Reach For What Is Good [David’s blog on Merely A Thought Monday]

Posted on July 7, 2025 by davidrobinsoncreative

Inundated as we are in the political darkness, we made an effort to steep our minds and hearts in the positive and seek the affirmation of the light. So, we went to the arts. We spent a few minutes with James Taylor’s Shower The People (listen through to the end when Arnold McCuller sings a back-up vocal that will make you smile-weep) and we bumbled into a duet of You Can Close Your Eyes that James Taylor sings with his son Henry. Heart opening.

I spent some time reading and rereading Horatio’s latest poem, The Real Work. It’s brilliant and a reminder to seek what we love every single day of our time on this earth. His poem was good medicine for what has recently ailed me.

“Never, never, never give up.” These words by Winston Churchill hang in Kerri’s studio. We’ve both been witness to too many gifted artists give up, lay down their brushes, close the lid on their piano, step off the stage. An artist’s life can be a very hard road so a reminder taped to the wall is sometimes the only thing that brings you back to the studio the next day. Never give up.

These days the quote rings loud-and-true with the meaning it was originally intended to carry. The quote is a shortened version of what Churchill said in a speech in 1941 as Britain stood its ground against the Nazis. Today, everyday Americans stand their ground against the attempted fascist takeover of our democracy. As Kerri said last week on the trail, “It’s like a depraved checkmate.” The supreme court, the republican congress, the department of justice…are all in the pocket of the tyrant-wannabe. Loyalty to the man has overtaken loyalty to the Constitution. The last line of defense is a citizenry who refuses to give up on democracy.

Anne Lamott wrote a piece for the Washington Post on the 4th of July. It provided her reasons to celebrate in this time of national shame. “This Friday, my friends and I will celebrate the land that embraces political marches and rallies, the ones so far and those still to come. This is “We the people,” and that is the ultimate and most profound aspect of America. We are going to keep showing up and talking about what needs to be done and what is possible right now.”

The power of the people is the power of the imagination. The power of the arts is to access the heart and ignite the power of the imagination. What we’ve witnessed these many months is an assault on the imagination of democracy, a lie-pact of the mean-spirited and dimwitted, those who lack the courage and conviction – and imagination – of “We the people”.

As we keep showing up and showing up and showing up it is vital to fill our heart-tanks with the words of writers like Anne Lamott, the heart-opening music of musicians like James Taylor and Bruce Springsteen…to intentionally and regularly drink from the sources of light that fire the imagination and help us do more than resist the dark but reach for what is good and right and possible.

read Kerri’s blogpost about NEVER GIVE UP

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A Poet’s Revelation [David’s blog on KS Friday]

Posted on June 13, 2025 by davidrobinsoncreative

Some enlightened poet/scientist named this little flower Shooting Star. The flower evoked for the scientist streaks of light arcing across the night sky. The scientist must have had a profound experience one night, gazing into the stars when, suddenly, the stars seemed to go haywire, zipping across the sky.

My first ever meteor shower happened while I was a teenager. I was in the mountains. I lay in a meadow with my friends and watched the heavens dance. It made me understand how so many cultures on this earth believe that shooting stars are either souls returning to the earth to be reborn or the souls of the recently deceased leaping into the other world. Souls in transition leaving a brilliant, momentary trace of light behind them.

Still other cultures believe that shooting stars are messages from the gods. Affirmations.

The message I received from my night in the mountain meadow watching the stars arc across the sky? I am infinitesimally small in this vast universe. And, I am intimately connected to everything. It’s a poet’s revelation.

The scientist who named the flower Shooting Star must have had the exact same realization.

[Bonus hope: A poet’s thought in a world of oppression in which we are connected to everything]

I Look At The World ~ Langston Hughes

I look at the world
From awakening eyes in a black face—
And this is what I see:
This fenced-off narrow space
Assigned to me.

I look then at the silly walls
Through dark eyes in a dark face—
And this is what I know:
That all these walls oppression builds
Will have to go!

I look at my own body
With eyes no longer blind—
And I see that my own hands can make
The world that’s in my mind.
Then let us hurry, comrades,
The road to find.

