Count Six [on KS Friday]

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“I am bound to everyone on this planet by a trail of six people.” ~John Guare, Six Degrees of Separation

Six degrees of separation: the notion that all people on earth are only six – or fewer – social connections away from each other. A swelling world population. A shrinking world. Has there ever been a time in which our interconnectivity was more apparent?

Six feet: the distance we are told is generally safe enough to keep my breath from entering your body and vice versa. Distance slows but in no way interrupts our interconnectivity.

The number six in numerology symbolizes the caretaker. It is also known as the motherhood number: caring, healing, sacrificing, protecting. I find it oddly comforting that distance and separation in measures of six are associated – at least symbolically – with caring, protecting, sacrificing for others. Six is other-focused. Six, I just read, is the glue that keeps a community together.

Last night we sat on the deck in silence. Listening. Earlier, during our walk, we spoke little. We mostly listened to the creaking of the trees, the sounds of the birds, the chorus of frogs. In a pandemic, we are learning, there is very little to say that isn’t rooted in  fear. So, we say very little. We hold silence, a vigil of sorts. The silence turns our minds toward listening, toward living. Caring.

This is the warm quiet ripple that rolls through Kerri’s SILENT DAYS: caring. The number of motherhood. A symbolic six. A turn toward living. Inextricably bound together.

 

SILENT DAYS on the album BLUEPRINT FOR MY SOUL is available in iTunes

 

read Kerri’s blog post about SILENT DAYS

 

 

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silent days/blueprint for my soul ©️ 1996 kerri sherwood

Look For The Manatee [on DR Thursday]

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This has never been Kerri’s favorite painting. When I chose it for this week’s melange I asked her why she didn’t like it. She said, “Because there’s a manatee in it.”

“A manatee?”

“Keep in mind,” she said, “that I’m inkblot challenged.”

Wait. What?

Responding to the blank look in my eyes, she added, “I could never see Jesus in the pancake. Stuff like that.”

“The pancake?” My synapse fell short of the hoop. She Googled inkblots to demonstrate her disability.

“See (she pointed to an inkblot on the screen)! There’s Florida and I’m supposed to see Jesus. Wait. Oh. There he is. Wait! There’s a lot of stuff in there!” she marveled, squinting at the blot.

Blink. Blink.

“Oh! Maybe it’s that I see too much stuff in the inkblot!

I pulled up the image of the painting. “It’s called Canopy,” I said. I enlarged the image.

She looked close. “Wait. That’s not a manatee!” she exclaimed. “That’s a person’s leg!” She looked closer. “Hmmm.”

It is, after all, what I love about art: It is never complete. It emerges anew with each new look, each new performance. What I intend has very little to do with what is perceived and in that space between artist and audience, a new creation, a new conversation arises. Imagination is like that. It opens worlds of surprising possibilities. It projects itself into the known, into the painting, and magically transforms it.

“So, you don’t like manatees?” I tease.

“I love manatees!” she huffs. “Just not in your paintings.”

 

read Kerri’s blog post on CANOPY

 

 

 

 

 

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canopy ©️ 2009 david robinson

Observe The Rituals [on Flawed Wednesday]

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Like you, we are practicing new rituals that two months ago would have seemed like so much science fiction. We wash and disinfect all the food we buy. Dry goods stay in food-quarantine for 48 hours before they are allowed in the house. The mail is disinfected and banished to in a safe spot for two days before we open it.  Rituals of safeguarding. Rituals of necessity.

All are rituals of distance.

Rituals of cooperation. We walk everyday. We have always walked everyday but in these days we cross to the other side of the street if someone is coming our way. Or they cross to the other side. At first, this who-will-cross-first ritual was negotiated, awkward. Uncomfortable. In just a few short weeks it has become conventional, intuitive. In the time before the pandemic, it would have been a statement of rejection to avoid contact. Now, it is a statement of participation. We cannot safely visit our neighbors yet we daily street waltz with strangers. The world is upside-down.

