An Invitation [David’s blog on Two Artists Tuesday]

“Love opens the door of ancient recognition. You enter. You come home to each other at last. As Euripides said, ‘Two friends, one soul.‘” ~ John O’Donohue, Anam Cara

For months I’ve been wrestling with Act 2 of a play. I start to write. I get lost in it. Even though I have a plot map, I lose my way. Act 1 is in good shape. It has been ready-to-go for a year. Why do I keep getting lost? I’ve learned, when perpetually lost, to let it sit, walk away, and the path will find me.

Last night I had a dream: The tension between animal nature and human nature. We are both. We have the capacity to be conscious of our animal nature. It is the reason we have codes of ethics. Standards of decency*. In the dream I learned why I am perpetually lost in Act 2. I did not yet understand what I was writing about. The problem was not in Act 2. There was something in me that knew I was not yet understanding the full scope of my topic. My map led to the wrong place. I now have a clear grasp of Act 2.

This is the reason I love artistry; the messy conversation I am capable of having with myself and the greater…universe.

We have matching salt lamps in our studios. Some say there are health benefits to salt lamps but that is not why we have them in our studios. We love the light. It’s calming. Each morning I go down to my basement studio and turn on my lamp. Each night I go down again and turn it off. I’ve decided my daily trip down the stairs is a ritual of invitation. For me, painting, like all things sacred, is a “joining”. An opening for something bigger to come through. Turning on my salt lamp is saying to that-greater-something, “I’m here. I am ready.”

*Standards of ethics. Codes of decency. Isn’t this what we witness as missing in our leadership? The complete abdication of consciousness; the absence of ancient recognition. The door closed on Love.

read Kerri’s blogpost about THE SALT LAMP

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Turtle-Slapped [David’s blog on Two Artists Tuesday]

A turtle appeared on the path at just the right moment. As I like to say, our “jammies were in a bunch” and we were about to go over the edge and fall into a dark abyss of circumstance-dissatisfaction. We rounded the bend as our discontent began spiraling out of control, and then we saw the turtle.

Everything changed in an instant.

She cooed, knelt, and stroked the turtle’s shell. Not expecting a tsunami of affection, the turtle retreated into its fortress. But after a moment, realizing that this assault was indeed loving, it peeked and then poked its head out into the light. It slowly pivoted so she might get a better angle for her photoshoot. The turtle was a patient model and didn’t seem to mind her multiple-broken-promises of “Only one more, I swear,” as she continued snapping photographs.

We admired the orange markings, outlined in black, set in the field of green. “Gorgeous,” she whispered, tracing the markings with her finger.

After an appropriate visit, we left it to return to the marsh, and continued on our way. “What were we talking about?” I asked.

“I can’t remember,” she said, her prior frustration having completely dissipated. Mine, too.

In truth, we both remembered but no longer needed to grouse about what we could not control. We probably didn’t need to spin frustration tales to begin with. Thankfully, we were turtle-slapped into the recognition that what we needed most in our dedicated-exasperation was to slow down and appreciate our walk.

The wisdom of distraction. A turtle suddenly appears on the path at just the right moment…

read Kerri’s blogpost about THE TURTLE

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Know The Context [David’s blog on DR Thursday]

Things are rarely what they seem at first glance. One tidbit of information, one step to the left or right and a new perspective opens, the image shifts, and everything comes into focus. Change need not be monumental. More often than not it happens in the tiny steps, the subtle rearrangement of expectations, full understanding alights with proper context.

The picture comes into view. A nice way of implying comprehension. The penny drops. The light bulb goes on. I knew immediately what this was a photo of – I know the context. It’s familiar to me. Outside of my context this photograph might be a mystery. A Rorschach inkblot. A request for a psychological interpretation. A blob on mesh.

It’s Dogga, taken through the screen door. He’s looking back at the camera. Even at rest he tracks us, he knows we are watching before we know we are watching. Even at rest, he is invested in our well-being. Our safety. He delights us with his antic awareness.

Things are rarely what they seem at first glance. Although it may not be immediately recognizable, it is a photograph of quiet joy. An image of home. Heart warmth. A sign that all is right in the world.

