Listen To The Sing-Song [David’s blog on Merely A Thought Monday]

The sound, rhythm and pattern of language. Listen to the sing-song of a mother talking to her infant child. Exaggerated prosody. Love carried through time and space on a warm carpet of sweetly over-elaborated sound waves. The words carry less meaning than the prosody. The shape of the sound, exaggerated to invoke a giggle. A bright face. A smile.

In our house, the exaggerated prosody is reserved for Dogga. “It’s time for sleepy-night-night!” Kerri sings to a tired-faced-Dogga. There is a distinct rhythm to “sleepy-night-night” that has become a comforting ritual chant. Our day would not be complete without it. He wags his tail and lopes toward the bedroom. Or, “We’re going to the living room!” she says in response to his constant anticipation of our next move. The words “living room” elongated and embued with excitement. He dashes to beat us there and, in my mind, to convince us that he’s been waiting all along.

When Unka John arrives, his ritual Dogga sing-song goes like this: “Hey! Hey! Give me that bone!” The game is explicit, the sound of the words as exacting as a line from Sondheim. After Unka John pretends to eat Dogga’s bone and returns it to the awaiting Dogga mouth, signaling the end of the arrival game, he chants two consecutive times, “Do you want a treat!” with the hard accent and lift on the word “treat.” It sets-off a full body wag and race to the treat jar. “Gentle! Gentle!” is the incantation that signals Dogga to sit and tenderly accept the treat. Of course, the whole sequence of Unka-John love-fest is ignited when we say to Dogga, “Guess who’s coming?” in a melodic line that we know will provoke a bouncing-dog-rush to the front door as we await the imminent arrival.

The meaning is not carried in the words, rather, it’s in the poetry of the tones. The generosity of the sound.

It’s the poetry of everyday life. The ritual sounds we use to shape our day, to create our comfort-home. To fill our hearts with gratitude. To clearly say, “I love you” in sound and tone when our words are merely, “Do you want some lunch?”

read Kerri’s blogpost about EXAGGERATED PROSODY

like. support. share. comment. all carry forward the meaning and are appreciated with or without sound.

buymeacoffee is a sing-song of generosity offered to the ongoing work of the artists and travelers that support you journey.

Feel The Sound [David’s blog on KS Friday]

Far into the sleepless night, the cold night air driving me deeper beneath the quilt, I heard the low song of the chimes and whispered a gratitude to Guy. There are few things in life that bring me an immediate sense of peace and well-being like the chimes.

A few months ago Kerri and I wrote of our yearning for chimes. Our “someday” wish. We wrote of the many times we’ve stood in stores, sounding the chimes-on-display, feeling and then discussing the tones. Guy read our post. His life is rapidly changing. He wanted to find a new home for his beloved chimes. Would we like them? Yes! Double-Yes!

They are magic. I feel the sound to my core. In the few weeks since we hung them from our spruce tree, more than once I’ve stood near when the breezes begin to blow, and closed my eyes so I can feel the full ripple of sound resonate through my being. It’s like a giant Tibetan prayer bowl. Instant calm. Instant presence.

Were I in charge of this contentious world, every person would begin each day with chimes. Eyes closed, resonating with the wind and their neighbors. But, since I am not in charge, I will drink in the peace and each time whisper my deepest thanks to Guy.

[this may be my favorite of Kerri’s compositions]

peace/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CHIMES

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Make It Someday [on DR Thursday]

More than a few times, we’ve stood at the display of wind chimes in a store. We sound them. We compare the tones. We close our eyes and feel the vibration. Some we like immediately. Others we shrug, not-so-much. We give them a second try, ringing a few together to make mixed tones. We never buy the chimes but we always try them on for size. It’s a form of dreaming. We leave the display with the magic phrase, “Someday.” Yes, someday we’ll have to get those.

Someday. What a double-edged sword is this word!

A few years ago, when Kerri’s digestive system went awry, we dedicated ourselves to the Whole 30 diet so she might regain balance. There’s no sugar allowed in the Whole 30. We learned a valuable strategy for coping with the intense I-must-have-that desire. Walk past the plate of brownies and count to 5. In five seconds, without fail, the desire dissipated. We learned that what-we-must-have is a healthy system. The road to “someday” meant not biting the illusion of sugar-fulfillment.

Delayed gratification. Accelerated health.

