Reflect [on Two Artists Tuesday]

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A look in the mirror and something entirely surprising is reflected back to me:

I started writing because I discovered that I had something to say. The story goes like this: facilitating a group in a corporate headquarters in downtown Chicago, one of the participants asked a question about power. She was feeling powerless. I listened to the group discussion for a while. And then I surprised myself with more than a few things to say about power and empowerment. So, I went home and started writing this blog. The Direction of Intention. Move toward what you want, not away from what you resist.

Initially, I wrote as a challenge for myself. How many days in a row can I write and still have something to say. I thought I’d fizzle out in less than week. That was over a decade ago.

By my reflection in the mirror I can see that some things have changed. In fact, a lot has changed. This is from my archive; it was my 98th post:

My business partner and I have asked the group to do something akin to attempting to consciously create each moment of their day. We’ve asked them to place their focus on their immediate relationships (with others, with nature, with themselves) and to ask, “Is this how I want to story this moment? Is this what I want to create in this moment?”

It seems like an impossible request until you consider that it is what you are doing anyway. The pertinent question is not, “Can you do it?” rather, the question is, “Are you aware of how powerful you are at creating?”

The most potent recognition I have in doing this exercise (and I have it every time I do the exercise), is when I ask myself the question, “Is this how I want to story this moment?” Usually, my answer is, “No.” Usually I want to create something else. I do not want to create frustration or angst or rushing around. I do not want to attempt to control or manipulate or pressure an outcome. I do not want to invest in a fear or let loose the lack monologue to rage once again about my mind. I do not want to deflect or hide. And the moment I see it, I let go my grip on something I can only call a “story.”

I let go, my eyes clear and I become present. That is why I suspect that creating is a quality of being as much or more than anything I will ever do.

***

A look in the mirror. There is a woman by my side! She is blonde. We wear masks?!! There is a really bad shirt hanging behind her. I look as if there is a tea kettle growing out of my head.  The person I was ten years ago would be mystified by this peek into the future. “Who’s the woman?” he’d ask. “And what’s up with the masks? Where are you, anyway?”

So. I ask myself now, how do I want to story this moment in time? In five years or ten, when I look back at this reflection in the mirror, will I be happy with how I storied myself in this precise moment? Will I be grateful for what I chose to create?

We live in a circumstance that we cannot impact. It’s true with or without a pandemic. But, within our circumstance, there is infinite capacity to determine the story.  I create the story I live. I create the story I tell. I create.

I am married to the blonde woman! Everyday, sitting side by side, we write together. Using the same image or quote, we write our thoughts. He said/She said. No peeking. Then, we share. We read what we’ve written. We talk about what we created. We edit. We reflect. And then, together, we publish.

A look in the mirror. A story to tell. A choice to make. A question to ask. A moment to craft.

 

read Kerri’s blog post about THE MIRROR

 

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pax ©️ 2015 david robinson

Know And Share [on Merely A Thought Monday]

 

If you were alive in the 1980’s you’ll remember Robert Fulgrum’s book, All I Really Need To Know I Learned In Kindergarten.  It is a festival of simple-yet-clear-advice for living well. Play fair. Share everything. Don’t hit people. Say you’re sorry when you hurt someone. Each bit of advice is a nod to our inter-connectivity. No one walks this path alone. Hold hands. Stick together.

Visit Robert Fulgrum’s homepage and you’ll read this: “Often, without realizing it, we fill important places in each other’s lives.” Mutual influence. We impact each other everyday in ways that we remain mostly unaware.

If this pandemic has done anything illuminating it has proven beyond doubt how utterly interconnected we actually are. My breath and your breath are intimate exchanges. My choices and your choices will either harm or help each other. It’s a choice. Your story and my story may be diametrically opposed and warring but they both must adhere to the force of gravity, the nature of time, the spread of virus. This virus actually thrives when we shout at each other. It rides our aerosols in a rodeo of mutual influence and cares not for the political color of the lungs it inhabits. After all. truth and misinformation share the same airspace, touch the same doorknobs, are broadcast over the same technology, are paid for and brought to us by the same commercial sponsors.

One of the things Robert Fulgrum learned in kindergarten and wrote about is this: goldfish and hamsters and white mice and even the little seed in the Styrofoam cup – they all die. So do we.

This virus cares not whether we love or hate each other in the precious bit of life that we share. About us, its host, it is utterly agnostic. On the other hand, we have the choice. It’s a choice and seems so simple. Play fair. Don’t take things that aren’t yours. Like it our not, recognize it our not, our lives are in each other’s hands.

