Remember [on saturday morning smack-dab.]

It’s taken some time but Kerri has, at last, taught me a hard-to-learn-lesson: when I am to listen versus when I am to listen and give voice to a thought (sometimes known as “Offer advice”).

The challenge: the cues are not readily apparent. To misread the cue is to unleash certain havoc.

This, in a nutshell, is what I’ve learned: In 100% of the cases, listen and nod. Say nothing that is not the verbal equivalent of a nod. These moments that seem-to-my-eyes like problems-to-be-solved are never what they appear.

Boil the nutshell down to its essence: nothing needs solving. There are no solutions required so don’t offer any. There are only four words that are universally useful. It. Will. Be. Okay. (variation: We. Can. Do. It) (Bonus word: Together).

Now, if only I’d remember my hard-learned-lesson when I most need it. Remembering is not so easy.

read Kerri’s blogpost about ZEN-GEN!

smack-dab. © 2022 kerrianddavid.com

Learn A Thing Or Two [on KS Friday]

A decade ago I wrote and self-published a book. I called it The Seer. The see-er. A few days ago I pulled it off the shelf and began a slow-read-through. It’s a good book! I’m actually learning a few things from my younger self.

Yesterday I made a spreadsheet (I’ll never again confess to making a spreadsheet so appreciate this moment). The purpose of my spreadsheet was to build a database for Kerri of the cartoons that I’ve drawn for work. She takes my pencil drafts and digitizes them, colorizes them, and adds some quirky dynamics. They begin as mine and complete as ours. To finish my database it was necessary to open every file and look at each cartoon. They made me laugh. I’m proud of those cartoons, our work. I’m excited to share them beyond the small circle of eyes that currently see them. I know I’ve learned a few things because they are so simple.

We have a few sparse analytics on our blogs so can see when someone reads a post from the deep past. Lately, when someone reads a post from several years ago, we read it, too. “Where did that thought come from,” Kerri asked herself after rereading her long-ago-post. Often, after I dive into the archive, I want to rewrite what I read. I’m a much better writer now that I have a great editor reviewing my posts every day. The grammar police should have sent me to the gulag years ago. I am fortunate now to have a daily read through and revision with the-daughter-of-beaky-who-won’t-tolerate-improper-grammar. It’s too soon to know but I might be learning a thing or two.

We had occasion to revisit 2015. We didn’t mean to but were looking for a picture of a lanai and a pizza. It was the year we produced and performed The Lost Boy, illustrated and produced the first of Beaky’s books, we lost her a few weeks after the book release party, we were married in the fall of that year, we inadvertently created our first cartoon character, Chicken Marsala. “We’re content-creating monsters,” I said during our reminiscence. “We’ve learned a few things,” Kerri replied.

We walked to the channel. The last time we took this walk was before Covid. It seemed like a stroll into the past. A walk into a former life. So much has changed. We stopped at the waterpark to take some photographs. Children danced in the fountains. Parents smiled. Innocence at play. Elders occupied benches.

“Look at this,” she said, showing me the picture of the fountain. “I think maybe I’ve learned a thing or two.”

read Kerri’s blogpost about THE FOUNTAIN

kerri’s albums are available on iTunes & streaming on Pandora

good moments/this part of the journey © 1997/2000 kerri sherwood

Find The Universe [on DR Thursday]


“There is nothing more truly artistic than to love people.” ~ Vincent Van Gogh

I don’t know why but Van Gogh is lately on my mind. He died at age 37. Most of his paintings came through him in the last few years of his life.

He wrote letters to his brother. That’s why we have so many of his words. His contemporaries thought he was mad. They had plenty of evidence of his mania so that was what they saw. Crazy Vincent making crazy paintings. Nothing serious. Swirls of color in an age of dreary.

Only a crazy man would assert that artistry is to love other people, right?

As a young man he was an art dealer and his experiences in the market drove him to become a missionary in Belgium. The art market drove him to religion and he found religion so depressing that he started to paint. This, of course, is my telling of the tale.

Like Vincent, run to the edge of society. Run to the very margins, turn around and look. What do you see?It’s enough to make anyone turn away from sane society and start painting swirls of color. You’re certainly crazy if you consider society and its politics sane. Right?

Vincent painted and moved further out, beyond the margins. Beyond the power games and posturing. The pretending-to-be. He left behind the Joneses. He found entire universes in simple things: sunflowers, the night sky. Bowls of blueberries.

He must, at the very end, have turned and looked back, again. This time seeing through the eyes of a painter. Was it wishful thinking that he saw artistry as love? Was it a prayer for humanity?

Oscar Wilde, Vincent’s contemporary, a man brutalized by the society that once adored him, wrote, “Art is the only serious thing in the world. And the artist is the only person who is never serious.” Oscar tried to live on the margin and in the center, all at the same time.

Love makes us giddy. It helps us drop our pretense and gaming. I think Vincent saw, not through the lens of madman, but life without a lens., into pure life, pure love. Swirls of color. Entire universes in bowls of blueberries and in other people. Artistry.

read Kerri’s blogpost about BLUEBERRIES

bass player © 2002 david robinson

Take One More Step [on Not So Flawed Wednesday]

Tom and I spent many hours on the deck of his cabin at the ranch watching sunsets. It was during those moments of waning light that he’d reminisce about his life in education and the arts. “To this day I am in awe of what many of my students taught me about perseverance.”

