Pull The Thorns [David’s blog on Merely A Thought Monday]

Matthew and Rumi agree: “You hypocrite! First take the beam out of your own eye, and then you will see clearly to remove the speck from your brother’s eye.”

 The Buddha is purported to have said: “The faults of others are easier to see than one’s own.”

The message is ubiquitous. The teaching is universal. If you wish to wander in the fields of flowers, pull the thorns from your heart. And, like all simple truths, it’s easier said than done.

History is riddled with the greatest persecutors loudly proclaiming themselves victims. It’s a pattern. Sometimes the odor of hypocrisy is faint. Sometimes it stinks to high heaven. Currently, we are watching this age old drama play out on our political stage. No-self-awareness. Not-an-iota-of-personal-responsibility.

It’s worthy of Aeschylus. It’s a theme that runs through the greatest works of Shakespeare. Othello. Hamlet. MacBeth. Lear. Tortured thorny hearts with split intentions. It’s ever-present because it’s a bear-topic that every human has wrangled. Psychologists call it “projection.”

There is no path to inner peace that does not begin with dedicated self-reflection, self-revelation, and a subsequent healthy course of eye-beam-removal. A good honest look at the thorns carried within the heart before the plucking. What’s true of an individual is also true of a community.

And, if we are lucky and brave and honest, “…at length, truth will out.” A good test of truth is the flood of peace that ensues. A wander through the fields of flowers.

read Kerri’s blogpost about PULLING THORNS

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Come Down And Look [David’s blog on Not So Flawed Wednesday]

“There is love enough in this world for everybody, if people will just look.” ~ Kurt Vonnegut

There is another, a quote from the Gospel of Thomas: “The kingdom of heaven is spread out over the earth and people do not see it.” If people will just look.

Love. Heaven. Two words that carry the same meaning.

Years ago I understood (finally) that anything that calls itself spiritual but separates is man-made. It’s become a rule of thumb. It’s common sense. Unity, that which transcends boundaries and rules and fears and distinctions, is the aim. Poetry will get you there. A sunset. The quiet of a snowfall. Someone holding your hand.

I regularly disappear from time and space and enter something bigger when I paint. It’s the reason why I paint. When Kerri and I hike a trail I often leave my troubles and little mind behind. The birdsong takes me, the hawk that hovers, the wind through the cattails, the frog chorus, the buds pressing forth from the tree limbs. “I” am just passing through.

During our latest midnight conversation, she said, “I realized that I am not all-that.” Followed by, “When you understand that you are not all-that, you finally get out of the cage.” She is wise. It’s hard to try and be what you are not. Separate. Above. Better than. From such a lofty ego, the most important things are missed. Unity. Love. Heaven on earth. If people (like me) will just come down and look.

read Kerri’s blogpost about HEART

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Trouble Maker [David’s blog on Merely A Thought Monday]

“The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive.” ~ Pearl S. Buck

“What did you take a picture of?” he said enthusiastically, crossing our path on the trail!

“The cattails,” she answered, showing the stranger her photograph. “They’re glowing!”

“Ah! You’re seeing! Most people walk these trails to get through them. Very few people are curious enough to learn. It’s only when you see that you can learn. It’s only when you learn that you can see!”

His name was George. I couldn’t place his accent. We guessed his age to be near 80 though he was more spry and alive than people half his age. Pulling up his AllTrails app, he shared stories of the local trails that he’d walked. “This one is gorgeous!” he exclaimed.

As we parted he turned and shouted, “Remember, you’ll never get in trouble if you are learning! Only ignorance will get you into trouble!”

And odd parting sentiment. An apt parting sentiment for our times. I wondered if we just had a happy visitation from a wizard. A forest sprite. A wise hermit.

For the rest of our walk I thought about his parting sentiment. Trouble. John Lewis said, “Get in good trouble.” There is a kind of trouble that only comes when you see – when you learn. Artists and academics, seekers of truth, are problematic for authoritarians and bullies. Seeing – truth – learning – is problematic for purveyors of lies and promoters of ignorance. John Lewis got into plenty of good trouble in his life and our lives are better for it.

