Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.

Love Both Ends of the Spectrum [David’s blog on saturday morning smack-dab.]

Training manual for an artist’s life: there are times of plenty. There are times of pain. In the times of plenty it is impossible not to know there will be times of pain. In times of pain, it is impossible not to believe that there will be times of plenty. The tide rolls in. The tide rolls out (just as in every other life).

The results? There are two that accompany both times of plenty and times of pain. 1) The ever-present weird comparison. This meal = a week’s groceries. The weird comparison is probably why we love to cook at home. And we do. We love it. 2) The unassailable hope. It’s an exercise in focus-placement. It’s never really about the cost; it’s about focusing on the experience. We regularly split a burger and a glass of wine whether in times of pain or times of plenty. We regularly love every minute.

Pain and plenty are both worthy experiences on the full palette of life. We are capable of savoring a side salad. We laugh all the way home because the tip is often the most expensive portion of our bill (our daughter and my mother did serious time as wait-staff and we know the value of a great tip).

Loving both ends of the spectrum simply means that we are fully loving life. And we are. It’s not really about the food anyway.

read Kerri’s blogpost about SIDE SALADS

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smack-dab. © 2023 kerrianddavid.com

buymeacoffee is a “tip-jar” site that allows you to support the continued work of the artists you value.

Ripple [on KS Friday]

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“you make a difference in their life, even though they don’t know who you are, you make a difference.” ~ Kerri Sherwood, You Make A Difference

I catch myself in webs of my own weaving. There are things that I know to be true but willingly ignore when I am feeling blue and indulge in a warm bath of self-pity. For instance, my move to Wisconsin brought me to my great love but also came as a career killer. I have, in the past few years, spent inordinate amounts of time pondering my worth to the world. Beyond “husband,” who am I now that “no one” finds value in my work?

When my eyes and heart clear, I know that I have willingly stepped into the single greatest trap plaguing the Western world: investment in the notion that my experience – my life on this earth – is a product. That I must, as John O’Donohue writes, “…strive to garner a quota of significance from the world.”

How isolated we are, searching for purpose, trying to make a mark, seeking an experience, trying to find our voice,…have value, like so much property or stocks to be traded. Reduction. People as bottom lines. What is my value? What is yours?

I’ve decided that my favorite movie is ABOUT TIME. The main character, Tim, is afforded the opportunity to live each day over again. The second time through, instead of grinding out his task list and exhausting rush to achieve, he pays attention to the little things, the relationships he has all throughout the day. He is afforded the opportunity to shift his focus from “life as a product” to “life as relationship.” He makes a difference, not because he makes millions or wins the case, but because he smiles at the clerk of the convenience store. He pays attention to the “space between” and realizes he is nothing more or nothing less than a relationship. Ultimately, he has no need to live each day twice because he ceases throwing the first chance away. He releases the life-dulling-I-am-a-product-mentality and embraces the life-giving-I-am-a-relationship reality.

Sisyphus, in his first trip to the underworld, watches as a thousand souls wander the river bank, so lost in the fog of their own stories that they, each and every one, believe that they are all alone. Finally, their manic little stories play out, the fog surrounding them dissipates, and they see each other. In that moment, they return to their natural state, their most powerful state. They blend together into a single, vibrant mist (relationship). In that moment, Sisyphus is forever changed. He comes alive, returning to the upper regions, knowing that the real vitality, crackling life, is available if he looks beyond his isolating story-fog.

Instead of reducing his life to a measurable value, a few gold coins extracted from the world, Sisyphus expands beyond his little story-prison of worth-seeking to paying attention to what he brings to the moment, focusing on the shared space between. His life ripples and those ripples have no end. In fact, he understands that his life is a ripple.

Instead of trying to be somebody (separation) he simply recognizes and fully inhabits the utter miracle of his being (relationship). In that simple, profound shift, the difference is made.

It’s in Kerri’s song. You make a difference in their lives, even though they don’t know who you are. Your life, and their life, are one and the same thing.

 

YOU MAKE A DIFFERENCE is available in iTunes& CDBaby

 

read Kerri’s blog post about YOU MAKE A DIFFERENCE

 

cropped head kiss website copy

you make a difference ©️ 2003 kerri sherwood

Know The Value [on Two Artists Tuesday]

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“What’s it worth?” This seems to be the least answerable question of our times. Its cousin question, “Is it real?” is under assault and so qualities like ‘value’ or ‘worth’ are less and less discernible.

For instance, I laughed heartily recently when I listened to a podcast Horatio sent my way. It was about the billions of dollars spent on our educational system of testing that has produced minimal results. It doesn’t work. Data, brain science, and common sense have known this for years. I can hear Tom now (and see his famous sigh-with-eye-roll), “It has to be real. It’s about relationship. It needs direct application.” Do the tests make for better education? No. Of course not. The opposite. And, we knew that before implementing the system of testing. So, what is real? What was it worth? The system consumes itself.

