Make It Up! Why Not? [on Not So Flawed Wednesday]

BabyCat Computer copy

What exactly is going on here?

It’s possible that this cat through osmosis is assimilating large amounts of information, data, and e-knowledge by sleeping on a computer.

It’s also possible that this cat has an emotional bond with an inanimate object. It wouldn’t be the first time.

Consider that this cat, like a tree felled in the woods, toppled in exhaustiob and landed belly up in this unlikely position.

It might be the heat of the computer that attracted the cat. It’s uncertain in the photograph if the day is cold. This may be a heat-seeking cat. It’s possible.

This cat may not be sleeping at all. After all, this is a photograph, a moment of stop-action-time. This cat might be blinking or this could be a cat yoga pose. This could be an instance of deep-cat-satisfaction.

It’s hard to glean the truth of this photograph. It’s possible in our day and age that this enormous cat is nowhere near a computer. Photoshop is capable of making us see the unlikely, the absurd, the unimaginable. This cat might never have met this computer.

What, exactly, is going on here? We may never know.

I can tell you that this very-large-cat snores like a drunken sailor, especially when sleeping on or near the computer. It’s uncanny and I understand if you doubt what I’m writing. You have absolutely no reason to believe me.

You will undoubtedly make up your own story about this huge cat-snoring-computer convection. Heat transfer. You will assign your unique belief to this image. It’s what we do. It’s why, without doubt, anything is possible. Even the absurd. Especially the absurd.

What is really going on here?

 

read Kerri’s blog post about THE CAT AND THE COMPUTER

 

squarecat website box copy

 

*this photo is unaltered. This is not two cats or a large black creature engulfing a cat. This shape is what happens when too much cat meets the floor [help].

 

 

 

Be Nothing [on Not So Flawed Wednesday]

road shadows copy

It might be my age. I am more and more conscious of the fleeting moment, a special-yet-inconsequential experience, walking with friends, and am overwhelmed with gratitude, struck by the profound in the ordinary.

“Be nothing,” Krishnamurti advised. In that way, we become capable of seeing the extraordinary relationships of everyday moments, seeing the intense beauty in ‘what is’ without the greying filter of ‘what should be.’

Kerri was walking ahead with Jay and Gay. They were laughing and gesturing wildly. Charlie, Dan and I were several paces behind. Dan is a great storyteller and he was making us laugh with a tale from his neighborhood. We strolled down the center of the road; on island there is little to no traffic. The sun peaked through the clouds for the first time all day, just in time for sunset. We heard deer snapping tree limbs as they leapt through the forest but could not see them.

I looked at my wife and friends and the rush of utter appreciation stopped me in my tracks. I knew that I was fully alive, nothing stood between me and this very extraordinary ordinary passing moment. Nothing.

 

read Kerri’s blog post about ROAD SHADOWS

 

k&d little lake website box copy

Give It [on Not So Flawed Wednesday]

half and half copy

Janus is a Roman god with two faces. He looks to the future and peers into the past. He is the god of beginnings and endings, transitions, doorways, and passages. He is the god of gateways, the liminal spaces, the between.

Janus must certainly be the god that we dance with on this island, a community defined by divisions, married to its conflicts but also, at least rhetorically, desiring peace.

Kerri and I are the stewards of a performing arts center that is, as Julian Dawson said, punching above its weight. It is the symbol of division in the community, the epicenter of discord, the rope in a very ugly tug-of-war. All of the fault lines run through it. Yet, as Janus would remind us, it then must also hold the path to unity, the potential for common ground.

All in the community want the doors to be wide open; none want the responsibility that comes with access. They want the center, the art, to serve them. They do not yet comprehend that any alive and vital art space is, in fact, the opposite: a place of service to others. Arts spaces and the artists the enliven them are keepers of the commons, the stewards of the stories that unite.

In another life I ran an educational theatre company. It boomed into life the day that the artists, the students, grocked that art was in fact a gift given to others, something they brought to people, not something (like attention or fame or a spotlight) that they got from people.

This island, this center, will someday boom into life. They will discover that the rope in the tug of war goes slack when they walk toward each other. Pulling in opposition exhausts everyone. They will come alive when they cease asking, “What do we get?” and start asking, “What do we bring?”

 

read Kerri’s blog post about EDGES

 

handshadowstones website box copy

 

Open To It [on Not So Flawed Wednesday]

stripes of grey copy

I stood gobsmacked on the deck. The horizon, the straight line bank of clouds. It was a piece of contemporary art worthy of Richard Diebenkorn or Ellsworth Kelly. A study in grays and greens and purples. Monumental.