 

read Kerri’s blog post about ELEMENTARY SCHOOL RULES

 

 

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in dreams I wrestle with angels ©️ 2017 david robinson

 

Take Another Step [on Two Artists Tuesday]

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During my corporate-facilitation-of-change-and-diversity phase, I learned that the best way to warm up my always-defensive audience was to enter the space and, before saying a word, take off my shoes. People have a surprising amount of identity-investment wrapped up in what they put on their feet. Inevitably, taking off my shoes gave people permission to relax, take off their shoes – remove one layer of identity armor – and take a tiny step toward vulnerability. Tough conversations generally require all parties to step out of their fortifications. If I ruled the world, my policy makers would have to take off their shoes before debating issues. Reporters would be encouraged to step out of their leather and heels before asking questions.

My foot-identity-investment required me to wear shoes without laces. I’ve never been at peace with things tied to my feet. Quick escape from shoes is among my highest fashion priorities. Clogs. Boots. Flip flops. Crocs.

Yesterday we retired two pairs of boots. Neither had been worn in years. My contribution to the footwear release party was my drug-dealer-boots. I loved them and wore holes in them. They were very comfortable. They took me to many countries and to many trainings. I could step out of them in a snap. I met Kerri wearing my silver-tipped, well worn, out-of-character-for-me drug dealer boots.

When I bought them, they had taps in the heels. I took the taps off because I don’t like making sound when I walk (hmmmm, yet another revealing foot identity characteristic) though the taps were slippery and great assistance in my predilection for public pratfalls.  Falling down with great intention is also a good way to loosen up  a defensive crowd.

Kerri wanted to sing a song as we wrapped our old boots in plastic and prepared them for the dumping – but we couldn’t pull up a single appropriate song so a strange cascade of laughable lyrics sent our boots on their way.

But, here’s my bet: before the trash truck arrives, the boots will be retrieved and de-shrouded. They will have a resurrection, another life. They will sit on the edge of the deck, filled with dirt and basil plants. There is still one more road for these old boots to walk.

 

read Kerri’s blog post about OLD BOOTS

 

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a day at the beach ©️ 2017 david robinson

See The Opportunity [on Merely A Thought Monday]

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In the past few days, two phrases have been injected into the common parlance in such a way as to be interchangeable: cancellation culture and replacement theory. Here we go!

Cancellation theory is a pop culture phrase – the withdrawal of support for a company or person after they say or do something offensive in the media-sphere. For instance, right now many advertisers are cancelling ads with Facebook until Facebook does a better job policing hate speech on its platform.

Replacement theory is a far-right conspiracy theory. It is scaremongering and asserts that, with the help of the “liberal elite,” the white population (and history) is being replaced with “non-Europeans.”

Conflate the two phrases, as was done with great intention at the foot of Mount Rushmore and again the next day at the national Independence Day celebration, and the fear-message is clear: them is out to cancel us. It’s a win/lose game and the dividing line runs along multiple fault lines but mostly racial and political. We’ve gone so far down the division-rabbit-hole that we turn our bile on ourselves. If successful, it is the tried and true fascist checkmate move.

Good heavens. It’s as if this nation is either short on brain cells, has no memory for history, or we are simply gullible to the point of believing almost anything. Sadly, Issac Asimov comes [again] to mind: There is a cult of ignorance in the United States, and there has always been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that my ignorance is just as good as your knowledge.”

Don’t we see this quote play out everyday in these United States? A cult of ignorance.

There is a vast difference between replacing a story and telling the full story. Communities and individuals are alike in this aspect: they cannot become whole until they deal with their shadow side. They cannot realize their promise until they have the courage to turn and deal with rather than deny the totality of their path.

In this moment we stand at a rare opportunity. The full story of our nation has some seriously ugly truths. Slavery is the original wound in the national psyche. Our rhetoric is and always has been out of alignment with our actions. And, because we have yet to fully face the gap between who we are and who we say we are, we continue re-creating the shadow, tearing open the wound. Systemic racism. Police brutality.

How do we know that we stand at this opportunity crossroads? The fearmongers are in full voice. The fox hole is working overtime to scare the ignorant to death. To the usual screeches of, “They’ll take away your second amendment right!” or “Socialism!” or ‘Protestors are thugs!”  add, “They’re trying to rewrite history!” or “The radical left, the marxists, the anarchists, the agitators,…the angry mob…is out to take away your freedoms” [insert eye roll].