Rituals of obfuscation. I read this quote this morning: The whole concern of an intelligent person is to see the facts and understand the problem – which is not to think in terms of succeeding or failing [Krishnamurti, Think On These Things]. In these days of pandemic, the President holds a jaw-dropping daily ritual to whip-up a counter-narrative to the facts of his inept leadership, to shut down his experts, to shout down or otherwise maul questions that do not support his pathological lie.  It makes for great TV ratings but lousy governance. And, a substantial number of people are so distracted by the clown that they do not grasp the reality of the fire raging outside of the circus tent.

Rituals of revelation. Marie Antoinette famously said of her starving citizens, “Let them eat cake!” I told Kerri that each week of this pandemic has brought me an understanding beyond the abstract of a specific episode in history. Today, the courts in our state, the Supreme Court of the nation and the Republican party of Wisconsin are essentially blocking the citizens’ capacity to safely vote. They are either gobsmackingly ignorant or astonishingly cruel. The choice: gather and vote in the midst of pandemic or vote not at all.  So few of those trusted with representing the will of the people of this nation are actually concerned with the will or the safety of the people.  It’s a win/lose game played by the privileged few in which the people are disposable. Let them eat cake. I now understand in my gut the moral outrage of the starving citizens of 18th century France.

We wash our fruit. We cross the road when others approach. We try and get out everyday, seeking places that  others have not yet found. We watch the numbers of deaths climb exponentially everyday. We shake our heads in disbelief at our bloviating leader. We call our friends. We now routinely say, “Webex” and “Facetime” and “Google hangout” when we used to say  “get together.” New rituals born of distance. New rituals born of separation in an era of gaping divides. Surely, one day, the pendulum will swing back the other way, the circus will pack up and the clown will go down the road. We will come out of our houses, greet our neighbors and remember what it was like to bridge divides and begin embracing the rituals shared on common ground.

 

read Kerri’s blog post about WASHING FRUIT

 

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Let It Spin [on Two Artists Tuesday]

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The answer to “Who Am I?” is mostly a matter of perspective [or concoction, depending upon your perspective ;-)]. As much as we might want it to be, who-am-I is not a fixed state of affairs. Thankfully, we are not as narrowly defined as we want to believe.

We constellate together some identity-fixed points (son, father, banker, artist, gardener…) that give general shape to the who-am-I inquiry.  Mix in a few subsets: competitive, passive, rich, poor, successful, homeless, handy, all-thumbs… and there’s some nice variation giving color to the primary fixed points.

For some real fun, factor in the changes of identity that happen over the course of a lifetime. Who did you understand yourself to be at 10? At 20? At 30? Dear friends just became grandparents; their entire universe is spinning. Who are they now?

I have had moments of triumph that turned to dust in my mouth. What looked like fulfillment was, in fact, an empty sack. Once, thinking I was looking good, I walked headlong into a glass door. Instant fool. Identity is much more fluid than fixed.

In the Buddhist tradition there is a “Big Dipper” exercise. From our perspective on the earth, there is a constellation of stars that form a big dipper in the sky. But, travel toward that constellation, the image of ‘big dipper’ starts to warp and then falls apart altogether. The position of the stars does not change. Our perspective does. The constellation is nothing more than an illusion. Mostly, my constellation of fixed identity points is nothing more than an illusion.

These days I’m thinking much about my illusion and attachment to my fixed points. My move to Wisconsin came with career death and I spent more than a few years grasping for the lost stars in my constellation. New stars appeared. I became a husband. I have two ‘given’ children. My beard has become grey. Yesterday, to my utter amusement, I found myself concerned with fallen leaves staining the patio and had thoughts of immediate raking. What has become of me? In the past week, I’ve awakened more than once with this thought: What if the painting on my easel is to be my last. It’s not finished and it’s an utter mess! I want to leave a better last impression! I have more work to do!

And then, I wondered, what if, as I travel out beyond the constellation, this image of myself, this part of me that I call ‘artist,’ matters not at all? Fluid, not fixed.

