

“No. You first! What did you and Dogga do?” Our conversation took us deep into the night. There’s so much life and so little time. Perhaps that’s it. We know this day is precious and fleeting and act accordingly. It must show.

read Kerri’s blog post about YOU MUST LIKE EACH OTHER

See The Spaces [on DR Thursday]

The space around and between. Shapes that share edges. Emptiness that provides definition. In art it is called negative space. Not-the-object. In art classes, students draw the negative spaces in order to see or to learn a new way of seeing. Try it. See the holes and the space around the leaves as primary. It’s not as easy as it sounds.

Some folks use the term “air space” because they get snagged on the word “negative.” It’s a term of opposition when set next to “positive.” Yet, just as there is an electric field that flows between negative and positive ions, electrons and protons, there is a field that flows between negative and positive space. Yin and Yang. A dynamic polarity. A creative field of movement and energy. The air space is alive because of the perceived opposition. The positive space is not visible without the negative.

When I was a consultant, I used the phrase “the space between” to imply relationship. There are people. There is the space between people. Relationship is invisible but it defines the people. Relationship illuminates the otherwise unknowable individual. They are impossible to separate. In a community obsessed with nouns, bottom lines, test scores and individual rights, the verbs and the relationships often go unnoticed and unappreciated. As if the negative space didn’t matter. The space between is where the movement lives and the problems are solved. It is where new seeing is possible. It is created and creative. The word “community” lives in the space between.

Try it. Take a day and focus on the space between. See relationship as primary. You may experience a whole new way of seeing.

20 sent this image,a memorial. It makes the point.

read Kerri’s blog post about NEGATIVE SPACE

iconic ©️ 2010 david robinson

Pull The Weed [on KS Friday]

One of my favorite simple pleasures each day is watching Kerri go out in the early morning and tend to her tomatoes. The world is quiet. The coffee is brewing. Dogga makes sure the yard is clear of marauding squirrels so the path to tomatoes is safe. An extraordinary ordinary moment. A tender ritual. A wonderful world.

Put down your clever and pick up your ordinary. It is one of my favorite “rules” of improvisational theatre. It is also a good credo to live by. Trying to be clever will take you out of the game every time. It is as true in all aspects of life as it is in art. The beautiful little secret: power, presence, flow…these live in the province of the ordinary.

When I was learning to scuba dive,Terry tried to teach me one central concept: get neutral. After several dives, fighting for control, trying “to do it right,” burning through my oxygen with my dedicated stress, I simply relaxed. I found the neutral that he advised. It was as if I joined the current. The colors sharpened. Time seemed to slow. My breathing definitely slowed. What was a struggle only a few moments before was suddenly easy. I’d picked up my ordinary. I got out of my way.

I delight watching children draw. They are free in their ordinary, not a shred of clever to be found. They lose that. We lose that, trying to be…something other than what we are. How many of us shudder in the notion that we are inauthentic? How many of us invest in the notion of low “self-esteem?” The circle of ordinary comes back around though it is cloaked in words like “self love” or “acceptance” or “wholeness.” Get neutral. Put down your clever.

Ordinary, not clever. It is a discovery that ought to stick early in life but generally lands much later. There’s very little distance between the child that freely colors and the adult that one day remembers that nothing is broken, nothing needs fixing. It is ordinary to color with abandon. The riches are in tending the tomatoes. “Clever” is merely a weed that needs pulling. In the ordinary, a wonderful world is waiting.

PULLING WEEDS on Kerri’s album RIGHT NOW is available on ITunes or streaming on Pandora

read Kerri’s blog post on TOMATOES

pulling weeds/right now ©️ 2010 kerri sherwood

Pull The Weeds [on KS Friday]

My very first painting teacher offered me some sage advice. I was painting figures while the rest of the class worked on landscapes. Being the odd-child-out I assumed something was wrong with me. She said, “Tree painters are a dime a dozen. Someday, being the only one will seem like a gift so ignore what they are interested in and paint what is interesting to you.” Jospeh Campbell said, “Follow your bliss.” It’s the same advice that Jackie Fry gave to the boy-version of me.

