Follow The Trail [on Merely A Thought Monday]

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Max Ehrmann died. His poem, Desiderata, was mostly unknown. He did not write it for fame and few poets, unless they are delusional, write for fortune. Desiderata found its way to the light because it struck a chord, people shared it. Today it is known and treasured all over the world.

Vincent Van Gogh died. His paintings were mostly unknown. They were mostly rejected. Only one of his paintings sold in his lifetime.  He did not paint them to increase his fame and few painters, unless they are delusional, paint for fortune. His paintings found their way to the light because they struck a chord, people sought them out. Today, they are known and treasured all over the world.

No one knows the impact of their work. No one controls the ripples that they send. Everyone knows the truth of their intention, the source from which they act. Max Ehrmann wrote his poems during a life that spanned world wars. Vincent Van Gogh endured a lifetime of intense internal warfare and painted in response. Amidst the intensity of chaos they reached for more eternal things.

John told me that my job was to paint the paintings, not to determine how they are seen or received. In this age in which the arts have been detached from all things sacred, I sometimes feel our poems, our music, our dance, our paintings serve as a popcorn trail that point, not in the direction of personal gain or achievement, but to the soul’s home. That place where we sit together and experience the bigger things that live beyond words or names, beyond the nonsense and power games. The popcorn trail reminds us amidst the fighting to stand back and remember that neither side in any fight wins. Not really. The oppressed becomes the oppressor. Ripples and time.

For perspective, look to the stars at night. Poets and painters try to touch the vastness. The popcorn trail reminds us not to forget the center.

 

read Kerri’s blog post on DESIDERATA

 

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Look For The Exit [on Flawed Wednesday]

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Two decades ago, living in Los Angeles, on a beautiful crystal clear morning, I walked to the corner market to buy a Sunday newspaper and milk for coffee. With my milk and newspaper in hand, I circled the store pretending to shop with the rest of my fellow shoppers. We delayed checking out because another customer, enraged, was having a heated argument with the cashier.  We were afraid and unwilling to step in the way of an escalating confrontation. When the angry man slapped the counter, the rest of us – the entire group of shoppers – spontaneously hit the deck. We thought it was a gun shot. Laying on the tile floor looking at the panicked faces, I had a realization. I must be afraid all of the time; low-grade fear. Gun violence was so prevalent that it was my first thought, my first expectation, not the last.  And then, the most remarkable thing happened. We slowly stood up, brushed ourselves off, picked up our items from the floor and put them back into our baskets – and never said a word to each other. We paid for our purchases. We pretended it didn’t happen. Fear is like that.

“California is ten years ahead of the rest of the nation.” At the time I heard this sentiment often. “If it’s happening here it will be happening in the rest of the nation within a decade.”

I am now twenty years beyond my corner market floor dive. I routinely look for the exits when I enter a movie theatre. We avoided attending open air concerts after Las Vegas. School shootings and workplace massacres are more common than not. There is training offered by experts on what to do if you are caught in a mass shooting. The palaver rolling out of Congress is like a dusty old play. We know the script and it goes nowhere.

“There’s been another one,” we say and shake our heads, upset that a few weeks ago we’d walked the street where the latest young man was killed. He was going to the store. A student who needed to buy hangers. “It could have been us.” And, so, once again, we pick ourselves up, brush ourselves off, put the items of our day back into our basket, realizing, not too late, that it did happen. It is happening to us.

 

read Kerri’s blog post about ROGER’S PARK

 

 

See What’s There [on Two Artists Tuesday]

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On this Two Artists Tuesday we give a nod to all the special people who are willing to help – even when it makes no sense. They are everywhere though, because they eschew drama, they remain largely unseen. They put down what they are carrying to open doors for complete strangers. Late for a meeting, they slow their pace and cross the busy intersection, an invisible shield for an elderly crosser. Sometimes, at night, they are servers at restaurants, kind and patient with everyone, even after a long day working their first job. They make soup for hungry people they’ve never met. They leave fifty dollar tips for ten dollar tabs. They step into the street to shield a dog-on-the-loose from oncoming traffic. They walk into the wind and rain to deliver packages and junk mail. They carry a snowboard out to a car to reassure a mother that her daughter’s snowboard will, indeed, fit in the back.

Kindness. Paying attention. Little acts, big ripples. It’s breathtaking. It’s everywhere.

read Kerri’s blog post about THE THINGS PEOPLE DO

 

 

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Bring A Little Hope [on Merely A Thought Monday]

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“Multiculturalism asserts that people with different roots can co-exist, that they can learn to read the image-banks of others, that they can and should look across frontiers of race, language, gender and age without prejudice or illusion, and learn to think against this background of a hybridized society. It proposed – modestly enough – that some of the most interesting things in history and culture happen at the interface between cultures. It wants to study border situations, not only because they are fascinating in themselves, but because understanding them may bring with it a little hope for the world.” ~ Robert Hughes

I read in my newspaper that tribalism is the new normal [insert eye roll here]. There’s nothing new in tribalism. Fear-full people lost in a very small Us-N-Them tale is as old as the old gods. It’s pulled out and paraded about when power structures are shifting.

