Simplify [on DR Thursday]

Sacred Looking In with color copy 2

Horatio challenged me to do something different. I’ve long wanted to explore simplicity of line and image so I took his prompt. Simplicity. There are few variations of this image.

When I get back to the studio I will pick up my brushes and Horatio’s prompt. I could use a walk back into simplicity.

This version is Judy’s favorite. So many of my conversations with Judy are about a healthy inner life – and how there really is no separation between inner and outer life. It’s a word game to dice life up into boxes. It’s a simplicity and the thread is easy to follow: as within, so without.

 

read Kerri’s blog post about INNER LIFE

 

Sacred Looking In with color copy 2

inner life, 36 x 24IN

 

shadows on TPAC sidewalk website box copy

 

sacred series: inner life ©️ 2017 david robinson

Plan To Try Again [on Two Artists Tuesday]

dock copy

20 and I sat in the Adirondack chairs in the sun, eating chips and drinking wine, and watched Trevor and his crew put the finishing touches on the dock refurbishment.They’d been at it for days, leveling and reinforcing the existing structure, cutting pieces and installing a new surface. The final step was the installation of a bench on the far end, a place to sit over the water and enjoy the moon rise. They screwed the bench in place and loaded up their tools. We praised their good work. It was solid. Trevor said he’d be back in a week or so to check on things.

Within a week, the dock became a metaphor.

The storms that rolled through a few days after Trevor screwed the bench into place were intense. The lake looked and acted like the Atlantic Ocean when it is angry. The waves smashed the shoreline and ate great chunks of the yard. The bench that Trevor secured to the dock broke off within the first hour. The waves smashed it to bits.

All of Trevor’s hard work leveling the dock and stabilizing the structure was for naught. After the bench was swallowed, the legs buckled and twisted. The dock surrendered and knelt but the opposing team seemed not to care. The surrender did not stop the pounding. Another storm came. And then another. And then another. The dock is now face down, belly to the sand.

Trevor hasn’t been back yet to check on things. I suspect he already knows that his good work was no match for Mother Nature. The best laid plans…and all of that. He’ll shrug and pull the pieces from the water. He’ll even rebuild it if Deb wants him to give it another try. Trevor is a practical guy.

Gang aft agley!

 

read Kerri’s blog post about THE DOCK

 

canoe and dock copy

 

flipflops on the deck website box copy.jpg

 

 

Live In The Middle [on Merely A Thought Monday]

not salmon quote copy

The first of Don Miguel Ruiz’s 4 Agreements is to take nothing personally. He writes that everyone (in their mind’s eye) is the star of their own movie and you are merely a bit player in their story. Their drama is theirs. Their drama is not yours. So, when they hurt you or shout at you or call you names, it is not personal. It is their story, their drama, and there is no need to make their story yours. In fact, to try and own their story or take responsibility for what is playing through their head is impossible. It is, in fact, madness.

It’s easier said than done: don’t take ownership of other people’s drama.

I laughed aloud when, many years after reading the 4 Agreements,  I read the 5th Agreement: Doubt everything you think. In other words, in addition to not owning other people’s drama, realize that your own drama is not as serious as you might think. It’s a passing cloud, a made-up story in which you are the star and other people are cast as bit players. Take seriously your story and you will yell at others, call them names, try to hurt their feelings as you attempt to force your drama on them.

Bookends. Their drama is not yours. Don’t take it personally. Your drama is not nearly as serious as you pretend. Doubt everything that you think.

What lives between those two dramatic delusion-poles is sometimes called presence. Sometimes it is called peace. It is not a static state, not an arrival or an achievement. It’s a relationship available with others (and the world) when the realization comes that no single story is central or primary or really that important. It is, in many spiritual traditions, called the middle way.

 

read Kerri’s blog post about NotSalmon QUOTE.

 

all of us on island website box copy

Stand Still [on KS Friday]

right now songbox copy

Dense fog. After days of storms and turbulence, the lake was still, glassy. Quiet. DogDog and I stepped into the early morning. He pulled me toward the lake. A heron, startled by our arrival, took flight. We were startled by the heron – or I was. Time stopped. It circled and disappeared into the fog.

