See More. Know Less [David’s blog on Two Artists Tuesday]

“(What makes his world so hard to see clearly is not its strangeness but its usualness). Familiarity can blind you too.” Robert Pirsig, Zen and the Art of Motorcycle Maintenance

Red and green. Oppositional on the color wheel yet understood as compliments. They set each other alight.

I am certain the longer I walk this life the less I know. How much time did I spend trying to get-there-fast? How much life did I give to my attempt to attain the mountaintop before I realized that there wasn’t one? How much hubris did I exude believing “my” work might change the world before I was humbled sufficiently to see that the world was changing me? Is there such a thing as “my” work? I have lived a life rich in collaboration. Who hasn’t?

And, how fortunate am I that life has routinely tossed me out of my “comfort” zone? Don’t get me wrong, I would appreciate a bit of smooth sailing with ample provisions but the ongoing absence of “normal” makes eyes-wide-open a necessity. There is no missing how interdependent we are, how utterly interconnected, when here-and-now is the only place we can clearly see.

read Kerri’s blogpost about RED AND GREEN

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buymeacoffee is. nothing more. nothing less

Voluntarily Contemplate [David’s blog on DR Thursday]

It’s tempting to say that the snow is white. A second look, a better look, will prove otherwise. Purples and cool blues with some muted green and pink thrown in for good measure. A subtle festival of color. In general the light on the trail painted the snow – not surprisingly – ice blue, so the burnt orange in the leaf made for an eye-popping compliment. Some abstract expressionist might use this bit of natural composition for inspiration. Helen Frankenthaler or Joan Mitchell. Monumental paintings with the power to force contemplation. Well…to force voluntary contemplation.

Forced contemplation! A great phrase, to be sure, and another name for “problem solving.” Take a moment and look around during this busy holiday season: everyone you see elbowing their way through the crowd will be deep in forced contemplation. Rushing to the next. Making a list and checking it twice.

I’m a few pages into my fourth reading of Zen and The Art of Motorcycle Maintenance. It fell off the shelf and hit me so I took that as a sign that it was time for a revisit of Robert Pirsig’s novel. The subtitle is An Inquiry Into Values. I’ve learned that the books I read are forms of voluntary contemplation. What has value? What does not? And why? I regularly ask myself a question that comes from the title of another favorite-book-of-the-past: How Then Shall We Live. Wayne Muller’s voluntary contemplation on meaning, purpose, and grace. Given what I know – that I shall die – how then shall I live this day of my life?

There are very few answers to the question but there are values that, like a marble sculpture, take shape and emerge over time. The single value that consistently dominates my voluntary contemplation: walk through this day slow enough to see that the snow is not white. Rather, experience the full celebration of color and live inside – rather than rush through – the perfection of this composition.

meditation, 48×48, mixed media on canvas

read Kerri’s blogpost about SNOW AND LEAF

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buymeacoffee is a slow walk of appreciation through a world that holds more magic than any single mind can conceive.

Gain Some Perspective [David’s blog on Not So Flawed Wednesday]

If you’ve not yet bumped into Piet Mondrian’s paintings of trees, this is your chance. Not only are the paintings beautiful but if you’ve ever scratched your head at his more famous abstract/geometric paintings, you will find the forest through his trees. Things are not always what they seem and, in the era of contemporary art, it is necessary to grok the context in order to fully appreciate the content. Of course, that rule also applies in this age of info-tsunami: content rushing across the screen is regularly embraced whole-cloth – sans context – so truth and lie have equal standing.

In the art world, placing content (an individual painting) into context (the historic era, the long-body-exploration of the artist’s work, the source of the exploration) is called “gaining perspective”. Because things are not always what they seem, it is drilled into every artist to regularly stand back, to clear their eyes, to get perspective on their work-in-progress. It is also (or used to be) drilled-in to offer the same courtesy to the work of other artists. Stand back from snap judgments. Check the sources. Understand the exploration. Grasp the historical context. It is never as simple as “liking” or “not liking”; appreciation opens a vast color palette beyond the numbing mindset of thumbs-up or down.

Gaining perspective and learning are the same thing. The most well-educated people I know are not lawyers or doctors. They are actors, directors, dancers, and painters. Gaining perspective takes a lifelong dedication to questioning and researching and double-checking. It is to peek behind the curtain of popular and not get caught in the current reality spin. It is to know that things are not what they seem. It is to know that reactions are easy answers; questions take time. Gaining perspective takes time.

Sometimes she stops so quickly that it propels me forward a few stumbling steps. While I tumbled forward she knelt at a puddle and aimed her camera at a leaf. Or so I thought. I have learned (daily) that she sees things that I do not. I have learned that my assumptions are almost always wrong. She smiled when she stood up. “Look,” she said.

I gasped. I was terrifically wrong. The leaf was nowhere in sight. The reflection of trees in a puddle on the asphalt trail. A festival of texture. A masterpiece of illusion. Piet Mondrian must have knelt at a puddle reflection just like this! “Trees through an icy window,” I said.