Blueprint For My Soul on the album The Best So Far © 1996/9 Kerri Sherwood

Kerri’s albums – borne of her poet’s revelation – are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SHOOTING STARS

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Follow The Lines [David’s blog on DR Thursday]

Posted on June 12, 2025 by davidrobinsoncreative

“In the art world, lines are a fundamental element used to create a wide variety of effects. They can define shapes, create movement, guide the viewer’s eye…” ~A-I Overview to my inquiry about lines in art

I confess that I am having a hard time. I’m in the middle of a mini-moral crisis.

I’ve written this blog since 2010. I set out to write about positive things, affirmations and stories of the best of us. At the time I began writing I was traveling around the nation, working with incredible people everywhere I went, so I had a bucketful of stories to share, celebrating the best of the human spirit. Kerri and I began writing our Melange 382 weeks ago. We had so much art and music in our folios and files and we wanted to bring them into the light of day. Sharing the best of us – another way of celebrating the human spirit.

After all of these years I enjoy a small but enormously appreciated (by me) audience.

Lately, I am aware, that my daily writing and my focus is not about celebrating the best of us but has almost exclusively become about ringing an alarm against the worst of us. I am sometimes snarky. I am mostly horrified at how dulled we as a nation have become to the outrageous. I am alarmed at our normalization of the monstrous, the disappearance of Congress, the collapse of the system of checks and balances.

Each day I have a chat with myself about staying focused on the positive but I am lately finding that to be naive to the point of dangerous; it is akin to sticking my head in the sand or plugging my ears so I hear no evil.

Each day, more and more people are being swept off our streets. Each day, they are denied due process. This morning I’ve been reading – and verifying – accounts about the unnecessary death of a Haitian woman in one of our many overcrowded detention centers. The conditions are appalling. She is not the first. She will not be the last. Her crime: trying to escape abject poverty and enter the land of the free and the home of the brave.

90% of the people – human beings – are being held without due process in privately run detention centers that are by many accounts no better than concentration camps. Think about it: “privately run” means that they are detention-for-profit; the more people swept up and crammed into these camps the more money they make. Inhumanity with a profit incentive.

Which brings me to my moral crisis. I am both a visual and theatre artist. I know how to create movement that guides a viewer’s eye. I know how to make an audience see in a story what I want them to see. I also know how to prevent them from seeing what I don’t want them to see. It’s akin to the magician’s trick. Create a distraction so the mechanics of the trick go unnoticed. Our national media are masters of distraction. They make rather than report news.

We-the-people are being distracted. We are being pitted against each other so we do not look at the magic trick that is making our rights – and the rights of others – disappear. We are not supposed to see what is happening in the detention centers – we are not supposed to know how our taxes are being used, what we are paying for, what we are creating: a police state.

Follow the lines. It is not so hard to see what we are not supposed to see. It’s ugly. A president ignoring the law, exploiting brutal immigration sweeps to incite violence, manufacture an “insurrection” in order to turn the military against citizens. The suspension of elections will surely follow. The sweeps will include voices of opposition.

It is morally irresponsible to look the other way. It’s morally reprehensible to say, “There’s nothing we can do about it,” or “I didn’t vote for this,” or “I had no idea what was happening,” or “This doesn’t impact me.” It is fundamentally immoral to pretend that this is something that we “Can’t talk about.” It is depraved to roll along as if the current course of this nation is anything other than ethically bankrupt. People are dying, being held without due process in deplorable circumstances. And we-the-people are paying for it. We don’t like where the lines lead so we change the channel. We look the other way or swallow whole-cloth the media spin.

What is my responsibility to write? To paint? To draw? How can I celebrate the human spirit, the best of us, when the leaders of the nation are every day grinning at, applauding and investing in brutality, taking delight in human misery? And our tax dollars are making it possible.

a detail of Weeping Man.

read Kerri’s blogpost about LINES

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A Closer Look [David’s blog on KS Friday]

Posted on June 6, 2025 by davidrobinsoncreative

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

A closer look at the dandelion reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Listen to your inner monologue. It is the story that you tell yourself about yourself. Listen to the stories in the news or racing across your social media screen. They are the stories that society is telling itself about itself. Any good novelist or playwright will tell you that conflict is the motor of story. Note: conflict need not be violent. Longing is a conflict. Unrequited love is a conflict. A search for meaning is a conflict. A closer look at humanity reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Robert Olen Butler defined story this way: “When a yearning meets an obstacle.” I believe words matter. I have always appreciated Robert Olen Butler’s definition of story because it does not use the word “conflict”. It is the fractal of the human experience.

