Name Your Wine [on Two Artists Tuesday]

“Ooooh,” I said, reading the bottle, “I want to be untamed and unbound. Plush and jammy!” She rolled her eyes. I won’t tell you what she said. There might be children reading.

As wine bottles often do, it inspired an interval of time paying attention to the phrases I paste on the labels of my life. What if I described my days with wine-label terminology? Last week was definitely earthy and robust. Crusty with hearty notes of calamity.

In my work life, I’m hearing with alarming frequency the word taxonomy. We need to create a taxonomy. We are approaching a taxonomy. The study of naming. The science of definition. With what classification will we identify, and therefore label, our creation? If our product was wine, what would we say of it? Bold and expansive, yet subtle and refined? Are we talking about what it is, what it does, or defining it so it will sell? Those levers are never mutually exclusive. A written language is always an abstraction. Reaching yet never hitting its mark.

Aren’t we living in an age where the world is seeking a new-ish taxonomy? Spin your news channels and hear the same story-wine described in remarkably contradictory terms. What is fruity to one audience is classified as filthy to the other. Two labels, one wine. One team refusing to taste for themselves. We brand ourselves “divided.”

William Shakespeare either created or wrote for the first time in the English language over 1,700 words. I want him on my taxonomy team. I want him to lead my wine-life-labeling committee. Though, I imagine he would be amused to tears at our wild word-world of marketing, our reality-wielding-“news” channels, he wouldn’t be at all surprised that the power of a label pasted on an experience. “Call it what you will,” he might say, “It’s a sorry sight.” No matter. Words, words, words.

Sorry sight! A great name for a wine. A bold red blend for a brave new world. William gives it two thumbs up. Edgy and energetic, nutty and dippy with hints of crackers.

read Kerri’s blog post about WINE LABELS

Trip And Trip Again [on KS Friday]

One of the advantages of having stepped in every pothole, tripped on every cobble, and made every mistake at least twice, is that I’ve learned about potholes, cobbles, mistakes, tripping and stepping where I ought not step. If I could boil down to the essence the single thing I’m beginning to grok it is this: life is not elsewhere.

I laughed aloud when I at last I realized the absurdity of “practicing mindfulness” as if it was something to achieve. Mindfulness arrives when the practice stops. Of course. Meditating for self-improvement, I’ve read, is a uniquely Western oddity. “Trying” to be present is ridiculous if you think about it. You are present. What else? Because your mind is running amok does not actually magically transport you to the past or the future. You are present with a mind that is running amok. Minds are like puppies: chase them and they run away. Stand still and they will eventually come to you.

Is any of this pothole wisdom helpful? Absolutely not. Like mindfulness, wisdom arrives when the obsession with knowledge-for-betterment ceases. I’ll let you know what that looks like when I stop trying to attain it. There’s no end to the tripping stones. I’ve learned that, too. Again and again. And again.

The best things in life are not achievements. They are relationships. Me to you. Me to me. Me to the world I am passing through, one moment at a time. With you. Stand still in the moment – you might as well since it is where you are – and you’re libel to experience all manner of beauty.

read Kerri’s blog post about SNOWFLAKES

Kerri’s albums are available on iTunes and streaming on Pandora

kindred spirits…away/released from the heart © 1995 kerri sherwood

What’s Now? [on Two Artists Tuesday]

After a fairly contentious conference I co-facilitated in The Netherlands, Kerri and I took the bullet train to Paris. It was early in our relationship and our first time abroad together. We couldn’t afford to get to Paris otherwise, so tagging a small vacation onto a work trip seemed foolish not to do. It was the perfect place at the perfect time. I released the conference friction the moment we stepped off the train. I didn’t know it at the time but on the streets of Paris I left behind a skin that I’d badly needed to shed.

We had limited funds so we bought baguettes and Camembert cheese, fruit, tarts from vendors and bottles of wine. We ate in parks. We wandered the streets. Climbed the hill to Sacre’- Coeur, visited Rodin, and tried to get lost. We fell exhausted into bed each night, full of art and sound and color and delicious wandering. One night we sauntered to the Arc de Triomphe and barely escaped a riot. Bus loads of police in riot gear appeared on the street and, wide-eyed, we slipped out of the crowd and hustled to find more peaceful rues. Paris now serves as a marker. There was before Paris. And after.

