Dedicate Quiet [David’s blog on saturday morning smack-dab]

It’s like taking a drink of water from a fire hose. And that’s their control-strategy. Gish gallop. Muzzle velocity. Insanity inundation.

When faced with a fire hose of malice, the best defense is a suggestion from Master Marsh: turn off all the devices for a day. Take a break. There’s plenty of generosity and beauty all around and it’s readily available when not being drowned out. Talk about that. Take a drink from the welcome spring of acts-of-kindness. Warm your heart with friendship. Laugh. Rejuvenate your spirit in dedicated quiet. Rest.

The ugliness will still be there tomorrow.

read Kerri’s blogpost about REST

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No Faith Necessary [David’s blog on DR Thursday]

“And don’t think the garden loses its ecstasy in winter. It’s quiet, but the roots are down there riotous.” ~ Rumi

The fog is dense this morning. It feels otherworldly. Quiet.

I am delighted for the fog. The quiet is welcome.

When I opened the door this morning to let Dogga out, I expected to hear the mournful call of the foghorn. Instead I was met with a sweet bird song. A single singer. A lover of fog. I listened for a few moments, closed my eyes.

What a surprise to expect the distant dour call of the foghorn and instead be greeted by genuinely lighthearted chirping!

A day ago – one single day – the coneflower sculpture was covered in snow. We marveled at it as the snow transformed it, a fancy white umbrella. It has reemerged as a coneflower and, on this foggy, foggy morning, seemed to be listening. I imagined it was holding a vigil. Perhaps it was keeping watch for the spring. “Keep the faith,” I whispered.

“No faith necessary,” replied the coneflower. Or so I imagined. Saucy flower!

I remembered my first experience scuba diving. There was an entire world of color and vital life not visible on the surface. I was giddy with my discovery. Had I never learned to dive I would not know of the vibrant universe that existed beneath the waves, just out of my sight.

“No faith necessary,” I repeated as I closed the backdoor. Turning my attention to making coffee, I pondered what other wonders were bubbling all around me that I simply cannot see.

detail of a work in progress

read Kerri’s blogpost about FOG

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Feel The Feeling [David’s blog on Not So Flawed Wednesday]

“Whenever you think or you believe or you know, you’re a lot of other people: but the moment you feel, you’re nobody-but-yourself.” ~ e.e. cummings

Last night, after the boys went to bed, we turned off all house lights, the only illumination was the tree. It is our Eve tradition. Take a breath after the hustle and bustle. Take a breath after all the meal prep and happy arrivals. Take a breath after the too-much-food, the lively conversation and laughter. Take a breath. Sit in quiet appreciation and feel-the-feeling.

We named our tree e.e. It is artificial and came to us from 20’s mother, E.E. This is e.e.’s third holiday with us. We delighted in the serendipity of the name. A poem by e.e. cummings made an appearance at our wedding. He is one of our favorites.

And, so, on this day of renewal, after a sweet night of quiet, the dawn brings with it a wish for all of us in the coming year; a bit of poem by e.e.:

“I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness”

read Kerri’s blogpost about A WISH

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Our Better Natures [David’s blog on Two Artists Tuesday]

MM read somewhere that the use of periods in texting is considered “aggressive” and ellipses are “confusing”… He puzzled over the abundant and mysterious abbreviations. The lack of punctuation. He asked, “Is it any wonder folks are having trouble understanding each other these days?”

Miscommunication. Misunderstanding. Thought abbreviation. Misinformation. It seems that human beings are a hot mess of babble-confusion.

If, like me, you seek experiences that restore your faith in humanity, my best suggestion is to go find a butterfly house. Pass through the protective curtain into the butterfly sanctuary and all the layers of discord, reduction, ill-will, eyes-to-screens…drop off in a nanosecond. The butterflies have the power of bringing us back to our selves, to our essence. Pass through the curtain and all eyes look up. Pass through the curtain and courtesy is restored. Generosity is immediate. Social armor falls away; people – complete strangers – easily talk with each other. Smiles grace the faces of young and old alike.

In the butterfly house, standing still is valued. There is no hurry. There is nowhere-else-to-be. Watching where you step a necessity. Making space for others a given. Giggles, cooing and quiet excitement are the norm. No deciphering required.

In the butterfly house, no one has any trouble understanding each other. No one has any trouble helping others; the focus is outward to “something bigger”, the butterflies.

Susan told me that the butterfly wings are actually scales. “They’re literally dragons!” she smiled as a zebra stripped dragon circled her, looking for a place to land.

More than once I heard someone say, “They are magic!”

The magic, I thought but did not say, is how quickly the butterflies bring forth our better natures.

read Kerri’s blog about BUTTERFLIES

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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Welcome This [David’s blog on DR Thursday]

My series, Earth Interrupted, is as yet incomplete. I started it like I start most things – a happy accident – or more accurately, my brush giving voice to something rising from the deep that had not yet hit my brain. I completed five canvases and then stepped away. It needed to simmer. I needed to simmer.

The Lost Boy – my play with-and-about Tom Mck – took over a decade to germinate and find its place on the stage. My new play, Diorama, is an idea that has been with me, stewing, for many years. Last fall it rolled out of me in a process that felt easy though I know better. It took a long time to find “easy”. Now the real work comes: finding the path to performance and release into the world.

I spent the morning looking at my Earth Interrupted series. I’ve not visited these pieces since just prior to the pandemic – so it’s been awhile. The original impulse must have stewed long enough because the series is calling me back – though not in the usual sense. I have no images in my mind. I have no real passion to explore the initial notion behind them. I do, however, want to get lost in what I know will be the slow evolution, the process of allowing the image to find me, not through my mind, but through my quiet. I yearn for the quiet. I quite literally ache for the stillness that I experience when I paint. It’s the process that calls.

