Draw The Symbol [on DR Thursday]

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Sometimes drawing is like free writing. I capture the lines and images as they arise without edit or evaluation. It is more akin to following than leading. It’s a meditation. I draw for the surprise of what shows up. Often, in my free flow, symbols arise and I only see them after I put down my pencil. The symbols that floated to the surface in this drawing are Heart and Strawberry.

When symbols pop up for me I make it a practice to investigate, even if they appear obvious or I think I already know. I assume that I do not know anything. It’s a way of continuing the conversation. These two, heart and strawberry, are intertwined symbols. Venus, the goddess of love. Purity and perfection. Sensuality. Eros. Happiness. Good fortune. Compassion. Joy. Charity. There are cultural lenses and religious interpretations but across all cultural variance, both symbols are rivers that lead to love in one or all of its expression.

Yaki asked me to rewrite THE CREATURES OF PROMETHEUS – a storytelling to accompany Beethoven’s symphony – so that it might speak directly to the realities of our day. He wants it to be more obviously relevant. I have been sitting on it, watching and waiting, since we seem to be living in a swirl of chaos. My grasp of relevance in the morning is obsolete by sundown. The only consistency that cuts through the mayhem is that the circles in our communal Venn Diagram no longer intersect. Not only is there no crossover, the circles no longer share the same page. We define ourselves according to our differences rather that reach toward our similarities. Romeo and Juliet is an example, a cautionary tale of what happens when the communal circles stubbornly refuse to find crossover. The children easily transcend the division. The society crushes them for daring to love. And then the adults realize they’ve sacrificed the greater for the lesser and in their grief they reach to grasp hands.

There are hearts and strawberries in every tragic tale. The tragedy arises because the characters refuse to see it. Maybe that is the theme of my rewrite? Maybe hearts and strawberries are the tender sprouts that will emerge in our nation once the fire ceases to rage?

 

read Kerri’s blog post about HEARTS AND STRAWBERRIES

We are still in the Facebook penalty box. It is possible that Kerri’s posts may never reappear so, if you enjoy reading Kerri’s word, consider subscribing to her blog. I know we publish waaay too much but, with the minor exception of us, ALMOST no one reads everything that we write – except for Lydia and Horatio and Malta-Alex and for their dedicated perseverance, we are most grateful.

 

 

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*Shared Fatherhood evolved from a sketch about Polynices & Eteocles, brothers that killed each other in combat over control of the throne. Somehow I traveled from senseless war to shared fatherhood.

 

shared fatherhood 2 ©️ 2017 david robinson

Know And Share [on Merely A Thought Monday]

 

If you were alive in the 1980’s you’ll remember Robert Fulgrum’s book, All I Really Need To Know I Learned In Kindergarten.  It is a festival of simple-yet-clear-advice for living well. Play fair. Share everything. Don’t hit people. Say you’re sorry when you hurt someone. Each bit of advice is a nod to our inter-connectivity. No one walks this path alone. Hold hands. Stick together.

Visit Robert Fulgrum’s homepage and you’ll read this: “Often, without realizing it, we fill important places in each other’s lives.” Mutual influence. We impact each other everyday in ways that we remain mostly unaware.

If this pandemic has done anything illuminating it has proven beyond doubt how utterly interconnected we actually are. My breath and your breath are intimate exchanges. My choices and your choices will either harm or help each other. It’s a choice. Your story and my story may be diametrically opposed and warring but they both must adhere to the force of gravity, the nature of time, the spread of virus. This virus actually thrives when we shout at each other. It rides our aerosols in a rodeo of mutual influence and cares not for the political color of the lungs it inhabits. After all. truth and misinformation share the same airspace, touch the same doorknobs, are broadcast over the same technology, are paid for and brought to us by the same commercial sponsors.

One of the things Robert Fulgrum learned in kindergarten and wrote about is this: goldfish and hamsters and white mice and even the little seed in the Styrofoam cup – they all die. So do we.

This virus cares not whether we love or hate each other in the precious bit of life that we share. About us, its host, it is utterly agnostic. On the other hand, we have the choice. It’s a choice and seems so simple. Play fair. Don’t take things that aren’t yours. Like it our not, recognize it our not, our lives are in each other’s hands.

 

read Kerri’s blog post about ELEMENTARY SCHOOL RULES

 

 

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in dreams I wrestle with angels ©️ 2017 david robinson

 

Draw A Blank [on DR Thursday]

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A white canvas. Or is it a blank canvas? This could be a finished piece of art or a scary beginning. Having the 20th century of art firmly in the books, art historians weigh in, saying “yes,” it could be complete. It could also be inception. As confusing or clarifying as it might sound, the determining factor is the artist’s intention.

