Meditate [on DR Thursday]

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It’s a universal theme that I’ve painted over and over throughout my life. Mother and child.  Sometimes the painting is inspired by a dear friend becoming a parent. Sometimes, like this iteration, I look up and find it staring at me from the canvas. When that happens I know I need to follow it.

img_3998I learned when I was a teenager that the act of painting was, for me, a form of meditation. Sometimes the meditation has nothing to do with the image that I am working with. The process becomes an exercise in presence. Sometimes, like this painting, the image has everything to do with the meditation. The image is the meditation.

So. Birth. New life. Possibilities. Life giving. A good meditation for the middle of winter. A good meditation for an artist surrounded by good friends retiring from work, becoming grandparents, asking what is next. A universal theme. A universal symbol.

 

read Kerri’s blog post on MOTHER AND CHILD IN PROCESS

 

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mother & child (in process) ©️ 2019 david robinson

Make The Climb [on Not So Flawed Wednesday]

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Roger and I used to talk about art in terms of levels of sophistication. For instance, no one masters an instrument the first time they pick one up. There are layers of learning necessary before the musician “knows” how to play. The “knowing” has little to do with the accumulation of information and everything to do with giving over to what the body learns. Finally, it is a letting go (of the mind) into an undefended sharing. Flow. It has nothing to do with knowing and everything to do with availability. This ‘availability to experience’ is what we called sophistication.

Both the artist and the audience pass through layers of greater sophistication. The artist wants greater and greater challenges. The audience wants greater and greater challenges, that is, they want to participate in something that demands more from them. It requires that both artist and audience show up, open, give over. Union is the ultimate purpose of art. Participation in something greater than your self. That is how art informs and transforms.

And then, there is the flip side, the anti-art. You can feel it. The absence of the genuine experience. The demonstration of accumulated knowledge. I cringe when a curator launches a three-masted-ship-of-study that tells me what the art is about, what the artist felt, and what I should see and feel. When the actor attempts to control what I see, when the art is so conceptual that it precludes me or anyone save the artist from entering the conversation, when the  knowledge priest stands between me and my god…you’ll know the levels of sophistication have left the building when the conversation is one way, judged, controlled.

Kerri calls this the blah-blah. When a real moment is disrupted by an agenda, when the flow is dammed by an unnecessary display of knowledge. And, the kicker is, we are all guilty of it. I am. It is a necessary step in climbing the ladder of sophistication, slipping back down the ladder of sophistication. To confuse technique with art. To garble the necessity of the open heart with  the realm of the intellectually abstract.  To give a standing ovation to something that put you to sleep. To try to control what the other person sees or thinks or feels; a fool’s errand. The great artist trap. The great life trap.

And, the best you can do (truly, the best thing), is to catch yourself in the moment of blah-blah, laugh at yourself lost in the trap, pull out the ladder, and begin again to climb toward simplicity.

 

read Kerri’s blog post about AN UNNECESSARY DISPLAY OF KNOWLEDGE

 

 

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Compose A Letter [on Merely A Thought Monday]

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As reductions go, this phrase is a good one. It is eastern philosophy pressed like a grape through western process: Dear Brain…Please Shut Up! Forced mindfulness. Mandatory meditation. Compulsory peace! It is the epicenter of compartments and cubicles: the dedicated belief that brain and body are separate entities, that heart and mind and body and spirit actually need unifying. Competitive non-competitors!

I have a brilliant new idea for a cartoon! It makes Kerri roll her eyes. I call it Bubbles. It’s a single panel cartoon. Two people, two thought bubbles. So, for instance, a man in a red convertible drives down the road thinking that he’s smokin’ hot! He’s especially peacocking for a woman walking her dog. The woman thinks it’s astonishing that the guy in the red convertible has such a bad toupe’. You never know what other people are thinking – especially when you are certain that they are thinking about you! My Bubbles premiere cartoon will be an overly enthusiastic cartoonist who thinks he has a brilliant idea and his beleaguered wife wondering why she married such an insipid man. I draw all of my best ideas from lived experiences.

