Open The Story [on Not So Flawed Wednesday]

Put on your swimmies for a dive into the esoteric.

It was hot last night so I lay awake thinking and that’s never a good thing for the people – like you – who pay attention to the random things I write or say. This is what I thought in the heat of the night: Saul always instructed me to look beyond my opponent and place my focus in the field of possibilities. “Look a hundred feet beyond your opponent,” he said.

It’s universally true that a mind needs something on which to focus. And, left untended, most minds will focus on complaints or problems. During my tilt-at-windmills-consulting phase I’d tease my clients with the notion that, rather than eliminate challenges, people create them. We need them. We call them hobbies. Or play. Or problems. After all, stories are driven by conflict and we are, at the base, storytelling animals. It’s worth noting that a great collaboration is not the absence of conflicting opinions but the capacity to use the heat of creative tension to find/discover a third way.

What does this have to do with Saul and the field of possibilities? A focus, to be useful, needs to be specific. What exactly does the field of possibilities look like?

The reason our untended minds sort to the negative is that the negative is usually concrete, an easy fixation. Fear is a clear picture – even when imaginary. Obstacles are easy to spot. Possibilities are rolling and amorphous. Changeable. It is the nature of a good possibility to shape-shift.

The masters of meditation mostly tell us to soften our focus. Or to let the thoughts roll through the brainpan like clouds; do not attach to what we think. Do not take ourselves so seriously. Practice flow instead of the hard fixing of thought.

And, therein is the source of my late night esoteria: the mind needs something to focus on. Or does it?

If I soften my gaze, if I look beyond the problem-of-the-moment to a vast field of floating possibility, am I tossing myself into a feedback loop? I lay awake wondering what the field of possibility might look like if it was graspable. Some people make vision boards for just this reason. Quinn used to hum and fill his mind with lyrics.

Tjakorda Rai laughed at me and told me I needed to “open my story.” At the time I thought he meant to take responsibility for my story. Now, I know exactly what he meant: let it flow. Get out of the way. The demons and monsters and fears and problems and challenges are…passing things. Story fodder, nothing more. So look beyond them. Flow. Focus on the flow. Open the story.

read Kerri’s blogpost about THE FOUNTAIN

Stroll [on Two Artists Tuesday]

Yesterday, for some reason, I revisited days of early childhood. I played four-square in the driveway. I threw dirt clods at the site of new home construction. I raced my cars off the side of the abandoned building above Del and Dorothy’s house in the mountains; the cars tumbled and I ran to retrieve them so I might send them flying again and again. I ran home in a panic the day I learned that Nancy’s little sister had drowned in utility hole that was filled with water. It was on the route I walked to school and passing the hole filled me with trepidation, it was a dark portal, my first experience of death. I didn’t really understand it.

Late at night, Kerri and I sometimes talk about everything that has happened in the short time of our relationship. We’ve lost parents and lost careers, spiraled in a free fall of uncertainty, had surgeries and broken bones. We’ve also climbed mountains, watched sunrises and meteor showers, we hold hands when we walk, we write together every day. We dance in the kitchen. I am the sous chef to her cooking artistry.

I’m not sure if we practice paying attention to our moments or it’s something that has come naturally to us. She is rarely without her camera, noticing the smallest flower, capturing the angry sky. I hold the space and hope someday she stops apologizing for stopping again to take a photo; I love watching her discover the shapes and colors of this world. Besides, I get to see what she captures in her lens with an excited, ‘Lookit!”

Today the plumber comes. Yesterday we appealed to the company that destroyed our yard replacing the waterline to come back and strip off the top layer of soil, now filled with hardware and concrete and asphalt. Slowly, we are digging out, repairing and replacing all that was destroyed or delayed in our free fall. Our lessons seem to be about stress – or, rather – not stressing. We are having experiences, rich and varied. Some things we can control. Most, we cannot. The best we can do is hold hands and stand together in each experience. Appreciate them no matter whether they look like tragedy or comedy. We’ll make meaning of them later down the road.

The artist dances with death. The appreciation of the fragility of life. Each day I walk by that metaphoric utility hole, only now it does not fill me with trepidation. It makes me squeeze her hand and fills me with gratitude for this life, this moment, this shadow we cast together as we take our time strolling through the garden.

read Kerri’s blogpost about THE SHADOW

See The Glue [on Not So Flawed Wednesday]

It’s a new phrase to me but I liked it immediately. I liked it because I have known some amazing people, those rare birds who keep the runaway-egos focused on the project, who naturally and seemingly without effort coalesce disparate talents into a cohesive creative team. The ‘glue people’ is a perfect description.