The teacher as student. The lesson – both ways – was tenacity in the face of monumental difficulty. Tom climbed metaphoric mountains in a system dedicated to hurling avalanches against his progress. His was an innovator’s path. He kept climbing, I learned during our sunset talks, because his students inspired him. Some achieved their mountaintop against all odds. In many cases, the mountaintop was – to other eyes – as seemingly simple as showing up for one more day. They kept climbing so he kept climbing. Showing up for each other. A feedback loop of tacit encouragement. They kept climbing because he was present on the metaphoric mountainside every day.

His students inspired him. He inspired me. An ancestry of inspiration.

I might have imagined it. The chipmunk butted in line at the bird feeder, sending the toddler cardinal fleeing to the safety of the Adirondack chair. More birds gathered while the chipmunk gorged. In a moment of chipmunk consciousness, he turned, looked at the growing assembly of hungry beaks, turned back to the feeder and, like Santa Claus, began kicking mounds of seed to the ground. Chipmunk potlatch. Bird extravaganza. Every critter had their fill.

Weeks later, while weeding the garden, Kerri called across the yard: “I think we’re growing corn.” she said. I joined her at the row of dense grasses growing beneath the bird feeder. A tender stalk, against all odds, found enough sun and water to reach through the thick resistance. Nature amazes me. The impulse to life, from chipmunk-seed-toss to corn stalk pushing through impenetrable grasses.

It brought thoughts of Tom. Seeds planted. Mountains to climb. The sunset, glowing orange and pink across his face, he’d smile, “Often the secret is nothing more or less profound than taking the next step, showing up for each other one more day.”

read Kerri’s blogpost about CORN

Tally [on KS Friday]

“It’s a haiku day,” I said, feeling empty of anything useful to write. She’s already rapidly clicking away on her keyboard.

The sunflower grows/More beautiful over time/Green vine seeks wisdom.

Counting syllables/ on my fingers, I tally/the word “beautiful.”

Three or four? I ask/She’s deep in thought, can’t hear me/Syllables confound.

Beautiful is three!/”My haiku, my choice,” I quip/Who invents these rules?

Green vine seeks wisdom/Rust has seen many seasons/Green seeks. Rust stands still.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about SUNFLOWER

silent days/blueprint for my soul © 1997 kerri sherwood

Interpret The Impression [on DR Thursday]

“Art, to me, is the interpretation of the impression which nature makes upon the eye and brain.” ~ Childe Hassam

The eye of the mind. Interpretation of the impression. Imagination. Nature.

This morning Kerri told me that she’s having a stand-off with her piano.

This morning I picked up a box to clear my studio space. I asked myself, “What are you doing?” I set down the box where I found it.

Lately, I’ve been working with an overabundance of business models. Not surprisingly, each addresses the same contemporary challenge: people are having trouble discerning between what is actionable and what is not, what has relevance and what does not. A variation on the theme: focus is hard to come by. Models, I remind myself, are interpretations.

I’ve read that the first evidence of humans making art is found in the funeral rites of our distant ancestors. Decoration? Talisman? Fuel for the trip? An interpretation of life, making peace with the unknowable. Nature makes an impression. Humans respond.

The interpretation-of-the-impression-that-nature-makes points to something essential about art and life: it needs to be shared. It is nothing if not witnessed. We stand in the art gallery and drink it in. We stand at the graveside supplying our fellow traveler for the long journey ahead. We place the crayon drawing on the refrigerator.

Nature makes an impression.We are nature’s impression. Interpreting what that means.

read Kerri’s blog post about IMPRESSIONS

motherdaughter © 2019 david robinson

Make A Documentary [on Flawed Wednesday]

Skip suggested that I make a documentary film about our neighborhood. With the recent car explosion across the street, the Jacob Blake protests (martial law, riots, et.al), the mockery-of-a-trial of Kyle Rittenhouse, the retrial of the anti-freeze murder, and the most recent excitement: a water line repair crew accidentally cut the gas line to the house next door to the car-explosion-house. All of this and a pandemic, too!

I quipped that my documentary would be titled “Calamity Vortex.” Petticoat Junction. Green Acres. Black gold, Texas tea…

Perhaps it’s not a documentary but a sitcom that I should create! Including us, there are plenty of good characters in the neighborhood to exaggerate. I’d go with a reality t.v. program but I fear sitting around waiting for the next disaster might not make scintillating television. Although, doesn’t it seem that is what we are doing in the age of climate change. Kentucky is underwater. The west is on fire, setting new records established just last year. Britain and parts of India are baking. And what about those hurricanes and tornadoes? How many once-in-1000-year-events does it take before we acknowledge the new norm?

Where does one draw the defining line of “my neighborhood”?