Things are rarely – if ever – what they seem.

read Kerri’s blogpost about THE TREES

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buymeacoffee is exactly what you make of it.

Look Closer [David’s blog on Two Artists Tuesday]

It is not in my nature to look closely. I more easily jump into the sky and see clearly the lay of the land. It’s why I am drawn to metaphor and appreciate the universal stories. It’s what made me useless as a consultant: no one really wants to know where they are going or what icebergs lurk over the horizon. They particularly resent it when you tell them that the big horse is filled with Greek warriors. Ask Cassandra!

Detail, on the other hand, has been an acquired skill that I am and will be forever acquiring. Kerri is a master teacher. Detail is her forte’.

What I am learning at this phase of my life: the real riches come in tiny packages. The miracle of a snowflake. Holding hands. 20’s laughter. The sound of crunching leaves. A hope held close. Savoring the broth. A gesture of kindness, like a smile or holding open a door. Expressing appreciation to the bus driver or the wait staff. Sitting still inside a poem to fully taste the sound of words.

Paying attention. I know I write about this often. It’s a part of the learning…

Of course, the tiny doors (a closer look) always open on infinite passageways so there remains great worth in jumping into the sky to see how vast is the landscape of the heart. Both/And. Beautiful either way.

read Kerri’s blogpost about THE SNOWFLAKE

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buymeacoffee is a snowflake of infinite possibilities if you choose to see it.

Hope Is Like That [David’s blog on Not So Flawed Wednesday]

A project has me spending some quality time inside Thornton Wilder’s play, Our Town. Grover’s Corners. Emily, after her death, takes the opportunity to revisit a day in her life. It’s not what she expects. Returning to her grave on the hillside she says of the living to Mother Gibbs, “They don’t understand, do they?”

“No, dear. They don’t understand.”

She learns, as another character in the graveyard, Simon Stimson, says, “Now you know! That’s what it was to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those…of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another.”

I thought about Emily and Simon Stimson as we walked with Dogga along my favorite stretch of the DesPlaines River Trail. It’s an eight mile out-and-back section. Deer. Heron. Sandhill cranes. Hawks. It passes through meadow and grove, the river snaking close and moving away.

The day was brisk and clear. When we came to the small land bridge, Dogga’s delight filled me with delight. We always stop at the bridge to look for turtles and frogs. This late in the year it is unlikely to find them but we stop anyway. Hope is like that.

And, just for a moment, I stepped out of my cloud of ignorance. Kerri, holding Dogga’s leash, peering with great expectation into the trickling stream. “Do you see anything?” she asked. So overwhelmed at the beauty of it all, I could say nothing.

Had I been able to speak I would have said, “I can see everything.”

For a fleeting moment…

read Kerri’s blogpost about THE CREEK

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buymeacoffee is a moment in time begging you not to miss it. that’s all. that’s enough.

See Like Seuss [David’s blog on KS Friday]

If you’ve ever pondered where Dr. Seuss got his idea for the fabulous hairstyles on many of his characters, look no further than the dried flowers in the field. Thing One and Thing Two wave to us as we walk by. The Grinch wrinkles his nose and grins.

Of course, I made that up. I have no idea where the good doctor found his inspiration. It’s a good bet that he, like most creators of characters, found a visual spark from the crazy shapes and wild styles in nature. I look at the zany filaments of this yellowing pod and see a cartoon henchman, narrowing eyes beneath a spiky do. Of course, my henchman, like all good cartoon thugs, has no real power. He likes to think he can intimidate, an omega with alpha delusions. It’s what makes him lovable. I’ll name him Thistle.

I personify everything. Projecting my human-ness on everything is a quality that identifies me as uniquely human. We see angry volcanoes. Trees that talk. Cartoons animals are a festival of personification. Wily Coyote. Humorless gods in the sky. A cat in a hat. Mother Earth.

We are a miracle of creativity, whether we recognize it or not. Projecting ourselves, infusing our fears and fantasies, the sacred and profane, on every mountain, rock and weed. Even on other people. What we see is…what we see. A creative lens. Is it any wonder we’ve filled volume after volume seeking but never finding truth? Agreement is the best we can do.

Now, if you’ll excuse me, I think I just saw a fox in socks…

transience/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THISTLE

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buymeacoffee is an animated feature length movie comprised of characters drawn from nature who unwittingly support the artists that drew them. It’s a must see.

Color It Red [David’s blog on Not So Flawed Wednesday]

Red is the color of anger. Unless it’s not. It’s also the color of Santa suits and fire trucks. It’s the color of embarrassed cheeks, burning bushes and carpet pathways for the glitterati when bubbling with the anticipation of receiving an award. Red is associated with the base chakra. It’s the lowest vibrating color-energy on the spectrum. It’s easy to see. Male cardinals want their perspective mates to see red.