Thought bubbles. My second Bubbles cartoon will be a brain going on and on and on, rolling incessantly through its fear obsession. Bills and deadlines and tragedy-imaginings. Important stuff! The heart, the neighbor living in the apartment beneath all the racket, will be at a desk trying to compose a letter. “Dear Brain…”

 

read Kerri’s blog post about DEAR BRAIN…

 

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bubbles ©️ 2019 just as soon as you let kerri know that my idea is brilliant!

Catch it. Release It. [on DR Thursday]

“…no one can tell us because life is not something which can be understood from a book.” ~Krishnamurti, Think On These Things

My sketchbook is part diary, part thought-catch-all, part quote repository, …and part sketchbook. And, sometimes the disparate rivers run together. A thought inspires an image, a sketch and a quote collide. Occasionally, on a day that the muse is sleeping or if I stumble into an experimental mood, I paint one of my collisions. And then, generally,  I paint over it. The point of any experiment, in art as well as science, is to find out what works by discovering what does not work. Trailing behind me is a long line of mud, mess, and poor composition. Much of my finished work is the visible layer of a sedimentary strata of experiments.

Like the rest of humanity, I am a seeker. Seeking is the point of a sketchbook or a diary. Reflection. Capturing. Exploration. Elusive mastery. Fickle contentment. Status. Safety.  Agreement. Peace.

We seek these things as if they were destinations. From my long line of mud and mess I’ve learned (and continue to learn) that none of what we seek is achievable. Seeking implies finding but that is a misnomer.  Life moves. Meaning is fluid. There may be answers for a moment but they will, as they must, open greater questions. Or, they will be a borrowed answer, a truth found in a book, lived by the author, celebrated and shared but unincorporated in the reader.

img_3997It is a bird that you hold for a moment. A relationship with something wild. A relationship with yourself. The meaning flutters in your hands, opens you to an experience, and then will die if not released.

A sketchbook, this painting, No One Can Tell Us, is merely a trace left by that fluttering relationship. The top layer.

 

 

 

read Kerri’s blog post on NO ONE CAN TELL US

 

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no one can tell us ©️ 2015 david robinson

 

 

 

Be A Neighbor [on Not So Flawed Wednesday]

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We were in the basement putting away Christmas stuff when John cleared our driveway and sidewalk with his snowblower. We didn’t hear it or I’d have run outside to give him a big bear hug. I discovered his generosity when I pulled on my boots, grabbed my shovel and stepped outside to find a job well done. Coming back in the house Kerri said in jest, “That was quick.” Pretending to be a snow-shoveling-superhero, I said, “Take a look if you doubt my capabilities!”

She immediately doubted my superhero capabilities because she knew the real superhero was John. Like me, she was overwhelmed with his kindness.

If you could order your neighbors on Amazon, you’d be foolish not to pick John and Michele. Seriously, if I could give the world anything it would be the peace of mind that comes  when you have good and caring neighbors. Neighbors who have your back. Neighbors who, without being asked, watch your house when you are away. Neighbors you can call at any moment, at any time of day or night, “help,” and know that they will be happy to be there.  Neighbors who you look forward to hanging out with, who are curious about the world and passionate about what they do.

My parents were good neighbors. They understood and taught me that ‘neighbor’ is not a statement of location. It is active relationship, connective tissue, participation, the most immediate and potent way of making the world a better place. Start where you live.

Later in the afternoon, knowing that John enjoys good beer, we walked to a local micro brewery, debated which beer he’d enjoy the most, bought him a “thank you” crowler and left it on his porch.

Back in our yard, falling backwards into the deep snow, we made snow angels. Laying in our newly minted angels, looking at the clouds, Kerri said, “You know, we’re really lucky.”

True. Very True. We have great neighbors.

 

read Kerri’s blog post about SNOW ANGELS

 

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Play Your Part [on Two Artists Tuesday]

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It is our grocery store ritual. We wander up and down the tissue aisle and Kerri disparages the box designs. “Ugly!” she exclaims. “Who designs this stuff?!” she howls as frightened shoppers turn their carts and flee.