Today we learned of Jonathan’s passing. The news floated by on the Facebook stream. We were stunned. In addition to being a very bright light in the world, a peer, he was one of the hardest working people I’ve ever known. He was stockpiling money for his retirement. He had vision. He had plans. “Someday,” he’d say, a twinkle-of-delight in his eye. We lost touch during the pandemic. This morning Kerri said, “I always thought we see him again. Someday…”

Delayed gratification. Accelerated health. Missed opportunities.

I’m given to looking up the words I’m batting around. The antonyms of “someday” are “immediately” and “never.” Two choices, polar opposites, both unforgiving.

Today we will celebrate the life of a friend. We’ll lift a glass in his honor. We’ll share a brownie bite. We might just go to the store and sound the chimes. And, who knows, maybe today will be someday. “Why wait?” I’ll ask.

surrender now, 24x24IN, mixed media © 2016 david robinson

my perpetual placeholder site

read Kerri’s blogpost about CHIMES

[dinner at Jonathan’s house]

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Speak In Softer Tones [on KS Friday]

On stormy days the sound of the lake greets us in the morning. If we didn’t know better, we’d think it was the Atlantic Ocean. And then there are the days when the lake is glassy smooth. The silence of the lake invokes silence in us; we speak in softer tones.

We are on the road this morning. The sounds that greet us are different. New. In this small town there’s a cricket symphony that accompanies the sunrise. I stood for a moment on the balcony and enjoyed the performance. Masterful. Pink and purple sky.

In a few hours we’ll be back on the road. Unlike yesterday, we’ll drive the backroads. Lately, we are resistant to the frenetic freeway, the angry trucks, the anxious sedans. Sometimes the freeway is unavoidable. Knowing there will be quieter sounds today – and a slower pace – makes us breathe easier. Sound and pace are cousins.

Today is a “we’ll-get-there-when-we-get-there” day. I learned years ago that pace and frenetic energy are a team sport. People feed the frantic in each other. People are also capable of creating quiet in each other. Sometime, for an experiment, try and slow walk down a busy-business-walker street. To remain slow you have to ride your inner brakes.

The same is true with sound. We seek the thumping clubs and concerts when we want to amp up. We seek the slow-walk meadows when we want to gear down.

Today is a gear down day. The crickets must have known. They set a perfect starting tone for a backroads intention. We’ll speak in softer timbre, just like the lake.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about THE LAKE

adrift/blueprint for my soul © 1997 kerri sherwood

Taste The Sound [on KS Friday]

Toadshade trillium. Say it out loud and taste the sounds. Toadshade trillium. Yummy words worthy of e.e. cummings.

I am working in a tech space and keep a document on my desktop: Terms in this Unknown Land. Tech folk speak in acronyms, PAI and SMB, SERP and TAM. Although my colleagues are mostly left-brainers, they are remarkably poetic in their language, peppering their acronym-speak with tasty terms like “cluster calculations” and “stemmings.” I admit to losing the sense of the conversation in the sound. They are, despite the stereotype, passionate and creative and unconsciously poetic. “Plots a curve of probability.”

Toadshade trillium. Plots a curve of probability. Forget the meaning and taste the sound! What might Mary Oliver have done with those syllables!

My lesson this week: I cannot stand and work at my computer all day. I can do the standing (I have a stand-up desk) but staring at a screen eventually shuts down my brain. Across from my stand-up desk is my drafting table. I think better with big pieces of paper and a pencil and then translate back to the computer. I need to move to think but that’s only part of the lesson. When at the drafting table I’m more likely to take things less seriously. I free myself. I get snarky and funny and scribble and draw big arrows and make fun of myself and the logjam in my thinking. I play.

And, while I play, I talk aloud, and hear the sounds of the shapes that I draw. Poetry and motion. Taste the movement. One and the same. Free the thinking. It’s enough to scare the dog but it’s liberating to my kinesthetic necessity. I scribble notes in every direction and dance back and forth between word and image. Consequently, I produce better work.

Thank goodness I finally tasted a few word-sounds that sent me tumbling into a productive scribble dance.

read Kerri’s blogpost about TOADSHADE TRILLIUM

kerri’s albums are available on iTunes and streaming on Pandora

pulling weeds/right now © 2010 kerri sherwood

Attend To The Quiet [on KS Friday]

My studio is a place of quiet. Inside and out. It is the place where I go – where I’ve always gone, when I need to recenter myself of exit the crazy-brain. Lately, my studio has been blown to bits. Water has been a near constant invader, either from the ceiling when the pipe broke in the spring or from the floor when roots clogged the sewer main. Twice. It seems as if water wants me to take a break from painting. There’s a metaphor in there somewhere.