The Buddhists teach that desire is the cause of suffering. I giggle every time I consider that marketing is essentially the creation of desire so it follows that it is the engine of suffering. The peace found in possession is fleeting. My Buddhist cartoon: retail therapy is but a single stop on a continuous cycle of suffering. If I was a teacher of story-writing I’d send my students to the outlet mall to study shoppers. My bet is that they’d eventually recognize themselves in the shoppers; then they’d have something essential to write about.

Picasso said, “Every painting is a self-portrait.” His sentiment is a fractal. We watch movies to see ourselves. We attend concerts to transcend ourselves – to lose and then find ourselves in the music.

A closer look at us reveals a fractal. We are both the yearning and the obstacle. A repeat of the same or similar pattern no matter the level or the scale.

Fistful of Dandelions © 1999 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora

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The Fire That Sustains [David’s blog on Two Artists Tuesday]

Posted on June 3, 2025 by davidrobinsoncreative

It’s funny what a photo invokes. A contrail and the sun:

When he was young Beethoven wrote a ballet called The Creatures of Prometheus. It is too big for modern ballet companies to produce and symphonies have a difficult time adding it to their program because – well – it’s a ballet and the music needs something to tie it together. I had the great good fortune to develop a story based on original program notes and perform The Creatures of Prometheus with The Portland Chamber Orchestra, conducted by Yaki Bergman, in 2008.

It is a story of the creation of human beings. It is the story of jealous Zeus forcing the newly created humans to accept him as their god rather than their true creator, Prometheus. Zeus is an irrational bully. The other gods on Olympus go along with his brutality because they, like the humans, fear him. Apollo the sun god, the god of reason and light, despises Zeus and plants the seed of reason in the creatures in the hope that, one day, they would awaken to their true nature, they would recognize the old god Prometheus as their true creator.

At the height of the Black Lives Matter protests Yaki contacted me and asked me to rewrite the script to make it relevant to the events of the day. We were to perform the new piece, entitled The Last of the Old Gods, in the spring of 2023. There was a contract snag delay. Yaki was diagnosed with an aggressive cancer and passed before we could perform it. I grieve him. He was a great artist with a big vision and even bigger laughter.

Art is meant to carry the conscience of a community. It is meant to express and explore the values of society. And, since society is mostly blind to itself, It is meant to be a mirror, a mechanism for people to see themselves. Yes, it needs to entertain but entertainment is the warmth that draws the community to the hearth fire. Art is the fire that sustains.

It is enough to say that we are currently living in a time of a false bully who would-be god. He must lie and fearmonger to achieve his desire, just like Zeus in the ballet. In re-reading both of my versions of the script I was struck how they are now more relevant than when I wrote them. The Last of the Old Gods will live in my files. It will, I hope, someday, find its light-of-day.

Here is a segment of text from The Last of the Old Gods, the final bit of story that leads into the musical Finale:

“In an instant, Apollo sent a tiny spark, a thread of sun that wove through the spell of Thalia’s masks, that opened a possibility of release. A chance at remembering. As the creatures circled each other in their dance, one reaching, the other rejecting, like a drowning man, one pressing the other down to elevate itself, Apollo whispered into their souls a possibility, a pathway home.

His thread of sun ignited the seed Prometheus planted.

If someday, they could turn and face their fear, see through the false division, let go of the lust for power and belief in dominance and division, if one day these creatures could take a chance and reach toward the other, it might remember itself. Thalia’s masks would fall. The seesaw game would collapse. And the creatures’ natural iridescence would be restored. 

It might, someday, look in the eyes of the other, and remember itself. Whole. Prometheus’ touch would finally reach them. The last old god, Prometheus, and his creation would be free.” 

read Kerri’s blogpost about THE SUN AND CONTRAIL

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With Abandon [David’s blog on KS Friday]

Posted on May 16, 2025 by davidrobinsoncreative

It was my favorite paradox-quote of the week: “The discipline is free association,” he said. Horatio was describing his daily Wordle addiction and extended it to a metaphor for deeper art processes. Horatio is a poet, a writer, a painter, a filmmaker…Like all artists, he understands the necessity of left-brain discipline: technique and function. Color theory. Story structure. Yet, the ultimate discipline, the doorway to flow, is through the right-brain and requires the exercise of letting go of the left-brain-everything-you-think-you-know.

