Reach [on Two Artists Tuesday]

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Someone snapped their fingers and it is fall. Less than a week ago we skirted the Des Plains river trail, hugging the shade. We’d underestimated the intensity of the heat-humidity combination punch. “Are you dying?” Kerri asked. I nodded my head, too hot to answer. This morning, the air is cool and we are pulling out our flannel shirts.

With fall comes a sweet melancholy that usually creeps in slowly but this year, absent of any transition, I awoke fully awash in the seasonal sorrows. It is, oddly, like a warm blanket. An old friend that calls, “Remember me?”

Kerri tells me this melancholy is the feeling of time passing. It is the season of standing still and remembering. It is a reach to the past when the past feels like the autumn sun on your face. Turning toward the warmth, eyes closed, basking.

Haven’t you heard your elders say that the older you get the faster time moves? This morning, pulling my flannel shirt around me, I know that it is true. Time races. Time is relative to “the long body,” the entire span of a lifetime. With so much time behind me, so many memories, the road traveled seems to have passed in a blink. Life happens in the blink of an eye.

There’s no better reason to stand still, eyes closed, and reach for the sun as its rays reach for me.

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reach ©️ 2018 david robinson & kerri sherwood

 

 

Be The Storm [on Chicken Marsala Monday]

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“It is a sacred art that deals with revelation rather than observation.”~Jamake Highwater, The Language Of Vision

Tom used to say, “A writer writes and a painter paints.” Those are wise words grounded in the mechanics of art. Simply show up. Do the thing. Nuts and bolts. That’s the first step. Show up at the easel, on the dance floor, at the piano, at the writers desk and begin. Tom was a teacher and over his life heard an overabundance of excuses, reasons ‘why not.’ Said another way, he advised his students to stop thinking about it and do it. “Get out of your own way,” he’d counsel. That’s the second step. Horatio calls this step ‘trust-your-work.”

Show up. Do the thing. Get out of your own way. Trust your work.

And, what happens with trust? When the artist can get out of his/her own way, the sacred art, the art of revelation becomes possible. It’s a beautiful paradox. Show up and get out of the way. And, between those two actions, those crackling oppositions, a greater force, inspiration, gathers and releases like a storm.

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inspiration is a gathering storm ©️ 2016/18 david robinson & kerri sherwood

 

Spend Time Together [on KS Friday]

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In the fall of 2013, still new in our relationship yet already tired of making it work at a distance, Kerri and I flew to Seattle, packed my studio, my paintings, and my few worldly possessions into a Budget truck. We headed east over Snoqualmie Pass en route to Wisconsin. The trip took us five days. Five days of adventure. Five days of gorgeous scenery. Five days of uninterrupted time together. It served as the portal into our new life.

This piece, TIME TOGETHER, could be the soundtrack for our five day journey. It is hopeful, bright, and present in the way that people become when on a road trip, surrounded by a startling world, en route to the unknown new. On this KS Friday, sit back in your seat, close your eyes, and let Kerri’s TIME TOGETHER take you on the road. Marvel at the simple pleasure of companionship, of precious time shared with the person you love.

 

 

TIME TOGETHER on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

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time together/this part of the journey ©️ 2000 kerri sherwood

See Simply [on DR Thursday]

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Kerri’s morsel choice often surprises me but none more than this week. She took a close up photo of my painting We Watch The Setting Sun, flipped it over, made two copies, left one untouched and manipulated the other. “I want to use both!” she announced with THAT look in her eyes. “It reminds me of a hillside in the fall.”

I write this often, perhaps too often, but it matters: through the morsels I am discovering simplicity.  In her Autumn Hillside set I see the freedom of my brushstrokes. I see the collision of thick paint and thin washes. I see simple color that, in its movement, serves as a suggestion. Less is more. Nothing else is needed. I understand Mark Rothko. I appreciate Ad Reinhardt.  I am seeing their work through new eyes.

New eyes. Could there be a greater gift for an artist, for someone who has worked his entire life at ‘seeing?’

“Don’t you love it?” Kerri asked of the morsels. I smiled. Yes. I love it.

 

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autumn hillside/autumn hillside night ©️ 2018 david robinson & kerri sherwood

 

 

Set An Alarm [on Flawed Cartoon Wednesday]

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John took his car to the dealer for service and the mechanics plugged it into a diagnostic system. They didn’t bother to lift the hood. They told him all was fine. John knew it needed an oil change but pulling the stick to check the fluid level is oh, so 20th century.

We laugh at ourselves for looking at our weather app before lifting our eyes to the sky. “What’s the weather like?” I ask, opening my phone before stepping out the door onto the deck.

I thought it might be a bit early for bird migration humor but it’s never too early to poke fun at our dependence on all things abstract and technological. And, as if to prove a point, on a walk around the lake at Des Plains, I saw the Canadian geese pass over. They were on the move. The lead goose stared intently at Google maps. “This way!” it honked.

Just kidding. Well, not really.