Glue people intuitively understand power as something that is created between people, not something wielded over people. I suspect that is the epicenter of their glue-gift: they see beyond the parts to the sweeping possibility of the whole. They know that “every man/woman for themself” is a recipe for disaster.

Despite our dedicated cowboy mythos, innovation is never the province of a single person. There may be a single visionary but the vision is never accomplished in a vacuum. Inventions, like organizations or nations, come to fruition through the efforts and skills of the many-working-as-one. Glue people generate “the-working-as-one.”

Stage managers, production managers, executive assistants, contractors…those highly overlooked people at the center of the information, who quietly make sure the work of creation happens without collision while also making certain all the parts and pieces know how much they are valued.

Meaning makers. Making value explicit. Glue people. Just try to get an idea off the runway without them.

read Kerri’s blogpost about GLUE PEOPLE

Add More Pulp [on Two Artists Tuesday]

Last night Jupiter and Mars converged without us. We had the best of intentions to rise at 3:30am and walk east to the water’s edge where we might see the event. Somehow, we slept through it. “Do you think they converged anyway?” I asked in a moment of grand ego inflation. I’m not the first human to delude myself into thinking the heavens spin around me. Kerri sipped her coffee and pretended she was alone.

Do you remember Shel Silverstein’s, The Giving Tree? A story of the sacrifices made in relationship. The little boy in the story takes everything the tree has to offer. And the tree, in return, is happy. I was not aware – though I’m not surprised – that such a simple book for children could be so controversial. Banned and excoriated for sexist messages. Loved and embraced for altruism. Both/And. Symbols and metaphors are open to interpretation, planets of meaning circling the life-experience of the interpreter.

Jonathan once told us that “A tree must split its bark to grow.” Though he did not know it at the time, I was gaining weight and en route to splitting my bark. Now that the splitting is done and I am at least one size bigger, I’m wondering if my new expanse provided space for wisdom or if I’ve simply added another ring of wood. More pulp.

Don’t ask Kerri. She’s sipping her coffee, quietly pondering the inordinate sacrifices made in relationship. While she’s suffering her obvious conclusion, I’m think I’ll phone Jupiter and Mars and apologize for not showing up. Who knows, maybe when I didn’t show, they decided to reschedule! It wouldn’t be a proper convergence without me, right?

read Kerri’s blogpost about BARK

Stand Still [on Merely A Thought Monday]

“The understanding of what you actually are is far more important than the pursuit of what you should be.” ~ Krishnamurti, Think On These Things

I wrinkled my brow the first time I heard Kerri say it: “We don’t change. We just become more of who we already are.” I didn’t like it. I wanted to pop the notion with pithy ideas of transformation. Something made me hold my tongue. “Consider it,” I said to myself.

Now, a full decade into the latest phase of my life-long-onion-peel, I see the wisdom in her words. The layers of protection, the suits of armor, the wall of respect, the race from shame, the measuring sticks and self-inflicted-social-expectations stripping away. Trying-to-be falls to the floor like a robe. The story-husks and fear-shells and false skins, false faces, false labels and roles and masks falling to the forest floor.

And, there you are. Just as you are. Naked and vulnerable and oh, so passingly human. Standing still. No ghosts to chase. No monsters chasing you.

And, there you are.

No distance between you and what you desire to create or experience. Finger painting. A child with a crayon and an empty wall for scribbles.

Kerri looks for hearts. She finds rocks shaped like hearts and leaves, heart-impressions in walls and heart-shaped clouds. Each one is a first-and-only and evokes delight. Last week on the trail, it occurred to me that she finds them everywhere, not because she looks for them, but because she expects to see them.

Seeing old friends. There you are.

read Kerri’s blog post about the HEART LEAF

Lean On Poppo’s Cane [on KS Friday]

Next to the closet where we keep our shoes and old sweatshirts is a bucket. In the bucket are a few walking sticks we’ve plucked from the trail, used and brought home. We rarely walk with sticks so the few that made the trip home are in the bucket to remind us of special walks, the times we needed some stick-aid. And thank-goodness there was a stick available when we needed it.

