A Pretty Good List [David’s blog on Two Artists Tuesday]

Two years ago the ice-maker in our fridge stopped working. Our informal poll of fellow fridge owners has confirmed what we suspected: the ice-maker is always the first thing to go. And, since a repair of the ice-maker would actually cost more than the original price of the refrigerator, we have gone old-school and make our ice in trays. Sometimes, when we’re feeling really outlandish, we buy our ice in bags.

This is not a terrible inconvenience. I do not have to go down to the lake in winter and saw out blocks of ice nor do I have to haul the blocks uphill to the ice house and cover them with sawdust. The refrigerator is still capable of making ice; it just requires some participation on our part. And, it couldn’t be easier since we have running water piped directly into the house! From the magic spigot at the sink, I pour the water into the plastic tray and work on my balancing skills as I carry the water-filled tray to the freezer. In about an hour the water is transformed. Ice!

On a recent foray into an antique store we came across the metal ice-cube-trays used by our parents from the time prior to plastics. Kerri chimed, “I remember those from when I was growing up!” and, always the musician, starting making the symphony of sounds produced when the metal handle lifts, cracks and separates the cubes before dumping them into the bowl. She spun her musical rendition into a rhythmic wonder complete with an ice-tray dance. I know deep inside she was working on the lyrics and, had we not been in public, I would have been audience to a completely imagined, fully composed ice-cube-tray-song.

So, topping my list of gratitudes for the day: I saw the inception of an ice-cube song borne of a childhood memory. There was also an enthusiastic spontaneous ice-tray-dance that made me laugh out loud . I have water that comes directly into my house, and a cold box that is capable of making ice if I want it. I do not have to go down to the lake to cut and haul ice as my ancestors did. All-in-all, it’s a pretty good list!

read Kerri’s blogpost about ICE CUBE TRAYS

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Language Blossoms [David’s blog on Two Artists Tuesday]

I just experienced something new: a visual route to a find synonym. That might not seem like a big deal but for a visual-guy like me it fundamentally changes my relationship with language.

I wanted another word for “shine” and, instead of finding a static linear list, a blossom of interconnectivity unfolded on my screen. Shine in the center, five interconnected primary synonyms, with each of the five subsequently sprouting five fingers of word possibility. I was gobsmacked. Like a child with a new toy, I clicked back into the site again and again so I might see the word bloom.

I’ve directed (and loved) many of Shakespeare’s plays. I am an avid reader. I write everyday and spend more time than I care to admit chasing down words. Yet, had you met me when I was a wee-lad of 22, none of these things would have seemed possible. It hurt to read. The worst hell imaginable for me was diagraming sentences. My knuckles were rapped by stern-faced English teachers more than once for poor use of language, rotten sentence construction. And, although I had an undeniable enthusiasm for the theatre, I literally hated reading plays when I was in high school.

Linear sequential is not my friend.

One day in my 24th year an actor introduced me to Shakespeare. Active language. Delicious sounds and living images. The penny dropped. The world opened. I have been a voracious eater-of-language ever since. When rehearsing, I dance my words.

Words matter. They are alive when not forced to toe-the-line. Symbol and sound, makers of meaning, each intimately connected to the other. When I come back to this earth I will hopefully be a poet, attempting to capture in language that which is impossible to articulate. The beauty of a pink tulip. A flower selected by a mother for a rare visit from her daughter. Our daughter. Our daughter: a surprising and remarkable combination of words I never thought I’d utter.

Language unfolds and reaches deep into pools of meaning. Words blossom. And nothing is ever the same.

read Kerri’s blogpost about PINK TULIPS

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Dance [David’s blog on saturday morning smack-dab]

One of the first paintings I did for Kerri is called Dancing In The Front Yard. From the very beginning we’ve had a natural impulse to dance. In the kitchen. On the deck. In an airport. On the trail. In the front yard.

If we break into spontaneous slow-dancing and the Dogga is near, it never fails that he joins us. Standing on his hind legs, paws on our shoulders, together we three dance our celebration of togetherness. There is nothing better on this earth.

read Kerri’s blogpost about DANCING

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Color It Orange [David’s blog on Two Artists Tuesday]

I’ve read that orange inspires creativity and provides a lift to people’s moods. I saw the orange-effect in action on the trail. The moment she saw the sun illuminating the orange leaves, she gasped, giggled and raced toward them with her camera. “Look!” she exclaimed. “They’re glowing!”

