A white canvas. Or is it a blank canvas? This could be a finished piece of art or a scary beginning. Having the 20th century of art firmly in the books, art historians weigh in, saying “yes,” it could be complete. It could also be inception. As confusing or clarifying as it might sound, the determining factor is the artist’s intention.
In 1918, the Russian artist Kazmir Malevich painted Suprematist Composition: White On White. White, he believed, was the color of infinity. It recently sold at auction for $15 million dollars.
In 1963, Ad Reinhardt painted his Abstract Painting, at first glance a black canvas that reveals itself as a symphony of shades and tones. He called his canvases “pure, timeless, ideal, transcendent.” His paintings sell at auction for millions.
Yasmina Reza wrote a play, Art, that explores the question “What is art? In it, friends debate and debase the $200,000.00 purchase of a completely white painting.
Does this sound crazy? The artist decides the reality? Beginning or end? Is it the artist’s intention or the eye of the beholder that gives meaning and value to art? Both?
It is breathtaking when you recognize that artists do not create from thin air. Artists reflect the society in which they live and work. 1918 was the end of a world war. It was the beginning of a global pandemic. Who could blame Kazmir Malevich for exploring infinity? Of wanting to reach beyond an external reality that was horrific?
I stare at my blank canvas. It is an invitation. A call.
I/We live in a time of absurdity – farcical abstraction from observable reality. Angry bubbles. Insulated information tribes. Data collection more valuable than gold. We are reducing ourselves to so many numbers. What’s your credit score? Your personality rating? Perhaps I should fill my canvas with zeros and ones? What would you see?
Mostly, we constantly weigh our interests against values and values lose every time. Weird calculations creating ludicrous reality. Yesterday, for instance, 3000 young people packed into a mega church during a pandemic – in a virus hotspot – to cheer a demagogue; they were told they were safe because there was a new and special corona virus killing air system. The pile of farces grows higher and higher. The propaganda machine grows louder and louder. How rich a field for an artist to explore! The most individualistic nation on earth creating lemmings who will believe anything.
What should I paint? Do I want to comment on the ridiculous? The obscene?
I find myself understanding Kazmir Malevich and Ad Reinhardt as I never have before. Look beyond the angry horror story. I do not want to spend my precious few years on this earth meditating on the ugly abstractions, the made-up-in-the-moment divisions. The blank surface of my canvas calls me to look beyond the noise. There is so much to love in this passing moment. Change, real change, is always in this direction.
read Kerri’s blog post on BLANK CANVASES
all my loves/the draw sunsets ©️ 2020/2017 david robinson
Filed under: Art, Creativity, DR Thursday, Love, Uncategorized | Tagged: art, artist, blank canvas, creativity, david robinson, davidrobinsoncreative.com, Kazmir Malevich, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, white canvas, white on white, Yasmina Reza |
Leave a Reply