My role in the ritual is to suffer silently, to feign agreement. “Yes, it’s horrible,” I say. Inside, I wonder why I’ve never noticed or given any thought to the design of tissue boxes. “We should get a box cover that you like,” I suggest in ritual male fix-it-mode.

Kerri huffs in disapproval. “They should let me design the boxes!” she mutters as she rejects another design. I imagine the layers of security assigned to prevent her from gaining access to the tissue box design studio. A kind of tissue TSA. I turn away to hide my smile. This is serious stuff!

True to our ritual, on the third pass down the aisle, after each box has been considered and rejected at least twice, she pulls two from the shelf and thrusts them in my direction. “Which of these is least offensive,” she glares, making the decision mine. “Hmmmmmm,” I respond in a desperate attempt to stall. I’d be a fool to express a preference, especially since I don’t have one. I pretending to scrutinize the boxes. I stroke my beard, “I don’t know. What do you think?” I ask in ritual male-avoidance-mode.

“It doesn’t matter!” she frowns, tossing a box with a happy phrase into our basket, handing the losing dot pattern box to me. I gently place the second least offensive design back on the shelf.

“You’d think they’d design more attractive boxes,” she says, completing this ritual and heading for the laundry detergent aisle. Pushing the basket, I prepare myself for our next custom: opening bottles of fabric softener and huffing scents to find the least offensive smell.

As I roll toward this ritual assault on my sense of smell, I always think, “Well, at least the tissue ritual doesn’t give me a headache,” and I wonder how I lived so long without thinking about or at least considering the scent of fabric softener.

 

read Kerri’s blog post about TISSUE BOX DESIGN

 

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Close The Gap [on Merely A Thought Monday]

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Do you remember Robert Fulghum’s book, All I Really Need To Know I Learned In Kindergarten? Share everything. Play nice. Don’t hit people. Clean up your own mess. It is filled with simple undeniable wisdom. Here’s an excerpt from the introduction:

Take any one of those items and extrapolate it into sophisticated adult terms and apply it to your family life or your work or your government or your world and it holds true and clear and firm. Think what a better world it would be if we all—the whole world—had cookies and milk about three o’clock every afternoon and then lay down with our blankies for a nap. Or if all governments had as a basic policy to always put things back where they found them and to clean up their own mess.

It’s really not that complicated to get along. Everywhere I look I find credos and guides and statements of belief. Aspirations and inspirations. In fact, we are fairly drowning in statements of how to get along and how to create a better world. We are also awash in news streams screaming about deep division and our inability to play nice.

There’s a gap between our rhetoric and our choices.

It’s not that we have to see from the same point of view or hold a single omnipotent intention. We don’t. We won’t. The genius, the ideal, of our system is the notion that opposing points of view, wildly disparate beliefs, can come to a middle way. Compromise is possible if the common good is more important than winning at all cost. Sharing toys is possible if sharing is among the…shared values. Sharing engenders empathy, the consideration of the other person’s point of view. The things we learned in kindergarten and actually believe enough to enact. Dog-eat-dog, cheating, lying, exploitation, every man or woman for him/herself; these were not among the things I, or anyone else I know, learned in kindergarten. I was never punished for sharing or for service to others. I was never sent to my room for being fair or for speaking a truth – even if it wasn’t popular.

And, so, on this MLK day, in the midst of our mess, we ask again (and again and again), what is the difference between what we say we value and how we actually behave?

 

read Kerri’s blog post on WHAT THEY VALUE IS ON THE WALL

 

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Weep [on DR Thursday]

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‘and so he weeps.’ a morsel of weeping man

And so the story goes that one day, deep in the forest, Parcival was knocked from his stallion by a warrior who wore no armor. His magic sword, the object that he believed carried all of his power, was shattered. He lay on the ground like a turtle on its back, trapped by the weight of his shiny armor. He was tired of fighting. He was sad that, despite all of his victories, – he’d never been defeated – the world kept getting worse and worse. And so, laying on his back, exhausted from the fight, he stopped struggling. He gave himself over to his death. He let go.