A few years ago, Kerri and I went to the Chicago Art Expo. We came upon a gallery installation, a single piece. It was priced at $40,000.00. A line of twine stretched across the booth. Clipped to the twine was a single household sponge. It had been dipped in paint. Kerri, using her outside voice, said to all who could hear, “ARE YOU KIDDING ME?” It was purchased. What was it worth? Was it real? It was the precursor to artist Maurizio Cattelan’s recent piece. He duct taped a banana to a wall. He’s now sold three versions for $120,000 apiece.  What is it worth? What is real? Art commenting on art. The system consumes itself.

Politics in America. It’s all about crowd size regardless of what the photograph reveals. [sorry, I couldn’t help myself]. There are so many that we actually keep a running tally of the presidential lies. We are slack-jawed at those who nod their heads and bellow their agreement with the demonstrably untrue. What is real? What’s it worth? The country hungrily consumes itself.

We haunt antiques stores. We rarely buy anything but enjoy the exploration. At School Days Mall, one of our favorite adventure antique grounds, Kerri turned and gasped. A paint-by-number landscape wearing a Minnie Pearl tag. “I recognize this painting!” she said, wide eyed. Her mom, Beaky, liked to paint and had a paint-by-number phase. The painting evoked a good story. It evoked a momentary possibility that this might be THE ONE Beaky painted. Kerri sent a text to her sister. They shared a memory. They reached through time and had a moment with their mother. Priceless.

Watching Kerri, so excited, text with her sister, it occurred to me that one reason we go to antiques stores is to touch stuff that comes from a time when value and worth were better understood. We go to the throwaways to find some substance. What is real is not in question.

Banana taped to the wall or paint-by-number landscape? What’s real? What’s it worth?

 

read Kerri’s blog post about PAINT-BY-NUMBER

 

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In Beauty I Walk [it’s Two Artists Tuesday]

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daisy and in beauty PRODUCT BAR copy 2

“I am only so beautiful as the character of my relationships, only so rich as I enrich those around me, only so alive as I enliven those I greet.” ~ Derrick Jensen

I know many many artists who do what they do for love; their motivation is intrinsic. Their work is beautiful. I don’t mean their finished pieces (although they, too, are beautiful). I’m referencing their relationship to their work. It is lively, mysterious, expansive and generous. And, in order to stay healthy, they’ve long ago abandoned the notion that they might make a living through their artwork. Some do. Most do not.

I know many many artists who no longer do what they used to love to do. In the absence of an extrinsic reward (money), they began to see their love-work as worthless. They reduced themselves to a monetary equation and found themselves lacking. Considering their love without value, their well went dry. Their muse withered.

In our confused times it is the fortunate person who understands value as something greater than dollars and cents. Love, beauty, joy, family, generosity, learning, community, surprise, mystery…all words of relationship, all valuable beyond measure. All defy easy quantification.

From studio melange on Two Artists Tuesday, a gentle reminder to look to the space between, to value the process of living, the right-now-relationships where beauty is always to be found. Walk there.

IN BEAUTY I WALK gifts and cool stuff

daisy tote bag copy

read Kerri’s blog post about IN BEAUTY I WALK

www.kerrianddavid.com

‘in beauty i walk’ image & products ©️ 2018 kerri sherwood & david robinson

Open Your Eyes

a detail from the painting on the chopping block. It's called "The Stillness Must Be Immense."

a detail from the painting on the chopping block. It’s called “The Stillness Must Be Immense.”

There is a debate raging in my house. Yesterday I was about to wipe a painting off my canvas and begin anew when Kerri intervened. “I love it!” she declared. “I hate it,” I replied. “Truly,” she said, “I love it.” When I wrinkled my brow she restated, “I love it.”

Many years ago I was stepping toward a canvas to wipe it clean. The painting wasn’t working for me and I’d given up. I wanted to start anew. My landlady, Kathleen, came into the studio at just that moment and hurled herself in front of the canvas. “You can’t erase it!” she declared! “This is one of my favorites!” She had the look of a desperate woman begging for the life of her child. I relented. I couldn’t wipe it clean. She confessed to coming into the studio the previous evening and admiring the painting. “I spent a long time with it!” I made a deal with her. I promised to show the painting – to include it in one show – and let the public decide. If it was roundly reviled, as I KNEW it would be (as I was actively roundly reviling it), I’d paint over it without drama or interference. If it was appreciated by anyone, by a single person, Kathleen could say, “I told you so,” and I’d never paint over it.

the painting Kathleen saved

the painting Kathleen saved.

A few months later I hung the painting in my solo show at Rock/Dement studio gallery in

Seattle. At the opening a woman came into the gallery, stood before the painting, and burst into tears. She looked at me with tears rolling down her face and said, “I love it.” Kathleen waited a few days before allowing words to break through her smug smile, “Well,” she sighed, “I told you so.”