Sometimes I forget that the very best art can only approximate what already exists in nature.  Try to capture the totality of a sunset. We simply can’t do it. We can approach the feeling but our scope will always be smaller, less dimensional. Our work is to see it – to see beyond the thought of it. To dance with it. To be vulnerable to it. To share the dance.

Last night we saw author/musician Michael Perry on stage. He closed his performance with thoughts about gratitude. He told his audience that, as an artist, he is vulnerable every time that he takes the stage or publishes a book. Opening himself to the thoughts and judgements of others is not an easy thing to do. It is, however, a necessity for an artist. But, here’s the gift: vulnerability becomes gratitude. If you are never vulnerable, living in a fortress, you will never arrive at gratitude. Gratitude is forged from the fire of vulnerability.

Openness begets openness. There is a full spectrum of color, an embarrassment of riches that vibrates between vulnerability and gratitude. Grays and greens and purples. Stand on the deck and open to it. Stand on the stage and open to it. Stand with your neighbor and open to it. The best of contemporary art. Monumental.

 

read Kerri’s blog post about GRAY

 

sunsetonisland website box copy

 

Get This [on DR Thursday}

Pinochio BIGcopy copy 2

I loved writing and drawing Flawed Cartoon in collaboration with our dear 20. We had fun. It predated the current occupant of the White House and, this one, seems especially prescient.

Maybe Geppetto could whittle us something different or maybe that good fairy in the story could hurry up and turn the puppet into a real boy. Those are worthy cartoon ideas!

In truth, my favorite part of the drawing is the push-puppet-pig doing a take to the audience. “Are you getting this?” Even a toy pig knows when it’s being sold a line. Maybe we need a national push-puppet-pig! “You are getting this, right?”

I guess 20 and I need to go back to the drawing board. A drawing board is nothing more than a world of possibilities waiting to be revealed and it seems that our current world is a drawing board or two shy of few good possibilities. Draw a cartoon! We will, too. Together, we’ll see what we can do.

 

read Kerri’s blog post about FLAWED CARTOON

 

snapchat website box copy

 

flawedcartoon©️foreverbecausenoonereallycaresbydavidrobinsonandjohnkruse

Get There [on Not So Flawed Wednesday]

nonplussed definition copy

It is what I love about language: a single word can have two diametrically opposed meanings. I am nonplussed. Read that as you will.

If anyone tells you that communication between people is easy, they are either lying or trying to sell you something you do not need. Communication is hard. Sometimes it is impossible. Doubt me? Chuck the word ‘socialism’ into the public square and watch the fight. One word, a mass of angry or positive associations. Communication will always leave you nonplussed.

Language – words – are imprecise and malleable. They are never passive, that is, people us their words to get something (get understanding, get an idea across,  get their way…). Language is a tool of intention. Language is a tool of story. The story raging inside your head or outside is intentional. Self-talk and Other-talk – both – are in hot pursuit of something (being right, being seen, being valued…). Achieving the intention or not will inevitably leave you nonplussed.

Nonplussed seems like a good intention to pursue. Either way you go, you get there.

 

read Kerri’s blog post about NONPLUSSED

 

tpacwebsitebox copy

Smell The Flowers [on Not So Flawed Wednesday]

ferdinand copy

Ferdinand is the story of a bull who would rather smell flowers than fight. In a moment of bad timing, Ferdinand sits on a bee and is mistaken for the most ferocious bull in his cadre. He is hauled off to be the main event at the bull fights, a high honor for most bulls! Needless to say, he disappoints. Through a mighty wave of provocation, matadors taunting and goading crowds, Ferdinand refuses to fight. He sits center ring and smells the roses. His dedication to peace is a disappointment to all. He is hauled back to his pasture where he lives out his days enjoying the flowers.

The book became a best seller when it was first published in the mid 1930’s. The world was busy readying itself for yet another world war. In the second year of it’s publication, 1938, Ferdinand was the best selling book in the United States.

A mixed metaphor. A big bull with a gentle heart. The greatest power in the arena impervious to the ugly taunts and goading. Ferdinand, you might say, didn’t take it personally.

As luck would have it this week, we enjoyed a children’s concert telling of Ferdinand and a few days later we saw a one-man show, a Winston Churchill impersonator. We left both events with the same impression: if history repeats itself then we are certainly cycling through the late 1930’s. The world seems dedicated to tweeting itself into greater and greater conflict. The arena is alive with screaming and taunting, accusations and blame. Wouldn’t it be refreshing if, into this blood-lust, a bull would enter, sit center stage, and smell the roses?