But the nature-warrior disappeared. Parcival, alive but shattered, for the first time in his adult life, stripped off his armor. He dropped what remained of his sword. And, sitting amidst the wreckage of his life, the fragments of his power, he wept. He let go.

There is a path out of the wasteland. It necessarily leads through weeping. Through loss of illusion. P-Tom would call this a sacrament. Joseph Campbell would call it a threshold.

In any case, letting go of the illusion is necessary before the next chapter can begin.

 

 

 

read Kerri’s blog post on WEEPING MAN

 

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weeping man ©️ 2015 david robinson

Take A Walk In The Snow [on Not So Flawed Wednesday]

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I just wrote a post about global warming and then I cut it. In truth, I spent a about an hour reading and researching and cross-checking things. We’ve been measuring the ocean temperatures everyday for decades. We’ve been recording levels of human carbon emissions into the atmosphere for decades. The data is there. The science is there. The evidence is there. So, too, is the counter-narrative. A Chinese hoax? The Deep State? So much conspiracy! And, really, what does that have to do with a photograph of snow at night? Delete!

The embrace of the counter-narrative fascinates me. The committed belief in what is demonstrably false -led me to read a bit about denial psychology. Here’s the dictionary definition: “a defense mechanism in which confrontation with a personal problem or with reality is avoided by denying the existence of the problem or reality.”

So, then, I started writing a post about the denial psychology run amok these days in the USA. If you don’t know what I’m writing about then (to borrow a phrase I read today) you are either a Martian or a watcher of Fox news. I cut that post, too. I suspect you are as sick of the lazy-minded debates, entrenchment and ever-present fearmongering as I am. Even I am bored by what I wrote. Nothing new! Nothing new! And, what does that have to do with a photograph of snow? Delete!

It is not uncommon for Kerri and I to take late night walks in the snow. Especially, when it is actually snowing. There is peace. There is quiet. We hold hands and listen to the sound of our feet crunching the new snow, the whisper of wind through the trees. Peace. Quiet. Listening.

We haven’t had one of our late night walks lately. There hasn’t been any snow. A dusting here and there but that hardly qualifies. And so, we wait for the return of the snow. The return of the listening, the quiet, and perhaps, too, the return of the peace.

 

read Kerri’s blog post about SNOW ON THE LAKEFRONT

 

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snow on the lakefront ©️ 2016 kerri sherwood

Open The Box [on Two Artists Tuesday]

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The other night, over a glass of wine, I listened as Kerri, Jen and Brad talked of the things they’ve stored from the lives of their children. Finger paintings, drawings, school projects. There are bins of irreplaceable treasures, moments captured in crayon and paste. Their conversation came around to this question: are these treasures as valuable to the children that made them as they are to the parents that collected them? Who are they storing them for?

I don’t have children of my own. I’ll never know what it means to raise a child so the best I can do during these conversations is listen. I can, however, appreciate the enormous love that flows through the conversation. There isn’t gold or rare coins in those plastic bins. Yet, I am certain, that given the choice between a bin of gold doubloons or keeping their children’s artifacts, the response would be unanimous. The doubloons are worthless when compared to the memories stored in those bins.

Over the new year we went to Florida. During our time there we had the opportunity to go through the storage unit that contained the remaining boxes from Beaky’s house. It’s been three years since she passed. Beaky’s daughters opened every box and the majority of the items were sorted into a donation pile or throwaway pile. A few bins, photographs mostly, were too monumental of a task so were put in the third pile: sort someday. A very few artifacts, rare treasures, surfaced from the boxes: a calendar where Beaky jotted thoughts about her days, a special note. Letters and drawings that she’d saved. Something she touched and cherished because it came from one of her children.

My parents are still with me, I am fortunate, so I don’t know what it means to lose them. The best I can do during these times is listen. I can, however, appreciate the enormous love that flows through the conversation. I am certain, that when time blows us all away, our accumulated possessions, our stuff, our oh-so-important achievements, will hold little or no lasting value. Oh, but those small notes, those child-hand scribbles, those shaky old-hand letters…the artifacts of our relationships, for the children sorting through our remaining boxes, priceless.

 

read Kerri’s blog post about STORAGE

 

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