She wasn’t exaggerating. They were glowing. Brilliant and warm. They looked like sacred flame dancing on the end of the branch.

Yesterday I wrote about gratitude. Intentional gratitude as opposed to the spontaneous variety, though these days, the intentional and spontaneous are blending together like watercolor on wet paper. Sunset yellow and red mixing together to make mind-blowing orange against purple sky. Mood lifts. Creativity sparks.

I’ve come to view all art forms as expressions of gratitude. Kurt Vonnegut wrote, “Practicing an art, no matter how well or badly, is a way to make your soul grow.” I believe soul growth is the purpose of art and one cannot grow their soul without also experiencing intense gratitude.

Standing on the trail, watching the enthusiasm of Kerri’s flame-orange-photo-shoot, I decided the color of soul growth is most likely orange. She couldn’t see it, but the sun streaming through the leaves bathed her in vibrant shades of orange, making her part of the sacred-flame-dance.

Martha Graham would have loved this moment. “Soul growth,” she would have whispered enthusiastically, jumping to join Kerri in the ancient dance.

read Kerri’s blogpost about ORANGE

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Appreciate The Caper [on KS Friday]

Kerri’s photos serve as our writing prompts. Sometimes I know exactly what I want to write about. I lead. Sometimes, like today, I stare and follow the first thought that comes to mind, whether or not it makes sense. I let the thought lead me.

Sometimes I follow. Sometimes I lead. Inevitably, during the writing, the process flips. The follower takes charge and leads. The leader gives over and listens. It’s a nice description of a creative process, a tennis match between the intuitive and intentional.

Today’s first thought? It’s perfect design. A still shot masks the truth that this flower is designed for motion. Time-lapse photography reveals the pulse of life, opening and closing. Petals and sepals, pistils and stamen, folding and unfolding with the delicate movement of the planet spinning around the sun. And those tiny hairs on the stem and sepal? Trichome – absorbing life, protecting the dance.

It occurs to me that the word “design” implies a designer and there we go again bumbling into the morass of the godhead. How to explain such perfection? This miracle of life, utter interdependence, as seen in a purple coneflower.

Perhaps it’s enough to acknowledge that my mind is way too limited to grasp the enormity of the concert. I dabble in the power of imagination but will never grasp the infinite, contain the uncontainable, neither in word or way.

Perhaps my desire to affix a definition to the undefinable, to understand the boundless, is no different than staring at a writing prompt. Sometimes I know exactly what I want to write. Sometimes I have no idea. Sometimes I lead. Sometimes I follow. Intuition dances with intention yet neither are capable of explaining the boundless, of measuring the immeasurable, describing the indescribable.

It is enough to perform my part and fully appreciate the caper.

silent days/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CONEFLOWERS

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Cheer The Artist [on Merely A Thought Monday]

Even with our earplugs, the music was loud. Our son was the artist on stage, his spontaneous composition making movement irresistible. We danced. The crowd whirled and cheered. I was proud. It was the first time we’d seen him perform live. He was fully in his element. This is what he is supposed to do: Make music that sets people free.

In our current world I can imagine nothing more potent or necessary. I wish his music might reach into the cold heart of Texas, dispel the manufactured fears of Florida. I hope his music rattles the foundations of the tightly held and airless “norm”. It is imaginary. Norm depends upon where you stand and, last I knew, there were many places to choose – all of them central to one. I will cheer on the day that his music pierces the veil of man-made-ugly-and-exclusive rules that are attributed to one angry god or another.

The best artists practicing the best of their artistry erase boundaries and lead people into their shared, common center: a place called love. It’s a boundless place, a place where people celebrate each other, where people dance for the joy of being alive, for the deep appreciation of being-just-who-they-are: unique in all the universe.

I saw it this weekend. Of the artist and the bountiful revelers I can truly say I am Proud.

read Kerri’s blogpost about PROUD

Dance [on saturday morning smack-dab.]

We find that the balm to most of life’s greatest challenges is to dance. Anxious? Dance! Confused? Dance! Worried? Dance!

In truth, most of our worries, anxieties, and confusions don’t have a solution or a single answer. They are passing circumstance. Monkey mind run amok. Unsolvable dilemmas. In the face of uncertainty, quandary, or existential mess, it feels really good to dance. And that’s precisely the point. No sense to be made? Dance. Dance. Dance with the one you love! In the kitchen. In the front yard. In the airport.