When the gas line was cut and explosion seemed imminent, I was delighted that several firetrucks pulled up in a matter of minutes. They kept us safe. While sitting far enough away to clear the gas-headache, I marveled that we are very good at responding to disaster but not so great at preventing it. Some things are accidental, of course, but global warming is not. It is – or was – preventable.

Perhaps my documentary film – or tv series – or reality tv program – would attract more viewers if the conceit was a neighborhood of people causing their own problems and then, while racing to clean up the mess, they ask “How could this happen?”

It would be a comedy, of course.

read Kerri’s blogpost about FIRETRUCKS

Have A Constitutional [on Two Artists Tuesday]

“Have you not noticed that love is silence? It may be while holding the hand of another, or looking lovingly at a child, or taking in the beauty of an evening. Love has no past or future, and so it is with this extraordinary state of silence.” ~ Jiddu Krishnamurti

As the evening cools the heat of the day, we look at each other, no words need be said, stand, hold hands and walk out the gate. In another era, they called this kind of evening stroll a “constitutional.” Walking at days end is good for your constitution, your health.

I’ve learned it’s good for my mental health. All of the energy swirling around inside my brain channels down and out through my feet. Fifteen minutes into our stroll, I take a deep breath. I sigh. The last swirl spirals out. With a clear mind, I relax. I squeeze Kerri’s hand. The beauty of the evening flows in. I can see beyond what I think.

We walk a loop through the neighborhood that winds toward the shore, past the beach house where we held our wedding reception. We follow the path through the park, emerging onto First Avenue along the row of houses overlooking the lake, by Jim and Linda’s old house. Echos of laughter. Good times gone by.

Sometimes we talk. Sometimes not.

The other night, as we strolled in silence, I smiled at how much of my life I spent trying to “get somewhere.” Trying to “achieve” or “obtain” some imagined thing. Always separate from my moment. It made my constitutional that much sweeter, knowing I had no where else I wanted to be. No imagined place, racing around my mind, pulling me from the lapping water, the cooling evening air, my wife’s hand, the sound of our slow walking.

read Kerri’s blogpost about EVENING

Listen [on saturday morning smack-dab.]

Sage advice someone, somewhere, offered to Kerri: sometimes there’s only one way to get through it and that’s to go through it. No resistance. Turn around and see it, feel it, experience it. All of it.

Once, long ago, I emailed my friend Rob and wrote that I felt like I was lost in the forest. He wrote back that sometimes, when you feel lost, it’s best to sit down, smell the pine, and enjoy the birdsong. That, too was sage advice. Be where you are, not where you think you should be.

Identity crisis is a misnomer. Growth and change only feels like a crisis, mostly because it requires letting go of “the knowns” and stepping into “the unknowns.”

My sage advice to myself, learned from too many experiences of opening my mouth when I had nothing of value to offer: if you’re lucky enough to attend to someone who’s stepping off the edge of their known world: listen. Quiet presence is better than loud comfort.

read Kerri’s blogpost about IDENTITY CRISIS

smack-dab. © 2022 kerrianddavid.com

Stop At The Oasis [on KS Friday]

It was the end of a brutally hot day. The chipmunk peered over the edge of the deck, located the dog, and calculated the risk. It decided to go for it. Popping onto the deck, it raced along the wall, hopped onto the edge of Dogga’s metal watering bowl, reached down and took a hearty deep drink. Checking to see if Dogga remained oblivious, it took another long quaff, jumped down and raced to safety.

Alarmed at the idea of thirsty chipmunks, Kerri leapt to her feet. “We have to put water in safe places!” she chirped and ran into the house. 20 and I reminisced about the Ely chipmunk she’d trained to sit on her lap and take peanuts from her hand. We named it Humpy because of the large hump on its back. Ever since Kerri bonded with Humpy, all chipmunks are related to Humpy. They are family.

She returned with a deep plate, something that held plenty of water but, unlike the dog’s water bowl, didn’t put them in danger of drowning. “I wouldn’t have thought of that,” said 20, “You?”

“Nope,” I replied. “I’d have found a chipmunk swimming pool. They can swim, right?” 20 shrugged. Kerri narrowed her eyes so we hastily sipped our wine.

We watch their travels every day so know the chipmunk trails through the yard. The chipmunk highway runs beneath the potting bench and there’s a gate that prevents Dogga from getting in. The new chipmunk watering plate went there. “It’ll keep the sun off, too,” she said.

A chipmunk oasis. Roadside chipmunk assistance. First, we gave them Hotel Barney (the piano) for shelter that also provides high ground to mock Dogga while also enjoying pilfered bird seed in relative peace and comfort. Now, a safe watering hole.

“Do you suppose they’ll write an email to Humpy” 20 quipped. “He should know how well you’re taking care of his kin.”

“I hope so!” I said as Kerri gave us the evil eye for a second time. “Do you need a refill?” I chirped, suddenly feeling a kinship with the chipmunks. I scoped Kerri’s location, grabbed 20’s glass from his hand, and raced for the relative safety of the house.

read Kerri’s blogpost about CHIPMUNKS

Kerri’s albums are available on iTunes & streaming on Pandora

sweet ballet/released from the heart © 1995 kerri sherwood