All My Loves, 24″x40.5″, mixed media on hardboard

read Kerri’s blogpost about the SCREEN DOOR

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Share and Renew [David’s blog on Merely A Thought Monday]

As additions-to-traditions go, the bauble-on-the-tree is a relatively recent inclusion. People have decorated their dwellings with pine boughs, a symbol of renewal and rebirth (of the light), for many, many centuries. Placing ornaments-on-trees only began in the 1800’s.

We decided this year – for reasons that reach beyond words – to bring out Beaky and Pa’s ornaments. We are minimalists mostly so in the decade of my Wisconsin life these ornaments have lived in a box in the basement. We look at them every year but have never – until now - hung them on a tree. They are glass and fragile so we worked slowly, placing them with care.

Having them with us this season has been more powerful than I imagined. Having them with us this morning is more meaningful than I thought possible. Family is with us. And, isn’t that, after all is said and done, the point of it all? Given family and chosen family. To feast our long line of belonging and celebrate our brief time on this earth together. To honor that we are, as Jean Houston wrote, “…the burning point of the ancestral ship.” To gather, adding to the rich bank of shared memory. We reach back in time with gratitude. We live forward through our children and their children and their children…

This morning we sit quietly, sipping our coffee, sharing stories, hanging out with Beaky and Pa, in our recognition and deep appreciation of this time of life’s Renewal.

read Kerri’s blogpost about BAUBLES

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Mix Harmonious [David’s blog on DR Thursday]

Harmony in color. The place where the language of music finds a home in the visual arts. Synesthesia.

Harmonious color arrangements, like harmonious sound arrangements, must share at least one common “note.” Mix a little yellow into each color on the palette and the colors will work like chords. They’ll be compatible. Pleasing.

It’s probably obvious in my paintings. I’ve never really studied color. I use what pleases my eye (like a musician who plays by ear). Now, I want to know. It’s counter-intuitive; after decades of painting I to want to understand the basics. I want to know what I know and discover what I don’t know. I suspect what I don’t know is monumental.

Long ago, Mike sent me a color study that DeMarcus did when he was in art school. The image is of a cactus. At the base of the painting is the palette that he selected. He framed this piece and kept it on his wall over the course of his very long life and artistic career. It must of been a reminder: don’t forget the basics. It hangs in my studio though, for me, it carries a different reminder: don’t forget your lineage.

Dropping into an episode of Home Town recently, I laughed aloud when Erin Napier said that the only useful thing she learned in art school was the color wheel. I am, as is true of every artist that has been at work for decades, finding my way back to the simple basics.

When I was a kid, pre-internet, I had a cardboard color wheel with a rotating “locator” window meant to help a budding artist know what-color-goes-with-what-color. I didn’t pay much attention to it. It felt like study and I was impatient. I needed to make messes. I didn’t appreciate it at the time but I knew intuitively that I needed to move around to learn. I made swatches for days. I made some terrifically ugly color combinations. I painted some perfectly awful paintings. I still do.

The bubble-of-learning is moving from my body and slowly – ever so slowly – floating up to meet my brain. And, in this contentious world, I’ve decided that the best place to start is with harmony. Harmony in color. A little intentional recognition of sameness to create some pleasing compatibility.

read Kerri’s blogpost about MAUVE AND OLIVE

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Return To The Nest [on DR Thursday]

In a few weeks we will travel to a small town in Iowa for my dad’s inurnment. It is the town of his birth. Although he never lived there during his adult life, it is the place he called home. It is somehow appropriate that we will take him home in spring.

I’ve had plenty of time to think about the coming ritual. It’s now associated for me with the birth of the bunnies in our backyard. We watched the momma-rabbit dig the nest but thought she’d rejected the spot once she’d experienced our enthusiastic dog who regularly terrorizes critters in the backyard. She knew what she was doing. We discovered the truth the day we caught Dogga proudly carrying a baby bunny around in his mouth. He dropped the bunny, unharmed. We went on a 24/7 backyard bunny watch.

Once, sitting on the deck watching the terrorist Dogga run circles, I decided to check out the nest. I stopped in my tracks when I realized two babies were gnawing on grass just inches from my feet. They hopped back to their nest. I watched as they disappeared into the safety of the dark void.

The dark void. The safety of the nest.