Kerri and I both have been branded “troublemakers” at various points in our lives. We are too sensitive, some have said,”… too sensitive for our own good.” We have artist natures. As premises go, George’s parting comment is accurate: ignorance always leads to a whole bunch of trouble. Ignorance is loud and, these days, wears a red hat.

It is equally as accurate that learning, calling out ignorance, speaking quiet truth, brings its own brand of trouble. Good trouble. The kind of trouble that actually makes people’s lives better.

read Kerri’s blogpost about TROUBLEMAKER

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Take The Back Road [David’s blog on KS Friday]

Even in our race to Milwaukee to meet a deadline, we decided to take the back roads. We’ve learned that the time difference between the freeway and the less-stressful-backroads is often only 15 minutes. I’m finding that getting-there-faster is generally an illusion that always produces heightened stress. We have enough stress as it is so we look for ways to feed-the-calm. To reinforce presence. 15 minutes seems like a fair trade for less angst. Even in a race.

We’re regularly passed on the road by a car-in-a-hurry. We inevitably catch them at the next light. All the aggression, all of the get-out-of-my-way, achieves a car length of advantage. I try and keep that in mind in our age of more/faster, a by-product of information inundation. Aggressive drivers have become something of a metaphor. It takes time to process information. It takes time to suss out relevance. Very little is actually gained by going faster to go faster. Except more stress. It is an un-win-able race.

On our back road drive to Milwaukee we marveled at the clarity of the storm cloud’s line of demarcation. It was as if a giant X-Acto knife cut the clouds exposing a swatch of blue-blue that extended to the horizon. We literally drove under the line. In a moment we moved from shadow to sun. In a moment, the gloom and weight of the stormy day transformed to warmth and rejuvenation. In a moment.

I wondered if the angry driver swerving through traffic, speeding toward a destination, even noticed the line. I wondered if the warmth and rejuvenation we experienced was available amidst the dedicated hurry-hurry. I wonder at the ubiquitous story of needing-to-get-there-faster, getting there first. What is actually gained? What is actually lost?

It takes time to suss out relevance. It takes time to notice the warmth and welcome rejuvenation when it becomes available. It takes time to actually see – to see – another human being on the road to somewhere. It takes time – and taking time, as it turns out, is nothing more or less than a choice, something as simple as taking the back road.

Holding Steadfast/Blueprint for My Soul © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LINE

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buymeacoffee is a stop on the road to somewhere.

Know The Context [David’s blog on DR Thursday]

Things are rarely what they seem at first glance. One tidbit of information, one step to the left or right and a new perspective opens, the image shifts, and everything comes into focus. Change need not be monumental. More often than not it happens in the tiny steps, the subtle rearrangement of expectations, full understanding alights with proper context.

The picture comes into view. A nice way of implying comprehension. The penny drops. The light bulb goes on. I knew immediately what this was a photo of – I know the context. It’s familiar to me. Outside of my context this photograph might be a mystery. A Rorschach inkblot. A request for a psychological interpretation. A blob on mesh.

It’s Dogga, taken through the screen door. He’s looking back at the camera. Even at rest he tracks us, he knows we are watching before we know we are watching. Even at rest, he is invested in our well-being. Our safety. He delights us with his antic awareness.

Things are rarely what they seem at first glance. Although it may not be immediately recognizable, it is a photograph of quiet joy. An image of home. Heart warmth. A sign that all is right in the world.

All My Loves, 24″x40.5″, mixed media on hardboard

read Kerri’s blogpost about the SCREEN DOOR

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buymeacoffee is…nothing more. nothing less.

Look Closely [David’s blog on Two Artists Tuesday]

Look closely.

The turkeys slept in the neighbor’s tree. All night. Only two. The third turkey was last seen gobbling at the end of the street. In the dim grey light of morning, while the coffee brewed, I checked the tree. They were still there, very large birds perched on too skinny branches. How do they do that?

Look closely.

“It looks like a heart!” she said, reaching for her camera. Dogga was fast asleep, paws twitching. I wondered what he chased in his dreams. She sees hearts everywhere. Most of us, myself included, walk through life and miss the hearts. She seeks them. Or they seek her. She never fails to stop and admire the heart, capture its portrait, breathe in its affirmation. “Can you believe it!” she exclaims, as if this heart, one of thousands, is the very first she’s found.

