Knit It Together [on Two Artists Tuesday]

Bold lines that break the visual plane. Once upon a time it was how I started a painting. Impulsive, reactive, spontaneous slashes that fractured the image and, in my mind, made it more interesting. Those lines gave me a popcorn trail to follow. A hard edge to push against.

Sometimes I think my life’s work can be reduced into a single word: disruption. I was the guy brought in to offer a counterpoint. I am the guy brought in to tell the story that no one wants to speak. What if? Why not? The bold line to break the visual plane. There is always a pattern. There is rarely a problem. Problems incite blame-games. With pattern comes responsibility and the revelation of choice.

John Muir famously wrote, “And into the woods I go to lose my mind and find my soul.” We walk in the woods for the same reason. The circle comes around. The big bold slashes no longer break the visual plane but pull it together.

Mind breaks it. Soul knits it together. Ebb and flow.

Today is a day to walk in the woods.

read Kerri’s blogpost about BLACK TREES

Take A Closer Look [on Two Artists Tuesday]

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

Listen To The Call [on Two Artists Tuesday]

For the past 25 years, I have lived next to water. My Seattle apartment was steps away from Puget Sound. The lighthouse was just around the corner. My Wisconsin home is a block away from Lake Michigan. The sounds of the lake are the soundtrack of our life. A curious elemental flip for a man born at the foot of the Rocky Mountains.

It begs a question.

A few weeks ago, I needed to supply casual bio-pictures for a project. Kerri showed me photographs we’ve taken of each other, some in the Colorado mountains. It was startling. There’s something different about the photos of us in mountain pictures. “We’re different people,” she said. “You can see it. It’s where we belong.”

I could see it. My language: in the mountains, we are in our bodies. Fully. Present. No where else to be. Home.

It makes sense for me to feel the deep rhythm of the mountains. Kerri was born and raised on Long Island yet she comes alive in aspen forests, on the trail just above Breckenridge. The western slope. The mountain song reaches her inner being and she sings it back to the mountain. In the photos, she is radiant. At peace.

We walk along the lake all the time. We talk about how lucky we are to live in such a beautiful place. We are in awe of the power and changing faces of this mysterious lake. And, that’s precisely the point. The Lake is mysterious in its power. To us, the pulse of the mountains is known.

read Kerri’s blogpost about LONG SHADOW

Connect The Dots [on Two Artists Tuesday]

A curious sentiment painted on the concrete support wall of a busy overpass in a burgeoning city. Crumbling cement sidewalks, hard asphalt, steel cable supports securing a post just outside of the picture frame. A message about bridges painted beneath a bridge.

People hustle by as if there was no time to spare. They drive fast over and around the curious sentiment. The painter-of-the-sentiment placed it adjacent to a stoplight. Perhaps, while revving their engine, awaiting the return of the green light, a motorist might turn and read the thought. Perhaps the motorist might breathe it in. Perhaps the motorist might consider the message as they passed beneath the bridge.

What gets you from here to there? From birth to death? Amidst the hard realities of the road, the steel cables, the thoughtless people whizzing passed, the persevering grasses pushing through the cracks in the cement, the litter at your feet? A thirteenth century Sufi poet thought it important enough to write about it. A twenty-first century painter thought it important enough to paint the poem on a wall.

People across time and cultures have thought it necessary to place significant messages on walls. Aspirations and appeals to our better nature. A compass pointing the way for what might be, what exists but goes largely unseen. The primary thing. Every parent knows this bridge beyond the abstraction of a message on the wall. Every time rings are exchanged, vows spoken, the unseen is understood.

The hawk landed on the fence. Kerri met its eyes and they stared at each other for what seemed a very long time. Divisions disappeared. Forms fell away. Life experienced life.

Just try and place a word on that experience! A Sufi-poet tried. A contemporary street artist thought it necessary to paint the sentiment on a hard wall. What bridge connects the poet and the painter?

read Kerri’s blogpost about THE BRIDGE

Ride The Message [on Two Artists Tuesday]

Among the many monumental events we experienced on our recent travels, none is more significant than the moment Little Baby Scion rolled over 260,000 miles. We were in Richmond, Kentucky on our last night of vacation en route to our final Airbnb of the trip. We hooted and hollered in celebration.

Like us, every little piece of LBS is worn by the miles. Yet, like us, LBS has a young heart and was going 80 miles an hour (with ease) at the moment she turned over 26 with four zeros.