The other night, having drinks at social distance across the driveway, John pondered how we would ever cross this gaping chasm, this canyon between the red and blue. I speculated that we really weren’t that far apart. Division is the tool of a weak leader and the propaganda machine that profits from his poverty of thought. We are being made to think our teams are irreconcilable. We are being force-fed a finite game, a world view of limited pie.

I suggested that, if people could pull their heads out of their propaganda-narrative, we might find that we are much closer in belief than we think. We might, at this crossroad of history, be able to step into our ideal rather than pander to the politics of identity. Ignorance is a choice, as is knowledge.  Somewhere beyond knowledge, wisdom is possible, but only if we have the courage to live what we espouse, to face the full truth of the wound. Then, maybe, just maybe, we might be able to live as if all are created equal. Embrace equal opportunity under the law. One nation bubbling with diverse people made strong with respect for diverse perspectives. Our story is, and always has been, multi-cultural. Apples AND oranges.

 

read Kerri’s blog post about APPLES AND ORANGES

 

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Sing [on KS Friday]

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The story is famous in these parts. It goes like this: when I met Kerri I told her that she needed to know two things about me: 1) I don’t sing. 2) I don’t pray. She gave me a sideways knowing look and said, “Oh, that’s too bad.”

I had some very-traumatic-early-in-my-life-singing-experiences. Lots of shame and humiliation led me to an adamant preemptive proclamation with my musician-soon-to-be wife: I do not sing. No way. Don’t even ask. I’ll watch from the sidelines.

Of course, within a few months, she had me in a ukulele band, a choir, and a band. It turns out I like to sing. The problem, she taught me, was not in my capacity to sing, it was in how I hear sound. I hear an octave up. She taught me how to hear. I am now a confident parasitic singer (i.e. I sing just fine with others, just don’t ask me to sing alone).

I’ve spent my life teaching people to see. How beautifully ironic (or perfect) that I needed to learn to hear.

Early in the saga of Beowulf, he is caught in a swarm and blinded by bees. Because he was blinded, he had to develop other senses; his heightened senses were critical in combating and defeating the monster Grendel. Late in his life, he retired as a beekeeper. He not only made peace with bees, they become his allies. At the very end, his bees are his greatest strength. They defeat a dragon plaguing his kingdom.

The great stories are with us for a reason. They can help us navigate and craft our own life stories. For instance, the greatest wounds can be limits or they can lead to new and vital gifts. I’ve learned from Beowulf that the path you take – limit or liberation –  depends on the story you argue for, the focus you choose. When I met Kerri I was arguing for my limitation. I do not sing. Period.

Another recurring theme in the great stories goes like this: when you are ready, the right teacher appears.

 

read Kerri’s blog post about SING

 

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shaman ©️ 1993 david robinson

Expect Nothing [on Not So Flawed Wednesday]

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The man was about to begin hiking the Appalachian Trail. The interviewer asked, “What do you expect it will be like? What do you expect will happen?” The man replied, “I try not to have any expectations. I want to be open to what comes along, whatever that might be.”

It’s a spiritual practice. Make no assumptions. Release all preconceived notions. Open to what is and not what you think should be. Have the experience first, make meaning second. All good advice for attempting presence: that place we fully occupy but rarely visit.

Making meaning. It’s what people do. Wrap an experience in a story. Wrap it in a blanket of belief. Often we muffle the experience in a heavy cloak  before we’ve had it.”It’s going to be hard.” “I don’t think they will like me.” Or, “This will be the best!” “I’m going to crush it!”

Joe used to call this high-dream/low-dream. Imagine the best. Imagine the worst. Like a magical invocation. Either way, an expectation is set. The story has begun and imposes a slick layer over the happenings. The story bleaches the experience-space, that full range of color available between the high and low.

It’s no wonder we can’t find compromise in our current nation-story.

I watch DogDog in the morning. He can’t wait to race outside. He barks for no other reason than it feels good. He sits in the sun. He chases birds with no hope or expectation that he will catch one [he wouldn’t have the vaguest idea what to do if he actually caught one]. DogDog does not know there is a pandemic. He does not care about people politicizing mask wearing. He holds no expectation for the direction of the day. His to-do list is blank. He is happy going on errands. He is happy sleeping on the cool tiles.  He holds no grudges. He makes no judgments. He holds his story lightly. He is happy both before and after he eats. Sometimes he even tastes his food. Above all, he is happiest when we are happy.

Open to experience, DogDog has much to teach me. He has much to teach the world.