In the bucket, alongside the walking sticks, is Poppo’s cane.

Poppo’s cane came in handy this week when Kerri broke her foot. She is a circle-walker and our house has square rooms so she regularly arcs too close to the doorjambs. She’s adept at breaking her pinky toe.

This time she broke more than one bone. When the yellow-green swelling hit her ankle we took her to the doctor and then she went for a spin in the x-ray machine. For a few days, I was her mobility prop and then Poppo’s cane took my place and became her trusty stick-aid.

She looked at me this morning and, with knitted-brow, asked the obvious question, “What’s going on?” I had no answer. In the span of a couple of years, she’s broken her wrists, torn ligaments, had fingers that simple refused to bend, lost mobility in her left shoulder, tendonosis, a tendon injury in her left foot, a digestive system that refused to digest,… She’s had a heaping plate of “what’s going on with my body? What’s going on with my life?”

Both are great questions to ask.

What do you do when your questions have no definitive answers? Lean on Poppo’s cane and take another step. What else? Appreciate the stick-aid. Perhaps one day, with a little perspective, while looking at the bucket of useful sticks, the story will make some sense. The questions will find understanding.

In the meantime, I’m considering moving Kerri into a furniture-less yurt. My theory is that circle walkers are safer racing around in obstacle-free circular homes.

Kerri’s albums are available in iTunes & streaming on Pandora

read Kerri’s blogpost about POPPO’S CANE

in these times/as it is © 2004 kerri sherwood

Embrace Wabi-Sabi [on Not So Flawed Wednesday]

“I love this photo,” she said, “because the flower isn’t perfect.” Wabi-sabi. Appreciation and acceptance of impermanence and the absence of perfection. The full embrace of ‘what is’ rather than some imagined belief or ideal.

I read that the church leaders refused to look through Galileo’s telescope because their book already explained to them how the universe worked. I don’t know if this account is true or not but I’m given to believe it. I see the same story playing out in all shapes and sizes of blind-belief systems today. The wily Fox has millions refusing to look through the telescope in favor of an abstract and angry conviction.

Imperfection. Appreciation of nature and its forces. Look up. Open eyes. Open mind. Open heart. Direct experience that has the power to challenge the staunch and rigidly held opinions. Modesty.

Wabi-sabi. I love this photo.

read Kerri’s blog post about THE WHITE BLOSSOM

Find Your Way [on Two Artists Tuesday]

I will never forget the day I followed the stream, watching the life-ending struggle of the salmon as they fought the current the final mile to return to their place of origin, their spawning ground. To the local people, the people who tended the hatchery, the salmon were gods. Gods or not, watching their struggle to return was sacred. The utter necessity to continue life through the next generation – as the final act of life. Cathedral building.

We brought home a Selenite crystal. It is raw, translucent, gorgeous. A Google search of its properties reveals that it promotes calm and provides clarity. I’ve never actually been invested in the debate about whether or not a crystal has powers. I’ve made the association so, when I look at it or hold it, I have in my mind that we brought this beautiful crystal home to elevate our spirits. And, so it does.

I live in the golden age of marketing. I’m told that a new truck will make me sexy, the latest medication will make my life a snap, that a pizza delivery will bring my family together like never before. Status and power are available through the purchase of machines and clothes. One year, no interest. We buy these messages, filling our closets with passing satisfaction. Is the fulfillment of a new pair of shoes imagined, less-than-genuine? We are consumers so doesn’t it make sense that contentment lasts no more than a spin through the washing cycle? Momentarily satisfied. What’s next?

I suppose the question is whether or not the crystal brings peace to me or do I bring more calm to my day because I’ve surrounded myself with messages – and, therefore, intentions – of serenity?

I know without doubt that a new truck will not imbue me with sex appeal. Yet, I have a pair of jeans that I save for the days that I want “to look good.”

Skip drove two days to find the sun so that he might stand in it and rejuvenate. I go to the basement and stand amidst the boxes that currently fill my studio and stare at a large blank canvas. Like the sun, it rejuvenates me. Yesterday, the nurse at the community health clinic said she loved her job because she felt that she was really helping the people who need her the most, “There are better rewards than money,” she said. Imagine the necessity – the hope – she brings to her life and work. Rejuvenation.