 

read Kerri’s blog post about FERDINAND

 

doggadeck website box copy

Listen Well [on Not So Flawed Wednesday]

act well 2 copy

When I wore my life/business coaching hat, many of my clients secretly wanted to be painters or writers. After wading around in the depths of their dissatisfaction, they’d finally say something like, “What I really want to do is write a book.” And then, they’d divert their eyes and say, “I just don’t know how to get there.”

The path was always simple to say but difficult to execute. Write. Write everyday. There is no magic path. As Tom would say, “A writer writes. A painter paints.” The action is rarely difficult to do; the story wrapped around it is…well, another story altogether.

The difficulty comes in the form of a many headed monster called vulnerability. “If I write (paint, dance, act…) people will judge what I write (paint, dance, act…).” It’s a heavy cloak to wrap around the creative heart. Yes. They will judge. Some will diminish you and some will praise you to the sky. However, that has little or nothing to do with being a writer or painter, with becoming a better writer or painter. Neither the praise nor the derision is truth or accurate or meaningful.

Both accolades and critiques can pull an artist off-center. To listen to either is to ignore  the quiet prompting of the muse. The essential will be lost in the chatter.

My mind is a tumble of truism. “A journey of a thousand miles begins with a single step,” etc. There is no other way to be a writer than to sit down and write. There is no way to become a better painter than to stand at the easel and paint. And, while writing and painting and acting, there is a necessary skill for an artist to develop: learn to let the opinions and judgments of others pass through. They have nothing to do with creating and everything to do with what others are seeing. The artist’s job is not to determine what others see. The job is to write and paint, to create what the muse whispers in your ear.

There is no other way. Artistry is not an achievement. It is an action, a relationship.

Act well your part. Paint well your painting. Write well your novel. Listen well to your muse.

 

read Kerri’s blog post about ACT WELL YOUR PART…

 

roadtrip reading website box copy

Make No Mark [on Not So Flawed Wednesday]

seagull prints copy

Many generations ago, just after the road was resurfaced, a hearty seagull stepped into the hot asphalt and, doing its best human imitation, left its footprints for posterity.

Everyone wants to leave their mark. A hand print in a cave, a plaque on a bench, an elementary school that carries their name. I was here. I did something worthy with my time. I mattered. I broke a record, amassed a fortune, discovered a cure, left a print in the Hollywood walk of fame.

Once, I painted a beautiful painting and I only know it was beautiful because a woman came to the gallery opening, caught her breath, and wept in front of it. Once, I fulfilled a promise long after it was capable of being fulfilled. Everything changed.

People draw lines in the sand. They take stands. They say, “This matters,” even if, from every other point of view, the scratch in the earth looks insignificant. To cross the line, to betray the mark, is…(fill in your word). My word is untenable.

I mostly wonder what kindness I might be capable of if I was not so concerned with making marks. I wonder what kindness might be afforded me if I were not pressed to step over my lines. What kindness my be engendered?

Time and again I have admired the words and work of people who managed to leave behind the desire for mark-making. They walked through their days, perhaps helping others and, without really meaning to, with no thought of personal gain or guarding of territory or making statements, like the seagull, they stepped and inadvertently left a few footprints for posterity.

 

feet on deck WI website box copy

 

 

welcome flag copy

“The whole island is a welcome sign,” he said. “People here take the time to stop and talk.”

It’s true. This little island is the inverse of life on the mainland. Over there, going slow is an anomaly. Here, rushing to get anywhere is the anomaly. Over there, people get agitated if they are made to wait. Here, people get agitated if they are made to move. Here, people routinely wave as you pass. They acknowledge your presence. Over there, people routinely pretend they don’t see you. Or, they simply don’t see you, their sight so focused on getting to the next thing on the list.

Our neighbors left a note on our door. Came by to meet you. Sorry we missed you. Come over and say hello. So, we did. Two hours and a large glass of mead later, we semi-staggered home feeling as if we’d known our new neighbors forever.

I confess to the disorientation that comes when first entering another culture. This culture, oddly, is not in another country, it is not halfway around the globe. It is a ferry ride just off the tip of Door County. It amused me no end upon first arriving that slowing down, saying hello, stopping to chat, seemed so unusual. So out of the norm.

I like it. It is infectious, this slowing-down-and-stopping-to-talk-to-everyone-thing. It is human scale or, perhaps, it is simply human. Things get done. People get where they need to go and no one gets run over in the process.

Now, in my new culture, stopping to say hello is, somehow, more important than anything I think I need to do; that is to say, self-importance takes a back seat to other-importance. That’s the secret ingredient, I think, the magic sauce to taking time to stop and stand beneath the welcome sign. Plus, sometimes there’s mead! Ahhhh (a coda).

 

read Kerri’s blog post about WELCOME

 

closeup at jonathans website box copy