I marveled at the utter absurdity of it. No one can deny that our airwaves and e-waves are choked with noisy proclamations of division and fear.  However, it only takes a quick scan through the rest of my newspaper to grasp the undeniable reality of our situation: global markets, global economies, populations on the move, United Nations, NATO, WTO, multinational corporations, Bitcoin, international space stations, satellites, not to mention some of our greatest challenges like global warming, and invasive plant and insect species (made possible through global shipping and the necessity of sharing/exploiting resources). Take a stroll down the aisle of your local supermarket and educate yourself on the scope, depth and breadth of your food sources. Count the countries represented on the shelves.

Tribalism is not new. It was normal a few centuries ago. Nowadays it is a construct, an old dry log to toss on a fire to stoke divisions and create distractions.  It’s a headline to sell newspapers. Division sells. Good theatre requires hot conflict. People are easier to control when divided. There’s nothing new there, either.

There is a truism in change processes: people hold on tightest to what they know just before releasing their fear and walking into the unknown future. They take a step back, temporarily entrench, before answering the call of growth and change. Call that tribalism if you must, or denial, or the conservative impulse. It’s a process step. “Age and stage,” as 20 likes to say.

What’s actually new? All the world is now a crossroads. People with different roots ARE coexisting – that, after all, IS the great experiment and central promise of these United States. Looking across the frontiers of race, language, gender and age – without prejudice or illusion – is the hope in our emergence. It is the cathedral we are building.

The other direction can only bring our decrease. And, as history has taught us again and again, that’s an ugly path. There’s nothing new in that, either.

 

read Kerri’s blog post on EMERGING HUMANS EMERGING

 

 

Know [on KS Friday]

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There is much an artist cannot know about their own work. They sit on the mountain so they cannot see it. But, in their general blindness, there is one thing they do know: there is a difference between the bulk of their work that is good and the few shining pieces that are great.

Kerri is evasive when talking about her work. I imagine somewhere back in the nether-times of her artistic formation, Beaky taught her a definition of ‘humble’ that now precludes her from speaking kindly of her compositions. I’ve learned that there is a chink in her armor. If you want truth, piss her off. In her anger she just might let slip what lives behind the humble-fortress. Recently, red-in-the-face mad at my provocation, she glared at me and said, “My work is good but This Part Of The Journey is great! It is world class!”

It is. She knows like only an artist can know. It’s her best album. And, the pity of it is – to me, at least – she is now – 20 years later – capable of better. Her artistry has grown. By far. Her unrecorded songs and compositions live in a notebook. They will never be recorded. “Why bother,” she says, each time she opens her BMI statement, looks despairingly at the enclosed $47.00 check while perusing the report that shows well over a million people listened to her music last year.

If you want to hear her play, the route is the same as the path to her truth. Piss her off. I secretly look forward to the day the BMI statement comes. On BMI day, in a fury, she sits at her mostly ignored piano and plays. You can’t imagine how beautiful heart-pain can sound. You can’t imagine how much music is in her. On BMI day, I get to hear her best work.

You can say, “I didn’t know.” I cannot. I do. I know. And, I suppose, more to the point, she is not alone. Kerri is only one of thousands of musicians whose music makes millions for streaming services but are paid virtually nothing for it. Perhaps you should grieve -as I do – that I am the only person on earth who has – or will have – the opportunity to hear her greatest compositions. That should piss you off.

 

I DIDN’T KNOW on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about I DIDN’T KNOW

 

i didn’t know/this part of the journey ©️ 1998 kerri sherwood

Fill It In [on Flawed Wednesday]

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A truism: In everything there is a story and rarely do we know the full story. At best, we see partials, a snippet, and from there we draw conclusions, make judgments, fill in the gaps with dedicated certainty in made-up meanings, interpretations, and projections from our own experiences. Imagination runs rampant whether we recognize it or not.

We laughed when we saw this note. It was lodged in a gutter, having blown from the spot where the last of the 2-4 year olds was claimed. Kerri said, “Darn! I wanted a three year old.”

“Why a three year old?” I asked.

She shivered, shaking a specific memory from her mind and replied, “Anything to avoid the terrible twos.”

 

read Kerri’s blog post about FREE 2-4 YEAR OLDS

 

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Split Your Bark [on merely-a-thought Monday]

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Angels come in all shapes and sizes and Jonathan is my latest proof. Appearing from nowhere, disappearing into the ether, impossible to nail down on what he does each day (“I spent the day packing,” he says every-single-time-I-ask), he has an uncanny way of  dropping a much needed thought-bomb at just the right moment. Boom.