 

read Kerri’s blog post about HAPPY DOING

 

 

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The quote “happy doing something, happy doing nothing” comes from an article about Augie the dog.

Expect The Magic [on Two Artists Tuesday]

pando copyIt reads like a quirky children’s book. One day the frog appeared in our little pond. It was fully grown. This was no pollywog-becoming-a-frog, it did not originate in our pond. It sprang forth fully frogged.

Kerri named it Pando for the year of the pandemic. I thought it sounded like a Commedia character but it seemed to like its name so it stuck. Pando feasted on the local cuisine. It sat still and let Kerri pet it on the head. It had a deep basso voice.

Truth be told, Pando was not our first frog visitation. Most years since we dug our little pond, fully mature frogs one day appear. Once we had twins. Where do they come from? We speculate endlessly, making up stories of adventure or wrong frog turns that somehow lead to our backyard. Apparently, Mr Toad’s wild ride passes through our pond. Mostly, they’ve become for us a sign of hope, of good things coming or an affirmation of good things already here.

Most of our frog visitors check in for a season. Pando was different. A few days after he appeared, Kerri went out to check on him and he was gone. Vanished. But, on the stone path that leads to the pond, she found a copper Jefferson nickel.

“Look what Pando left us,” she said, showing me the nickel, “He isn’t there anymore.”

Clearly it must be a talisman. It must have magic powers. What else could it be? A frog with a deep bass voice mysteriously appears. The frog just as mysteriously disappears but leaves behind a strange coin that betrays its inner alloy. It must be magic! Or, I suppose it could just be the story we want to tell.

It is, after all, what I love about us: we like to tell stories that include surprises, the impossible, and magical happenings. Life is better like that, when we allow ourselves to entertain the full spectrum of vibrant color. In any case, we can’t wait to discover what the frog magic brings.

 

read Kerri’s blog post about PANDO

 

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Don’t Go Home [on DR Thursday]

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House on Fire. 2004-ish. Watercolor. And, yes, I was all over copying Guernica.

“The continual retreat from the discomfort of authentic racial engagement in a culture infused with racial disparity limits the ability to form authentic connections across racial lines, and results in a perpetual cycle that works to hold racism in place.” ~ Robin DiAngelo, White Fragility

I confess to rewriting this post. What I wrote initially was pedantic and preachy. So, this is a second go-round.

We’ve been hearing this question much in these past days: why don’t things ever change? Here’s an answer I learned in school: a society is a living system and, like all living things, it will fight to the death when threatened with change. Why we can’t seem to “solve” our problem with racial disparity and the dehumanization of black people? It’s built into our system. The system, a complex and living thing, will fight to the death to keep the injustice securely in place.

That’s a heady answer and somewhat hopeless. Its abstraction makes it a safe and somewhat antiseptic response.

I lived in Los Angeles in 1992. My apartment was in the hills so I had a good vantage point to watch the rioting and the city burn. When it felt too unsafe, I fled the city. I had a safe place to go.

A few years later, working with a school district, the head of the Black Student Union asked me to come in and work with her students. MLK day was fast approaching and the students, preparing presentations for the day, were in rebellion. They were mad. They didn’t want to read speeches about peace and justice when those ideals were nowhere on their horizon. I thought it was my job to help them give voice to what they wanted to say. It was my first conscious lesson in my white-blindness. The frightened parents of the students descended. I’ll never forget the mother and father that pulled me aside, saying to me, “You don’t understand. If they say what they want to say they’ll be killed.” Their terror was real. They had to teach their children a lesson that was the opposite of what my parents taught me.

To call it a problem is to reduce it to the level of mechanics. It is to pretend (or hope) that a few changes in the law or better policing will do the trick.  To treat it like a problem guarantees that we’ll recreate it. This is not a problem, this is a pattern. It is a cycle. It is a relationship.

The pattern is currently in our faces. The pattern is not only the death of another black person. The pattern is also what white America chooses to do – or not do-  with the knowledge of it. What is the story we tell ourselves about ourselves that makes it possible to stand in the fire with people of color during the protests but walk-on once the fire subsides? It is simply this: I get to go home. I get to drive out of LA when things feel too unsafe. I have someplace to go. I get to go home when the officer is prosecuted or a law is changed or a commission empaneled, dust off my hands, and say that I did my part.

Why don’t things ever change?

