Turn The Shield [on Not So Flawed Wednesday]

The rains have come. The light retreats. This is the time of year when we say, “I’m tired. Are you tired?” It’s the lack of light. The coming change of time. “It feels later than it is,” we rub our eyes and sigh.

I’ve always thought of this time as an in-between. Not-this-and-not-that. The leaves have dropped but the snow has not yet arrived. The sun and the wet clouds jockey for position and neither gains the advantage. Were we bears, nature’s indecision would signal that the time had come to look for a proper cave, a comfy spot to sleep through the winter. We are people and the signal is similar: it’s time to pull in, reflect, attend to the inner places, nestle into our bear-dreams.

Many years ago I took a class from an elder who taught us how to paint medicine shields. The exercise was not about the painting or the technique of stretching the skin over the willow, the exercise was about identifying the symbols. One side of the shield was the outer life, the sun. This face of the shield was seen by all. The other side, the inner face, was personal. The symbols were private. The moon. This is the season when the attention to the outer face shifts to the inner. The bear considerations turn to the owl, the lizard.

Just as each season is both a leaving and a return, both sides of the shield are beginnings and ends. Barney taught me that, in the winter, the energy of the plant retreats from the branch and, instead, goes to the root. Rejuvenation happens beneath the soil. I feel that shift in this time of increasing cold and rain, the shield flips. My eyes turn inward.

We huddle in the early dark and tell stories of the year past. We attend to our rest, move more slowly in our expeditions. We decide more often to stay in. We open the bin with gloves and scarves, prepare for a different rhythm of walking. We recount the past seasons, not yet ready to dream of the time to come.

read Kerri’s blog post about RAIN

Reach Purely [on Two Artists Tuesday]

“Art, as best practiced and understood over the centuries, is a spiritual as much as technical pursuit.” ~ Kent Nerburn, Dancing With The Gods

It was disconcerting. It still is. The illusion was so distinct that I had to show the book to Kerri and ask if she saw it, too. Each morning I read a few pages from Kent Nerburn’s book. This morning, in a chapter entitled The Divine Thread, I turned the page and a single paragraph, just a few sentences, was printed in a font twice the size as anything else on the page. I read it a few times since the author had given the section such obvious emphasis. After the I finished the chapter, I looked back to reread the oversized section – and it was printed in the same size font as everything else. It wasn’t emphasized at all. The shock of it made me dizzy.

“Art, however, does create this touch. It speaks in different voices, different rhythms, different languages. There is no place in the human heart it cannot reach.”

Paul taught his student-actors that they had an obligation to something greater. “When you choose to get on the stage, you have the power to impact other people’s lives. Do not take that responsibility lightly.” Your art, your creation, if purely intended, will reach the heart of another – purely. Even the loneliest painter knows the transcendence of the expansive energy that comes through in the moment of creation. Transcendence is all inclusive.

I have been humbled by the great artists I’ve known. Teachers, mentors, and others. I’ve been humbled by their humility. Tom, a brilliant director of plays and believer of possibility, influenced more artists than any person I know. He was tortured by the size and scope of his gift. At the end of his life, sitting before a fire in his cabin, he was, for a moment lost in thought. I watched his revelation come to the surface. He looked into his wine and said, “I think I did my best work when I was a just starting, when I was second grade teacher. It was pure imagination. I had no idea what I was doing. I just knew that we could have fun telling stories and going on adventures where our imaginations led us. It was pure.”

I met a few teachers who’d been second grade students in that classroom of long ago. They told me that year changed their lives. They touched his heart and he touched theirs. Shrunken heads and planning expeditions to the Amazon. Maps and budgets and “What do we need to bring to survive?” They spent weeks preparing for “blind day,” an exploration of the world through the full scope of senses. “What could we learn if we didn’t rely on our sight? What would we need to prepare to help each other?” he asked. Pure.

For our wedding, Julia made for us a small box with a Klimt’sThe Kiss” decoupaged on the lid. Inside, she placed a few Euros. A metaphor. Great love as a container for great adventure. We placed the box in our sitting room in a spot where we see it everyday.

