Start There [David’s blog on Merely A Thought Monday]

The rest of her quote went like this: “And not everyone has had that chance.”

A simple gratitude too often missed.

For years I’ve made it my practice to list my gratitudes at the end of each day. It became my practice because I was – in my original orientation to time on this planet – hyper-focused on what was wrong with me and the world. Obstacle focused. Conflict obsessed. Judgmental of my every move. Refocusing my eye on the abundant generosity of this ride was – at least initially – an act of survival. I’ve come to realize that is was the most self-loving choice I’ve ever made. I’ve found that I am now counting gratitudes in real-time, as they happen.

See the glimmers. Note the kindness. Do not miss the sun on your face. Appreciate the smile. My nightly gratitudes rarely recount monumental happenings. The first sip of coffee. A message from a friend. The Dogga made us laugh. We wrote together. Warm bread and camembert cheese. Kerri held my hand.

I had a full day of life. Let’s start there.

read Kerri’s blogpost about CHANCE

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Triangulate [David’s blog on KS Friday]

It had to fall just right. What are the odds? When it snapped from the trunk, it fell into a perfect three-point cradle? Three points of contact.

Three-points-of-contact is the rule for safe climbing. It’s a shorthand phrase, like “turn-around-don’t drown,” the mantra meant to pop into your noggin at the moment you think it’s a good idea to drive through a flooded section of road. Three points of contact make it harder to fall.

A few years ago I collected conceptual models defined by three elements. Look around and you’ll find them everywhere, from brain processing to filmmaking, it seems that the three-points-of-contact rule provides stable footing for complex models of meaning making. Father-son-and-holy ghost. Brahma-Vishnu-Shiva.

Every story has a beginning, middle and an end. Though, no one tells us that the end is a new beginning in search of an unknown middle en route to an end. I’m currently working on a story and realized that I often tell myself to “triangulate.” Two plot points are a line, the third gives the story shape, depth, and movement.

The best visual compositions work on a model of thirds. Drawing a face is best learned by a rule of three. Many Renaissance paintings are built on a compositional triangle. Perspective works with three points even when we call it two-point-perspective.

Take heart. If you are lost, your rescuers will certainly triangulate to find your location.

As you walk through the day today, notice the patterns of three that are swirling all around you. Red light, yellow light, green. Like a limb falling from the sky, you might discover yourself cradled.

holding on/letting go on the album right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LIMB

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Be Unbearably Small [David’s blog on Two Artists Tuesday]

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.

Find Up [on KS Friday]

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.

each new day/right now © 2010 kerri sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE TREE & SKY

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Tend The Daisy Magic [on Not So Flawed Wednesday]

The simple daisy is central to our relationship mythology. She held a daisy the first day I met her at the airport. A few weeks later I flew in a second time to test whether or not I’d merely imagined the power of our first meeting – and she met me with an armload of daisies. She carried daisies the day we were married. On special days we opt for daisies over roses every time [note: daisies are nigh-on impossible to find in February. The only time I sent Kerri roses for Valentines Day they arrived exploded; naked stems in a pile of rose petals. No doubt a message from Daisy].

Each year on the trail we await the arrival of the first daisy. “LookIt!!!” Kerri sings, “It’s here!” Simple joys. Simple celebrations that touch back to our root-story. I delight that we attend to and nurture these source connections. With intention we keep them open and vibrant. It is how we “story” our life, translating moments like the first daisy sighting as an affirmation or our togetherness. A powerful meta-story: Mother Nature says to us, “This is good.”

The other day, walking through Costco, we passed the flower cooler. Kerri was having a-very-bad-no-good-day. Hot steam was swirling above her head. Small children sensed the coming cauldron and scurried from the aisle. I ducked into the flower-fridge hoping to find a bundle of daisies in the hope that they might help her find more peaceful thoughts. There were none but to her puzzled look I said, “I wanted to give you some daisies.”

The impact was immediate. Daisy-calm washed over her, squelching her inner fire. She smiled. Our root story rushed in, a restorative perspective that released her monster-mind-madness. It is the power of a well-tended root story. Peace of mind in the midst of a storm. Mother Nature reached through Costco’s concrete floor, wrapping us in daisy-magic, reaffirming, “This is good.”

read Kerri’s blogpost about DAISIES

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Look At Them Now [on Not So Flawed Wednesday]

Kerri hit the nail on the head. “Most people wouldn’t do this,” she said. “They’d think it was the same. They’d be bored” True. Too true.

She made her observation while we were walking our usual trail. We don’t walk it everyday but often enough to call it “ours” or “the usual.” Although we walk the same trail, to us it is never the same. Never. For instance, a few days ago the Mayapples bloomed. A single white flower hides beneath the leafy canopy. Last week we checked but the flowers hadn’t yet appeared. They’ll be gone by Father’s Day, the flower and the plant, just as the mystery cowboy told us. Walk the same path long enough and you’re likely to converse with a mystery cowboy.

