Draw The Symbol [on DR Thursday]

sketch image copy

Sometimes drawing is like free writing. I capture the lines and images as they arise without edit or evaluation. It is more akin to following than leading. It’s a meditation. I draw for the surprise of what shows up. Often, in my free flow, symbols arise and I only see them after I put down my pencil. The symbols that floated to the surface in this drawing are Heart and Strawberry.

When symbols pop up for me I make it a practice to investigate, even if they appear obvious or I think I already know. I assume that I do not know anything. It’s a way of continuing the conversation. These two, heart and strawberry, are intertwined symbols. Venus, the goddess of love. Purity and perfection. Sensuality. Eros. Happiness. Good fortune. Compassion. Joy. Charity. There are cultural lenses and religious interpretations but across all cultural variance, both symbols are rivers that lead to love in one or all of its expression.

Yaki asked me to rewrite THE CREATURES OF PROMETHEUS – a storytelling to accompany Beethoven’s symphony – so that it might speak directly to the realities of our day. He wants it to be more obviously relevant. I have been sitting on it, watching and waiting, since we seem to be living in a swirl of chaos. My grasp of relevance in the morning is obsolete by sundown. The only consistency that cuts through the mayhem is that the circles in our communal Venn Diagram no longer intersect. Not only is there no crossover, the circles no longer share the same page. We define ourselves according to our differences rather that reach toward our similarities. Romeo and Juliet is an example, a cautionary tale of what happens when the communal circles stubbornly refuse to find crossover. The children easily transcend the division. The society crushes them for daring to love. And then the adults realize they’ve sacrificed the greater for the lesser and in their grief they reach to grasp hands.

There are hearts and strawberries in every tragic tale. The tragedy arises because the characters refuse to see it. Maybe that is the theme of my rewrite? Maybe hearts and strawberries are the tender sprouts that will emerge in our nation once the fire ceases to rage?

 

read Kerri’s blog post about HEARTS AND STRAWBERRIES

We are still in the Facebook penalty box. It is possible that Kerri’s posts may never reappear so, if you enjoy reading Kerri’s word, consider subscribing to her blog. I know we publish waaay too much but, with the minor exception of us, ALMOST no one reads everything that we write – except for Lydia and Horatio and Malta-Alex and for their dedicated perseverance, we are most grateful.

 

 

dogdog babycat paws touchingwebsite box copy

 

*Shared Fatherhood evolved from a sketch about Polynices & Eteocles, brothers that killed each other in combat over control of the throne. Somehow I traveled from senseless war to shared fatherhood.

 

shared fatherhood 2 ©️ 2017 david robinson

Treat The Origin [on KS Friday]

it's a long story copy

Yaki called. He wants to dust off our Prometheus project and give it another whirl. The Creatures Of Prometheus is one of Beethoven’s early works, a ballet that is nigh-on impossible for a contemporary ballet company to afford. Besides a symphony, it requires  scores of dancers. Twelve years ago, Yaki asked if I would write and perform a narrative – a storytelling- that would weave together the movements. It lives among my all-time favorite collaborations. Yesterday he asked, “Can we update it? Can we make it relevant with what’s happening in the world today?’

My first thought: it’s already relevant! It is a creation story. Prometheus is given the task of creating human beings, a man and a woman. Although he is instructed to make them dull and crude, he creates them to be beautiful, to see and appreciate their connection to the earth from which they were made. Angered by his disobedience, Zeus punishes Prometheus by corrupting the new creatures; he fills them with fear and division. He twists their fear into a lust for war. He makes them dull and crude. Now, Prometheus waits for them to remember and recover their original sight, to remember their capacity for pure seeing, fearless living. To drop their madness and return to their senses.

My second thought: people are notoriously incapable of grasping metaphor. It’s the Zeus thing in practice. The update has to be a direct statement. It must leave no doubt and puncture the commitment to dullness. “Gear down!” as Kerri constantly reminds me.

“How can Prometheus speak to Black Lives Matter?” he asked. We are both artists in the later stage of our career.  Yaki added, “I want my work – my art to really speak to what’s happening today. I want it to help.”

I’ve been sitting in his questions since we talked yesterday. We are standing again at a moment in time when change is possible. We are also standing at the moment when the system, a living thing, a wizard of recreation, will fight to maintain itself. Consider: we had this moment with the abolition of slavery and the system responded with Jim Crow. Segregation. Institutional racism. We had the moment again with the civil rights movement in the 1960’s and the system responded with a draconian judicial/policing/incarceration apparatus, disproportionate tax structures…segregation by legislation (again and again and again).

In our current moment, in this latest moment, how can we make the necessary changes that are not merely the existing system putting a new face on a 400 year old mechanism? Real change requires steps in unknown directions [the rule: if you know where you are going you are merely re-creating what already exists]. How can Prometheus speak to that?

We focus on behavior when we need to stare at the underlying structures. Behavior, as Robert Fritz reminds us, always follows the path of least resistance – the sub-structure determines the path of behavior.

In the story, Prometheus is in it for the long haul. He knows his creatures are made for beauty and will inevitably see beyond their made-up fear and return to their source. They will one day stop listening to the fear mongers and race baiters. They will wake up and recognize that they are not made to be dull and crude and divisive. In fact, quite the opposite. They were made to appreciate and participate in the creation of beauty and betterment. Nature.

Prometheus is in no hurry. He waits for his creatures to remember. He plays the long story. What will that look like?

 

 

IT’S A LONG STORY is on the album THIS PART OF THE JOURNEY

 

 

read Kerri’s blog post about IT’S A LONG STORY

 

treehole website box copy

 

 

 

it’s a long story/this part of the journey ©️ 1997/2000 kerri sherwood

joy ©️ 2014 david robinson