I do not know whether we are gods or not, but our struggle to find our way home is no less beautiful or fraught than the salmon. It is breathtaking, this swim upstream. Confusing. Sacred.

read Kerri’s blogpost about CRYSTALS

Fail At The Box [on Merely A Thought Monday]

Among Don Miguel Ruiz’s Four Agreements is this gem: do the best that you can.

Through the lens of the Occident, those folks on earth oriented to the idea that their nature is bad and needs taming, the Agreement is a statement of self-forgiveness. Do the best that you can. It’s a good bit of advice when everything on earth seems to come with a measuring stick.

Don Miguel is Toltec so his Four Agreements are rooted in an entirely different understanding of nature. To do the best that you can has little to do with performance or achievement. There’s no judge sitting on the high bench scrutinizing goodness or badness. There’s no book with black marks next to your name. This Agreement is about setting an intention. The other Agreements are about speaking with impeccability, making no assumptions, taking nothing personally. In other words, it’s never about you; you can’t possibly know the reasons why; your words matter. So, do the best that you can.

Circumstances are uncontrollable. Sometimes people are mean. Sometimes the tornado comes through and blows your house away. It’s not personal. You probably can’t do anything to change the tornado and even less to change other people. So, change yourself. Or, better, be yourself. Attend to your story and free yourself from the illusion of living under grand judgment or any of a number of other control fantasies. Do the best that you can.

Lately, I’m pondering the too-tight-image-boxes we squeeze into and try, but can never quite, fulfill. The impossible image; a too tight expectation. The Pleaser. The One Who Knows What Is Right. The Peacekeeper. The Strong One. A step away from the box-expectation, the-role-I-think-I-must-fulfill, is a giant leap into happiness. Inside the box it is virtually impossible to do the best that you can. Boxes are alive with assumptions (what I must do, who I must be); buzzing hives of judgment, and, when in a box, speaking truth is frowned upon, so editing and/or silence rules the day. Just try doing your best when living in a too tight box!

Fear and anger fill boxes. That is, after all, the purpose of the box, the fruit of the impossible mission.

Here’s my advice to myself: fail at the box. Cut it up and put it into the recycle bin. Then, free of the too-tight judgments, it’s possible to set mistake-free intentions. Life as finger painting: do the best that you can.

read Kerri’s blogpost about SOME DAYS

Make Dandelion Delicacies [on KS Friday]

Because our yard is a festival of dandelions and our trail is alive with the vibrant yellow flowers, just for kicks, I Googled “dandelion recipes.” Coffees and teas, salads and pizza, quesadilla, syrup, jelly and cookies; eat the root, chomp the greens, it seems dandelions are nature’s one-stop-yummy-snack-shop. Brats! And, of course, let us not forget about dandelion wine!

How is it that this pervasive-misunderstood-as-an-invader-plant is so edible and rich in possibilities? I’ve never eaten a dandelion. If I can find an insecticide-free-zone I’m going to pick a bucket full and try a few recipes. My bet is that Master Marsh has washed down a dandelion or two en route to picking a tune on his guitar. He can make anything – and does – so my future dandelion meal will follow MM around the kitchen and learn his favorite dandy-lion recipe and then enjoy the concert after the plates are licked clean. I’ll do the dishes after the show. It’s the least I can do.

One of my favorite rituals of the spring season is to watch Kerri discover and photograph the first dandelion. It’s like the return of an old friend. “Look-It!” she points and cheers. The camera comes out and a sweet photoshoot commences. She has a fond spot in her heart for dandelions. I wish I had the series of First Dandelion Sightings of the Season. Her eye has changed. The more photographs she takes, the better her composition-eye is becoming. Art works like that. Do it again and again and it gets better, more sophisticated. Easier. Her eye was great to begin with but now I do double-takes. “Whoa!” I say, “Let me see that again.”

Tom used to tell me that the alternative schools were filled with artists. Young people who do not fit in and cannot thrive in the restriction of the lawn. Pervasive-misunderstood-invader-plants. Pulled and placed where they cannot disrupt the blanket of green. Yet, so rich in possibilities. So versatile in form, capable of feeding the soul. Medicinal people. Seers. And, when they age (ahem), they make dandelion delicacies, play music for their friends, and celebrate the small pop of yellow on the side of the path.

It’s good not to be a lawn.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about DANDELIONS

fistful of dandelions © 1999 kerri sherwood