I was stunned when those parents pulled me aside. At first, I couldn’t believe that they were going to silence their children when their children had something so important to say. It made my head spin. And then I went home. And then I realized that they couldn’t go home. There was no place in this “living system” where they were safe. That was what they were trying to tell me. It was what Martin Luther King was trying to tell us. It is what the protesters in the streets today are trying to get us to see/admit/realize. We are watching a living system built on racial division and inequality fight to the death because change is knocking.

What if we realized that we cannot simply go home and forget about it?

 

 

read Kerri’s blog post about HOUSE ON FIRE

 

 

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Check The Acorn [on VERY Flawed Wednesday]

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Apparently Sigmund Freud has a dangerous and ill-intended descendant named Voter. Splashed all over the conservative Henny Penny is a frenzied warning: watch out for Voter Freud! He is running rampant! Threatening the nation! Goosey Loosey, Ducky Lucky, and the entire cast of hysterics-with-microphones are gathering other like-minded fowl to amplify the message of a would-be king. Voter Freud is on the loose and if not stopped, he will corrupt your Drakey Lakey!

This is why I adore stories. Even the simplest folk tale has the ominous capacity to reveal us to ourselves. And, if we are wise, we listen to what they might teach us. Variations of the Chicken Little story have been around for centuries.

Times have changed but human nature is surprisingly consistent. Henny Penny was hit on the head by an acorn and thought the sky was falling. Hysterical, she decides to sound the alarm of imminent disaster and clucks away to tell the king before it is too late. Along the way she whips other unquestioning fowl into a panic and they join in her frantic chorus. Depending upon the ending – there are many – but mostly, she and her gaggle are eaten – each and everyone – by the fox [I take pause here for a moment of reflection so the uncanny closeness of the story to our times might sink in].

The multiple screeching voices currently re-enacting the Henny Penny story did not intend to invent Sigmund’s evil descendant. It is only through the magic of spelling errors that voter fraud donned the villainous persona of Voter Freud. And, I confess, I love the character!

All good stories have a moral and that is true for the tale of Henny Penny: traditionally, the moral is to not be a “chicken” but to have courage. Hysterical chickens get eaten by Foxes. The current moral-of-the-story might go something like this: be wary of acorns dropped on your noggin. It is not a falling sky. It is a set up. A modicum of research will spare the entire hen house of yet another hysterical outburst.  In the United States of America, voter fraud is very rare. The current fox guarding the hen house would like all the fowl to cluck with fear of Voter Freud. The purpose, of course, is to make it harder for many citizens to vote. Or, stated another way: keeping the chickens hysterical serves the fox; voters exercising their right to vote does not.

Voter Freud is made up. So is voter fraud.

 

read Kerri’s blog post on Voter Freud

 

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Let The Pieces Fall [on KS Friday]

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“It is the paradox of spiritual growth that through such bleak midwinter journeys we eventually come through a hidden door into a bright field of springtime that we could never have discovered otherwise. This is the heart of the mystical. It is not about building protectionist armour of prayer and religion; it is, rather, the courage for absolute divestment. In the sheer vulnerability of Nothingness everything becomes possible in a new way, but there is an immense temptation to flee back to the shelter of old complacency. Now could be the most important moment in life to steel our courage and enter the risk of change.” ~ John O’Donohue, Beauty

Parcival returned to the place in the deep woods where he’d stripped off his armor. Was it yesterday? A year ago? Two? He couldn’t remember. While he searched for the place he remembered with satisfaction the battles he’d waged, the ogres he’d defeated. The mission he’d served. He longed to once again inhabit that simple clarity, that single focus.

His old armor was not hard to find but it looked nothing like he remembered it. No longer shiny and hard, it was brittle with rust and covered in moss and vines. Nature was reclaiming it. Still, he wanted to put it back on. He wanted to forget the reasons he took it off in the first place. The loneliness. The fear. Forever fighting the lost cause, the imagined foe. He wanted to remember the good and ignore completely the painful parts of the story.  He could go back! He could be the great knight once again.

His vision crumbled like his armor when he attempted to pick it up. Going back was a fantasy. Retreating back in time, donning again his old armor,  was perhaps the final ogre to fight. Like all of the other ogres, it, too, was an illusion. He let the rusty pieces fall back to the forest floor.

Now, allowing the full force of his vulnerability, the utter absence of role or definition, he no longer yearned for the tight closure of what was, but wholly surrendered to the expansive, the infinite and uncontrollable new.

LONGING on the album AS IT IS is available on iTunes

 

read Kerri’s blog post about LONGING

 

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longing/as it is ©️ 2004 kerri sherwood

 

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