“This shadow looks like that picture I took of the Eiffel Tower,” she said, showing me the photo of the shadow. The angle is perfect. The shadow is appropriate. Shadows. What was. An outline of the people we were, reflected on the snow. And, the series of photos, shadows along the way, the surprising people we have lived-into since we wandered those streets, shedding old skin, and boarded a plane home with a a question, “What’s next?” What’s now?

read Kerri’s blog post about SHADOWS

Constellate [on KS Friday]

Our 3am banana conversation was about cleaning out. The past few years have, as Skip is fond of saying, tipped the apple cart. Our life-apples are akimbo. So, as we pick them up, we are also sorting. It’s not just the stuff in our closets or the post-water-line-mess-explosion in the basement, it’s also the psychological/mental/spiritual/emotional debris. What bag of trash can we finally toss in the bin? What small treasure was unearthed that surprised us? What will we carry forward into the next chapter that informs who we’re now becoming?

I sat in the basement for a few minutes yesterday, staring at the canvas on my easel. Each day I see a little more of the painting that I will someday paint. I do not now have the time or energy to make it visible. This canvas is becoming a marker in time. It calls. My creative energy is dedicated to other projects and I am careful not to over-tap it. That is new. Knowing my limits. Honoring the creative well is part of who I am becoming. I am in no rush. That’s new, too.

“I’m certain these were my momma’s,” Kerri said, showing me the tic-tacs. She was cleaning out the pantry and found them in the way-back. Beaky was a fan of tic-tacs. Treasure. And, how did they get lost in the recesses of our pantry? No matter, they inspired some good stories, reminiscing. “It makes no sense, but I’m keeping these,” she said. Treasures do not need to make sense.

I learned a big lesson during the decade that it took me to complete and produce The Lost Boy: I started it as a project for Tom to perform and it became a project I had to perform for Tom. His passing was the final piece necessary to complete the story he wanted to tell. His passing made the play possible to perform. The lesson: we cannot see it all. We think we understand “why” but mostly our reasoning is constellation. Dots connected in the vast open sky.

The tipping of the apple cart. 3am bananas. Next chapter imagined and arriving. A tic-tac kiss from the past. Making space for constellation. We are in awe and not in a hurry.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about TICTACS

connected/released from the heart © 1995 kerri sherwood

Taste And Adjust [on Merely A Thought Monday]

In our kitchen, I am the sous chef. Second in command. I chop, slice and dice. Then, I place my colorful preparations in glass bowls, carefully arranged relative to the stove so the chef need only reach to add an ingredient to her magic-making. “What’s first?” I ask. “Onions and garlic,” the chef replies, tying on her apron. I know the answer before I ask but it’s our ritual signal, like the kitchen version of “On your mark,” to the runners at the starting line. The onion steps onto the cutting board.

We love to cook together. I have learned through the many phases of my life that my relationship with food mirrors the relationship I have with life. If I attend to the the palette of tastes and textures that I eat, if I take the time to savor and appreciate my food, I carry that attention into every moment of my day. If I rush through and jam any food-like-object into my mouth, I carry that same inattention into my life. Appreciation, savoring, is mindfulness. Slowing down to plan and fully fill the palette of flavor fosters anticipation. Moving through a grocery store or farmer’s market is a wholly different affair when favorite recipes call.

I did not arrive easily at my understanding of food and life. The first recipes I tried were utter disasters. Don’t ask BK about my inaugural batch of lentil soup. It will send him into waves of horror-laughter. I ate it to prove that my cooking was not so bad but could not hide that my soup nearly killed me. And, I remember the moment that I decided to learn to cook. I remember like it was yesterday the understanding that sent me to the stove: I wanted, perhaps for the first time in my life, to take care of myself. More than that, I wanted to fully taste the richness of being alive and to do it, I had first to stop running. One must stand still to fully taste. To savor, one must stand still with others. “What do you think? Kerri asks, “More salt?”

Experimentation, trial and error, are the only way. Taste and adjust. And, isn’t that a terrific life credo?

In the recent past, each week, we try new recipes with 20. We’ve discovered some incredible flavors, our repertoire is expanding. Soups and chilis and stir fry. Mostly, that we intend to make meals together, that we slow down and enjoy each other’s company en route to a new taste, an ingredient that we can’t pronounce, a spice that is unknown. “This might be a disaster,” we say as steaming bowls of deliciousness hit the table. “Well, there’s only one way to find out,” we say as we click together our spoons and dive in.

read Kerri’s blogpost about EATING WELL

a photo from before the pandemic. we can’t wait for this to end so we might create more memories like this one.

Be Stone And Fire [on KS Friday]

We lit this candle for Linda. Her service was last Friday and out of our reach so we honored her in our way, fire and stone. And, we told stories.