And so, my perspective spins, more anchor points fall away and the entire universe opens.

 

read Kerri’s blog post about PERSPECTIVE

 

 

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Stand In Their Shoes [on Merely A Thought Monday]

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Belief in tomorrow. Appreciation of today. No small thoughts even in the best of times, though, in the best of times they sound like platitudes. In these times, in the span of a few months, platitudes are revealed as precious.

20 has severe asthma so has self quarantined these many weeks. We occasionally see his face electronically. We hear his voice each night when we call. We laugh. We recount and appreciate the day. We miss our weekly Thursday night and Sunday night dinners with 20. They were ritual. Now, we think of them like a garden. They will return. Belief in tomorrow.

There are those who think this virus is an inconvenience. To 20, and others that we love, it is a death sentence. Apparently, to those who will not be inconvenienced, pictures no longer speak a thousand words. Data slides off Fox-coated-minds like so much Teflon. To truly understand the severity of the pandemic requires fully stepping into the shoes of another and, so, the most individualistic nation in the world wrestles mightily with putting the needs of others over self.

For 20 and millions like him with chronic health concerns, for all the people in health care or care-of-others in any capacity (hint: that would be all of us), belief in tomorrow is intimately linked to our capacity to step into his shoes and recognize that we stay home, wear masks, honor social distance not only for our sake, but for his. For theirs. And, if you follow the logic, his sake, “their” sake, is intimately linked to our sake. Your sake.

Recognizing that, through the lens of a pandemic, there is no Us or Them. Putting the needs of others over self is the best way to protect yourself. Both/And.

This is how we prepare the soil. This is the way to appreciate the day. It is the only way to invite belief in tomorrow.

[note: here’s my argument for those too ugly voices claiming we must accept certain loss of life to reboot the economy. Please put the face of your brother, your child, your mother or father in the place of “acceptable loss.” The loss of life is much less acceptable when it is personal, when it is one of your loved ones. This is, by-the-way, the same argument for social distancing, staying home, etc. When the life that is lost is one of “yours” it will seem much more necessary to stand in the shoes of another and help them stay alive] 

 

read Kerri’s blog post on BELIEF IN TOMORROW

 

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Hope [on KS Friday]

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Chris wrote, “So this is what a pandemic feels like.” He is a brilliant actor, the artistic force behind Sea Dog Theater, living with his wife and two children in New York City. I was worried about him and his family. “Overall, we are okay and grateful. It’s scary. And when we aren’t thinking of just our family, we are trying to help artists who’ve lost everything; creative gigs and day job wise.” Artists generally live on a thinner margin than most people.

It is what I most love about the people who populate my world: they think of the needs of others. They seek meaningful ways to help, to support their community. It is, when all is reduced to the essence, what makes an artist an artist. It is what makes a human being a human being.

We were on the raft choosing the images and music for this week’s melange. Kerri asked, “What about HOPE?” I laughed at the double entendre. Yes. What is most needed in these times of pandemic?

Kerri’s HOPE – like the yearning it reflects – enters the world quietly. It is a sturdy force that warms the heart but does not call attention to itself.  It will lift your eyes beyond the scary and refocus them on possibilities. Ways to help. Hope.

Chris added, “We are healthy and together, which is most important.”

From our seclusion, healthy and together, to yours, Kerri offers her HOPE.

 

HOPE from the album THIS SEASON is available in iTunes

 

read Kerri’s blog post about HOPE

 

 

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hope/this season ©️ 2005 kerri sherwood

Answer The Call [on DR Thursday]

Eve copy 2This painting makes me laugh. It is an inside joke [in my exclusive club of one], a mash-up between Newton’s apple and the variety enjoyed by Eve. The apple, in both stories, is a symbol for knowledge – or, better, that most human of characteristics: curiosity.