Kerri knelt on the dock to get this photograph of the water. “The color!” she gasped. Pull up an image of “The Kiss” – or any of Klimt’s paintings for a closer inspection and you’ll see this water pattern. Klimt might have painted it. He studied swirls in water, swimming color on the reflection of the surface. I’m certain of it.

Great love. Great adventure. Tom. Julia. Paul. Art that is pure. My head spins. There is no place in the human heart that art cannot reach.

read Kerri’s blog post about WATER

images of water © kerri sherwood 2021

Hold A Greater Space [on Merely A Thought Monday]

The sun was setting as we drove away from the memorial service. A celebration of life. We were quiet, lost in our thoughts. “I don’t know if I’ve ever before been to a celebration of life where I LEARNED something about life,” Kerri said. I was thinking the exact same thing. I’d just received a master class on how to live a good life. I just learned about the untenable nature of love.

It was Nancy’s service. Her husband of many years spoke. Her daughters spoke. Her stepchildren sang and read poetry. She was a longtime member of the church so the pastor told stories about her. The service was alive with laughter and with tears. Both. People applauded at the end of the slideshow, a photographic journey of a life that began in 1933.

We are inundated with notions that ‘the good life” should have no pain. It should be above hardship. Nancy’s life did not support that half-narrative. She experienced canyons of loss. As her daughter said, “She could have become hardened and bitter.” But, she didn’t. She didn’t ignore her pain or deny it, she allowed it. It was part of the color of her life. She did as the Buddhists recommend: joyfully participated in the sorrows of the world. She participated. She chose. She decided. She created.

She surrounded herself with flowers and loved her garden. She made her table a magnet for family and friends. She did not sit and complain, she had no time for woe-is-me. She found opportunities to give and engage. Story after story of a woman, even in the heat of cancer, while awaiting the results of the latest scans that would determine the number of days she would have on earth, turned trips to the doctor into opportunities to shop with her daughters. Lunches. Expeditions to a beloved bakery. Create the extraordinary in the simple moment, regardless of the circumstance. We heard again and again these companion phrases, “She chose love.” The pain and the love, “Both belong,” Heidi said.

In an intentional life, one does not negate the other. Tragedy and triumph. Devastation and joy. It’s a decision. Where we focus will determine our experience of life. Nancy stood in her pain and uncertainty; she had every opportunity to become bitter. Instead, she focused on love. She created it. Nurtured it. Grew it. Offered it. She didn’t deny her pain. She held space for it in a greater container.

It was apparent in the laughter evoked in the stories told, it was apparent in the generosity of the service we experienced. This was not a Hallmark movie. It was a celebration of a life of texture, of impossible mountains to climb and of enormous blessings. It was the lesson Nancy lived because it was woven through every story told about her. “It’s what she taught me,” Heidi said, “Both belong.”

read Kerri’s blog post about BOTH BELONG

Scare Yourself Silly [on saturday morning smack-dab.]

Our house is old and, when I first moved in, I had to learn to discern the many sounds an old house can make. Two sounds in particular woke me each night and sent visions of intruders dancing through my imagination. The first was the clunk of the radiator. The second was BabyCat walking around upstairs. Our heavy-footed cat sounded like a man in boots walking from room to room. I woke Kerri more than once with my startled, “What’s That?”

“It’s the cat,” she’d laugh, and roll over.

Sometimes the radiator still gets me. There’s very little warning. The creeeeak sounds like a foot on a floorboard. And, since it is my job to fetch the midnight snack, in a creaky old house, deep into the dark and cold of an October night, the creeeak-clunk is resonate with the slide-thump of scary stories from my youth. I have a vivid imagination. I can scare myself silly.

Happy Halloween.

read Kerri’s SMACK-DAB blog post

smack-dab. © 2021 kerrianddavid.com

Learn Where To Listen [on KS Friday]

“Her mother told her she could grow up to be anything she wanted to be so she grew up to be the strongest of the strong, the strangest of the strange, the wildest of the wild, the wolf leading wolves.” ~ Nikita Gill

A long time ago I wrote and illustrated a children’s book about a young fox who had extraordinary abilities. Her talents made her an outlier in the pack, something strange, so they hammered her into compliance. She buried her gifts. The story is, of course, how she came to embrace her gifts despite the court of fox-public opinion.