In 1918, the Russian artist Kazmir Malevich painted Suprematist Composition: White On White. White, he believed, was the color of infinity. It recently sold at auction for $15 million dollars.

In 1963, Ad Reinhardt painted his Abstract Painting, at first glance a black canvas that reveals itself as a symphony of shades and tones. He called his canvases “pure, timeless, ideal, transcendent.” His paintings sell at auction for millions.

Yasmina Reza wrote a play, Art, that explores the question “What is art? In it, friends debate and debase the $200,000.00 purchase of a completely white painting.

Does this sound crazy? The artist decides the reality? Beginning or end? Is it the artist’s intention or the eye of the beholder that gives meaning and value to art? Both?

It is breathtaking when you recognize that artists do not create from thin air. Artists reflect the society in which they live and work. 1918 was the end of a world war. It was the beginning of a global pandemic. Who could blame Kazmir Malevich for exploring infinity? Of wanting to reach beyond an external reality that was horrific?

I stare at my blank canvas. It is an invitation. A call.

I/We live in a time of absurdity – farcical abstraction from observable reality. Angry bubbles. Insulated information tribes. Data collection more valuable than gold. We are reducing ourselves to so many numbers. What’s your credit score? Your personality rating? Perhaps I should fill my canvas with zeros and ones? What would you see?

Mostly, we constantly weigh our interests against values and values lose every time. Weird calculations creating ludicrous reality. Yesterday, for instance, 3000 young people packed into a mega church during a pandemic – in a virus hotspot – to cheer a demagogue; they were told they were safe because there was a new and special corona virus killing air system.  The pile of farces grows higher and higher. The propaganda machine grows louder and louder. How rich a field for an artist to explore! The most individualistic nation on earth creating lemmings who will believe anything.

What should I paint? Do I want to comment on the ridiculous? The obscene?

I find myself understanding Kazmir Malevich and Ad Reinhardt as I never have before. Look beyond the angry horror story. I do not want to spend my precious few years on this earth meditating on the ugly abstractions, the made-up-in-the-moment divisions. The blank surface of my canvas calls me to look beyond the noise. There is so much to love in this passing moment. Change, real change, is always in this direction.

 

read Kerri’s blog post on BLANK CANVASES

 

 

 

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all my loves/the draw sunsets ©️ 2020/2017 david robinson

 

 

Love Your Language [on Not So Flawed Wednesday]

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You know the old joke: two priests are having an argument so they take their debate to the Pope. The first priest writes to the Pope and asks if it is okay to smoke while praying and the Pope answers “No!” The second priest writes and asks the question this way: is it okay to pray while smoking? The Pope responds, “Of course!”

Language matters. In our current world, inundated as we are with marketers and media – language packed with agenda – it seems we are especially dulled to the power of a few words [or the exclusion of a few details] to shape our actions and opinions. We are easily led. Easily divided. Easily provoked to Facebook frenzy.

The way we frame questions determines the possibilities we see or the possibilities we do not see. That is why it is a mistake for us to frame the questions of our troubled times as either/or questions. To defund the police or not defund the police?  Fear or faith? Us or them? Liberal or conservative? Which is it?

None of the questions we face are simplistic. None can be addressed – or should be approached – with black and white thinking. We’ll only see the poles and miss the million shades of gray in-between.

Leaders that divide-to-rule are especially fond of a rhetoric featuring only two options. They play angel/devil games: there are angels and there are devils and since everyone thinks they are the angel, it is an automatic role assignment to anyone with an opposing point of view. It doesn’t matter what side you are on, the agenda is division so mission accomplished! Language matters.

I’ve heard it said that the opposite of love is not hate. It is fear. Fear splits even the greatest hearts and minds like so much kindling. It creates enmity within and, therefore, enmity without. It reduces and makes the complex things – like listening to others – impossible. It demands that meaning be made before the experience is had – and so it is a rally of made-up monsters.

So,  the opposite of fear? It creates goodwill. Within and, therefore, without. It unites. It embraces and expands and includes. It makes no assumptions. It listens. It ultimately surrounds fear and makes meaning after having the experience and, in that way, relieves the troubled mind of its monsters. It has the capacity to hold a full spectrum of color and options (sometimes known as possibilities). It knows that there is more to this universe than angels and devils can allow. And so, just to be clear in my use of language: the opposite of fear has no opposites. That’s precisely what makes it much harder to grasp than fear. Fear is easy to achieve. Love is an ongoing relationship and has no end.

Language matters. The genius of our system, as it was once imagined, was to allow for opposing points of view to come together in an action called “compromise.” It was designed with complexity in mind. It was intended to pull all perspectives toward a common center, a middle way. An idealist might call that – a common center – something akin to love.