Curiosity is piqued when forbidden. Isn’t that the point of Pandora’s box or Eve’s apple? That piece of symbolic fruit is better understood in a greater illustrative context (making it, therefore, useful): in the story, there are two trees in the allegorical garden, 1) a tree of knowledge and 2) a tree of everlasting life. To “know” requires separation. Eat of this apple and you will forever discern between this and that. With this apple comes self-knowledge. You will “know” rather than simply “be.” You will, in your separation from your Self, spend the rest of your days attempting to get back into the garden to eat from the other tree (unity, wholeness, no-separation,…purpose, meaning, etc.). It’s a parabolic life cycle. Don’t bite that apple, I dare you.

The other apple-of-legend knocked some insight into Newton. “And, why did that apple fall straight to the ground?” Newton asked himself. His answer: universal gravitation! Every body in the universe is attracted to every other body with a force that is directly proportional to the product of their masses and inversely proportional to the square of the distance between them [my comprehension and advanced math stopped at the word “force” so the rest of the law is yours to sense-make]. This apple was most welcome!

In both cases, I imagined, seated in front of my easel, that both the symbolic Eve and the actual Sir Isaac, in their respective apple moments, looked to the sky and uttered, “You have got to be kidding me!” And, so, curiosity calls.

 

read Kerri’s blog post about EVE

 

 

 

 

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eve ©️ 2004ish david robinson

 

 

Admit It [on Not So Flawed Wednesday]

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When we first met, a snowfall – especially at night – served as an immediate call to strap on our shoes, pull on our parkas, and walk into the quiet of the new snow. Somewhere in the passage of time, we ceased heeding the call and, instead, opted for warm blankets, wine and a gaze out the window. “Look at how huge those flakes are!” we exclaim and sip.

So it was a surprise that with last weeks sudden spring snow, we both felt that old giddy schoolchild’s enthusiasm and threw on our coats (pulled mittens over splinted wrists) and crunched into the evening flurry.

The sun was setting so the neighborhood was awash in purple and blue. The wind through the trees served to hush an already muted world. We came upon an evergreen tree that made us gasp. We pulled off her mittens so she could take a picture.

It is in moments like these that I remember all that I know about perfection, all that I forget the second I re-remember all that I know about perfection. Namely, it is not an achievement. It is not something to strive for. It is not distinct or otherworldly. It is here all the time. The challenge is in seeing it. The challenge is offering it admission into our otherwise busted and angst-ridden narratives.

A quiet evening. The crunch of our feet in new snow. A flurry of unique-in-all-the-world flakes falling into uniformity on the ground, resting in the needles of an evergreen. Kerri gasps, “Help me take off my mitten! I want a picture.” I step back, breathe in the cold clean air. The wind playing music through the trees. “Isn’t it gorgeous?” she asks moving in for a close-up.

‘Perfect.” I nod. Just perfect.

 

read Kerri’s blog post about SNOW IN EVERGREENS

 

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Become Whole [on Two Artists Tuesday]

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When Barney came to live in our backyard, he’d been long forgotten in the dank dark basement boiler room. His soundboard was shot. He was headed for the junkyard when Kerri intervened and asked if Barney might come live out his days with us. It has been five years since Barney arrived in the junk man’s pick up truck. He has aged beautifully.

The first day in his new home Barney spoke when Kerri played his keys. He let go of his voice one key at a time. Within a week he was silent, no longer what he once was but not yet sure of what he was becoming.

We adorned him with flowers in pots for a few summer seasons. Certainly, he was content to support the flowers – like a crossword puzzle, it was something to do – but it never rose to the level of purpose. We realized he was doing it for us so when the third season arrived we let go our desire to give him meaning. He heaved a sigh at our revelation, and, at last, purpose-free, he enjoyed the sun for no other reason than it felt good. That season, wild geraniums grew around his baseboard and embraced him, the chipmunks used him as their hiding spot. The little critters made him laugh as they stood on his blistering lid and taunted the rowdy dog.

Initially, we tried to slow his inevitable peel, slathering him with marine oil, but his skin wrinkled and bubbled anyway. The white veneer of his keys was the first to go. We realized that Barney was becoming another kind of beautiful. He was, as Rilke wrote, living his way into the answer to all of his questions.