DogDog sat and I stood very still. Another heron lifted into flight. We listened to the morning sounds muted by the fog. There was no place else to be, nothing else to do.

The heron surprised us into presence. For a few glistening moments. Right now.

 

RIGHT NOW  on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about RIGHT NOW

 

tpacwebsitebox copy

 

right now/right now ©️ 2010 kerri sherwood

Blow Up Your Feathers [on DR Thursday]

EarthInterrupted3 copy 2

Earth Interrupted. This painting is the third in the series. It’s not as political as it might seem. Every time change comes an earth is interrupted. Configurations dismembered and then reconfigured.

A long time ago, when working with groups on perspective shifts, I used the phrase, “Blow up your feathers so they can re-settle in a new pattern.” I liked the phrase because I love the notion that thoughts are just so many feathers that have settled into a random pattern.

This series was (and is) my attempt to blow up my artistic feathers, to interrupt my earth. My feathers are still airborne. I’ll let you know when my earth settles down, when my feathers find a new pattern.

 

read Kerri’s blog post about E.I. III

 

 

EarthInterrupted3 copy 2

E.I. III, 48x36IN, mixed media

 

seagull in fog website box copy

 

earth interrupted III ©️ 2018 david robinson

 

 

Be Nothing [on Not So Flawed Wednesday]

road shadows copy

It might be my age. I am more and more conscious of the fleeting moment, a special-yet-inconsequential experience, walking with friends, and am overwhelmed with gratitude, struck by the profound in the ordinary.

“Be nothing,” Krishnamurti advised. In that way, we become capable of seeing the extraordinary relationships of everyday moments, seeing the intense beauty in ‘what is’ without the greying filter of ‘what should be.’

Kerri was walking ahead with Jay and Gay. They were laughing and gesturing wildly. Charlie, Dan and I were several paces behind. Dan is a great storyteller and he was making us laugh with a tale from his neighborhood. We strolled down the center of the road; on island there is little to no traffic. The sun peaked through the clouds for the first time all day, just in time for sunset. We heard deer snapping tree limbs as they leapt through the forest but could not see them.

I looked at my wife and friends and the rush of utter appreciation stopped me in my tracks. I knew that I was fully alive, nothing stood between me and this very extraordinary ordinary passing moment. Nothing.

 

read Kerri’s blog post about ROAD SHADOWS

 

k&d little lake website box copy

Choose Your Ladder [on Two Artists Tuesday]

ladders copy

Climbing the ladder to success has never been a useful metaphor for me. When ladder climbing, the trajectory is up. What is up there that is not already right here? Climbing up in this dog-eat-dog paradigm implies climbing over others. It certainly implies that there is a top rung with room enough for one. Limited pie. Get yours. After all, being your brother’s/sister’s keeper is a nice sentiment on Sunday but not really useful in the real world of ladder climbing.

Top rung. Ultimate achievement. Arrival. These are words of stasis. I’ve never understood why the elimination of dynamic movement would be appealing. Vitality is movement, not the absence of movement. Life is made rich by experience, surprise, curiosity, exploration, steps into the unknown. To climb the rungs to controlled living seems antithetical to the point, at least to me. A body in stasis is in poor health, indeed. A life in stasis is in poor spirit, without exception.

It is often the role of the artist to challenge the norm and the challenge is generally nothing new, rather, it is a simple perspective spin. For instance, a ladder is good for fixing things, for reaching. It is good ladder behavior to have someone spotting the climber. If someone is stuck at the top it is good practice to help them down. Fire departments use ladders to save people. Ladders to help. Ladders to serve. Ladders as a tool to reach. Ladders can be used to bridge a crevasse, to get folks to the other side.

