But If I Had [David’s blog on Not So Flawed Wednesday]

I’ve never taught visual art but if I had, I’d have sent my students outside to look at color in nature. I wouldn’t spend a moment having them study an abstract color wheel or match paint swatches indoors. Together we’d look at light, the angle of the sun. We’d play with shadows and discover the changing hue of shadows; they are more full of color than we want to admit.

We’d bring-to-light, uncover, unearth…we’d learn to see, a skill much more valuable to the artist than merely looking. We’d walk through the world as if for the first time. We’d share our color notes. We’d tease and be teased by a full range of morphing value as the sun played with our perception.

We’d remind ourselves that our window on this life is only open for a short while. We’d saturate ourselves in the infinity of shapes and textures, the marvel of pattern and interconnection; the riches of diversity. We’d immerse-in-the-immensity and not pretend that we were in any way separate or better-than.

We’d stave off a world insistent that we live within the narrow strictures of black and white, bland cubicles of dulled minds. I’d have sent my students outside to wander into their thicket of questions and step boldly into a world without answers but alive in rich, vibrant color.

read Kerri’s blogpost about THE LEAF

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A Different Understanding [David’s blog on Not So Flawed Wednesday]

Sometimes color stops me in my tracks. The color of a sunset. The color of a canyon. The color of a flower. This hot coral coneflower stopped all engines.

David Hockney is a colorist. Henri Matisse. Judy Chicago. Piet Mondrian. Sonia Delaunay. There are so many painters whose use of bold color, like the coneflower, stops me in my tracks. Ellsworth Kelly. Mark Rothko.

With my love of color you’d think I’d be a colorist painter. Although I’ve had my moments, mostly I sort to earth tones. The neutrals. Once, a viewer of my painting, Unfettered, asked “Were you going for stone?” I wrinkled my nose and let the question hang unanswered.

Many years ago I mimicked David Hockney’s colors. I pushed myself to live in vibrancy. I loved the exploration but was rarely comfortable living in so much visual enthusiasm. I am too much the introvert to comfortably scream from my canvases.

I just washed over my latest painting, County Rainy Day. Kerri was appalled but I’d veered off course and hit color saturation too soon. I needed to reset. I generally work things out in process – instead of doing studies – so wiping off or washing over a canvas is not unusual. Like Kerri, John K used to chastise me, too, saying “Do versions or variations!” Versions and variations are expensive and I’ve rarely had abundant resources in my life. Every action has a history.

Recently Andrew Wyeth has once again caught my fancy. I’d never suggest that he is not a master of color – he is – but his paintings tend toward the neutrals. He captures something deeper, his visual language is as much that of a poet as a painter. A different understanding of color.

I imagine that, like me, on his daily walk, the color of a coneflower or the shape of a leaf stopped him in his tracks. And, one way or another, that startling moment of appreciation found its way into his heart and onto his canvases.

reset: County Rainy Day (detail)

read Kerri’s blogpost about SALMON CONEFLOWER

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A Message [David’s blog on DR Thursday]

This is a volunteer. A bright pop of color, a surprise tulip bloom showing up behind the garage.

The narrow space behind the garage is the place we toss old spinach and halo oranges. Strawberries and kale. It has long been part of the critter highway so we do our part as trail angels and leave the bunnies, chippies and opossums a road snack. I imagine one of the travelers brought a tulip bulb – wittingly or unwittingly – and the rest is blossom history. We love it. I consider it a message delivered from the furry world.

For some reason our tulip brought Tom McK to mind. As an educator he regularly expressed awe at the resilience of children: Their capacity to withstand and bounce back from tremendous difficulty was often breathtaking. Their ability to climb impossible personal mountains and yet somehow find the courage to smile. Pops of color showing up in impossible places.

And so, the furry world, in gratitude for our trail magic, have left for me an enormous gift. At a time that we are climbing a steep mountain, the critters have delivered a sweet message from Tom. A reminder. Climb the impossible mountain because you must – thereby transforming it into a tale of the possible – and don’t miss the vibrant color along the way.

“Take your time,” he’d say, smiling.

read Kerri’s blogpost about TULIPS

Tom and me a long time ago.

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Secret Sauce [David’s blog on Not So Flawed Wednesday]

The Des Plaines river spilled out onto the flood plain. The trees, not at all surprised, rose tall through the murky water in this yearly ritual of spring. “Has it ever been so high?” she asked. I shrugged.

We walked the path. It mostly rose above the waterline. With water lapping on both sides, the trail sometimes resembled a bridge. A crystal clear day teased forward the colors of the birch and grasses. The world was vibrant and strange. We had the sense that we were walking in another dimension. Second attention; alternate reality.

The beaver tree made more dynamic by its reflection in the water stopped us in our tracks. Were I judging sculpture in nature’s competition, this would be a clear winner. The massive tree, already tipped and chipped at a precarious angle, compounded by the image mirrored in the river overflow gave the illusion of a sphere without roots and heightened the tension of the unstable tree. Weebles wobble and, despite their reputation, sometimes they fall down.