Jen and Brad suggested in our stay-at-home-seclusion that we exchange images of spring. I stepped onto the back deck and recorded the birds singing. And then I saw the wild geraniums were showing up and gathering around Barney. He was absolutely gorgeous in the morning light, sculptural and at peace. I’d just read something Thomas Merton wrote and it perfectly described Barney on this early spring morning: There is in all visible things…a hidden wholeness.

 

read Kerri’s blog post about BARNEY IN SPRING

 

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Hug The Pain [on Merely A Thought Monday]

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Put on your seat belt. I’m going to indiscriminately fling stereotypes at myself and my wife and that requires me to indiscriminately snag other fish in my broad net of oversimplification. To make you feel safe in reading further, please note that this a not so cleverly disguised survival guide for two people living together in this age of stay-at-home-orders.

We are both artists. I often wonder if the universe put Kerri and me in relationship as some kind of whacky psychological experiment. Imagine the laughter on Mount Olympus! If you are an artist or know any artists, please join me now in making a list of adjectives: volatile, hypersensitive, moody, procrastinating,.. Now, multiply that times two. Let’s just say that we do not cancel out each other. We are certain that our friends invite us to dinner for the sheer entertainment value of hearing about our latest train wreck. We are both good storytellers so we take comfort knowing that at least we make our mayhem amusing.

True story: yesterday I apologized to DogDog that neither Kerri or I was an engineer. “You have hard duty this time around,” I said, patting him on the head. He didn’t disagree.

Since we are already standing at the edge of chaos I can see no reason not to jump. It was too late in our developing relationship when we realized that, not only were we both artists but we are diametrically opposed in our approach . Kerri is so detail-oriented that it makes my head hurt. I am such a big-picture-generalist that she regularly has to run screaming from the the room so as not to get lost in my thought.

Kerri organizes through piles. I organize by eliminating piles. I seem incapable of learning the lesson that what-looks-like-a pile-to-me-looks-like-order to her. I’ve probably set her back a decade by imposing my idea of order to her system of filing. We’re still looking for the project notes she lost the day I moved in and decided to help out by cleaning up the piles. Last week I attempted to hang up her snow pants and her icy glare melted my good intention; I let them slip to the chair where they remain to this day.

She is easier in the world than I am. If I begin a project or a painting it is nearly impossible for me to stop thinking about it until it is complete. I dream about it. I ponder and muse. Okay, go ahead and think it: he is obsessive-compulsive. I cannot deny it. In my defense, by bride is incapable of holding on to a thought or completing a single task. She works in circles. Attention deficit. Now, imagine, if you can, the process we’ve developed in working together. If we were a band, our name would be Creative Tension.

DogDog walks in circles around the house. I used to think it was a trait of his breed but I’ve come to believe that circle-walking is what happens to an over-sensitive dog when one of his parents is obsessive and the other is ADD. He simply can never relax since we are such a danger to ourselves.

She’s a New Yorker.  I am from Colorado. I was taught that talking over someone else was rude. She was raised in a part of the world where it is essential. Our conversations are sometimes hysterical but mostly shattered language fragments and hesitations. If only I were a better playwright!

Now, flip all of this too-much-information over. Perceptive, deeply felt, intuitive, adventurous, improvisational. Sometimes mystic. We crawl out the window to drink our wine on the roof. Our life is never routine, never dull. We cultivate surprise whether we intend to or not. Her artistic eye makes mine better. She pulls me from my obsessive mind so that I might breathe and relax. I help her step back from the detail and see another perspective.

The moral: there is no better collaborator, no more treasured companion, than the pain-in-the-ass pushing back on your idea, the one talking over you, the one challenging your choices, the one that you love and trust with your most vulnerable life & artistic decisions because (you begrudgingly admit to yourself) they see things differently. This equal and opposing force that shares space with you is the very reason you are capable of expanding your mind, your perspective, and your heart.  They are what you mean when you utter this word: together.

 

read Kerri’s blog post about PAIN IN THE ASS

 

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