Years ago I started a painting. My dad emerging from a field of corn. Or returning to the field of corn. I’m not sure why I painted it. He often talked of his desire to return to his hometown but he could never find a way to make a living there. His yearning seemed profound. I suppose my painting was an attempt to understand the anchor of “home”; I have been a wanderer so his longing seemed incomprehensible.

Watching the bunnies race for their nest and disappear into the comfort of darkness sent a shock of recognition through me. It helped me understand. Away from his nest, he felt like an alien in a confusing frenetic world. In that place, he felt safe. Known. He understood the rules. He knew the stories. He was attuned to the pace.

It is somehow appropriate. We will take him home, return him to his nest, in spring.

I’m still working on my site...go here to see my continued indecision

read Kerri’s blogpost about BUNNIES

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See The Exact Center [on Two Artists Tuesday]

Kerri took this photograph a week ago. We’d set up our pop-up table in the middle of the woods. We had a small cooler with cheese and crackers, tabouli and chips and wine. It was cold. We needed to take off our gloves to eat a bit of our snack and then put them on again, fingertips stinging. Since she is a photography maven, I knew to stand back after setting up so she might take shots of our snack-laden table. She finished, sat, and then pointed her camera to the sky.

Despite what you see in the photo, the trees did not reach to a common center. That is an illusion. Perspective as taught in art school. The point of view of a lens. “Lookit!” she said, red fingertips holding the camera so I could see the image. “We must have found the exact center of the forest,” I thought and smiled.

I often feel like that these days. We must have found the center.

Last night, on an all-too-rare warm evening, we sat with friends on their deck. The Up North Gang. We ate dinner. We laughed. I had my first ever sip of salted caramel whiskey. Dessert as a drink. Time stood still for me and I studied the moment. I wondered if anyone on earth was as fortunate as Kerri and me.

Perspective as taught in art school. Points converge creating the illusion of distance. At one time in history, a crossroads of art and mathematics, this simple recognition was a revolution. Linear perspective. A unique point of view. The accurate portrayal of three dimensions on a two-dimensional surface was powerful – the creation of illusion, shape and distance, produced new intentions and mathematical rules.

It also changed forever the viewer. To see the illusion one must occupy the illusion of a unique center. A new psychology. It’s possible to draw a direct line of descendancy from the hard perspective of the Renaissance to our abstract expressionism. The artist’s point of view, unconscious expression without limit or rule, is all that matters. Two ends of the same pole.

I told Horatio that I am, at long last, learning to keep quiet. To share what I see when asked, and not before (he says as he writes a blogpost about what he sees). I have made a career out of too adamantly trying to get people to see what I see. My adamancy might be traced to the Renaissance and the notion that I occupy a unique center, a specific point of view that makes my illusion of shape and distance somehow privileged and necessary.

Age is helping me challenge and release my investments. It is also a grand teacher of movement and moments. Nothing stands still, especially time. The best we can do is savor the spaces between, always shifting and moving. Children become parents become grandparents. A warm night. A cold day on the trail. It matters less and less what I see and sense-make with my unique hard lines and more and more that I taste the tastes and see the colors, my lens aimed at a common center, sharing the passing moments with others.

read Kerri’s blogpost about THE WOODS

Close The Distance [on Not So Flawed Wednesday]

you hate me framed copy

“Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.” ~ Rumi

John O’Donohue wrote that spirituality has to do with the transfiguration of distance. “At the heart of spirituality is the awakening of real presence.”  Here. Now. His message is about our busy minds that incessantly create separation. Busy minds create obstacles and keep us seeking. If we are lucky, as the old cliche’s goes, after the long search we learn that we had “it” all along.  Separation is the creation of distance. Presence is the elimination of distance. Love is the absence of distance.

The transfiguration of distance is the power and purpose of art.

On our walk through downtown we saw this message stenciled on a wall: You hate me. There is no greater distance-creating word than “hate.”  You. Me. Hate is the creation of distance between us.

One of the Hermitic Laws is the Principle of Correspondence: As above, so below; as below, so above. As within, so without; as without, so within. Applying the principle, if hate is the word you place between you and me then it is likely that hate is the word you place between you and you. It is nigh-on impossible to hate me without first hating yourself.

Doug used to tell me that health was determined by the distance between who say you are and how you actually live; the shorter the distance the healthier the person.  As without, so within. Applying Doug’s rule, our nation has been distinctly unhealthy for a very long time. We are currently witness to the illness (once again) breaking through the skin. Any physician worth their salt would tell us we have an acute distance problem and health will come when, as a nation, we close the gap and live what we espouse.