It’s an exercise in seeing. Or, perhaps, it’s an exercise in not taking the surrounding world for granted. It is constantly moving. Dynamic. A crane flew right over our heads! The turtles are barely visible buried in the mud of the river. Tender green shoots broke through the devastated landscape and now, only a few weeks later, a blanket of vibrant viridian covers the forest floor. Tiny purple and blue flowers soon followed. The honeysuckle have now made an appearance. The thunderous frog song has all but disappeared.

And then there is the light. Dear god, the light. The colors shape-shift as the sun moves across the sky. The cloudy days evoke entirely different tones. There’ a reason filmmakers call the impending sunset “golden hour.” The winter palette is a world away from the summer hues.

We hold hands. We walk slow enough to see, slow enough to immerse. Slow enough to give our attention to the unique-within-the-same. Each day uncommon. Seeing it is a practice of challenging the assumption of “sameness.”

The practice of the trail has become the practice of our lives – or vice versa. Move slow enough to see. Pay attention. Give attention.

Across the yard from the farmhouse porch stand two guardian trees. “Look!” she exclaimed, running to show me the latest photo. “They’re so amazing,” she said, showing me the growing series. “They’re entirely different in the morning than they are in this light…” she said, turning her focus and camera back to the trees. “Geez! Look at them now!”

read Kerri’s blogpost about THE TREES

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Juxtapose [on DR Thursday]

Our meeting seemed destined. I’d just moved into my apartment in Seattle on Queen Anne hill. It was a beautiful sunny morning and I decided to explore the neighborhood so I walked down the hill to The Seattle Center. I laughed when I saw a sign for a theatre conference so I went in the Intiman Theatre to check it out. There was an open seat. I sat down next to David. He was the first person I met in my new town. We’ve been fast friends ever since.

Although we’ve had few shared projects, he is among my most prized artistic wise-eyes. If I want an honest opinion about one of my pieces, he’s among the top of my go-to list. If I need some fresh air blown into my muddled brain, some playfulness infused in my too-serious-process, there is no one better to call.

One night, early in our friendship, we did a painting together. We tossed three pieces of masonite onto the floor; we started painting on opposite sides and worked to meet in the center. It was a riot of fun. It was an exercise in juxtaposition. My-action-inspires-your-action. Artistic call-and-response.

I’ve kept those three pieces of masonite these many years. Occasionally over the years, I remove the protective wrap and reassemble the pieces on the floor. I snap a photo and send it to David. “Do you remember this?”

Juxtaposition. Proximity of color-to-color, image-to-image. Comparison and contrast. It is how color works. Ask Seurat. It is the essence of painting. How purple illuminates green. It is the essence of artist community. Artists elevate the work of their peers. Inspiration is a blossom of proximity. Collaboration. How does my work inflect upon the story of yours?

Diversity of color. Diversity of approach. Diversity of perspective. It is how healthy community works – artistic or otherwise. Uniformity spells the death of progress, the end of invention and creativity.

The cold rainy weather broke and the sun emerged. Finally. We walked our trail. We soaked up the sun. She gasped, let go of my hand and raced away. I know that means a photo op has been spied. “Don’t you love this!” she exclaimed, pointing to the budding crimson flower against the coarse wood. “They are so beautiful together!”

david & david, acrylic on masonite. fun on board

read Kerri’s blogpost about TRILLIUM

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Ask A Simple Question [on DR Thursday]

It’s existential. What you see changes depending upon where you stand. That’s true when engaging any piece of sculpture. It’s true when engaging anything in life. Point-of-view is fluid and relational. This sculptural reminder is Olafur Eliasson’s Rainbow Bridge.

In another era of my life facilitating diversity and inclusion workshops, the same surprisingly simple concept was usually a revelation to people. What you call “normal” is merely a point-of-view. Most importantly, it’s not everyone’s point-of-view. Your “normal” is unique to you, not universal. Most hopeful: it’s not fixed in stone. It’s changeable. Relational. Capable of growth. A mature point-of-view recognizes that it need not, it cannot, be the center of the universe. A mature point-of-view necessarily asks an all important question: “What do you see?”

It’s not only possible to look at the same sculpture and see a myriad of differences, it’s necessary. It’s human. Sharing what we see is how we, together, create community. A common center is created by a circle of differing points of view. A common experience is borne of sharing disparate points-of-view of the same event. A common center is made functional when everyone in the circle is capable of asking with sincerity a simple question: What do you see? It is made vibrant when everyone in the circle expects the answers to be different than their answer.

Art is one way of responding to the simple question.