I never imagined myself with a back yard. And, now that I have one, I find it a place of rest and peace. This is a confession that I’ll never admit to in the future: weeding is meditative. Each day I find myself taking a few moments to go out and yank the invaders out by the roots. No thought. No other thing to do. I simply tend the garden, knowing I am accomplishing nothing since weeds are good at growing and more will appear tomorrow. We are strange allies, they provide me with a daily meditation.

If I was as an art teacher, I’d send my students into my back yard. Nature is a masterful teacher of color. Orange and green. Highlights of yellow. Barney provides subtle blues, purples, and pinks. The orange and green of the lily pop against the purple and blue of the aging piano. Warm colors come forward. Cool colors recede. It’s all there.

I read somewhere that, as an artist, “to discover” is more potent than “to invent.” See what is there, beyond what you think is there. Everything is fluid so the discoveries are endless. While I weed the sun passes beneath a cloud. Everything changes. The sun reappears and the colors change again. Not the same. Different. I’ll never be able to capture it and that is the best held secret of an artist. Another wisdom from Jackie Fry: you will never succeed. Art is a relationship, not a transaction. So, no pressure. It is a relationship, complex and dynamic. It is not about capturing an image. It is about freeing your sight and possibly freeing the sight of others. Facilitate discovery. Play to play, to become a better player. Open a small door to peek into the vast inner universe.

It’s a paradox. It’s impossible to eradicate the weeds. That is not why I pull them. It’s impossible to capture life in an image. ‘Capturing’ is not why I paint. Relating is why I paint. I do it because I’ll never create anything more beautiful than the Tiger Lily dancing with Barney. I paint so that I might see and share in the dance.

ALWAYS WITH US on the album AS IT IS by KERRI SHERWOOD

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about the TIGER LILY

always with us/as it is ©️ 2004 kerri sherwood

Share The Sketchbook [on Two Artists Tuesday]

Bruce came through town with his son Ben. Ben is a budding Renaissance man, an artist and philosopher. A quiet deep thinker. We marveled at the drawings in his sketchbook. Faces and hands. Figures in motion. A bold sense of color. I remember the terror of sharing my sketchbook and was moved by how eager and easily Ben shared his. A sketchbook, like a diary, is vulnerable, a place to work out ideas, make mistakes, record pain and joy and confusion. We were touched that he was so generous in opening his diary to us.

Big changes are coming Kirsten’s way. Kerri and I laughed at her news, at the ease and enthusiasm she brings to her step off the edge of the known. “I suppose it’s easier to make big changes,” Kerri said, “when you have the bulk of your life still ahead of of you.” I suppose. Or, perhaps, after so many big changes, you come to realize that the real transformations are not in location moves or new jobs. They happen on the inside and don’t seem to be changes at all. More, it’s layers falling off. Discovery of what was there all along.

Bruce and I have known each other for a very long time and have not seen each other in a very long time. Sitting on the deck, a humid hot day, we sipped cold wine and talked about the people we once were. We talked about some of the layers that have fallen off. We laughed at our foibles. There were too many stories to pack into a single visit. There were too many questions to ask and notes to share. I hope we will have more time to sit and share our life-sketchbooks.

Each morning, opening the house, I enjoy the small fountain in our sunroom. The water runs. As a Buddhist would say, “You can never step into the same river twice.” Our fountain reminds me that time runs. Each day is a new sketch. That is true especially if I think I know what will happen that day. I am always surprised by day’s end. Life takes some surprising turns. Some big. Most less noticeable. And, time runs.

I watched Bruce’s face as Ben showed us his drawings. A proud father. Ben looked to his dad, still anchored to some degree in his dad, just as it should be. I remember looking to my dad in just that way. This trip across the country, father and son, will be a good story for them. It is already. It will be told many years from now. A son rolls his eyes. A dad laughs. An old friend and his new wife delight in being part of the day’s sketch.

There is no higher art.

read Kerri’s blog post about THE FOUNTAIN

Come To The Table [on DR Thursday]

Duke and Eileen sat at this table for many years. And, because St. Vincent de Paul wouldn’t take it for second hand sale because the top had dings in it, it rode around in the back of Big Red for many months. We forgot it was there.