“Find the people who are exactly who they say they are.” Wise advice from a long ago friend. “They are rare and worth more than gold.” With Linda, what you saw was what you got. She was genuine and unmasked. If she told you that she liked your work, you knew it wasn’t merely a feel-good compliment. She meant it. They same rule followed if she didn’t like something. She meant it. No games. No power plays. No illusions. No wasted time. She never left you pondering what she might have intended or wanted to say. With Linda, no shovel was required to mine for her meaning. You knew.

That kind of unvarnished communication was polished by her optimism, her unshakable belief in the goodness of people. If she left you no doubt about what she meant, she also left no doubt that her intention was to help. She was a lifter of spirits, an elevator of souls.

She was the kind of leader that people write about but very rarely encounter. As Tom Mck would say, “She led from the back of the pack.” If there was work to be done or meals to be made, she was in the kitchen chopping or carrying boxes or bags or trash to the dumpster. She’d cook it. She’d clean it. She’d organize it. She’d make it happen.

The ship was so steady while in her charge that we mistakenly thought the ship was solidly built. It was not. It was steady because she was steering. No illusions, no games, no power plays. Calm seas or rough waters, a ship fares well when the guidance, the guider, is authentic and unencumbered.

Linda has passed. No wasted time. Lots of people fed, literally and metaphorically. An example to emulate. Stone and fire.

Long ago Linda asked Kerri to sing at her funeral. That was not possible. So, this is for Linda.

read Kerri’s blogpost about LINDA

Kerri’s albums are available on iTunes and streaming on Pandora

hate to say goodbye/blueprint for my soul © 1996 kerri sherwood

Make A Savory Day [on Two Artists Tuesday]

“I don’t believe in guilty pleasures. I only believe in pleasures.” ~ Ira Glass

Among other things, covid has been a great disruptor of our patterns. Our life today barely resembles the life we knew two looooong years ago. Yesterday, while driving through the farmlands en route to buy a loaf of bread at Simple Bakery in Lake Geneva, Kerri said, “It’s all so weird.”

Among our new patterns is more appreciation of our time. We are less willing to stuff our day with things to do, rather, we’ve established a slower rhythm and points during the day to stop, sit together, and savor the events of the day. It began at the onset of the pandemic with our covid-table in the sunroom. A place to sit and watch the sunset at days end. Soon, there were snacks. And then a glass of wine. It became a ritual. Now, there is nothing more important in our day than to meet at our table. Talk. We call friends and family from the table. Dogga leads the way. He meets us there, positioned just behind our chairs with his bone or a few mauled toys. Sometimes we sit for hours – far beyond sunset. We eat our meals there.

We’ve also established patterns of anticipation within our patterns. My favorite, the silliest but most effective, is french fries for snack. There’s nothing more satisfying on a cold winter evening, than hot salty french fries. We make sure that it’s not a common, every night affair. We save it for the tough days or as a surprise. “Is it french fry night?” Kerri hops and claps in anticipation when she notices that the oven is preheating. Yes. Oh, yes.

The new pattern, of course, is not the table or the fries. It’s the decision to make moments special. We decided amidst the pandemic, the broken wrists, the job losses, the civil unrest, the loss of family and friends, to make lemonade from this time of abundant lemons. We decided to accent the pleasures. To walk slower. To meet our days, not with a list of things-to-do, but with the intention of making a most savory day from the ingredients found in our pantry.

Pattern disruption. Within the hard breakdown of the known, the loss of the comfortable, we are fortunate. Many times, sitting in our sunroom, the happy-lights reflecting in the windows, Dogga quietly behind us chewing his bone, Kerri says, “I love this space.” I nod my head. Me, too. The literal and the metaphoric.

read Kerri’s blogpost about FRENCH FRIES!!!!

Find The Treasure [on Merely A Thought Monday]

Every so often in the grocery store I am struck by how many people are involved in making sure I – we – have food to eat. Pick any item from the shelf and work backwards. It was carried, priced, stocked, delivered, warehoused, produced, picked, manufactured, marketed, accounted, inventoried, scheduled. Imagined. And, I wonder, how many of the hundreds of people involved realized that their labor makes my life – our lives – better?

Sitting in front of my computer yesterday I was swirling in a thought-eddy. Attempting to map a workflow, the mechanics of a process, I was befuddled. There were too many variables. As is my practice when perplexed, I stood up and walked away. Halfway down the stairs my mind jigged. I re-remembered that the only thing that mattered in my silly map was the desire to make someone’s life better, someone I would never meet. I realized (again) that I didn’t need to figure it out. I shouldn’t figure it out. There was and is no single answer. Too many variables simply means I cannot know – but I can intend. I will “know” how it all works after the fact. I know that, if I keep focused on my north star, making a life better, then, at this phase, that is all I need to know. It’s an unbeatable criteria for clarifying what to do.