Lately, Kerri and I have been steeped in the angst and frustration of the latest inevitable drought that comes with an artist’s life. The well has run dry. There is no rain in sight. The Artist’s Almanac forecasts drought.  Feeling defeated we showed up at rehearsal wearing hang-dog faces and found angel-Jonathan already there, practicing his bass.  He greeted us with laughter and a smile. He regaled us with hysterically funny stories of his weekly foibles. He got us laughing. He transformed our self-pity and woe into a conversation about necessary change and growth.

That’s when he velvet-hammer-smacked us with the metaphor: trees must split their bark to grow. There is pain. Matter. Of. Fact.

Contrary to popular mythology, angels do not take away your pain. They do, however, help you see it for what it is: an experience of life. They punch through the horror story spinning out of control in your mind and guide you back to the present moment. There is growth so there are unknowns. There is today. “Isn’t it great!” he laughs. “You two kill me,” he says smiling.

Yep. Angel.

 

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Reach [on Two Artists Tuesday]

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Someone snapped their fingers and it is fall. Less than a week ago we skirted the Des Plains river trail, hugging the shade. We’d underestimated the intensity of the heat-humidity combination punch. “Are you dying?” Kerri asked. I nodded my head, too hot to answer. This morning, the air is cool and we are pulling out our flannel shirts.

With fall comes a sweet melancholy that usually creeps in slowly but this year, absent of any transition, I awoke fully awash in the seasonal sorrows. It is, oddly, like a warm blanket. An old friend that calls, “Remember me?”

Kerri tells me this melancholy is the feeling of time passing. It is the season of standing still and remembering. It is a reach to the past when the past feels like the autumn sun on your face. Turning toward the warmth, eyes closed, basking.

Haven’t you heard your elders say that the older you get the faster time moves? This morning, pulling my flannel shirt around me, I know that it is true. Time races. Time is relative to “the long body,” the entire span of a lifetime. With so much time behind me, so many memories, the road traveled seems to have passed in a blink. Life happens in the blink of an eye.

There’s no better reason to stand still, eyes closed, and reach for the sun as its rays reach for me.

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read Kerri’s blog post about REACH

 

 

 

 

 

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reach ©️ 2018 david robinson & kerri sherwood

 

 

Be The Storm [on Chicken Marsala Monday]

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“It is a sacred art that deals with revelation rather than observation.”~Jamake Highwater, The Language Of Vision

Tom used to say, “A writer writes and a painter paints.” Those are wise words grounded in the mechanics of art. Simply show up. Do the thing. Nuts and bolts. That’s the first step. Show up at the easel, on the dance floor, at the piano, at the writers desk and begin. Tom was a teacher and over his life heard an overabundance of excuses, reasons ‘why not.’ Said another way, he advised his students to stop thinking about it and do it. “Get out of your own way,” he’d counsel. That’s the second step. Horatio calls this step ‘trust-your-work.”

Show up. Do the thing. Get out of your own way. Trust your work.

And, what happens with trust? When the artist can get out of his/her own way, the sacred art, the art of revelation becomes possible. It’s a beautiful paradox. Show up and get out of the way. And, between those two actions, those crackling oppositions, a greater force, inspiration, gathers and releases like a storm.

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read Kerri’s blog post about INSPIRATION IS A GATHERING STORM

 

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inspiration is a gathering storm ©️ 2016/18 david robinson & kerri sherwood

 

Will It To Happen [on Two Artists Tuesday]

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This is the first face, the first thing I see each morning when I open my eyes. BabyCat, aka Sumo aka ONEBIGCAT aka Scrawny Cat. Let’s just say that he is a substantial kitty. And willful when hungry. The morning ritual goes like this (my eyes are closed): he mews up a storm with no result (eyes are still closed). He pulls books from shelves and then claws the back of the already-destroyed-chair (eyes still closed). He shreds the previous night’s crossword puzzle and any other loose paper on the floor. No movement from the human. The final stage is a cat-leap onto the bed (BabyCat landing on the bed feels like riding a rolling ocean wave in a small dinghy). And then he stares at me like some 19th century hypnotist, willing my eyes to open. No matter how long it takes. None of the ruckus produces results but the silent stare is a killer. It’s unnerving. It makes me open my eyes.

This morning the thunder and rain are at it again. The air is thick, sticky and humid. Wisconsin has gone tropical and, apparently, now has a monsoon season. When my eyes popped open this morning there was something extra in BabyCat’s stare. More than food, he wanted to know where summer had gone. Was it here at all or was is merely a B-Cat dream? A passing fancy?

Blinking my eyes, the best that I could offer was this: “I don’t know, BabyCat. I dreamed it was summer, too.” And then we finished the morning ritual with our customary promenade to the food bowl.

 

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read Kerri’s blog post about WHERETHEHECKDIDSUMMERGO?

 

 

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wheretheheckdidsummergo ©️ 2018 david robinson & kerri sherwood