My teachers in theatre school often said on opening night, “Now, all you need do is let go and trust your work.” Let go of listening to yourself. Let go of your internal editor. Let go of self-judgement. Let go of your need to control. Open your heart. Dance the dance without inhibition. Dance the dance with abandon.

Leave your big ole brain behind.

The discipline of free association. It is a practice with layers. Like all life-practices it has no end; it has nothing at all to do with achievement. It’s a discipline like mindfulness is a discipline (a misnomer: mindfulness should be called sense-fullness). The practice becomes a way of living.

Approaching the park she stopped suddenly. I learned early in our life together that walks with Kerri are exercises in seeing. She sees a world that is mostly invisible to me because I am most often lost in my thoughts. She allows her eyes to roam without presupposition. Now, when she stops, before she shows me her photograph, I play the game of trying to see what grabbed her attention, what captured her eye. Inevitably, I am surprised by what she shows me. Her open focus is receptive. She doesn’t predict. She doesn’t seek. She responds. She sees composition beyond what she thinks-is-there. A tree. The lake. A strip of green.

She illuminates for me the extraordinary in the ordinary.

“How did you see that?” I ask.

She shrugs and says, “I don’t know. It was right there.”

To free associate one needs first to be free of preconception. To step on the stage, having done all the work and still be able to say, “Let’s see what happens.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TREE

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A Refresher [David’s blog on DR Thursday]

Posted on May 15, 2025 by davidrobinsoncreative

Jim E guided us – actors and directors – through an exercise he called The Spirit of Play. He was a master teacher. Afterward I made copious notes so I, too, might lead others to their spirit of play.

Through my time in the theatre I guided many groups through the sequence. Later, in the corporate world, finally understanding the essence beyond the progression of steps, I led lawyers, business folk, teachers, coaches, consultants…through variations of Jim’s original workshop, all meant to bring people back to themselves, back to their spirit of play. It was my north star, “People just want to play,” I assured my doubtful collaborators.

Play is an umbrella big enough to safely contain the serious stuff. The serious stuff by itself is too small a container to allow for play. The inspiration-well will always run dry if play is banished from consideration. Unfettered imagination, freedom of exploration and expression, so natural as a child, is shackled when the spirit of play is burdened by a purpose called win or lose.

I recently reminded myself that cloud gazing feels good and requires no other purpose for doing it.

Clearly needing a refresher for my own spirit of play, I went into the studio, pulled out eight canvases, mixed a bucket of paint, grabbed several big tools, scrapers and rags, and to the tunes of Jerry’s jazz band, I spattered, pulled, rolled, scraped, smeared. No thought was allowed, not goal was considered. Nothing serious was entertained. I dropped my very-important-role of “artist” and laughed and laughed.

KDot & DDot See An Owl, 24″x48″, acrylic

read Kerri’s blogpost about CLOUDS

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An Audacious Thing [David’s blog on Two Artists Tuesday]

Posted on May 13, 2025 by davidrobinsoncreative

I love it when the parks department rakes the beach. It reminds me of a Zen garden. Yohaku-no-bi: “The beauty of blank space.” I read that Zen gardens are meant for contemplation rather than meditation. Intentional thought rather than quieting the mind. What could be a better topic of contemplation than the beauty of blank space?

I have given much of my life to sitting before a blank canvas contemplating possibilities. Raking the sand in my garden.

Today Dwight flies to Portugal where he will embark on a pilgrimage. I love what he wrote as he prepared for his adventure: “…what audacious thing might occur to me when I let my mind get quiet?” Embracing the opportunity and the unknown!”

I flipped his words for contemplation: When I let my mind get quiet what audacious thing might occur to me?” Following a sentiment attributed to Aristotle, if “nature abhors a vacuum”, then a quiet mind is an invitation to the audacious.

A blank canvas. A quiet mind. An audacious thing. An embrace of the unknown opportunity. Beauty.

I didn’t intend it but I just wrote a haiku, a send off for Dwight using his own words:

An audacious thing:

An embrace of the unknown.

Opportunity.