I am reminded of an exercise I used to facilitate. Step one: Walk about the space and point at the others in the group and say, “NOT LIKE ME.” Step two: Walk about the space and point at others in the group and say, “LIKE ME.” Step three: Walk about the space and point at others in the group and say, “ME.” Step one is a rejection. Step two becomes an appeal. Step three is a recognition. Step three always brought whispers and a profound shedding of distance.

Rejection. Appeal. Recognition. What is the distance between you and you? What is the distance between you and me?

“From a distance you only see my light; as I get closer and you see that I am you.” ~ Rumi

 

read Kerri’s blog post about YOU HATE ME.

 

 

luminaria website box copy

 

 

 

prayer of opposites ©️ 2003 david robinson

 

 

Step Into The Ripple [on DR Thursday]

sometimesfaith WITH EYES jpeg copy 2

I’ve never understood faith as a religious term. Look up the word in the dictionary and you’ll come across trust, belief, and conviction. Rather than a lofty word reserved for worship day, it has always struck me as an everyday something – that becomes extraordinary when you realize how ever-present-and-ordinary it actually is. Stepping blindly. Blindly stepping. Each and everyday.

We surround ourselves with calendars and lists and routines and rituals and patterns – all necessary mechanisms to plan our days but they also serve to protect us from the truth of our walk on this earth: there is not a moment, an hour, or day that is actually known before it is lived. Every moment of every day is a step into the unknown.

The real practice of faith is not about an abstraction.  It is a recognition that walking in faith is an essential part of the human condition. The real practice is in realizing it. Being right where you are, open to the reality and empty of the illusion of certainty that you know what is coming. You do not. The true spiritual practice is to empty yourself of the need for the illusion of control.

Fully inhabiting the moment. Standing at the crossroad of past and future without the map of ‘I-know-what’s-going-to-happen’ dulling the experience.

Spiritual practices are not meant to be other worldly. They are, at their best, concrete relationships found at the intersection of past and future, in that tiny slice of infinity called “the moment.” It is a miracle of unknowns and surprises.

The practice of faith is the practice of putting down what you think you know – dropping the notion that you know what will happen- and stepping fully and with intention into the rippling unknown.

 

read Kerri’s blog post about FAITH

 

 

frozen lake website box copy

chasing bubbles ©️ 2019 david robinson

chicken marsala ©️ 2016 david robinson & kerri sherwood

Be A Part Of The Wind [on KS Friday]

part of the wind songbox copy

I am a sturdy proponent of The Paris Theory. I made it up so it only follows that I am a stalwart adherent. The Paris Theory goes like this: if you try to get to Paris you will end up in Kansas City every time; the fastest way to Paris is to shoot for Kansas City.

A quick read of The Paris Theory implies that Kansas City is a lesser destination but that’s to miss the point entirely. The point? Adventure, rich vibrant experience, is available everywhere. And, most often, the richest experiences come along because “the plan” collapsed, the plane was diverted, the seat reassigned. In The Paris Theory, Paris is not a place. It is an orientation to experience. The quickest way to Paris is to recognize that there is no greater or lesser place – especially when you are standing in it. Open. Look around. Art and life and love and danger and interesting people, food…vital experiences are everywhere.

Artists steal ideas and I must now confess that The Paris Theory is ancient. I slapped some shiny new lipstick on it to make it my own.

We are here for such a short time. The winds blow us here and there. Sometimes it feels like we are in control, bobbing along, but then strong winds come and push us in new directions. How much time do we spend wishing we were some other place and miss where we are? How much time do we delude ourselves into thinking there will be a firm and lasting resolution? An arrival? The winds never stop blowing. As Kerri said [and so beautifully composed], “We are part of the wind.”

 

PART OF THE WIND on the album BLUEPRINT FOR MY SOUL is available on iTunes & CDBaby

 

read Kerri’s blog post about PART OF THE WIND

 

ChasingBubbles (full) copy

The Paris Theory = Chasing Bubbles

 

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part of the wind/blueprint for my soul ©️ 1996 kerri sherwood

chasing bubbles ©️ 2019 david robinson