Full Stop [David’s blog on Not So Flawed Wednesday]

“All colors are friends of their neighbors and lovers of their opposites.” ~ Marc Chagall

I was awake last night. As I stared at the ceiling I wondered if, after a lifetime of painting, I knew the first thing about color. Or brushes. Or surfaces. I wondered if I am shedding knowledge or never really gained it in the first place. I supposed that it probably does not matter either way as long as my eyes are open and I appreciate what I see.

Whether or not any knowledge sticks misses the point. Staring into the dark I managed to parse the difference between curiosity and information-gathering. I am and always have been a teflon-studier, a miserable retainer of detail. I like to roll up my sleeves and “see what happens”. I suppose I’ve made it a practice to regularly challenge what I think I know…

Staring into the dark I managed to laugh at the river of dross that regularly runs through my mind. It’s a wonder I can sleep at all.

The coneflowers nearly knocked me over. The orange with red against the green was so vibrant I almost had to look away. I like going to the garden center. Flowers are great teachers of color. So are walks in the woods. The garden center is a festival of color saturation while the woods are more of a quiet prayer.

I keep close at hand a National Geographic article about the color of human skin. We do ourselves a disservice to reduce each other to black-and-white. We are a full spectrum of color, glorious in the range of tint-to-shade. We could learn much from Marc Chagall’s observation of the color wheel. Rather than use our skin color to divide-and-conquer, to caste ourselves, to foment blather like eugenics and supremacy, we might open our eyes and see: “All colors are friends of their neighbors and lovers of their opposites.”

Together we are glorious. Separate we are without reference; flat and bland.

Full stop.

read Kerri’s blogpost about CONEFLOWERS

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Mix Harmonious [David’s blog on DR Thursday]

Harmony in color. The place where the language of music finds a home in the visual arts. Synesthesia.

Harmonious color arrangements, like harmonious sound arrangements, must share at least one common “note.” Mix a little yellow into each color on the palette and the colors will work like chords. They’ll be compatible. Pleasing.

It’s probably obvious in my paintings. I’ve never really studied color. I use what pleases my eye (like a musician who plays by ear). Now, I want to know. It’s counter-intuitive; after decades of painting I to want to understand the basics. I want to know what I know and discover what I don’t know. I suspect what I don’t know is monumental.

Long ago, Mike sent me a color study that DeMarcus did when he was in art school. The image is of a cactus. At the base of the painting is the palette that he selected. He framed this piece and kept it on his wall over the course of his very long life and artistic career. It must of been a reminder: don’t forget the basics. It hangs in my studio though, for me, it carries a different reminder: don’t forget your lineage.

Dropping into an episode of Home Town recently, I laughed aloud when Erin Napier said that the only useful thing she learned in art school was the color wheel. I am, as is true of every artist that has been at work for decades, finding my way back to the simple basics.

When I was a kid, pre-internet, I had a cardboard color wheel with a rotating “locator” window meant to help a budding artist know what-color-goes-with-what-color. I didn’t pay much attention to it. It felt like study and I was impatient. I needed to make messes. I didn’t appreciate it at the time but I knew intuitively that I needed to move around to learn. I made swatches for days. I made some terrifically ugly color combinations. I painted some perfectly awful paintings. I still do.

The bubble-of-learning is moving from my body and slowly – ever so slowly – floating up to meet my brain. And, in this contentious world, I’ve decided that the best place to start is with harmony. Harmony in color. A little intentional recognition of sameness to create some pleasing compatibility.

read Kerri’s blogpost about MAUVE AND OLIVE

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buymeacoffee is a “tip jar” where you can help the slow-witted-artists you appreciate learn at long last what color goes with what.