True confessions: on the day Kerri and I met in O’Hare airport, when we spontaneously held hands and skipped out of baggage claim to the parking garage, I had no idea what kind of car she drove. When I first laid eyes on the little black shoebox car, I thought, “Perfect!” This woman was easily as quirky as I was. The car fit her like a glove. When we got into the younger version of LBS, she’d packed me a snack and had a bold cup of coffee awaiting in the cup holder. Little Baby Scion was more than a car. It was a message.

Almost ten years later and many more miles on the dial, many things have changed. Tires. Spark plugs. More than one muffler. There are scratches and dings and flaking chrome, but the essentials remain the same. Quirky, young-at-heart, a rolling feast of abundance, we’ll get “there” one way or the other. Together. We come honestly by our wear-and-tear, in our quirky reliable intrepid little shoebox car. Perfect. A rolling message, a life of quirk complete with road snacks.

“Where shall we go next?” she asks. “I’m ready.”

read Kerri’s blogpost about 260,000 MILES

Walk With Shadows [on Two Artists Tuesday]

These are not the pine forests of Colorado. The trails in North Carolina are a crazy cross-hatch of roots and shadows. Rhododendron explosion and cedar. Kudzu. “This is a Hansel and Gretel forest,” Kerri whispers.

“Luckily for us,” I reply, “we are too old to taste good. No witch would have us.” She punches my arm. I laugh, but not too loud.

This forest is different than our ideal. That is why we come here. It opens us. It challenges our “should-be.” New experiences and unknown places dissolve expectations and elevate awareness of “what is.” It shakes the stone fortress of imagined security. Each step is alive and unexpected.

Renewal. It’s a special branch of the slow-moving-river called curiosity.

After many miles we arrive back at the car. We emerge from the Grimm Brother’s forest and step onto the comfort of paved parking lot. Exhausted, we are thrilled with our hike. The forest sprites retreat back into the dark recesses of our minds while the new shapes and smells and colors and sounds energize our spirits.

“We did it!” She is elated. Then, “Do you think that crashing sound was a bear?” she asks.

“Could be,” I lie, certain that we were followed – and rejected – by a hungry Ogre. Too boney. There are, after all, certain benefits to aging.

read Kerri’s blogpost about ROOTS AND SHADOWS

Speak Back To It [on Two Artists Tuesday]

Noguchi might have designed this unintentional sculpture. A massive stone made delicate, the smaller carrying the weight of the greater. The shapes are not precise; they tend. As a final touch, the piece is set at water’s edge. Elemental commentary, a sculpture exposing the meeting of forces.

My favorite part: no one intended it. Yet, had Noguchi or Andy Goldsworthy walked by, they would have made flowing sketches, taken photographs, and rushed away to make it their own. Nature inspires. A happy accident. I suspect all great art comes into being this way.

Kerri often talks about placing her piano on a seashore or atop a mountain. Composing by responding to what nature presents. The sound of wind through trees, the pull of water rushing away from the beach. Once, she sat at her piano with a stack of image-phrases. She pulled one from the stack, closed her eyes, and played. I was a most happy witness to the wonders of creation.

Yesterday, for the first time in months, I pulled out my sketchbook and drew. The previous day, we visited the Botanic Gardens and I took dozens of photographs. The patterns and shapes of leaves. Startling color. I drew the shapes. I sketched the patterns. No expectation save the movement of hand and pencil. I felt as if I was blowing the dust out of my system. The patterns moved me.

The best news for any artist? We will never match the power and majesty that we find in nature as we reach to discover and express our own nature. The best we can do is draw from it, play in it, speak back to it, simply saying, “Thank you for the inspiration.”

read Kerri’s blogpost about ROCKS

Find Your Flower [on Two Artists Tuesday]

“A good traveler has no fixed plans and is not intent on arriving.” ~ Lao Tzu

Lately I am learning that I don’t need to immediately accomplish every task. Our house has been an excellent teacher and I have gained the useful phrase, “delayed maintenance.”

Kerri and I have two different operating styles. Mine is a straight line and hers is a circle. She can start a project and leave it and think nothing about it. On the other hand, if I start a project, I can’t stop thinking about it until it is complete. I am only now learning that I tend toward the obsessive. I have a gift for the myopic.

I thought I was kind of a zen guy, easy going, and am shocked to discover that I can be a hot mess of fixation. Thus is the nature of self-discovery. Life is helping me loosen up.

We sat on the deck last night and talked of our childhood homes. The games we played. I drew pictures on typing paper with a #2 pencil for hours and hours. The world disappeared. I’d wait until the rest of my family was asleep and then I ‘d get up and paint on my wall. I thrived in the quiet of the night. I suppose myopic comes naturally to me. Single focus. Disappearing into my work.