Each time the water rises, the paintings rise, too. We scramble to move everything up the stairs. Mostly, they are stored on blocks so live protected above the rising tide – but pulling up carpet or clearing space for the plumbers has meant a perpetual studio deconstruction. Kerri stubbed her toe – okay, broke her toe – on one of the bigger paintings that now populate our sitting room. It’s a maze of paintings out there. Yet, she is wise. She’s insisting that we leave the paintings where they are, scattered here and there. At least for now. At least until we can clear out and rethink our space.

Kerri is much more sound sensitive than I am. I am much more spatially sensitive than she is. The sign on our deck, “Shh” addresses her need for sound-quiet. It’s all about space-quiet for me. Space-quiet means open space. It’s been that way all of my life: if there’s too much stuff, I shut down.

The water, as it turns out, is trying to tell me something. Lately, when I go down into the blasted-apart-and-now-empty-studio-space, I can breathe. I feel it every time I descend the stairs. I breathe. My space had become too impacted. Too many paintings, too many tables, too little space. “Shh.”

I’ve often written about the time, after I moved to Seattle, that I burned most of my paintings. I needed space. I felt like I couldn’t breathe. I was tired of hauling and storing paintings. I didn’t know what else to do. I needed air and fire brought it to me.

And, so, the water pours from the ceiling. It bubbles up through the floors. Again. What feels like a catastrophe comes with a cautionary message. No fire is needed this time. To attend to the space is to attend to the quiet. Stop. “Shh.” Breathe.

SILENT DAYS on Kerri’s album BLUEPRINT FOR MY SOUL, available on iTunes or streaming on Pandora

read Kerri’s blog post about SHH.

silent days/blueprint for my soul ©️ 1997 kerri sherwood

Rest Full [on KS Friday]

quarter rest

“The primeval beauty of silence becomes audible in the elemental music of the earth and in our music of instrument and voice. At the core of the world and at the core of the soul is silence that ripples with the music of beauty and the whisperings of the eternal.” ~ John O’Donohue, Beauty

I have said more than once these past few weeks, that the silver lining of two broken wrists is that all the presses have stopped. The endless list of things-to-do fell into dust on the floor and the true priorities jumped into immediate clarity. The superficial things gave way to the essential.

Little things, like showering or getting dressed in the morning, are no longer mindless  rote activities. The are now intentional. Attention is paid to every movement, every moment.  They are care-full. I am learning once again that there are riches all around me when I am not racing to get to the next thing but, instead, occupying the moment that I am living. The other night at rehearsal I nearly burst into tears so beautiful were the people and the laughter surrounding us. A month ago, pre-wristgate, I might have missed it.

Caring for an other.  Caring for one and another. Other caring.

We rest. We do not push through. So many in our amazing community have asked me, as I care for Kerri, am I also taking care of myself? I love this question. It is generous. The answer is ‘yes’ and the question it raises is ‘why isn’t this level of self-generosity the norm?’ Are you caring for yourself? In the midst of all that life flings your way, first and foremost, as you care for others, are you also attending to yourself?

I’m learning that the two things are inseparable: caring for another is also caring for yourself. Or, flip it over: it is impossible to fully care for yourself without caring for others. We know ourselves through relationship. We can only thrive when loved and while loving. People in isolation go mad. Banishment from the group was once considered a punishment worse than death.

As silence is to sound. Caring as making beautiful life-music. We take our quarter rest.

 

read Kerri’s blog post about QUARTER REST

 

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Allow [on KS Friday]

moab.k. out there. copy

“If we allow time for soul, we will sense its dark and luminous path. If we fail to acquaint ourselves with soul, we will remain strangers in our own lives.” ~ John O’Donohue, Beauty

These days are edge days. We began to feel strangers in our own lives. That is a sign to be heeded. It’s time for us to sit in silence.

“Beauty inhabits the cutting edge of creativity – mediating between the known and the unknown, light and darkness, masculine and feminine, visible and invisible, chaos and meaning, sound and silence, self and others.” ~ John O’Donohue, Beauty

Kerri doubts her beauty. And then she approaches the edge. She stands at her piano. When she plays all doubt leaves the room because the polarity finds its middle way, there is no this or that.

Sometimes it is enough – it is necessary – to stand at the piano with hands nowhere near the keys.

 

read Kerri’s blog post about UNDER CONSTRUCTION

 

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Kerri on iTunes

 

their palettes website box copy