Look closely.

The memory was visceral. I’m doing the push-hands exercise for the first time. I am a beginner and my partner in the push-hands has practiced tai-chi for years. I am struggling with such a simple exercise. All I need do is let go and feel. My mind wants to control. To achieve. To win. Saul is standing behind me and I can sense his amusement. My partner joins Saul’s delight. A grin breaks the surface of his neutrality. Both burst into laughter. I am suddenly surrounded by laughter and, although confused, I laugh, too. The entire group breaks down, howling. The laughter is infectious. Cleansing. My belly hurts from laughing.

“I think he’s ready now,” Saul says to the group, wiping tears from his eyes.

read Kerri’s blogpost about LOOKING CLOSE

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buymeacoffee is a close-in-look, an opportunity for amazement at the ripples we send.

Look To Nature [David’s blog on DR Thursday]

Like waves frozen in time, the tall grasses have taken on the persona of an angry sea. We’ve stood in wonder at the whipping wind sending wavelike ripples across a field of wheat; this is not that. These waves are motionless.

They are worthy of Andy Goldsworthy. If they stretched for miles and miles I’d be certain they came from the mind of Christo. Yet no human hand or mind is at work here. Nature mimics herself in these grasses. They merit our awe and attention.

Along our trail there are several nests visible. Sparrows and swallows and hornets. I cannot imagine creating something so delicate and intricate. I have opposable thumbs so would be working with more than a beak yet I doubt I could craft such a miracle. It’s taken a lifetime for me to see beyond the word “nest” and see – really see – these fabulous sculptures made of grass, sticks, and mud.

Admiring the rolling grasses as Kerri kneels to snap her photograph, E.O. Wilson slips smiling into my mind and repeats: “Nature holds the key to our aesthetic, intellectual, cognitive, and even spiritual satisfaction.”

Yes. I remember.

from my long-ago unfinished project: Kichom and Fucci. An illustration study for a story told by Kichom Hayashi

visit my online gallery

read Kerri’s blogpost about ROLLING GRASSES

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buymeacoffee is what you make of it. nothing more. nothing less.

Chase A Ghost [David’s blog on Merely A Thought Monday]

The question came in through our site from a man who was instrumental in Kerri’s decision to record her compositions. A voice from her past asking a good question.

There are many surface answers to his question. In our case, all would be applicable: to give voice to our thoughts, to build a community, to call attention to our work…This morning, as I ponder his question, I think the purpose of a blog, my blog, might be to chase ghosts.

I began blogging utterly convinced that I had very little of value to say. I’d never considered myself to be a writer. It was a challenge I set for myself. Actually, I had one thing to say and decided I would, every day, attempt to write about it until I ran out of gas. I calculated that the tank would run dry in less than seven days. I was chasing the elusive ghost known as voice. My voice.

The interesting thing about ghost-chasing is that it makes you pay attention to everything. Ghosts can come at you in an instant from any direction and disappear just as quickly. Sometimes you can’t see them at all but feel intensely their icy presence. That was the first thing I learned in my voice-ghost-pursuit: I was paying careful attention, inside and out. It was not intense, not a strain or a struggle. I didn’t have to try. It was natural.

Not surprisingly, paying attention gave me more and more to write about, more to reflect upon. More to offer. “Have you seen this? Do you understand it?”

Chasing ghosts is a great question stimulator. Ghosts are curious and require all manner of suspension of disbelief so they are also terrific curiosity-energizers. Among the first line of questioning is about your self: your perceptions, your beliefs, your ideas of who you are and who you are not. It’s nearly impossible to write about others without exposing your self. Voice chasing leads to an astounding realization: the self/other boundary is permeable. We come to know ourselves relative to how well we know others. We only know our voice because someone out-there is listening and, hopefully, giving voice in return. Contrast principle.

Our basement is unusual in that it has box-after-box of unsold CD’s – the hard evidence of the music industry making a quick pivot to streaming services. The stacks of my unsold paintings take up an entire room. Our filing cabinets are filled with ideas and manuscripts and songs-not-yet-recorded. There are folios of cartoons that didn’t quite make it to syndication, folios of ink gestures, watercolors, and sketches. Another kind of ghost: the work of years past. When we met and married, we began blogging together, originally to try and call attention to the voice-of-work-past-but-not-yet-sold. That ghost, a very sad ghost, quickly left us; the joy of writing together each day overcame the initial intention.