I marvel that butterflies seem like drunken sailors, careening this way and that, yet they always clear the fence. They always alight on the flower of their intention. My career has been like the flight of a butterfly. I dare anyone to make linear sense of my resume. Drunken sailor. Yet, somehow, I clear the fence. I find my flower.

People ask me if I like my job and I tell them I love it. They, of course, want to know why I love it and I tell them that I never know in the morning what I am going to do that day. Each day the work is good. I fall into my myopic ways, sail into my conceptual universe, but have no expectation of completion. It’s like wrestling with a shape-shifter. And, so, to keep in the match, I, too, must shift my shape. I’m honing my inner chameleon.

There is a post-it note on the wall next to my desk. It reads, “Live as if the universe was tipped in your favor.”

Fly like a drunken sailor. Like Dogga, run in circles of delight. Learn to love your myopic ways, yet do as the Balinese taught: know that “it’ll happen when it happens.” What else? Sight – seeing the flower (myopic and otherwise) – is fully available when practiced without expectation.

read Kerri’s blogpost about WHITE MOTHS

See Beyond [on Two Artists Tuesday]

Breck, the small aspen tree in our backyard, is beginning to change its colors for the season. Although we have yet in our neighborhood to smell autumn in the air, Breck is giving us a heads-up.

A decade ago I wrote that, in order to see beyond preconception (thought), artists and entrepreneurs need to master two skills: pattern recognition and metaphor. Look for patterns and you will eventually see beyond them. See beyond the pattern and, as Ash Bhoopathy said, “The familiar will become strange and the strange will become familiar.” What an amazing definition of metaphor.

In this pattern cycle, the green becomes brilliant golden yellow as Breck turns her summer attention from the sun and sends her focus into the root for winter nourishment.

Kerri’s photographs are often extreme close-ups. She has a bit of Georgie O’Keeffe in her artist’s eye. Often, when showing me the latest photo, she pulls the-already-close-up-image into a detail. I am always amazed at the pattern beneath the pattern beneath the pattern. The plumes of the grasses are a festival of pattern. The many feet of the caterpillar, perfect suction cups.

Despite our dedication to our perceived differences, we, too are a festival of pattern. The operative word is “perceived.” Pull the lens close-in and our divisions disappear as rapidly as our skin color. Pull the focus farther out and we move together in a sweet-and-sour ballet. Koyannisqatsi. History repeats, a pattern, like the cycle of the seasons. Order moves to chaos to order to chaos…mainly in our minds. Order is what we crave, so purblind are we to seeing the ubiquity of pattern.

The plumes explode pink and red on the grasses The chipmunks have picked up their foraging pace. The geese have reappeared. The miracles are in the familiar, strange and surprising when seen again for the first time. The feel of the hand of the one you love. The moon on a clear cold night. The yellow rim reaching through the green quaking leaves.

read Kerri’s blogpost about BRECK’S LEAVES

See The Pattern [on Two Artists Tuesday]

“To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives.” ~ Oliver Sacks

Entrepreneur Ash Bhoopathy said, “The more you see, the more you see patterns.” It’s true. Take some time and sit on a busy street corner and watch. If your eyes are open, you’ll notice that you are surrounded by patterns. Not only the bricks in the buildings but the patterns of travel. The space between a red light and green light. The beeping of the crosswalk. The suits and ties. The paths walked by busy commuters.

“Comfort” and “home” are defined by patterns. What do you do to get comfortable? How do you signal the end your busy workday? Is it the same as you did yesterday?

Expectations are patterns, too.

Study “story” long enough and you’ll discover, as Kurt Vonnegut did, that there are patterns beneath every plot. We tell ourselves the same storyline over and over. Hallmark has its story pattern defined to the minute. It’s the secret to their appeal: the comfort of knowing the pattern. The comfort of asking, not “What” will happen, but “How” will it happen.

It’s a great paradox. The more you see, the more you see pattern. Yes. Yet, in order to see, often it’s necessary to disturb your patterns. That’s the beauty of patterns. When you are inside them, living a day of your life, you rarely see your patterns. It’s the reason Julia Cameron built artists dates into her Artist’s Way. Do something different. Break your routine. Challenge your expectation. Get out of your pattern rut. Only then will you be capable of seeing the pattern.

If you desire to change anything about your world, about this world, the change you seek will ultimately be a change in pattern. It’s a good practice to begin seeing them.

read Kerri’s blogpost about PATTERN

[the pattern image is the mat at our backdoor]