When Covid roared in and the world shut down, we wanted to put a table in our sun room. That way, we could sit and look out at the day. We thought it would help buoy our spirits while in isolation. In the middle of wondering-out-loud where we could possibly get a table in a world-shut-down, we remembered that Duke and Eileen’s table was camping out in the back of Big Red. It was a perfect fit.

It began the transformation of a room that has become our favorite place in the house to sit and hang out. We’ve populated our former work table with plants. Duke and Eileen’s table is also home to many succulents and a Bonsai Gardenia sent as a birthday present from Kirsten and Chris. We resurrected an old fountain so the sound of peace is the sound of gurgling water. There are candles. Special rocks from special places. Water, earth, fire, and air; lots of air. We’ve created a sanctuary.

Watching Kerri and 20, Duke and Eileen’s son, sit at the table filling out paperwork for Eileen, I was struck by the circle coming back around, the story that this table might tell. 20, sitting at his mom and dad’s table, now center to our sanctuary, doing the work of a son to care for his mom.

It also occurred to me, standing outside, looking in at these two siblings-from-different-mothers sit at the table filling out forms (Kerri and 20 are truly brother and sister), that in the midst of “living in interesting times,” our response to the pandemic, to civil unrest, to our town literally being on fire, amid job losses and wrists breaking, has been to create a place of peace. A center of quiet around which the chaos spins.

“Make all the world your studio” was once – and still is – a mantra for me. And, now at the center of my spinning-world-studio is an intentional space, a bright and happy room bringing together all of the elements, built around the long history of comfort etched in the top of Duke and Eileen’s table.

read Kerri’s blog post about THE TABLE

meditation, 48x48IN, mixed media, 2012

meditation ©️ 2012 david robinson

Step Beyond Words [on Two Artists Tuesday]

“Truth is a pathless land.” ~ Jiddu Krishnamurti

I have done my share of seeking and, also, my share of not finding.

I believe that I began painting because, while doing it, while lost in the discovery of an image, I experienced truth – or something close to it. Always in quiet studios. Always beyond the place of mind chatter. Something “bigger” washed through. Something beyond words.

That must be why I associate truth with silence.

All around I hear people proclaiming transparency. No hidden agendas. Everything up-front! As Quinn used to say, “If they have to tell you that they are being transparent, it’s a good bet that they are not.” Words, words, words.

Many evenings we sit on our back deck. The umbrella shields us from the heat. We watch Dogga run circles, dig holes, and bark at squirrels. The birds perch at the feeder or drink from the pond. A chipmunk dashes across Barney’s keys. The crows call from the treetops. The sun drops behind the trees. The mosquitoes come out; our cue to go in.

So much life! And not a single word required though, clearly, it is more than tempting to try and describe it. Try is the best I can do.

I often remind myself that I have never lived this day and will never again live this day. No trail to follow even when I think I know what will happen next. I don’t. That’s the truth.

read Kerri’s blog post about THE UMBRELLA

Gather And Share [on DR Thursday]

Back in my Don Quixote days, with the onset of a camera in every phone, one of my favorite exercises to give to groups was to send them out in search of textures. Gather texture. Gather pattern. It was quite literally eye-opening. It was also, quite literally, presence-enabling and life-invigorating.

There is enormous power in the simple phrase, “Stop and look.” See.

In “gather” there is no judgment. Consequently, the photos that came back, rich in texture and collision of texture, patterns revealing themselves everywhere, were gorgeous. Dynamic. But, mostly, they were revealing. Otherwise serious adults, who believed that there was nothing new, that life was less-than-exceptional, came back from their texture-gather with open eyes. Some giggled. These people, claiming that they did not possess an ounce of artistry, would show their photos to the group and say, “I pulled that in so we could see it better.” Or, “Don’t you just love how those two things come together?” Or, my favorite, “You didn’t give us enough time! I couldn’t gather it all!”

Ah. Not enough time to see it all. Not enough time to take it in. Now, isn’t that a statement of the-love-of-life? Isn’t that the epicenter of an artist’s life. Isn’t that a more interesting path than, “Same-old-same-old”?

Dots. Diamonds of dots. Lines. Pattern. Texture. Too much to see. Too much to experience. And the best, most simple way to step into vibrancy is to stop and look.

