Pivot [on Two Artists Tuesday]

Art In Me copy 3

I learned many things following Skip through the curious world of technology entrepreneurism. Peculiar terms like ‘incubator” and “accelerator,” once reserved for premature babies or the gas pedal in my car, were reassigned to ideas: ideas in need of nurturing or, more remarkable, ideas pumped up with steroids and released ravenous upon investors (who were also ravenous but more composed by virtue of their power position).

Among the most important lessons was this: despite the best incubation, even with warp speed acceleration, the best idea, the best product, was probably obsolete the day it hit the market. Someone, somewhere in the world, had already improved upon it. A better mousetrap has little or no shelf life. And so, I also added to my vocabulary a new understanding of the word ‘pivot.’ I love how similar an entrepreneur’s terminology is to a ballet dancer. Pivot, move, fluid, flow, swivel, turn, revolve. Keep your center. Keep your eyes on the spot or you will grow dizzy and fall. The spot is not the individual product, the single idea. It is the business spawned from the idea. It is the ongoing relationship with relevance/obsolescence.

Those in my age group are distinguished by our dance with obsolescence. Graphic designers, publishers, musicians, educators,…artists. We are distinct in having one foot in an analog world – I prefer easel and canvas to stylus and computer screen –  and the other foot in the digital tsunami. The art is innate. Relevance is another story entirely. Reinvention (another word for pivot) is a necessity. Entrepreneurs and artists are not so different.

After seeing our melange post on Surfing Uncertainty, Master Marsh  reflected that surfing uncertainty was more than a design, it was my credo. Horatio jested that I was either a dilettante-from-hell or a bodhisattva. I laughed. Illumination seems a bit out of my reach. I think technology makes dilettantes of us all!

if you'd like to see TWO ARTISTS copy

 

 

read Kerri’s blog post about ART ALREADY IN ME

 

www.kerrianddavid.com

 

facebook logo copy 2

 

i was came into the world with art already in me ©️ 2016/2018 kerri sherwood & david robinson

 

Enjoy The Chase [on Chicken Marsala Monday]

itsnotthecatch WITH EYES jpeg copy 2

It’s always an interesting exercise to revisit past work and see it through eyes of the present. It ‘opens’ in ways that were unavailable when the work was first produced. That’s true of my paintings and Kerri’s music. It is also true of our Chicken Nuggets. We created most of these single panel “nuggets” two years ago – along with a full cartoon strip for proposals to syndicates.

My present-day eyes see essences. For instance, this Nugget perfectly encapsulates the the work I do with most of my coaching and consulting clients. The growth happens when the sheer enjoyment of the chase takes precedence over the obsession on the catch. The catch is temporary, passing. The chase is infinite. It’s the chase that matters.

Shift your focus. Said another way: It’s not the achievements. It’s the relationships that matter. It sounds like so much hoo-ha, a Hallmark card philosophy. Yet….

Joseph Campbell said that people think they are looking for the meaning of life but in truth they are looking for the experience of life. The experience of life is found in the moment, in the relationship, in the chase. Meaning is always found in the experiences, not the other way around.

On this Chicken Marsala Monday, shift the focus of your eyes. Embrace a simple dose of hoo-ha, enjoy the chase. It is what matters.

 

if you'd like to see more CHICKEN... copy

read Kerri’s blog post on IT’S NOT THE CATCH, IT’S THE CHASE THAT MATTERS

 

www.kerrianddavid.com

 

facebook logo copy 2like us on facebook

 

 

it’s not the catch, it’s the chase that matter/products ©️ 2016/18 david robinson & kerri sherwood

Open, Open, Open [on Chicken Marsala Monday]

therearen'tenoughcrayons WITH EYES jpeg copy 2

“I found that I could say things with colors and shapes that I couldn’t say any other way – things I had no words for.” ~ Georgia O’Keefe

The first time Jim, one of the most brilliant actor/directors I have known, played the role of King Lear, he told me that he didn’t have enough colors in his paint box to do the role justice. He had more to learn.

It is the common thread and what I love about all the great artists. mentors, and teachers that have had so much impact on my life – they know there is always more to discover. They know that ‘it’ – whatever ‘it’ is – is unachievable. So they look, engage, experiment, play, expand, reach, open, open, open…. Artistry is a life-long practice. It is a relationship with life.

“No one sees a flower – really – it is so small it takes time – we haven’t got time – and to see takes time, like to have a friend takes time.” ~ Georgia O’Keefe

 

if you'd like to see more CHICKEN... copy

read Kerri’s blog post about THERE AREN’T ENOUGH CRAYONS IN THE WORLD

 

www.kerrianddavid.com

facebook logo copy 2like us on facebook

there aren’t enough crayons in the world ©️ 2016/18 david robinson & kerri sherwood

Sandcastle With Me [on DR Thursday]

MorselSandcastle withMe copy

My favorite ongoing series of paintings is called The Narrative Series. I’ve been adding to the series since 1989. It is my least popular series if sales are the determining factor of popularity. Mostly people respond with, “I don’t get it.” When I painted my first, I loved it and thought to myself, “I don’t get it.” So, I’ll spend my life trying to get it, all the while, knowing that it is impossible to get. However, when I birth another in the line, I know it is the closest I come to the center (whatever that means). These paintings are stories in broken time or, in the cubist frame of reference, they are stories in multiple time.