This series began as a meditation. It feels as if the sun is reaching through a thick layer of clouds. I am lucky. I listen for the voice rising from the deep. It’s been a long time. I welcome this meditation returning, breaking the surface at long last, and signaling that it’s time to come back home.

Earth Interrupted 1, 48″x53″, mixed media

read Kerri’s blogpost about THE SUN AND CLOUDS

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Pass Through [David’s blog on Two Artists Tuesday]

“Love does not begin and end the way we seem to think it does.” ~ James Baldwin

We watched each day as the pink tulips passed through their many phases of life, each beautiful and surprising. As they neared the last chapter, I thought they echoed orchids. The subtle pinks ran to the edges of the wrinkling petals, heads bowed, devotees in quiet prayer.

Initially, the tulips brought hope and light into our house. For weeks the table had been stacked with so-much-paper, a mammoth project. We cleared the table of its heavy burden and replaced the weighty paper with a row of delicate tulips. We’d catch ourselves staring into the dining room; inevitably one of us would say, “I love this.”

20 would call it the contrast principle. The delicate lightness of the tulips were made more pronounced because of the heaps of paper that preceded it. Perhaps. All I know is that the tulips lifted my spirit like few other things have in these winter months. They became a celebration of love. A symbol that joins daisies in our canon of symbols and will forever signify a step into love. A new chapter. A next chapter.

As it bowed its petals, as they began to fall, we found ourselves more rapt in their beauty, not less. Their age made them translucent. Fragile. Their impermanence somehow made them eternal. As it should be. Passing through transformation.

“I love this, she said, squeezing my hand.

read Kerri’s blogpost about TULIPS

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Remember Heaven [David’s blog on Not So Flawed Wednesday]

A lifetime ago my live-work space was above a movie theatre. It was once an office space but somewhere along the way it was converted it into a quirky living space. The largest room had 16ft ceilings and an expanse of wall where I could staple canvas. I loved it. I painted up a storm in that space.

It had been vacant for a long time. I imagine most people took one look and ran away screaming. It needed a serious cleaning. It needed some attention and a few fixes. It needed someone with imagination to see the possibilities. Mostly, it needed some life and energy infused into it.

I put candles everywhere. At that time I painted at night, after the city went to sleep. I had a ritual to begin my work: turn off the light in every room but the studio, light the candles, choose my music, sit far away from my canvas for a few moments until I heard the call, and then begin. Usually I blew out the candles after sunrise, the work session ended with the awakening of the day.

Working after the world went to bed was my pattern for years. It started when I was a child. The house grew quiet. After my parents, brothers and sister tucked into sleep, I’d light a candle, turn on the light, and paint on the wall. There was nothing more comforting or inspiring to me than the quiet of the night, a candle or two for company, and a blank canvas calling me out to play.

Hans told me that “Everyone has their heaven.” Last night, deep into the night, as I lay in bed and listened to the chimes make sweet music of the howling wind, I was suddenly thrust back in time to my movie-theatre-studio, to a particular era in my life, I could feel the candles and the quiet of the night, a brush in my hand…my perfect heaven.

read Kerri’s blogpost about THE CANDLE

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buymeacoffee is a warm studio late at night, alight with candles, and a clear reason for being.

Mind The Deer [David’s blog on KS Friday]

We don’t always see them but we know they are present. The deer. We note their tracks and have learned where they usually cross the path. They follow careful pathways, game trails that are visible when we are walking slow enough to spot them.

As a symbol, they are heart-centered. They are associated with gentleness and it’s easy to understand why. They are gentle creatures. Even when bounding away, their leap is graceful and quiet, as if they are careful not to disturb the grasses and ground. They are mindful of their impact on the world.

We feel fortunate when we see them. It sometimes feels as if they show themselves to us. They seem to know when our hearts are hurting so reveal themselves, even for a moment, to help fill us with peace. It’s always true that we stop all movement, all thinking, all worry, all despair…when they show themselves. They are like magical makers of space, instantly turning tumult into vast acres of serenity. They look at us with large black eyes to make sure our spirits are calm, our hearts refreshed, and then they disappear as quickly as they appeared. “What were we talking about?”

“I can’t remember.”

The calm stays with us as we become like the deer, filled with their intentional spirit, quiet and innocent. Present, that special place beyond our future worries and past regrets.

watershed/as it is © 2004 kerri sherwood

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read Kerri’s blogpost about THE DEER

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Fall Into Peace [David’s blog on DR Thursday]

20 calls me The Tetris Master because I can pack a lifetime of odd-shaped accumulation into the smallest moving van. I have an innate understanding of space. In other words, I am spatial; I feel space.

The first time I stepped into the silo I felt an immediate sense of peace. It was like a little round chapel with a soaring ceiling. Cool air on a hot day. The chair placed at the center of the circle was inviting but I knew I better not sit there. I’d want to stay. I’d fall into the peace. There were too many people moving through the barn. Falling into peace, like falling into a deep meditation, is internal and best done in private.

The silo reminded me of the faerie circle. Barney showed me where it was and told me, “This is your place.” He was right. I sat in the center of the circle of trees and was immediately transported.

It had been years since we visited the gardens and I’d forgotten about the silo. When we entered the barn to look at the antiques, soaps, and clothes on display, I felt the rush of remembrance. Stepping into the cool air, the carpet and single chair were just as I remembered. So was the peace of the circle.

There were less people so I lingered for a moment or two. “Someday I’m going to sit in that chair,” I said to no one listening. I smiled at the notion: and wouldn’t this world be better if we all had a place, a space, like a magnet, that pulled us into our peace?

i’ve yet to get a descent photo of this painting but this will serve-the-turn for now

read Kerri’s blogpost about THE SILO

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