But, there is one more step, the part that made the exercise powerful. The essential part was and is almost always overlooked. Stopping and looking and gathering is great but only has meaning – only becomes artistry – when it is shared. Without fear or judgment. Stop. Look. Gather. Come back to the center and share what you see.

read Kerri’s blog post about TEXTURE

yoga series: meditation ©️ 2012 david robinson

Find It [on DR Thursday]

Although it probably does not appear this way to you, this photograph is the road back to my easel. It was an immediate inspiration. Kerri did not intend for it to spark the cold coals of my artistic fire, but it did. It was immediate. I couldn’t stop staring at it.

This painting is called Joy. Look at the floral shapes and lines both within and around the figure:

Joy, mixed media, 50x56IN

Many of my paintings of the past several years are floral wonderlands. They infuse the figures, they are bouncing balls of symbolic trees and oversized shrubbery. They remind me to have fun. To play and experiment. I must have forgotten all of that or turned away.

I hit a wall when I painted my red mess. It’s been on my easel for months. Beneath the red mess, the painting that I’d originally sketched on the canvas, is this:

I think I’d had too much of despair-and-comfort and needed to explode my themes. Thus, the red mess.

When Kerri showed me her photograph of tiny pink flowers, I saw the painting, this painting, complete in my imagination. Not despairing, but vibrant and subtle, alive with those amazing floral shapes, five-petal-bursts of life. Contemporary. Huge. Broad strokes. Almost a sculpture.

There is a story from Plato’s Symposium that I’m using as the basis for my script revision for The Creatures of Prometheus , the original human, cleaved by the gods because it was too powerful, searching through life to find its other half. This painting is (or will be) about the search for love, the transcendence of separation. Finding.

And, as you know, once it lives in the imagination, all that remains is the volition to get there.

read Kerri’s blog post about PINK FLOWERS

joy ©️ 2014 david robinson

Step Across [on Two Artists Tuesday]

We just spent a few minutes looking at the Melange archive. This is week 177. One of the gifts of blogging-your-random-thoughts-five-days-a-week is that people write back. A particular post hits a nerve. Agreements and disagreements. My story invites your story and, occasionally, you share the details. Lydia knows that I am in an artistic dry spell so she is sending me inspiration and encouragement. I could not be more grateful.

We keep a running count of the countries that show up in our analytics. 72 to date. “Who do we know in Pakistan?” Kerri asks. We take delight in the thinnest threads of relationship that are now woven through our story: if Alex in Malta doesn’t “like” one of my posts by day’s end I worry about Alex in Malta. Or, I wonder if what I wrote was substandard. The same goes with Dwight – but I know Dwight – and can hear his mighty laughter in my head. I’m glad his laughter is so deeply ingrained in my being. If he doesn’t “like” a post, it’s a sure bet that he’s helping someone in trouble and can’t be bothered to read at the moment.

Kerri and I sit next to each other when we write. The rule is that we can’t peek. We start with the same prompt and write whatever bubbles to the top. Sometimes it is remarkably similar. Sometimes it is a different universe entirely. And then, we read to each other. And talk. She always begins her reading with a disclaimer. I always need a bit of editing. When I read to her, she holds up a finger with each misspelling or grammatical gaffe, so she can remember how many corrections need to be made. Occasionally I make it through an entire reading with no fingers.

When I imagine my perfect life it has, at its center, a long table where we gather together and share meals and stories. It occurred to me a few weeks ago that I have, in metaphor, created my long table. MM sends stories and connected thoughts, Judy affirms, Horatio lets me know when a thought lands in his court. Each painting, each post, each composition, each cartoon that we create, is an invitation to come to the table.

Looking out to look in. Looking in to reach out. An artist’s life is nothing more than stepping across separations. I am fortunate to have so many helping me step. I am fortunate to have so many bringing their thoughts and hearts to the table.

When Kerri first showed me this photograph, I didn’t see the ladybug. I was thrown into a memory. Kit Peak observatory, looking through the eyepiece of a telescope into a star cluster. I never felt so small yet so connected. Her photograph evoked the same feeling. The flower seen up close is a radiant sun. The image almost knocked me over. And then, there was a ladybug. An explorer. So small, so big. Riding the petal, surfing the radiant light.

It’s enough to make me want to write.

read Kerri’s blog post about LADYBUGS