The Abdication of Answers [David’s blog on Two Artists Tuesday]

“Truth is a pathless land.” ~ Jiddu Krishnamurti

I confess. I’ve spent an inordinate amount of my life looking for answers. Mostly, the answers I sought concerned questions like “Who am I?” or “What’s my purpose?” I sought the answers as if they actually existed. Somewhere out there. I thought I’d find it if I kept looking.

“The whole of life, from the moment you are born until the moment you die, is a process of learning.” ~ Jiddu Krishnamurti

It took a while but one of the later versions of myself quite suddenly understood that there was no answer to find. There was a life to be lived. I might arrive at answers – if I still needed answers – on check-out day. And even in that passing moment, my answers would most likely be a learning experience. A discovery.

“Freedom from the desire for an answer is essential to the understanding of a problem.” ~ Jiddu Krishnamurti

On hot humid days we walk along the shore in hopes of finding a cool breeze. Our hot-day-walks are slow, ambling. Kerri stops periodically to take a photograph: the bamboo growing beside the marina, cornflowers in the community garden, a seagull atop a light post. We talk about what matters and what does not. The quiet river running beneath our conversation is the abdication of answer-seeking. We revel in the birds splashing in the birdbath, the first sip of coffee in the morning, the smell of onion and garlic sautéing…slow walks on hot days. Noticing a kindness. Answers are nowhere to be found. Presence is everywhere.

“When I understand myself, I understand you, and out of that understanding comes love.” ~ Jiddu Krishnamurti

Lately Kerri says, “I’m not all that. We’re not all that.” There is freedom found when perspective arrives, an undeniable truth in a vast, vast universe. We are passing through. Nothing more, nothing less. How we treat each other is on the list of what matters. Do we help or hurt others in the time we share together on our passage?

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For The First Time [David’s blog on DR Thursday]

As I have previously written, probably ad nauseam, I am a fan of the mythic tale of Parzival (not the opera) mostly because I sometimes feel that I am living the story. Completely bungling the opportunity in the Grail Castle by doing what he was taught to do, feeling full responsibility for the ensuing wasteland, fighting every ogre in pursuit of redemption, his trusty secret weapon shatters in a crucial moment leaving him unprotected and vulnerable to death. Stripping off the armor – his “role” – he walks away grieving the full-realization of his folly. Now, completely lost he follows a hermit who has no answers…and in his lostness, no longer trying to be found, he finds himself for the first time. The Grail Castle returns; he enters to meet again the Grail King, this time without armor or title or role or status or expectation. Fully exposed.

We walked a beach that merely a year ago was rocky and secluded. In a miracle of modern machinery, in record time, the state covered the beach with tons of sand and built a protective breakwater. It is transformed. Now, much more friendly for families and safer for swimming, for boats and jetskis, it is popular and populated. We strolled it as if we’d been transported to another era. It was at one time the same beach and a wildly different place. It is beautiful and protected, its natural rocky state completely covered over with appearance. “No worries,” I thought, “time has a way of washing away the facade, revealing the truth of everything.” In the meantime, the joy-squeals of children racing into the water was a delight.

“Can you see the dinosaur?” she asked, showing me the picture of the tiny breaking wave.

“A Tyrannosaurus Rex!”

“Yes! Look at its tiny arms!” she said, laughing.

Our feet in the sand, lost in time, nowhere else we’d rather be.

“Surrender to what is. Say ‘yes’ to life – and see how life starts suddenly to start working for you rather than against you.” ~ Eckhart Tolle.

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Puff, Puff, Poof! [David’s blog on Not So Flawed Wednesday]

“But I’ll tell you what hermits realize. If you go off into a far, far forest and get very quiet, you’ll come to understand that you’re connected with everything.” ~ Alan Watts

I recently read an outrageous statistic. The average American by age 20, across all available media, has seen one million commercials. I can’t confirm it but a quick consult with the oracle Google, produced some equally eye-popping numbers. Regardless of the actual number, we are awash in advertisement. My favorite synonym for advertisement: puff (British, of course).

In my recent foray into software development I read that 90% of the world’s data was generated in the last two years. My particular favorite phrase describing data: units of meaning.

We are living in an angry time. It’s a vicious circle: our units of meaning are often – if not always – absent of context or continuity, rendering them isolated. They’re like asteroids hurtling through space.

People seek meaning. It is a uniquely human activity. Meaning-making requires context and continuity. Our ‘puffs’ would have us believe that we will certainly find meaning and connection if we buy what they are selling – but we soon realize that what they are selling, relative to meaning, is just that – a puff. Like me, you will never find lasting happiness in a new car or your identity in your brand of blue jeans. Perhaps you will experience satisfaction for a fleeting moment – which is roughly the lifespan of a unit of data-meaning. Is it any wonder that we are angry and grasping at any ole’ context that conspiracy theories and propaganda might provide? Anger is an expression of fear, and the fear: that we are hurtling through life without meaning.