Lao Tzu wrote, “Care about what other people think of you and you will always be their prisoner.” It is a lesson that every artist must learn. Do your work. YOUR work. Some will love it. Some will hate it. Some will walk by without a second glance. You can never determine what another person sees or thinks so waste no energy in that fruitless cause. Do your work.

It’s a tough lesson, a mammoth paradox, since we are, after all, a pack animal, a social being. An artist has no reason to work if there is no audience or community to receive the work. Traditionally, artists live on the edge of the community so they can both see in and express what they see but also serve as a channel to what lies beyond the spiritual perimeter. The tightrope walk is about belonging while marginalized enough to remain clear-sighted. The artist must step back from the painting in order to see it.

I’m enjoying a slow read through Kent Nerburn‘s book, Dancing With The Gods: Reflections On Life And Art. Master Miller recommended it and I’m finding the simple wisdom of an artist-elder a refreshing daily meditation. Were I to write a sequel to my long-ago-children’s-book, it would be about this: coming back to your gift is not a one-and-done affair. It is a cycle. We embrace it and run from it and embrace it and lose it and find it and smother it and resurrect it and step back and look at it. Again and again. To become the strangest of the strange, the wildest of the wild, is not an achievement, an arrival platform, it is a relationship. Yes, with the community, but it is mostly a walk with your self and what lies beyond that spiritual perimeter. It is ongoing. Never static. Somedays you are the strongest of the strong. And, on other days, you are empty and weak. Full spectrum palette. The only way to know and reflect all of the colors of life is to experience them firsthand. And, so, it is imperative to learn where to listen, where to invest your tender care.

The gift grows as more colors enter the paint box.

read Kerri’s blogpost about HER MOTHER TOLD HER

Kerri’s albums are available in iTunes or streaming on Pandora

Trust The Symbol [on Not So Flawed Wednesday]

“Perseverance, secret of all triumphs.” ~ Victor Hugo

It is nearly November and the tomato plants are still producing. I’ve come to think of our tomato proliferation as a dance between Kerri and the plants. Each morning, all summer long, with the good advice of 20, she tended the tomatoes. And, the tomatoes tended her. They continue to inspire quiet in her. I’ve watch the gentle morning dance from the window, DogDog circling the yard, Kerri with the watering can, pinching leaves, securing supports, or simply admiring yet another green orb that appeared overnight.

There was also the basil, mint, and lavender. After the tomatoes were nurtured, they joined the dance. Presence.

You know things are not going well when your friends start comparing you to Job. I’m not a bible guy but even I was keen to the reference. We’ve had a few years of rolling bad luck and molehills turned into mountains. 20 is fond of saying, “Karma is a long game,” and there were days that I asked Kerri what she did in a past life to deserve the most recent disaster. After punching my arm, we’d chant in unison, ‘One day at a time.” Take this step. Enjoy this day. The circumstance doe not define us. And, mostly, we lived it, staying in the center of the hurricane.

And, then, about the middle of May, the winds changed. It was palpable. Somethings actually began to tip in our favor. And, for reasons I cannot explain, we needed to grow tomatoes. Kerri needed to grow tomatoes. Last summer we made an anemic attempt at growing lettuce. We ate a salad or two from our mini-farm, but it was more of an exercise, something to do, rather than a symbol of the arrival of better times. The tomatoes came as harbingers, heralds of a new era.

To say that they’ve been prolific is an understatement. All summer long, lines of tiny red miracles sat on our table, ripening. The plants have withstood pounding rain, excessive heat, and withering humidity. Not only have they withstood it, they’ve prospered in it. It’s a hopeful symbol. Somewhere deep down inside, we hope to follow their lead. After a few years of the-other-shoe-always-dropping, we’re slow to trust our symbol. But, like our symbol, we’re taking our time, not getting ahead of ourselves, and will harvest our good fruit when the time is right.

Until then, we persevere, one day at a time, grateful for the portent our good tomatoes bring.

read Kerri’s blog post about TOMATOES

Obsess [on saturday morning smack-dab.]

I’d never heard of Munchos until I met Kerri. I’d never pulled all of chip bags off the shelf at a store in search of Munchos until I met Kerri. I’d never been escorted out of a store by the police because of a Muncho search until I met Kerri. And, to make this fun, only two of the last three statements is actually true. Let me just add that the police were kind. Evidently, the officers that came that day appreciated Munchos as much as Kerri.