And, isn’t that the name of the balm! The epicenter of existence! The purpose of life? To dance with the one you love. Preferably a slow dance. There’s no reason to rush when a solution feels so good.

read Kerri’s blogpost about DANCE WITH ME

smack-dab. © 2023 kerri sherwood

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Reach Beyond [on Two Artist’s Tuesday]

Red Rocks amphitheater, Colorado, 1979. Tie-dye and flannel, a heavy cloud of pot and patchouli wafts over the crowd. The band begins playing. People stand and cheer. And then they dance. And dance. And dance. Strangers dancing with strangers.

The Riverside Theatre, Milwaukee, 2023. Tie-dye and flannel, a heavy cloud of pot and patchouli wafts over the crowd. The band begins playing. People stand and cheer. And then they dance. And dance. And dance. Strangers dancing with strangers.

United through music. Barriers drop. Inhibitions fall. The revelers are of many ages, grey heads and baby faces. The faces are many glorious colors: shades of black and variations of white and nuances of bronze and rich sienna. I suppose they, too, are wildly varied in belief. Yet, in the dance and through the music, none of it matters. They reach beyond. They are one.

read Kerri’s blogpost about THE CONCERT

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Dance [on DR Thursday]

“The human race has spent several millennia developing a huge and robust set of observations about the world, in forms as varied as language, art and religion. Those observations in turn have withstood many – enormously many – tests. We stand heir to an unstatably large set of meanings.” ~ David Bayles & Ted Orland, Art & Fear

The little girl shrieked with delight, “You can stand in it!” She raced inside the dome, her little body so teeming with enthusiasm that she danced. The crowd burst into laughter.

Joy is contagious.

She reminded me of the children I saw dancing at the base of Christo’s Umbrellas. She transported me back to the very first time Kerri and I stepped off the stage after our performance of THE LOST BOY. We were euphoric, so overrun with relief and triumph that we jumped up and down in the backstage hallway, laughing and hugging. Dancing. We couldn’t help it.

I remember that moment when people ask me why I make art since art makes no money. I’ve learned to answer the question, not with words but with a smile.

Value is perceived.

I stepped into the dome repeating to myself, “You can stand in it.” A dome of light. A constellation of thought. The earth rotates around the sun. Joyful participation in the sorrows of the world. Do unto others. There is not one way, there are many paths up the mountain. Discovery is better than invention.

Meaning is made. It’s an ongoing relationship.

Sometime you know that you enter it. Sometimes you don’t know and the dome you discover evokes a joyous dance.

read Kerri’s blogpost about DOMES OF LIGHT

Iconic, 54x54IN, mixed media

[my site is down. A new site is in the works. New works are also in the works. Good things]

iconic © 2010 david robinson

Taste The Sound [on KS Friday]

Toadshade trillium. Say it out loud and taste the sounds. Toadshade trillium. Yummy words worthy of e.e. cummings.

I am working in a tech space and keep a document on my desktop: Terms in this Unknown Land. Tech folk speak in acronyms, PAI and SMB, SERP and TAM. Although my colleagues are mostly left-brainers, they are remarkably poetic in their language, peppering their acronym-speak with tasty terms like “cluster calculations” and “stemmings.” I admit to losing the sense of the conversation in the sound. They are, despite the stereotype, passionate and creative and unconsciously poetic. “Plots a curve of probability.”

Toadshade trillium. Plots a curve of probability. Forget the meaning and taste the sound! What might Mary Oliver have done with those syllables!

My lesson this week: I cannot stand and work at my computer all day. I can do the standing (I have a stand-up desk) but staring at a screen eventually shuts down my brain. Across from my stand-up desk is my drafting table. I think better with big pieces of paper and a pencil and then translate back to the computer. I need to move to think but that’s only part of the lesson. When at the drafting table I’m more likely to take things less seriously. I free myself. I get snarky and funny and scribble and draw big arrows and make fun of myself and the logjam in my thinking. I play.

And, while I play, I talk aloud, and hear the sounds of the shapes that I draw. Poetry and motion. Taste the movement. One and the same. Free the thinking. It’s enough to scare the dog but it’s liberating to my kinesthetic necessity. I scribble notes in every direction and dance back and forth between word and image. Consequently, I produce better work.

Thank goodness I finally tasted a few word-sounds that sent me tumbling into a productive scribble dance.

read Kerri’s blogpost about TOADSHADE TRILLIUM

kerri’s albums are available on iTunes and streaming on Pandora

pulling weeds/right now © 2010 kerri sherwood