 

read Kerri’s blog post about LOVE>Fear

 

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Become More [on Merely A Thought Monday]

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“Whoever cannot seek the unforeseen sees nothing, for the known way is an impasse.” ~ Heraclitus

It’s funny how the smallest thing can set a mind off in a different direction entirely. For instance, it seems the entire nation is asking “What now?” Some are asking the question filled with hope. Some are asking it filled with fear. I had some thoughts to share about what now and before I began to write, I checked my email. There was a note from my mother.

She found him this morning standing on the patio weeping. He couldn’t see the water coming from the sprinkler. He wanted to help her take care of the yard but simply could not see. My father has the double challenge of going blind while also slipping into dementia. He’s pretty far along in both. She wrote that “she is amazed that he is not perpetually angry.” Instead of being angry, he is unbearably kind. He just wants to help. He cries, not because he cannot see, he cries because he cannot see the water. He can’t remember what to do. He cannot help and, somewhere in his increasing darkness, he knows my mother needs his help .

Kerri believes that people don’t change over time, they simply become more of who they’ve been all along. Age reveals our character. I can only hope, as I age, that the character revealed as my control drops away, is as beautiful as my father’s. He is kind. He is kind. He is kind. Each day he steps further into the darkness and he is kind.

What now?

 

read Kerri’s blog post about WHAT NOW?

 

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Reach The Moon [on KS Friday]

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Today is Kirsten’s birthday. “My daughter is turning 30 today…” Kerri said, disbelief washing over her. In non-pandemic times we’d most likely have driven to Colorado to see Kirsten – even if it was only for a day or a meal. I’ve learned that motherhood knows no limits where love for a child is concerned. “She might as well be on the moon,” Kerri whispered.

Not being able to see Kirsten, Kerri hatched a plot that involved over 60 people, a kind of virtual surprise party. For weeks she’d secretly collected love and birthday wishes from friends and family from all over the country. She spent the entire day yesterday assembling the wishes into a slideshow. There was a second slideshow with virtual gifts.  They were the perfect projects for a mom trying to reach the moon.

I worked all day in the studio (staying out of the way – it was perfect for me, too) and could hear the giggles, the gasps, and the curses of slideshow creation. Every so often I’d sneak a peak and watch her building the rocket ship to carry momma’s love through space and time. It’s a paradox, this gentle intensity. This thing called motherhood. Composer of lullabies. Protector of babes. Dedicated traveler through space and time.

 

AND GOODNIGHT on the album AND GOODNIGHT…A LULLABY ALBUM is available on iTunes

 

read Kerri’s blog post about AND GOODNIGHT

 

MotherDaughter (full)

 

 

and goodnight/and goodnight…a lullaby album ©️ 2005 kerri sherwood

 

 

Leave Her A Note [on DR Thursday]

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my loves, mixed media, 24 x 48IN

I came around the corner just in time to see it. Kerri crawled onto the bed, resting her head on DogDog, she closed her eyes. BabyCat, not wanting to be left out of the snuggle, moved over and curled into the cuddle. I stood very still and memorized the moment.

My artistic well has been dry all winter. I believe dry spells are great opportunities to experiment, to make messes and learn again to be free, to not take anything on the easel too seriously. And so, in my emptiness, I began playing with my memorized moment [last week I published the rolling iterations this image passed through].

Sometimes playing with an image feels like wrestling with an angel. It has the upper hand and is toying with you, the mere mortal. One day, after wiping the latest iteration off the canvas, I had a very mortal thought: this might be the last painting I ever paint. Pandemic thoughts reach deep.

And, what if this was my last painting? What if? I would want my last painting to be a love note to my wife. I would want her to know that one day, as she laid her head on DogDog and BabyCat curled against her, I stood in absolute adoration and appreciation of my family, my wife, my moment. My life. My loves.

 

read Kerri’s blog post about MY LOVES

 

 

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my loves ©️ 2020 david robinson

*this painting is not yet up on the site. the paint is still drying.

**there’s another canvas on the easel with a painting already in process! (phew).

Tuck In [on KS Friday]

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In all of the English language, you’d have to scour the dictionary to find a word more pleasing than ‘lullaby.’ It’s a magic word capable of making hard faces soften with sweet memories. Footie pajamas. Security blanket. Night light. Teddy Bear.

Lullaby is a warm word-cup brimming with the purest intention: a gentle song sung or played to send a child to sleep.

If I could grant a single wish to the children-of-all-ages populating this big chaotic world in this angry and scary time, it would be to take a time out, slip into soft footie pajamas,  zip-up and tuck into bed with a blankie, and give over to a gentle lullaby, a safe and peaceful sleep.

Actually, my wish would be this: that we awake from our quiet sleep, refreshed, with less hard faces and begin our new day, our next era quietly, with an intention as pure and warm and life-giving as Kerri’s lullaby. Being the blanket of security for each other. [a boy can dream…].