A few years ago I attended a lecture series featuring Brian Greene and Stephen Hawking, theoretical physicists. They have two different theories of multiple universes and it was mind blowing to try and grasp both theories (who am I kidding, trying to grasp one was mind blowing). Brian’s was all about strings and Stephen’s was all about bubbles. The math works for both and I left the lecture with eyes crossed and reaching for sense. And I was thrilled. That day they were narrative painters, too.

Sandcastles and Me is a morsel of a recent addition to the narrative series, titled Spoons & Sandcastles (though you’ll find it in the Beach series folder on my site). If after looking at the morsel and the full painting you find yourself thinking, “I don’t get it.” Take heart. You are in good company.

 

 

read Kerri’s blog post about SANDCASTLE WITH ME

 

if you'd like to see david robinson.. copy

www.kerrianddavid.com

 

sandcastle with me/spoons & sandcastles ©️ 2018 david robinson & kerri sherwood

Throw A Pillow [on Two Artists Tuesday]

pillow collage - d paintings copy

The artists’ dilemma in 3 Acts (or, the story behind the pillow collage):

Act 1: Early in my life as a painter I copied master paintings for display in model homes. I’d alter the colors to match the couch. Something was dreadfully wrong with altering master work to match a couch. The world seemed upside down and I was young enough to think perhaps it was me that was upside down. I doubted what I knew. I doubted my inner compass.

Act 2: Later, when I first moved to Seattle, my gallery hunt brought little interest in my work but I was offered the same piece of advice at every stop: Tone it down. The images were “too strong” or “too colorful.”  The reasoning made my head spin: “No one wants to buy a painting that dominates a room! A painting should add to the over all impact but not be seen.”

“Kind of like a throw pillow,” I’d respond.

“Yes! Like an accent piece.”

This time, I knew that I was not upside down, just peddling my wares in the wrong market. Or the wrong century. I trusted my compass yet stood without direction in what felt like a vast wasteland.

Act 3: Waving the Design Within Reach catalogue in front of my face Kerri was on a full blown rant. The page waving before my eyes was a collage of throw pillows. “These are boring!” she  shouted, “Who designs this stuff?” I knew what was at the heart of her tirade. She’d spent the last several months designing her heart out. Her line of pillows – those based on my paintings and a fleet of others – is unique, different. “Why do people buy this stuff? It’s the same as everything else!” she fumed.

I responded with studied calm. “One. How many people see this catalogue versus how many people are seeing your designs? No one is seeing them.”  She scrunched the catalogue. “And, two, perhaps the designs are too bold and too different.”

“That’s what makes them interesting!” she protested. “Beautiful art doesn’t just have to be on the wall!”

“Ah.” I said, “That’s the problem! A flawed premise! Turning the art into a throw pillow still does not make it an accent piece. That’s a good sign!”

“I’m making my own ad! It’ll be a collage! It’ll be a piece of art!” she waved the destroyed catalogue in the air and stormed to the computer.

There is no wasteland here. Her inner compass, and mine, is just fine.

 

see all of Kerri’s designs from my paintings

 

read Kerri’s blog post about PILLOWS

 

www.kerrianddavid.com

 

pillows designs ©️ 2018 kerri sherwood & david robinson

 

 

Count On You [on KS Friday]

count on you song box copy

Occasionally we’ve intentionally organized our weekly melange around a theme. Mostly, however, we choose the individual pieces according to a scientific method, a very precise criteria. It’s called ‘Oh, I like this one. Me, too.” And, sometimes our very precise criteria bumbles into a theme that we only notice when building the web page. That was the case this week. This is called the ‘happy accident’ method.

Our happy accident reads like a self-empowerment seminar: unleash the power of your crayon, living without fear, break away from the flock, pray in the field of opposites, and today’s KS selection: count on you. Kerri told me that this song was not her favorite and I reminded her that no artist likes all their work. She scowled at me and nodded her head at the same time.

It is especially difficult for an artist to reach back almost two decades and appreciate, let alone recognize, the work they did at another time, during another era of exploration. I famously look into my archives and grimace. A very few pieces stand out, the connection still strong, the exploration still alive and vital. The rest look foreign like someone else created them.

But this is what Kerri knows and always tells me when I am in full artistic grimace. The pieces serve as markers, important reminders of where you’ve been, reminders of how far you’ve traveled. And, as the artist, it is never my place to decide for others what is best and what is not. It’s the artist’s job to share. And so, in a grand moment of blow-back, I reminded Kerri of her own words when she grimaced at this song.

Blow back has blow back. No one ever accused me of being smart. It is not by intention that I now find myself sharing the crate with dogdog as I introduce to you this song of wise reminders. It’s a marker of Kerri’s past but her message is never dated.

COUNT ON YOU on the album SURE AS THE SUN available on iTunes & CDBaby. You can buy a physical CD here.