The joy of writing together. We no longer chase the ghost of voice. It was here all along (of course). Now-a-days, we pursue a much simpler spirit: the gift of paying attention, the pure surprise of what shows up when we dive into and write about our daily prompt. “You go first,” I say, since she is wiggling with excitement to read what she just wrote.

read Kerri’s blog about WHAT IS A BLOG?

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buymeacoffee is lending your voice in support of our voice so we can lend our voice to your voice. It’s a circle.

See The Third [David’s blog on DR Thursday]

Rules of composition are really a study of human perception. It’s not the work of art that’s being examined, it’s the human being. Why do we consistently – universally – respond positively to visual compositions that follow the rule of thirds? Divide a composition into thirds, either vertically or horizontally, and then place focal areas of the “scene” at the meeting points of the lines. A professor in art and design school teaches the rule as a basic tenet, not because it was a concept that was invented but because someone, somewhere in time, noticed that people generally like their paintings, photographs, murals, quilts, architecture… when the focal point lands on one of the thirds. It was a discovery about the nature of people. Human nature.

Even the most abstract painters adhere to the rule of thirds. There is structure beneath seeming chaos.

There is something about humans and the number 3. The structure of a joke has three parts – the set-up, the detail, and the punchline. Most religions sport a trinity: father, son, and holy ghost. Brahma, Vishnu and Shiva. Buckminster Fuller’s Geodesic Dome is a festival of three. Pay attention and the rule of thirds pops up in everything from brain science to marketing messages. Triangulate and even the most lost hiker will be found.

When I first met Kerri I was disconcerted. Her compositional eye is infinitely better than mine. How could this musician come into my studio, snap a photo of my work-in-progress, and show me that her cropped version of my composition was infinitely better? What the heck? Her crops were never radical; simple adjustments merely. After I recognized how natural yet specific her eye sees the thirds – while I am clumsy in my seeing – in a fit of re-composing, I almost took a saw and scissors to my paintings. It was so obvious. Now, I ask her early and often to come into the studio and tell me what she sees (Imagine my horror when she stands silently for several moments and finally utters, “Well…”).

On the trail she stops often to “take a picture.” I play a game with myself. I look at where she aims her camera and then I predict where the focal point will land. Which third will claim the prize? I am almost never right but always delighted by what she shows me. “Lookit!” she says, smiling. A perfect third. Naturally.

prayer, 9″ x 24″ acrylic on hardboard

read Kerri’s blogpost about LACE AND SNOW

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buymeacoffee is not a third. It is something else.

Babble [David’s blog on KS Friday]

This could be a Jackson Pollack splash painting or an x-ray of arteries, veins and capillaries. A winter sun attempting to reach through the cover of clouds and trees.

If I believe the forecast, as hard as it tries, the winter sun will not reach us today.

I’m paying attention to language a bit more than usual. Looking up through the veins and arteries of the tree, I ask myself: What could it be? What could be? What is “it”? I shiver and am reminded of a quote I used in my book. It is appropriate for our times:

“One must be leery of words because words turn into cages.” ~ Viola Spolin

Language Matters. A double entendre. One of my favorite. It’s right up there with my favorite double entendre title of a book: The End of Education. Classic Neil Postman.

The question is, in our day-and-age, amidst the torrent of words and the easy belief-systems that words construct, how to stay out of the cage?

It’s a question with roots back to The Tower of Babel. A human race united by a single language builds a tower that reaches into the heavens. It is a threat to Yahweh. To protect his status, he confounds their speech and scatters them around the world. Language is the barrier against unity.

A bramble of branches to a Pollock painting to the inner working of life-blood to a weather report and landing at last in the Tower. An epic journey in just a few words, reaching through metaphor and pattern.

Language can be a cage. It can also set us free. Language Matters. A double entendre.

Nurture Me/Released From the Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about WINTER SUN

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buymeacoffee is. nothing more. nothing less.