Creative tension. The secret sauce of all good art. Between the river challenging its boundaries, the trail snaking and in danger of disappearing, the vibrant color teased forward by the sun’s eclipse, and the good work of an aesthetic beaver with the notable assistance of the water’s reflection, this walk was as artistically rich, inspiring and refreshing as any day I’ve spent in a gallery.

read Kerri’s blogpost about THE TREE

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Look Closer-In [David’s blog on DR Thursday]

Nicholas Wilton flipped back and forth between an image of his recent painting and one completed a decade ago. He wanted to show that the recent painting is, in many ways, a close-up view, a morsel of the ancestor painting. Look closer-in. The seeds of today’s work come from explorations of the past.

I’ve been thinking about color. A tour through my gallery site reveals a very narrow band of color. I’m filled with the impulse to break it open. One day soon, after the BIG HOUSE CLEAN moves out of my studio, I’m going to mess with color. Paint with my fingers. Fully explore the new tools that Master Miller has sent my way. They scrape and pull and smoosh. They are not recommended for nuance and that is exactly what the art-doctor ordered.

More than once I’ve recounted this story: early in our relationship I told Kerri that, “I don’t sing and I don’t pray.” The other day, because of this story, I had a good hearty laugh at myself. In our reorganization of the basement I was moving my paintings so, I had a good look at every single painting. By far, the theme in the majority of my paintings? People praying. People in moments of touching something bigger. Or trying to. I howled at my unconsciousness. I may not pray but my paintings do.

Look closer-in. I started my life as an artist by drawing eyes. Hours and hours of drawing eyes. I was not attempting to draw realistic eyes; I was attempting to get behind them. Through the eyes, the mirror of the soul.

Perhaps I found my way in. Perhaps not. This I know: color is pulling me just as the eye used to pull me -either further inside or perhaps it beckons me to come out, to return to the place where I started. This time, instead of #2 pencils and typing paper – my seeds – I have scrapers and pullers and paint and old canvas. I look forward to what I might find there.

read Kerri’s blogpost about SEEDS

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buymeacoffee is either an opportunity to begin again or a natural progression to the next.

Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.

Cycle Forward And Back [David’s blog on Two Artists Tuesday]

Last week I saw a suit in a store that was frighteningly similar to the burgundy tuxedo I wore to my junior prom. Fear not, there are photos of a youthful me in my clothing-abomination that you will never see. I refuse to blackmail myself. I generally avoid ridicule unless I’m in the mood to perform a prat-fall.

Beauty is not a fixed idea. Nor is it unique enough to be held in the single eye of any one beholder. Beauty is shared. Communal. And the community is restless. It cycles through contour and color and pattern expectation. Each year a new style born of reaction against the previous styles. When I look at photographic proof of my willing-wearing of a horrific burgundy tux, I shake my head and think, “What was I thinking?” A better question would be, “What were we thinking?” At the time, I thought my tux was cool. My pal, Oz, wore a powder blue tux and strutted his blue-ness all prom-long.

The fashion cycle always returns to itself. The fabrics are improved (less petroleum) but the style is textbook. What’s new is old and what’s old is new. I stood in the store utterly agog at a full rack of wine colored suits. Laughter-tears streamed from my eyes though I can’t be sure I wasn’t reacting to the shock of terrible print patterns on the stacks and stacks of shirts. Terrible to me; beautiful to the other festive and frantic shoppers.

I’ve spent hours staring at our tree. The fragile glass ornaments reach back into the 1940’s and 50’s. They mirror the shape of cars from the era. Appliances, too. Light fixtures. Do you remember the spaceships of Buck Rogers or the marionettes of Space Patrol? The ornaments are Shiny Brites. Massed produced but decorated by hand. They were all the rage in their time. The shapes and story inspire me. That’s how the cycle works.

This year the Shiny Brites are all the rage in our home. Beautiful in our time. What’s old is new. What’s new is old.

read Kerri’s blogpost about SHINY BRITES

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buymeacoffee is a blowback to a time when coffee was a thing that people drank from manufactured glass mugs while sharing the stories of their day.

Answer The Call [David’s blog on DR Thursday]

As is always true, the color calls me and I stop. You’d think I’d get used to the pop of red vine against the winter grass. You’d think that I’d expect it and, therefore, no longer see it. But that hasn’t happened yet. Or maybe I’m refusing to let it happen. The color calls. I answer.

Sometimes I feel as if it is a requirement to move slow enough in the world to actually absorb it. Move too fast and the extraordinary bounces off. Moving too fast makes us Teflon. Non-stick living. I want to soak it up. I want to feel it, the whole spectrum.

It’s a consumer mind that thinks, “I’ve seen it,” and races fast “to get there,” forever on the freeway gobbling miles and eschewing the backroads. Gobbling achievement while missing the experience. Checking life off the list. I am not the same as I was yesterday. When the red vine calls I might be open to a wholly new conversation. The red vine certainly is not the same as yesterday. I can see it because I “took the time” to see.