Walk in quiet beauty, my friend.

read Kerri’s blogpost about THE BEACH

http://www.kerrianddavid.com

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Small Things [David’s blog on KS Friday]

Posted on May 9, 2025 by davidrobinsoncreative

We took a break and sat outside, soaking up the sun. Had we continued working we’d have missed the hummingbird, the first of the season. You’d have thought by our reaction to the hummingbird sighting that we just scored the winning goal in the World Cup finals. It’s what I love about how we are walking through the world. Small things are cause for big celebration.

We moved the bags of leaves to the curb for pick-up. The bags were sitting on the driveway beneath the bird feeder. After we removed the bags, Kerri spotted some wriggling worms. “It’s not a good thing to be a worm wriggling beneath a bird feeder,” she remarked, lifting them one-by-one and gently placing them in the grass away from the feeder. Small things. Big empathy.

It seems in a single day Breck’s many buds popped open as leaves. They are yet teeny-tiny but perfectly shaped aspen leaves, ready for quaking. They catch the evening light and literally glow. “You go, Breck!” we cheer our hardy aspen tree. For us, Breck is a symbol of perseverance. If at first you don’t succeed…Those new leaves are very small things but they invoke in us big, ancient hope.

We ask, “What we can possibly do in the face of the assault-from-within on our democracy?” Small things.

In the past two days I’ve seen pleas for support from several small arts organizations. The current administration has eliminated their grant money. Their survival is now tenuous at best. They are small things that could use our big support. “Theater, in particular, invites us to imagine another’s perspective, to reckon with injustice, and to practice compassion in real time. To defund it is to silence one of the sacred spaces where we learn to be human together.” ~ Chris Domig, Artistic Director, Sea Dog Theater.

Consider helping the many, many sacred art spaces in this country to survive – and perhaps thrive – in this time of silencing voices.* For them, our support is no small thing [My short list: Sea Dog Theater Company. Seven Devils New Play Foundary. Changing Faces Theater Company. Your local companies – museums, galleries, dance companies, writer’s retreats, symphonies…the storytellers, the tradition-keepers, the mirrors to power – all depend upon grants and donations. All are in danger of disappearing. Help them in any small way if you can].

We are very small things but no less capable than Breck, or the hummingbird, or the worms of inspiring hope, evoking empathy for otherness, of celebrating all that makes us human.

We are, by ourselves, small things but united we are capable of a big, loud, unified voice – we are capable to sending a potent message to those who fear and would silence the power of the arts, those who would shutter the spaces where we learn to be human together.

*non-profits, like your local food banks or social service organizations…are also under threat. Find them. Help them in any small way that you can.

Nurture Me on the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SMALL THINGS

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The Question Of Orbs [David’s blog on DR Thursday]

Posted on May 8, 2025 by davidrobinsoncreative

“Find a place inside where there’s joy, and the joy will burn out the pain.” ~ Joseph Campbell

She told me this photograph was for me. My paintings often include orbs. I wasn’t aware of my orb-inclusion until the day many years ago that I showed Jim E. my paintings. He asked, “What’s up with the orbs?” Confused, I examined my own paintings. It was a hysterical moment of self-discovery.

At first I liked to think of the orbs as spirits. Guardians or messengers. I am an intuitive painter so I assigned some Glenda-the-good-witch sensibility to my ever-present orbs. Later, I imagined they represented unhatched possibilities or germinating ideas. I loved the idea that we are surrounded by bubbles of potential. Now, I have no story at all for them. I like them. They are there. They make me happy. They make compositional sense.

Last night we discussed our broken road path to each other. If this or that had changed, would we have found each other? Would we be living entirely different lives? From this vantage point, our meeting was all but impossible. At the time, what seemed like the worst possible thing – life collapsed in both of our stories – nudged us to somehow bump into each other. Two bubbles in a vast universe.

Now, joy is burning out the pain.

Perhaps my orbs are homage to the wonder of bubbles in the universe? A nod to the unanswerable question of my life path – ours or any life path: is it random or is it destiny?

“Whatever your fate is, whatever the hell happens, you say, ‘This is what I need.’ It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment–not discouragement–you will find the strength is there…” ~ Joseph Campbell

Meditation, 48″x48″, mixed media

JOY, 50″x56″, mixed media

read Kerri’s blogpost about ORBS


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