A more useful (and realistic) ladder metaphor: reach, serve, help, bridge, save. I suppose, more to the point, success is all about the ladder you choose. As for me, standing atop a ladder on a rung built for one seems like a lousy definition of success. I’d rather be on the ground with the people who care enough to spot me. I’d rather use my ladder to help my friends and community reach the unreachable. That seems like a more worthy definition of success.

read Kerri’s blog post about LADDERS

 

neighborhood cheers website box copy

 

 

Capture The Beauty [on DR Thursday]

sketch copy

The day was stormy, the lake was unsettled, steel grey and roiling. Kerri walked to the water’s edge with her camera. I opened my sketchbook and caught a quick sketch. Perhaps a notation for a someday-painting. Perhaps a gesture with nowhere to go.

A few days later I looked at this quick sketch and laughed. It is a metaphor for our time on island. Standing at the edge of a storm not of our making. Witness to the turmoil. It blows us to and fro. It messes our hair. The sand stings our faces.  We are taken by the colors of its violence. When the winds grow too powerful, we retreat to the safety of our littlehouse. We wait for the latest flurry to calm, the waves to soften.

It is tempting to want to be done with it. To rush through a month of life. Each day I remind myself to be in it, not simply get through it. Life on this day may be stormy. It might be upsetting. Stormy and upsetting are colors on the palette. They are worthy experiences. Amidst the chaos there are instances of utter beauty –  like the moment Kerri walked to the edge of a roiling lake and I looked up, caught my breath, and reached for my sketchbook so that I’d never ever forget.

 

read Kerri’s blog post about A SKETCH

 

 

 

 

sunsetonisland website box copy

 

Contrast [on Two Artists Tuesday]

contrast principle copy

It is the ultimate cliche’: we only know light because of dark. 20 calls this the contrast principle. Images juxtaposed illuminate. It’s how stories are told in film. Once. Upon. A. Time. It is how images pop off the canvas, blue next to orange, green meets purple. Contrast makes the eye move. Contrast makes shapes emerge. Movement has no meaning without stillness.

It’s relative. Related. Relationship. Without relativity, without contrast, nothing makes sense. Or, more to the point, nothing is sensed. Difference, in fact, is the secret sauce necessary for knowing anything. Category. Class. Classification. Group. What is like what? What is related? What is unrelated? Cubicle. Caste. Lines on a map.

Contrast can be wielded like a sword. They are not us. Division.

Or, contrast can be used to unify. A crossroads of diverse perspectives, innovation.

Nature is dynamic at its edges. Water meets beach. Earth meets water. Air breathes fire. Hot meets cold. Convection current. Contrast. Changing energies. Creative movement.

Kerri stopped during our walk. “Look!” she exclaimed. Her eye was drawn to the lone daisy in the midst of the sea of black-eyed susans. “Beautiful,” she whispered as she approached with her camera. “Look at the contrast.”

So similar. So different. Yellow meets white. Black meets yellow.

 

read Kerri’s blog post about CONTRAST

 

tpacwebsitebox copy

 

daisy in the black-eyed susans ©️ 2019 kerri sherwood

Drive [on KS Friday]

all you can songbox copy

Very early in my career I drove from Kentucky to California, an epic drive that the current version of me is utterly incapable of considering. The younger version of me reveled in the drive. Windows down, music roaring, sunrise to sunset, I passed through thunderous storms, coasted down the western slope, the temperature rising as I descended. Snow, salt flats and canyon lands. I’ve rarely felt more alive and carefree.

I’m certain Kerri wrote All You Can as the soundtrack of my drive. The miles of adventure, the wildly varied landscapes rich with color and transcendent. Plains to mountain to high desert. Farm land, ranch land, no-man’s land. And the epic and endless sky! Mostly, the joy of the drive. All you can feel. All you can experience. All you can see. All you can live. It’s all there in her joyous composition. Listen. Discover the magic place, memory or not, where All You Can transports you.

 

ALL YOU CAN on the album AS IT IS available on iTunes & CDBaby

 

read Kerri’s blog post about ALL YOU CAN

 

feet on dashboard website box copy

 

all you can/as it is ©️ 2004 kerri sherwood