 

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how birds know when to fly south ©️ 2016/18 david robinson & kerri sherwood

Will It To Happen [on Two Artists Tuesday]

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This is the first face, the first thing I see each morning when I open my eyes. BabyCat, aka Sumo aka ONEBIGCAT aka Scrawny Cat. Let’s just say that he is a substantial kitty. And willful when hungry. The morning ritual goes like this (my eyes are closed): he mews up a storm with no result (eyes are still closed). He pulls books from shelves and then claws the back of the already-destroyed-chair (eyes still closed). He shreds the previous night’s crossword puzzle and any other loose paper on the floor. No movement from the human. The final stage is a cat-leap onto the bed (BabyCat landing on the bed feels like riding a rolling ocean wave in a small dinghy). And then he stares at me like some 19th century hypnotist, willing my eyes to open. No matter how long it takes. None of the ruckus produces results but the silent stare is a killer. It’s unnerving. It makes me open my eyes.

This morning the thunder and rain are at it again. The air is thick, sticky and humid. Wisconsin has gone tropical and, apparently, now has a monsoon season. When my eyes popped open this morning there was something extra in BabyCat’s stare. More than food, he wanted to know where summer had gone. Was it here at all or was is merely a B-Cat dream? A passing fancy?

Blinking my eyes, the best that I could offer was this: “I don’t know, BabyCat. I dreamed it was summer, too.” And then we finished the morning ritual with our customary promenade to the food bowl.

 

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wheretheheckdidsummergo ©️ 2018 david robinson & kerri sherwood

Believe In The Impossible [on Chicken Marsala Monday]

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All of my life I’ve been surrounded by people who believed in the impossible. At a school for developmentally disabled children, there were therapists who believed against all odds that they could help a child catch a ball. And, one day, after ten thousand tries, extraordinary therapies on frozen muscles, endless encouragement for the child and for each other, those little hands closed around the ball at just the right moment. A catch. Cheers, celebration dances and tears erupted, this feat greater than winning a Super Bowl. The impossible became possible. And then, as if there was not a moment to waste, the next impossibility was named: ball catching could become routine!

Artists, who go day after day to the studio or the stage, their lives an impossibility of economic headwinds and community disinterest. They create. They find a way. They keep the doors of deep humanity open, mythology alive. In this age of dedicated differences and echo-chamber-information, they reinvigorate the experience of a shared story. The impossible becomes possible, even if only for a moment. And the next day, they do it all over again, refreshed with inspiration and improbability.

Teachers who walk into classrooms every single day, their budgets cut, their student load swelling, their hands tied with standardized-testing-madness, and yet they reach. They try. They inspire. Like icebreakers, they cut new paths through impossibly frozen circumstances to locate and nourish the minds and hearts of their students. To free them from disbelief. To embrace the challenge of an obstacle. To encourage discovery of self and other. The impossible becomes possible. And, the next day, they do it all over again.

Inspiration. It’s all around us. It makes people do crazy things.

 

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inspiration makes people do crazy things ©️ 2016/18 david robinson & kerri sherwood

Art. Love It. Own It. Fall 50% Off Sale.

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September 1 – 16

It’s easy. Peruse the collections. Pick your piece. Love the sales price. Contact us.

 

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Love The Cover [on KS Friday]

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What’s in an album cover?

The tiny shoes hang on a door knob just outside of Kerri’s studio. They’re hers! She wore them. Now they hang next to the shoes her babies wore. The soft pastel blanket is downstairs in a safe place. She wrapped her babies in that blanket. And the piano, well, it lives in the room I call Kerri’s studio but once served as the nursery to her children. It is a special room and no wonder so many amazing compositions have been born there. She gave life to this lullaby in that room, sitting at the piano that occupies the space where her rocker once sat next to the cradle.

What’s in this album cover? More life than you can possibly imagine. What’s gave rise to this lullaby? More love than one heart can possibly contain.

 

AND GOODNIGHT from the album AND GOODNIGHT, available on iTunes & CDBaby

 

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and goodnight/and goodnight ©️ 2005 kerri sherwood

Stop At The Beginning [on DR Thursday]

Aqua Agua Mit Rouge. Kerri laughed and clapped her hands when she named this morsel. It is a process snapshot of the early under-painting, the base layer of what would become Earth Interrupted VII. It is loose, fluid and free. It is a special layer – a visual marker of what happens before my thinking mind kicks in. Free. Fluid. Loose. Flow. For me, the first moments of painting are all intuition.

More and more I am learning from these morsels. I’ve spent countless hours gazing at finished paintings asking myself how I might grow, become a better painter. Reach into deeper pools of experience. It is only recently – because of the morsels – that I am spending time gazing at my process, the previously unconscious parts, and asking the same questions. How do I grow? Become better? Become more Fluid? Loose? Free?

The answer of the moment is as funny as it is clear: stop at the beginning. See through the eyes of intuition, feel your way forward. Stop before that talky brain weighs in with all manner of blah blah blah.

 

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earth interrupted VII,    mixed media, 48 x 36IN

 

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STAY TUNED! The FALL VIRTUAL GALLERY SALE starts this weekend. An announcement is coming!

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aqua agua mit rouge/earth interuppted vii ©️ 2018 david robinson & kerri sherwood