In reviewing the past several weeks of Smack-Dab, I see how snack-driven we really are. I’d have denied it outright before today. Dogga is completely food driven and you know what they say about people and their dogs. Dogga was in the car during our Munchos near-incarceration. He pretended that he didn’t know us though his deniability was questionable since he was in our car and had a collar with our phone number chiseled into it. The police were kind though. They cautioned him to keep a better eye on us and to forbid us from going back into the market. And then, they gave him a treat. Not a Muncho-treat. Those were nowhere to be found.

read Kerri’s blogpost about MUNCHOS!

smack-dab. © 2021 kerrianddavid.com

Release The Tether [on saturday morning smack-dab.]

As the old adage goes, timing is everything. It is a lesson I will probably never learn. When something pops into my noggin, I grab hold of it like the tether to a hot air balloon. I can’t let go of the tether until I’ve expressed it. So, I am, and always have been, a master of bad timing.

Kerri has adapted well to my balloon-filled-brain. She knows that I can release the tether, the balloon will fly away, and life will go on with or without my urgent need to capture-the-thought. And, usually, there will be a second chance: all balloons come down again and, sometimes, they arrive at just the right moment. No raincheck required.

read Kerri’s blog post about RAINCHECK

smack-dab. © 2021 kerrianddavid.com

Place It In The Hollow [on DR Thursday]

For some reason, people need to leave a trace of their passage. We paint on the walls of caves. We erect monuments to ourselves and our heroes. We build cairns to mark the way for those who come behind; we build cairns so others will add stones to the marker. We put plaques on benches and engraved bricks in walkways. We graffiti bridges and walls. Banksy has made a fortune tracing his masked passage.

Growing tired as we hiked up the trail, we sat on an old log. We looked over the valley, turned our faces to the sun. And, as we stood to continue up the trail, Kerri pulled a sharpie from her bag. We left two small dots on the log. “We were here.”

Our work in the world not only can be a marker, it is a marker. Every little action is a stone on the cairn: we contribute to the whole whether we like it or not. The person who delivers packages to my door makes my life better. Easier. The score of people who created this computer, invented this software, manufactured the chip that makes it all work, have made my life better. Someone coming behind us will see the cairn we’ve constructed and add to it. Improve upon it. The first computer I touched was a toy compared to this miracle sitting on my lap.

I’m an artist and sometimes wonder if my paintings will live beyond me or will they end up in the Goodwill as so much used canvas. I hear the advice, so often offered to me: “Yours is to paint them, not decide what happens to them.” Too true. Mine is to make the offer. I have no control over the acceptance.

Returning down the trail, Kerri peered into the hollow of a stump. It was filled with stones! Hikers, just like us, had left a note that also served as an ancient invitation: I was here. We picked up stones, the sharpie came out of the bag, scribbled a heart and a peace sign on our rocks before placing them in the hollow. “Do you think anyone will see our stones?” Kerri asked.

An ancient question. Deeply human. Heart and Peace.

read Kerri’s blog post about THE HOLLOW

three graces © 2012 david robinson

Whisper, “Thanks.” [on KS Friday]

We found the gratitude wall in a small mountain town. It was a mess of appreciation, overrun with thankfulness. I thought, but did not say, “This ought to be the visual expression of every inner life.”

I didn’t write on the wall. I whispered my gratitude to the wall. Kerri played for my father’s funeral service. This woman, who is a Yamaha artist, considered a modern master at her instrument, after breaking both wrists, after a second fall, an injury from which she will never fully recover, with a middle finger that sometimes responds and sometimes does not, with a pinky that is curling, wrists that cannot bend, hands that cannot reach the keys as they once did…she played. For the first time in many, many months. She stood at a piano and played. Beautifully.

My dad, a great lover of music, spent hours of his life listening to her CDs. He loved her playing, delighted in her compositions.

I cried for two reasons at the funeral. Both reasons overwhelmed me with gratitude. I was a mess of appreciation, so, I whispered my bottomless thank-you to the gratitude wall.

kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about GRATEFUL

grateful/as it is ©️ 2004 kerri sherwood