“And people get all fouled up because they want the world to have meaning as if it were words… As if you had a meaning, as if you were a mere word, as if you were something that could be looked up in a dictionary. You are meaning.” ~ Alan Watts

The lesson of our times (and past times): there is always a populist grifter ready to exploit anger and ignorance, making promises of meaning-fulfillment pulled from an imagined past like a rabbit from a hat. A political puff.

Sometimes I think this is why Kerri and I walk on our trails. To get quiet, to unplug from the incessant info streams, the madness of news-delivered-like-a-commercial. Puff, puff…poof. To re-enter substantial and lasting context. In nature, in the cycles we participate with and experience, we regain – and rejoin – continuity. We stop hurtling through our lives grasping for ‘puff’ fulfillment or trying to make sense of nonsense. We stand in something more tangible. Eternal.

“You are a function of what the whole universe is doing in the same way that a wave is a function of what the whole ocean is doing.” ~ Alan Watts

read Kerri’s blogpost about THE LUSH DAY

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What if? [David’s blog on DR Thursday]

A few months ago Horatio told me that I needed to paint. Lately I’ve been mostly writing. He suggested that it would be good for me to get back into the visual part of my brain, the part that isn’t reliant on words. Horatio is wise. This morning I went down stairs and spent some time in the studio. As is usually the case, he was right.

Weeks ago I sketched a painting on a canvas. It’s been sitting on my easel. Waiting. For today.

It took a few minutes for me to let go. Standing and staring at the sketch, I felt locked up. I grabbed a small brush which is always a signal that I am thinking too hard. I was trying to “solve” the image through a linear sequential process. I put down my little brush, opened a jar of paint, and dunked my fingers in the jar, and began to spread the red paint just like I did when I was 5 years old. I used a rag to smear and pull and shade some of the globs. I reminded myself that I didn’t need to know where I was going. In fact, I needed to “not know” where I was going and dance with the image.

After a while I stopped thinking and started responding. I sighed a deep sigh of relief. I lost track of time. I felt a wave of spaciousness roll in to my too tight mind. Energy restoration.

Horatio must have seen it in me. My grief.

It’s a question of balance. I have lately of my artistry been asking the question, “Why?” As I roll into the next phase of life I am revisiting my roots. Why did I start doing this anyway? Why, as a child, did I paint through the night. If you’d have asked the child version of me the question “Why?” I’d have answered, “Because I have to.” There was no choice. There was no “Why?” There was a driving imperative. A siren call to “What if?”

An aging Daisy. Kerri’s photograph brought to mind Tom Mck. He told me when he entered his sixties, he became invisible. He felt as if he was stepping into the prime of his creative years yet the people he’d mentored or directed or coached – the people whose careers he had informed, shaped and helped launch – the people he reached out to after retiring from his “real” job – no longer considered his artistry valid or valuable. They never told him that he was no longer viable in their eyes but he knew. They either didn’t return his calls or it was months later that he’d get a dodgy response to an inquiry or a question.

I am experiencing some of that.

Today in the studio I realized that I have been asking the wrong question. I already know why. Asking “why” is like picking up a little brush, it is to think too hard. The truth is that I’ve always known: Because I have to. The five year old version of me was not concerned with value and validity in the eyes of others. That version of me thought nothing of dipping his fingers into paint and swirling them across the page. Because it felt good. Because it felt right. This version of me – after I stopped thinking – knew just what to do. I “thought nothing” of opening the jar, dipping my fingers into the paint… What if?

My visibility or invisibility is, in fact, irrelevant. As Tom Mck drilled into me: A writer writes. A painter paints. The rest is simply out of my hands.

County Rainy Day. Underpainting the sketch with painty fingers

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Infinite Palette [David’s blog on DR Thursday]

A Green Haiku

I stare into space

Today. “Green on green,” she said.

Infinite palette.

At the very end of my life I imagine I will understand – perhaps for the first time, in my final moment – that each day was momentous. I will come to understand that every tick-on-the-tock held more import than I had capacity to conceive. To “just get through it” or to assign “good days” and “bad days” a mind-boggling misunderstanding of the opportunity-of-life.

How much of my perception is chemistry? Ventral vagus tugging-at-war with dorsal vagus for story dominance? Meaning made via neurotransmitter? Does my chemistry generally opt for connection or protection? Like most of us, I imagine myself as somehow independent of my environment, an individual, self-actualized. As it turns out, that is proof of delusion. Or human-specific-hubris. I cannot know myself without your reflection. You cannot know yourself without mine.

First we sense. And then we story. And then our stories wear paths in our mind meadow, chemical preferences.

Green on green. Not as simple as it seems. Boundless as this passing moment. Infinite.