Like the red vine, the phrase “take time” called so I answered. I Googled it and, no surprise, most of the synonyms were negative. Culture betrays itself. Dawdle. Dally. Waste time. Fritter away. Goof off. Lolly gag. And, the cherry on the top of the Puritan heap: lose time.

It’s a regular deathbed revelation for people to wish they had not raced through their lives to hang yet another plaque on their wall of respect. If there is a strategy for losing-the-time-of-your-life it is to race-through-to get-to-the-end. Goal achieved. There’s another way. Walk slow enough to hear when the red vine calls. Then, take the time to stop and answer.

read Kerri’s blogpost about RED VINE

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Voluntarily Contemplate [David’s blog on DR Thursday]

It’s tempting to say that the snow is white. A second look, a better look, will prove otherwise. Purples and cool blues with some muted green and pink thrown in for good measure. A subtle festival of color. In general the light on the trail painted the snow – not surprisingly – ice blue, so the burnt orange in the leaf made for an eye-popping compliment. Some abstract expressionist might use this bit of natural composition for inspiration. Helen Frankenthaler or Joan Mitchell. Monumental paintings with the power to force contemplation. Well…to force voluntary contemplation.

Forced contemplation! A great phrase, to be sure, and another name for “problem solving.” Take a moment and look around during this busy holiday season: everyone you see elbowing their way through the crowd will be deep in forced contemplation. Rushing to the next. Making a list and checking it twice.

I’m a few pages into my fourth reading of Zen and The Art of Motorcycle Maintenance. It fell off the shelf and hit me so I took that as a sign that it was time for a revisit of Robert Pirsig’s novel. The subtitle is An Inquiry Into Values. I’ve learned that the books I read are forms of voluntary contemplation. What has value? What does not? And why? I regularly ask myself a question that comes from the title of another favorite-book-of-the-past: How Then Shall We Live. Wayne Muller’s voluntary contemplation on meaning, purpose, and grace. Given what I know – that I shall die – how then shall I live this day of my life?

There are very few answers to the question but there are values that, like a marble sculpture, take shape and emerge over time. The single value that consistently dominates my voluntary contemplation: walk through this day slow enough to see that the snow is not white. Rather, experience the full celebration of color and live inside – rather than rush through – the perfection of this composition.

meditation, 48×48, mixed media on canvas

read Kerri’s blogpost about SNOW AND LEAF

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buymeacoffee is a slow walk of appreciation through a world that holds more magic than any single mind can conceive.

Find Out [David’s blog on Two Artists Tuesday]

Google “iridescent tree bark” – or any question variation – and the top hits will be Marigold Carnival Tree Bark Glass. Second place on the list will be rainbow eucalyptus. Both are interesting but neither is helpful in our pursuit. This mystery tree is in a park on the shore of Lake Michigan. The bark on the east facing side is moist and shimmers with green, blue and purple. Why?

Google can be a very strict although paradoxical schoolmarm, often requiring exact language for inquiries yet always returning ranked probabilities. Web crawling in the blink of an eye. The art of the question meets a never ending popularity contest. It works most of the time. Sometimes it produces an amazing clown car of results. Today I learned a smidge about Marigold Carnival Tree Bark Glass. And who knew a eucalyptus tree could produce such vibrant color! I’ll be more mindful the next time I’m tempted to say, “That color does not occur in nature.” It turns out that all colors occur in nature. Even puce, the hands-down-winner for worst name of a color.

I gave up the search but Kerri is a dog-with-a-bone when she has a question. After lengthy sleuthing (“lengthy” in 2023 terms. In 1980, her search would have taken weeks but in 2023 she scored a find in less than 30 minutes) she found (drumroll…): blue-green crust fungus! Amaurodon (I’m tempted to insert crack social commentary into this scintillating post about the ease of information-finding in the age of dedicated information-denying but I’ll exercise extreme restraint and stay on my subject). Now, what exactly was my point?

More than once the glistening color has stopped our walks. We stand close and squint our eyes. We stand back and ponder. We take photographs and discuss outrageous possibilities for the surprising color shimmering on the lake side of the tree. We hold hands and I thank the stars for walking through life with someone who entertains as many unanswered questions as I do. I believe it is why we feel young even though our joints sometimes ache. Unbridled curiosity. Delight at running our fingers through paint. The utterance of a common phrase: I don’t know but let’s find out.

In case you’re wondering: I value the clown car of results almost as much as I do an instant-on-the-spot Google return. “There are more things in heaven and earth, Horatio, than are dreamt of in [my] philosophy” (Hamlet. Act 1, scene 5). It invites the second-most-common-curiosity-utterance in our household: now what the heck is this?

read Kerri’s blog post about AMAURODON

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buymeacoffee is an alien life form attempting to hypnotize you into the outrageous assertion that artists have an insatiable thirst for coffee and it is your life mission to quench their thirst.