Instrument of Peace, 48x91IN, mixed media

read Kerri’s blogpost about RAINBOW BRIDGE

instrument of peace © 2017 david robinson

Buckle Up [on DR Thursday]

“Life is 10 percent what you make it and 90 percent how you take it.” ~ Irving Berlin

There’s nothing like flying in a plane to shake-up and challenge your perceptions. Board a plane on a snowy overcast day and, after a few minutes of lift, punching through to brilliant sun and the curvature of the earth. What was true on the ground is not true in the sky. And vice-versa.

The first time I flew I was 18 years old. I remember thinking that, of all the people who’d walked the earth throughout time, very few had seen the clouds from above. Most looked to the sky and wondered what it felt like to fly like a bird. During our recent flight, looking down at the clouds, I was taken by the fact that the population of humans-on-earth has doubled since the 18-year-old-me first looked out the window of an airplane. Something that has never happened in the span of a single lifetime. If I live an average lifespan, it will triple. The challenges we face, from the migration of people to the warming globe to the crisis of resources, can be traced back to this simple statistic. The stress levers get lost in the rhetoric-shuffle.

From the sky, it’s easy to see that we are one team, occupying one planet. From up there, the wrangling over red or blue, the movement of the fickle markets, the fist-pumping red-faced divisions, all disappear. It’s easy to punch through the dense fog and see a bigger picture. A more perfect union.

I chuckled after I wrote that last metaphor because my inner cynic rolled his eyes and muttered, “Yeah, but first you have to WANT to get on the plane.”

My inner optimist, not to be outdone, replied, “Exactly. It’s human nature to want to see what’s over the next hill or above the fog. Everyone wants to get on the plane.”

Well, there you have it. Scintillating perspectives from the cynic on the ground and the optimist in the sky. Creative tension at its finest. While my cynic and optimist work this one out, I think I’ll fasten my seatbelt and prepare myself for a smooth landing. As the saying goes: What goes up must come down.

read Kerri’s blogpost about CLOUDS

A Prayer of Opposites, 48×48, acrylic

a prayer of opposites © david robinson

Get Some Perspective [on Not So Flawed Wednesday]

“Oh, god…I feel a fit of moralizing coming on….” ~ Words to myself, uttered just a moment ago.

This would seem like a no-duh: perspective requires distance. Said another way: to see the mountain, one cannot be standing atop of the mountain.

Much to Kerri’s dismay, I think out loud about these things. A lot. She has to listen to my ruminating. Marriage requires her to be in the same space with me and I talk endlessly about the things rattling through my mind. Just ask her. Let’s just say she has no distance from my incessant blather so she lacks perspective. Or, her capacity to ignore my noise is the result of experience which provides her solid perspective. Don’t ask me. I am not in the position to offer an opinion.

When you dip your mind into the pool of information technology as I have, it’s nearly impossible to NOT think about the absence of perspective. Actually, if you read or listen to the news-of-the-day or take a swim in the social media cesspool, and are able to step back from it (thereby creating some distance), you’ll find that meaningful perspective has long ago fled the building.

For years I’ve been reading about the pace of change. At some point – and we’ve arrived at that point – the event horizon (that which enables perspective) is no longer in front of us. We sit on top of it. Information comes too fast and without pause. And, often without substance. Without perspective, the context of our lives is as fleeting and changeable as “Breaking News” or the latest posts on social media. Since the algorithms are driven by the most “likes” not the most relevant, the ugliest and loudest noise-makers garner the most attention and dominate the air-time (thank goodness for cute pet posts providing some humor in the onslaught).

Attention-getting is not known for its grounding in solid perspective. Just ask the boy who cried wolf.

As we know, crying wolf works well – for a while. Attention-getting is addictive. Once hooked, people will do or say anything to keep their buzz going. Sitting directly atop the event horizon, the only way to keep the attention is, of course, to scream louder and louder. Escalate the outrage. A news cycle churns as fast as the social media stream. Remember: the algorithms are not based on meaningful substance but on the ability to grab attention. Louder/uglier wins the day.

Without perspective, escalating outrage – the loudest and nastiest train wreck – will always win the attention grab. It’s human nature. We sort to the negative. It’s why we share complaints with anyone who will listen but dribble-out the good news to a select few.

There is an important disappearance that accompanies the loss of perspective: crap-detecting. Awash as we are in a raucous bluster of vapidness, the only hope we have is to take a step back and question. To descend from the event horizon and ask, “Is this or that assertion true?” Or, is it meant to make me mad, fuel my anger? Is it tailor-made for my perspective-less bubble?

Stepping back, gaining perspective, asking relevant questions. Crap-detecting. If a better world is what we desire to create, dedicated crap-detecting is the necessary first step in being-the-change we wish to make.

read Kerri’s blogpost on PERSPECTIVE