“Do you think someone found our buttons?” she asked. “Do you think they liked them?” On our last hike in North Carolina, she left a small sack of Be-Kind buttons in the knot of a tree. “I wonder who found them,” she giggled.

A small treasure left in the knot of a tree. A sack of potatoes found in the grocery store. Kindness. We get snarky when we divorce our actions – even the smallest action – from the very thing that makes them matter. We get lost when we forget how deeply interrelated are our every action and thought. Cause and effect, as Alan Watts wrote, are not sequential but simultaneous. If you think your actions do not matter or have no purpose, think again. If you think it does not matter how you treat others or that bottom lines are more potent than people, think again. It’s the miracle of a circle or a cycle: where does it begin? Where does it end?

read Kerri’s blogpost about BUTTONS IN A TREE

Connect The Poles [on KS Friday]

Though it is not, this could be a close-up of an x-ray. Arteries carrying blood away from the heart, veins carrying blood back to the heart, and the capillaries that connect the them. Outgoing. Incoming. And the connection between the two. And, as is always true of language, in the naming and the action-describing, the whole system is obscured. This part does this. That part does that. Mechanical mind applied to a miracle of pulsating life.

In North Carolina I overheard an old guy grousing about climate change. He is a sceptic. “There’s record snow in California!” he decried, “And, we’re having record heat here! You can’t have it both ways!” His reluctant listener bobbed her head. “It’s either warming or it’s not!” he railed. “Explain that to me!” Mechanical mind. Parts-thinkers cannot see the whole system. The capillary-word that tumbled from his mouth but bypassed his mind was “record.” The poles are, after all, connected.

I am fascinated by my current work. I am witness to and a participant in the creation of software. The language is familiar though the meanings are new: epic and story. Bug. My mind, lately, has been awhirl. The developers necessarily talk of information as content-objects. Items. The language of “fixed” things. Yet, the problems in the world that they design and solve for are “fluid.” Information, in our day-and-age, never stops. It grows exponentially everyday. It is movement, constant motion. More/faster. Sometimes I get a glimpse behind the curtain and see the developer’s work of content-items-in-motion. You’ve never seen a faster moving current of symbols. Is it a particle or a wave? It depends.

The tree in our front yard reaches toward the house. Kerri tells me that our children climbed through the branches when they were young. When the crew had to clear some branches to trench the yard, Kerri winced each time a branch snapped and fell to the ground. “I can’t look,” she said, not taking her eyes off the tree. Holding vigil. Holding her heart.

It’s easy to forget that, in all cases, no matter the eyes though which we see, the movement is always back to center. To the heart-of-the-matter. The pieces are never isolated. This tree is not separate or distinct from the sky or Kerri’s heart. The poles are always connected, whether we recognize it, see it, acknowledge it, or not. Breathe in. Breathe out. Two actions or one?

read Kerri’s blog post about THE TREE AND SKY

Kerri’s albums are available on iTunes or streaming on Pandora

Watch The Dance [on Not So Flawed Wednesday]

It was once a guilty pleasure. After a snowfall, through newly plowed streets, I’d tie on my red Nike shoes and go for a long, long run. In Colorado, the sun and the cold air play well together. Atmospheric sweet and sour. Run toward the sun in the snow quiet. Sensual pleasure. I’ve never felt more alive than during those treasured runs.

Our yard is a miracle of shadow-play after the snowfall. Between the trees and the tall grasses that grow along the property line, the cool blue sways and dances across the ice-white canvas, a visual conversation between limb and wind. It can be mesmerizing. Sometimes it reminds me of Wayan Kulit, the shadow puppets of the Balinese. An epic tale told on the screen of our front yard. The lesson of Wayan Kulit: we are not substance, not really. Rather, we are passing shadows projecting our story onto the canvas of our minds.

The mailwoman told me that she adored bringing our mail during the winter afternoons. “The light on the grasses,” she said, “they knock me out.” We wait until spring to cut back the grasses for exactly that reason. The pink, orange and purple light of a late winter afternoon makes the grasses luminous. And the shadows they cast! A gentle blue waving, aloha! Greeting or parting? Longing or fulfillment? I’m never sure.

Sylvia Plath wrote in The Bell Jar, “I thought the most beautiful thing in the world must be shadow.” Staring out our front window watching the dance, the frigid air and sun at play together, I think she was right. What could possibly be more heartbreakingly beautiful?