Red is the color of fall. And orange. And yellow. We walk toward it on the trail. Sometimes it’s too much to comprehend.

Horatio just told me of a trip he took through Canyon de Chelly. Red Rocks. He told me that he always feels that something is “right” when he’s there. Like humans and this big universe belong together. Timeless. Ancient. Mystical. Impermanent. Not separate. Red is the color of belonging.

That’s how I felt standing before this sumac. A staghorn sumac on fire with the season. My only purpose: to appreciate. To witness. Red is the color of awe.

read Kerri’s blogpost about RED SUMAC

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buymeacoffee is…

Watch Them Play [David’s blog on Not So Flawed Wednesday]

I’m not sure if the colors are especially exceptional this year or if I am simply more conscious of them. Either way, every time I step out the door I am gobsmacked by the vibrant hues and color-tones.

An earlier version of me would have been compelled to recreate the color-pop on a canvas. Now I am content to stand still in appreciation. To drink it in. The colors change each day. They change with the light. Grey skies make the color sing. When the sun is low in the sky, the plumes on the grasses are electric.

For fun I downloaded “color tips” from Art2Life. He’s terrific. One of his tips is to make one color the hero of the composition. So, I’ve found myself – in mid-gobsmack – asking “Which color in this autumn symphony is the current hero?” And, to my great delight, there is always a standout, a color hero that commands my eye. And, to my even greater delight, when I return later to the exact location, there is an entirely different hero; the previous hero has no problem moving into a supporting role.

Light flickers. The sun arcs across the sky. The heroes share the stage without an ounce of competition. Theirs is an infinite game. I am so grateful that I am here to watch the colors play.

read Kerri’s blogpost about THE GRASSES

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buymeacoffee is a fancy-pants-online “tip jar” where you can support the many colors you experience because of the continued work of the artists that help you see.

See The Unseen [David’s blog on Not So Flawed Wednesday]

20’s collections are surprising and always thought-provoking. For instance, he has a rich collection of images from the world that he calls “It’s good enough.” Jobs done poorly. The least amount of effort necessary to address a big job. Solutions that merely shift the problem. Beneath his series is a potent observation: this is what the world looks like when no one cares. Good enough. He is an artist of subtle yet powerful statements.

Another series that always makes me laugh is his “found faces” series. Electric outlets, manhole covers, utility plates, door knobs, that, once seen, gaze back at the viewer and can never be unseen. Now, it’s become a group sport. Kerri will stop suddenly, saying, “Oh! A face for 20’s series!” She adds to his collection. He adds to her collections.

It’s what artists are supposed to do for each other and the world. Open each others eyes to the whimsy and worth that surrounds us. To make the unseen seen, the familiar new.

Recently, at a coffeehouse near Madison, I heard the scuffle. Kerri and 20 both saw the face in the door and leapt to capture it. “Did you see it, too?” they simultaneously chimed, snapping away, bobbing around each other to capture the found face.

They are like siblings, a brother and sister competing to get the first photo. Laughing and jabbing ribs. My job is to sit back and appreciate the beauty of being surrounded by so many artists’ eyes – wide open and helping each other – and me – see and fully experience this surprising and mysterious world.

read Kerri’s blogpost about FOUND FACES

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See The Bounty [David’s blog on Not So Flawed Wednesday]

I doubt that our bird feeder experience is different than most people. The chipmunks and the squirrels get most of the bounty and the birds play clean-up.

In another life, were I to aspire to be an acrobat or gymnast, I’d study the amazing antics of chippies and squirrels. They scale the impossible pole. They leap the impossible leap. And then they fill their cheeks to bursting, kick gobs of seed to the ground, and fling themselves – fully loaded – into space and somehow catch a limb or bit of fence and escape into the great unknown. They are fearless.

The birds alight on the feeder, too, but mostly they find their fortune on the ground.

Over the summer, directly beneath the feeder, corn plants appeared. We let them grow for a while. I confess, the corn made us smile. “We have corn!” we’d giggle at the absurdity even though the origin was obvious. Apparently we are easily amused.

And then the corn plants sprouted across the yard. A stalk grew right next to Breck-the-Aspen-Tree. And then we found a few lively plants pressing through the tall grasses in the front yard. We’d unintentionally set into motion a small-sample-experiment of corn migration as carried by birds and mini-beasts.

Across many cultures, corn has long been a symbol of prosperity and representative of the cycle of life. It’s easy to understand why. The fields are magical places. In our film mythos, baseball teams of yore emerged from the corn, bringing good fortune to the family that built a field on their farm. Giver of dreams. Fulfiller of hope. Ancestors return to the corn.

In addition to the summer of the bunny and the surprise frog-named-Hope, this is the summer of corn-on-the-move. As the leaves begin to turn, as the harvest comes in, we take comfort knowing that we are surrounded by so many symbols of plenty.

read Kerri’s blogpost about CORN

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