 

read Kerri’s blog post about COUNT ON YOU

 

if you'd like to see kerri sherwood.. copy 2

 

www.kerrianddavid.com

 

count on you/as sure as the sun ©️ kerri sherwood

Pray In Opposites [on DR Thursday]

 

I love this painting and for some reason have never included it in a show. An early version of it hung for a few years in the undergraduate offices of Antioch University, Seattle. After returning from Bali I took it down, hauled it back to the studio and repainted it.

On my gallery site I wrote about this painting that paradoxes and oppositions are lively topics for me. Truth is always found in the “in-between” spaces. Truth is connective tissue.

Separation is only the beginning of the life-story. The rest of the story is a search for connection. It is lived as a quest to find the common center – through a prayer of opposites. As the Balinese would say in shorthand, many faces, one god.

 

if you'd like to see david robinson.. copy

read Kerri’s blog post about A PRAYER OF OPPOSITES

 

www.kerrianddavid.com

facebook logo copy 2LIKE US ON FACEBOOK

a prayer of opposites ©️ 2002/2018 david robinson & kerri sherwood

Fly Like An Artist [on Flawed Cartoon Wednesday]

breakaway jpg copy

This Flawed Cartoon originally came with a caption. Can you guess what it was? In selecting this week’s cartoon, Kerri and I both loved the image and rejected the caption. “It says much more without the words,” she said.

Without really intending it, a common theme emerged from our picks for this week’s melange: Unleash the power of your crayon. Living without fear. Breaking away from the flock.  Together these might make a nice set of mantra-coasters for the artist’s path.

While you consider unleashing the power of your crayon have some fun and make up a caption for today’s Flawed. Send it to us. Who knows! You just might complete the coaster set with your submission. High Honor Indeed!

 

if you'd like to see FLAWED CARTOON copy

read Kerri’s blog post about BREAKING AWAY

 

www.kerrianddavid.com

 

facebook logo copy 2LIKE US ON FACEBOOK

 

breakaway ©️ 2016/2018 david robinson & kerri sherwood

Unleash Your Crayon [on Chicken Marsala Monday]

unleashthepower WITH EYES jpeg copy“…art is a staple of humankind – never a by product of leisure or elitism – and so urgent, so utterly linked with the pulse of feeling that it becomes the singular sign of life when every other aspect of civilization fails.” ~ Jamake Highwater, The Language of Vision

Many years ago I was excited to move into a new studio. Many people in my circle responded to my news in the same way: “Oh God! That’s too much pressure! Now you’ll have to use it!”

I wish I could say that I was dumbfounded by the common response but I wasn’t. As a coach, I wish I could count the number of clients I had who spent many hours and huge dedication of resources to fulfill their dream of having a studio – only to fear walking into it. They thought the lack of a studio was the obstacle and discovered that the real challenge was the banishment of their imagination, the leash they’d placed on their full expression.

Taking off the leash is a daunting affair. It means facing the reasons the leash seemed necessary in the first place. An imagination placed on a leash does not go away, it turns to dark imaginings. It eats itself. It separates. It isolates.

Art is not something that can be approached through reason. It is much more essential, much more primal than intellect alone can reach.  It is accessed through the heart door. The intuitive knowing. Yoda would call it the force.

So, thankfully, the leash cannot be taken off by thinking about it. Experience. Express. Follow. Listen. Feel. Breathe. Reach. Do. And, feel some more. In feeling, in an unbridled imagination, there is connection. There is possibility. There is expansion of spirit and capacity. There is – and this is the power of art – the force that creates community.

if you'd like to see more CHICKEN... copy

read Kerri’s blog post about UNLEASHING THE POWER OF YOUR CRAYON

 

www.kerrianddavid.com

 

unleash the poser of your crayon ©️ 2016 david robinson & kerri sherwood

 

 

 

 

 

Look Close-In [on DR Thursday]

EI7Morsel copy

Georgia O’Keeffe was a master painter of paradox. Her paintings open the expansive universe by focusing close in, approaching the mystical, the sensual through the minute. She expressed so much through minimal strokes. I suspect her paintings are an expression of how she lived. Standing still in the arroyo, listening. Moving inward to reach the outer spaces.

I am a artist of a by-gone century. While I appreciate the digital world (you would not be reading this without it), I love the visceral, the deep inner driver, the instinctual. I am tactile. I am fed by the feel of the brush moving across the canvas, the smell and splash of the paint, the dance.  A world of possibilities and paths open when mistakes are not easily erased. Kerri calls this analog.

This is a morsel, a close-in crop of my painting, Earth Interrupted VII. Look closely and you will see the meeting ground of the methodical and the spontaneous, the controlled and the improvisational. I am learning from looking close-in. I see forces merged that used to be at odds, now good dance partners. Compliments. I, too, am learning to stand still, not in the arroyo but on the shores of Lake Michigan. Visceral. Listening. Moving inward in the hope of reaching the outer spaces.

read Kerri’s post about this MORSEL

 

www.kerrianddavid.com

 

earth interrupted VII/morsel ©️ 2018 david robinson & kerri sherwood