That painting is the reason I made the same deal with Kerri yesterday. I will let it remain long enough to show one time. If it is roundly reviled and ignored, then I will paint over the canvas without protest. If a single person likes it or expresses appreciation for it, she can bury me in a mountain of, “I told you so,” and the painting will live on long after I’m gone.

The Stillness Must Be Immense.

The Stillness Must Be Immense.

This morning I posted an image, a print that reads, “CROSS THE BOUNDARY OF ELEMENTS.” In the short blurb associated with the image I wrote that sometimes we have to stand in other people’s shoes. We have to see what they see. I am an artist and am convinced that artistry is all about opening new visions for others. It is about helping people see what is there, not what they think is there – and I’m certain that I fall into a thought eddy while painting. It is, perhaps impossible for me to see what others see in my paintings. What I judge to be worthless has often proven to be magnetic to others. And so, I am willing to make this bet, I delight in the moments when my understanding of life turns back on me, flings itself in front of me and screams, “Open your eyes!”

another detail of the painting.

another detail of the painting.

Choose Your Path

A watercolor I call, "House On Fire." It's an unusual piece for me...

A watercolor I call, “House On Fire.” It’s an unusual piece for me…

I am still unpacking from my move. My sketchbooks and journals have been bound in plastic wrap since I hauled them across the country and then brought them into the house from the Budget truck in October. I cut the wrap this morning because I was looking for a sketch to give as a gift and during my hunt I found an old work journal. It was a gold mine!

I’m preparing to facilitate a workshop on The Art of Team and the notes I found were from a team I worked with a few years ago. This organization had a history of abusive leadership. There was a serious lack of trust within the group. It was a classic case of “everyone else is to blame and nothing is my fault.” Everything was territory that needed to be guarded and protected, especially personal value. Their individual worth as human beings was always in question.

Here are notes from our world-class conversation. This is what the team discovered as it waded into the swamp of its dysfunction:

The path of power splits, there is a fork in the road of power:

One path leads to the creation of power with others.

The other path leads to power over others; a path of taking from others.

The fork is defined by where each individual seeks their worth:

Seeking your worth based on others responses will take you down the path of needing power over others.

Finding your worth within yourself will open your way to creating power with others.

Here’s the point: it is impossible to change the group dynamic and create a cohesive team until you change yourself. Every dysfunction in a team can be traced back to this root.

In this sense, people never have problems, they have patterns (This is the first recognition from my book, The Seer):

Seeking your worth from others is a pattern.

Finding your worth within yourself is a pattern.

Seeking your worth from others patterns you to orient according to what you get from others.

Finding your worth within yourself patterns you to orient according to what you bring to others.

If you desire a functional team, cease seeking to solve your problem (seeking your worth in others eyes) and begin establishing a new pattern (find your worth within yourself).

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

 

Shine

656. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I woke up this morning thinking about lights under a bushel; hiding your light. Now, I’m not really a bible guy. I think there are many paths up the mountain and the higher you go the more distinct and individual is your path – and the more universal are your revelations. The path is yours and the recognition is oneness. So, it always piques my curiosity when I have a distinct image pop into my noggin, especially in this season steeped in metaphor and with the portent of transformation.

A week ago I put out an offer for 10 free coaching sessions and was delighted when over 30 people responded. I decided to try and honor each request. I have been bah-humbug during this holiday, looking for some way to reconnect with the deeper meaning and rituals of this season; I wanted to create a ritual for myself that was truly a gift of giving and receiving. I bumbled into my ritual with these calls. Each was rich and warm and magical. Each call in one way or another was about removing the bushel from the light – these amazing brilliant, beautiful people recognizing and desiring to offer without inhibition their gift to the world. I was more than once moved to tears at the yearning and courage and simple perseverance of their impulse to life. In every case, they wanted to share their light. Think about that for a minute. Isn’t that true of you and every person you pass on the street? The impulse to offer yourself and your gifts without inhibition is at the core of each of us. As Joe once said, “Our impulse is to wholeness.” What would it take for you to remove the bushel and fully share your light? I ask myself that question, too.

I realized that the light-under-the-bushel image was actually my wish – for myself and for you. If you are hiding it is a good bet that you think you will be judged. If you are hiding it is a good bet that you think your light is not worthy. Or, perhaps you have invested in a mistaken idea of humble. In any case, why are you blunting the light? I no longer believe in angry judgmental gods (they seem particularly human to me – gods worth worshiping certainly must live beyond the fields of judgment and selection); these notions live at the heart of separation and the need to hide. My wish for us in this new era is to share our light, without inhibition or editor, to throw away the debate of worth, to know unequivocally that the whole of nature needs what you bring, how you bring it, and masking it robs us all of the magnitude of our collective brilliance. Put down the bushel. Show up for me and I promise I will show up for you.