[*special thanks to The Marginalian by Maria Popova – June 9, 2024 – for her reflections on polyvagal theory]

Surrender Now, 24″ x 24″ mixed media

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

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Look-At-Me-Look-At-You [David’s blog on KS Friday]

It struck me that as the crowd gathered to watch the family of foxes, the foxes, in turn, gathered to observe the rabble of humans. Look-at-me-look-at-you. I wondered if they thought of us as wild, uncultivated. I know they were delighted that a makeshift fence stood between us and them.

The mother fox leapt onto a stone and seemed to pose for photographs but I was certain she was drawing attention away from her brood. Look-at-me-not-at-them. She knew how to make her frolicking children disappear. And they did. Once safe, she stepped off her platform, no rush, and also disappeared.

A local woman walking her dog saw the crowd and asked, “Is it the foxes?” I nodded. “Thought so,” she said and nonchalantly continued on her way. A family of foxes in the center of town. Nothing new. For her it happens every day. For us, passers-through, it was a surprise. A delight. A family of foxes have never rollicked on our street at home. I may never see this again. She will see it again on her stroll tomorrow, just like yesterday. Thus, the power of perspective.

I read that foxes are observers. They easily meld into their surroundings. They vanish so they can watch. So they can see. “If Fox has chosen to share its medicine with you, it is a sign that you are to become like the wind, which is unseen yet is able to weave into and through any location or situation. You would be wise to observe the acts of others rather than their words at this time.”

Tom Mck told me that as he aged he felt that he grew invisible. I feel much the same way these days though my encounter with the foxes has made me realize that I have mostly lived my life as an observer of others. Like the wind. I much preferred coaching people over the phone: I could listen purely – no negotiating of image – and easily hear the message behind the words. Perhaps I have not grown invisible but am only now fully realizing the truth of one of my gifts. Weaving through any location or situation: Look-at-me-look-at-you.

Every Breath/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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Arrive [David’s blog on KS Friday]

“You must understand the whole of life, not just one part of it. That is why you must read, that is why you must look at the skies, why you must sing, dance and write poems, and suffer, and understand, for all that is life.” ~ Krishnamurti, Think On These Things

The amaryllis is making a reach for the sky. The first time I saw it – a bulb encased in pink wax – I wondered what alien life form just entered our house. We had to ask the same questions we’d need to ask if it was an alien creature: How do we take care of it? How do we feed it? The answer was simple. Leave it alone. That answer confirmed my suspicion. It was an alien after all!

There is so much in this life that I do not understand. In fact, if I am honest, I think most of this life is beyond my capacity to comprehend. Last night, not ready yet for sleep, I watched a nine-minute youtube teaching by Thich Nhat Hahn. Stop Running. The title caught my eye because so much of life feels like running. Running to explain, Running to justify. Running to judgment. Running from fear. Running toward gain. I wanted to hear some thoughts about standing still. In that way, I might understand why there is so much running. In the end, his answer was beautifully simple: rather than run, arrive. Be home.

Rob made us laugh. He’s one of several people who lately reminded Kerri and me that we are not normal. “I didn’t mean for that to sound like it did!” he exclaimed. He’s helping us sort out our plan B. It’s true. Our “normal” in comparison to others is alien like the amaryllis. Rob is attempting to help us see what is special about how we are doing life. And, like everyone, we are mostly blind to ourselves. To our unique choices. To our “one wild and precious life.”

Between the alien amaryllis growing in our sunroom, conversations with Rob and a brief teaching by Thich Nhat Hahn, I am fully confident that I need to cease all attempts at understanding anything at all. Maybe it is time to arrive. Maybe it is time to arrive, to stand still and fully breathe-in all the possible awe teeming in this mysterious ungraspable universe.

Connected from Released From The Heart, The Best So Far © 1995, 1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Water, Water [David’s blog on DR Thursday]

‘For in the end, he [Huxley] was trying to tell us that what afflicted the people in Brave New World was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

The water rises.

Last week, at dinner, disconcerted by the headlines, 20 asked if I could explain the politics of our day. “Entertainment,” I thought, but did not say. We – the community – talk about politics – the news of the day – as if it was serious business – because we want it to be – we need it to be – but we seem mortally blind to the emptiness of the chatter. Song and dance. The purpose, after all, is not to inform us but to keep us hooked.

“Water, water, everywhere. Nor any drop to drink.” ~ Samuel Taylor Coleridge, Rime of the Ancient Mariner

Thirst. Purpose.

It’s not an insignificant question to ask, “What is the reason for being?” We seem puzzled by our purpose or at least conflicted, as made apparent by our insatiable division. My theory is that our division is a distraction, it’s an old colonialists trick, baked into our national dna. A magician’s sleight of hand. There’s no better way to control a populace than to divide them. A people united – and not distracted – demand purposeful and responsible governance. Honest discourse. They demand it of themselves, too. They live from and in-service to a cohesive and shared narrative. The deep root of integrity. Purpose, after all, when clear and meaning-full, is always about others; it is always about service to the community. The betterment of all.

“You drown not by falling into a river, but by staying submerged in it.” ~Paulo Coehlo

May You, 55″x36″, mixed media

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