I WILL HOLD YOU (FOREVER AND EVER) on the album AND GOODNIGHT…A LULLABY ALBUM is available on iTunes.

 

read Kerri’s blog post about I WILL HOLD YOU

 

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i will hold you (forever and ever)/and goodnight…a lullaby album ©️ 2005 kerri sherwood

Listen To Beaky [on Not So Flawed Wednesday]

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Today we turn our thoughts toward Beaky. A bright light. Five years ago, on this day, she passed away.

Not only does it seem impossible that she died five years ago but it seems more impossible that I only knew her for 18 months. If you were to ask me how long I knew Beaky I’d say, “Forever.” Some people are just like that. Kindred.

She and I were co-conspirators. We plotted strategies – all unsuccessful – to convince Kerri that her natural curls were gorgeous and did not need straightening. She gave me a lesson in applying lipstick and rouge, standing next to her walker, looking into the mirror, popping our lips. After being catheterized, she cautioned me to be careful what I wished for. “When I was young I wished I could pee standing up.” she said. “MOTHER!” Kerri blushed as Beaky winked at me.

Time and again, I was moved by her kindness, her generosity to others. After taking a fall, rushed to the emergency room, writhing in pain, she looked up at the attending nurse and said, ‘You have a beautiful smile.” The role of nurse fell off, the woman flushed pink and was transformed by the compliment. Beaky did that a lot, she hit people with a dedicated kindness when they least suspected it. Her kindness was not manufactured, it was matter-of-fact. It was sturdy,  genuine.

The night before we saw her for the last time, we scoured her house for a blue notebook, the journal she’d kept during a long ago trip through Europe with her husband. Beaky was a recorder of life’s events. Not merely notes, her journals and calendars were threads to a vital time, to living memory. She thought the notebook was lost. When Kerri gave her the journal, Beaky hugged it to her breast and rocked it like it was a long lost child come home.”Oh, you found it! You found it!” she cried.

As we left her that day, she said, as she always did when we departed, “Be kind to each other!” Much more than a salutation, it was an invocation. Be kind to each other.

 

read Kerri’s blog post about GOOD MORNING SUNSHINE

 

 

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Drop The Condition [on Merely A Thought Monday]

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Anyone who tells you that people are not fond of suffering has either 1) never experienced love or 2) never loved an experience. Kerri assures me that giving birth to her children was at the same time the most painful and most joyful experience of her life. It is why humanity, throughout its diverse cultural variations, all bandy-about some version of the phrase “unconditional love.” As they say, love is a sword that cuts both ways. Or, to use a weapon-free metaphor, love is a lemon, both bitter and sweet. All inclusive.  No conditions.

If we are lucky, we do what we love. Whether climbing to the mountaintop or walking the path of an artist, both come with a fair amount of suffering. They also come with an inordinate amount of elation. Moments of passing fulfillment. It is just as I have been taught: the secret to happiness in this life is to  do what you love simply because you love it. Walk toward your love and the suffering will make sense. It will make sense because the suffering-in-love is always transcendent. All inclusive.

Walking toward your love with an added layer of condition (i.e., it has to make money) and you lose what you love. It contorts or goes to dust.

The Buddhists have a phrase: joyful participation in the sorrows of the world. This world is filled with sorrow and suffering and injustice. To be fully alive is not to protect yourself from feeling the sorrows or from experiencing the suffering, but to stand in them. Participate. Engage. Drop the notion that life is an achievement and you will open to the full experience. Colors on the palette.

This is not an abstraction or a dose of idealism.  If you are not walking toward your love you are, in all likelihood, walking away from what you fear. With fear as a motivator, the natural destination is a fort. Separation. Self-preservation. Exclusion. Living in a fortress makes for a very small world, a narrow band of  experience, lots of rules and a multitude of dull and angry days.

We are living in a time of overwhelming challenge. This pandemic mountain is steep. There is undeniable suffering. Fear is being fed. Conflict nurtured. Division fueled. Fear drives people to gather at the governor’s mansion and demand to open the economy. In their blind-fear-madness the protestors rave about acceptable losses. The mind can be a dull angry fortress when the heart is lost in the conditional. Souls twist.

Love, on the other hand, brings nurses and doctors, after attending to the sick and dying, to stand silently in the midst of the fear protestors. Their message is simple. Go home.

Do not doubt that these nurses and doctors are suffering, climbing a very tall and dangerous mountain, but it all makes sense because their love is without condition. They are asking all of us to do no more than think of the suffering of others. They are. Love without condition is simple. All inclusive. No loss is acceptable.

 

read Kerri’s blog post about SUFFERING GLORIOUSLY

 

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