Magic Things [David’s blog on KS Friday]

“The world is full of magic things, patiently waiting for our senses to grow sharper.” ~ W.B. Yeats

Standing at the back of the theatre watching a performance of a play that he’d directed, Roger whispered a frustration that most artists whisper at some point in their career: the audience will never get all of the layers of story. Very few will appreciate the totality of the hard work, the heart, the intention, the nuance…So much goes unseen, un-felt.

There is, of course, only one response to his whispered frustration. They may not get it all but you – the artist – does. Sometimes I think the skill of the artist is to slow the world down so that they can more fully see it. Or, more accurately, slow down so they can see the magic in the world. And then their work is to help their community see it, too. The great gift of artistry is that the work is never finished. The process – the capacity to perceive and share more of the magic – is never ending.

I regularly ponder the impact of the pace of work and life in the age of the internet. It’s a raging river of information that never slows. In fact, “progress” is understood as an increase of speed. We worship at the business alter of efficiency-and-effectiveness; people are rewarded for striding at an ever faster pace – so anything, like artistry, that suggests slowing down might be beneficial, is radical. There is a reason that an audience might not “get it”.

I’ve been aware this week, as we deal with the impacts of the snow and cold on our house and car, that we’ve mostly unplugged. Necessity has made us present. It is not an accident that the prompt-photos for this Melange week are mostly close-ups. Detail. We’ve been staring at the miracle of the icicles. The patterns in the snow clusters on the Adirondack chairs have captivated us.

Yeats knew only pen and ink. He stared at blank pages and not at flickering dynamic screens that pulled his attention this way and that and filled his mental bucket with information. He did not sort through hundreds of emails each day or navigate the mind numbing onslaught of social media. Yeats took walks and stared out windows to clear his mind. He sought other poets and thinkers, he spent time with them so he might challenge and expand his ideas, his perceptions, his capacity to see and feel.

The world of magic things, patiently waiting for our senses to grow sharper, knows that our senses are so inundated with information and noise and stimulus that we are less and less able to sense anything at all, especially the magic things. We are distracted, often misinformed and thoroughly entertained – and less and less capable of sustaining a span of attention, let alone sharpening our senses.

Sharpened senses – otherwise known as presence – opens the door to the ubiquitous magic things, things that patiently wait for us to slow down enough to fully appreciate them.

BLUEPRINT FOR MY SOUL © 1997 Kerri Sherwood

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A Legacy of Hope [David’s blog on DR Thursday]

Tom was concerned with what would become of the ranch after he was gone. His concern was not the land so much as the family legacy. He felt as if he was the last, the keeper of the history. Who might carry the story forward? Who will re-member the steps walked by his ancestors?

I was moved to tears when the Balinese explained to me that, according to their belief, every child born was an ancestor returned. After seven generations, the ancestor comes back wearing the funny new face of the infant descendant. The important point is this: A community makes fundamentally different choices when they understand that the earth they leave behind is the earth that they will also inherit. The ancestor attends to the descendant because the descendant is the ancestor.

Through a translator, the Chinese master-acupuncturist explained to the students that the challenge he perceived in them was that they were rootless. The U.S. culture too easily plows under the sacred to erect a mall. We have very little connection to, understanding of, or respect for the past. He explained that eyes blinded by the shiny-new or obsessed with the algorithm will never access the ancient art of healing a human being. The whole being. With so little concern for what came before there is little awareness or care of the tracks made by marching forward. How is it possible to help balance the health of others when the healer is rootless and unaware of the impact of their actions?

“But what do we do?” It is the ubiquitous question asked by those who reject the malice and indecency that recently swept into power in the USA. The question thrust me back into the single challenge I faced as a DEI consultant: my clients were protected against the very thing that might help them. They wanted a solution – a fix – and saw no value in attending to relationships. The gods of efficiency and effectiveness had no time to waste. Eyes would roll when we suggested that they cease trying to fix problems. They’d panic when we proffered that a to-do list would never create the better culture they envisioned. In fact, it would prevent it. Cultivating “the space between,” paying attention to the quality of the relationships, would bring about the transformation they desired: a culture of mutual support grown from a history of ugly division.

This morning I was struggling to articulate my thought and Kerri stopped my mind-wander with this encapsulation: “What you are trying to say is that It’s not solution-based. It’s process-based.” Yes. Exactly.

“Solution-based” focuses exclusively on what-we-do. It is transactional and, after all, isn’t that the epicenter of what ails us as a nation? If the prevailing philosophy is the-ends-are-worth-the-means, then lying, cheating, grifting, demeaning, debasing, bullying are acceptable behaviors. We are currently witness to the amorality of attainment-of-power-by-any-means. It doesn’t matter who gets hurt or why. No one in power cares about the legacy, the traces left behind. Rootless. Unethical. Out of balance.

“Process-based” is concerned with who-we-are. Together. The opposite of transactional is transformational. Mutual support. Reinforcing connection. Paying attention to the growth of the whole as a means of attending to the growth of the individual. It’s a radically different philosophy in which the ends-are-the-means. Actions matter. Words matter. Choices matter. Roots matter. The legacy, the tracks we leave behind, matters.

And so we ask the question, “But what do we do?” We speak out. We use our voices for good. We begin by looking to the legacy of hope those who came before us left for us to follow. Perhaps we begin by linking arms, focusing on the space between, and continuing a legacy of hope and courage for future generations to follow.

from the archives: Doves

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Use The Discrepancy [David’s blog on Merely A Thought Monday]

Every once in a while I flip open one of my well-loved-and-well-worn books to a random page and read a few paragraphs. It’s my way of giving this wise-old universe the opportunity to drop a pertinent message on me. What tidbit of wisdom might I need to hear today?

Yesterday I opened Robert Fritz’s book, The Path Of Least Resistance, and began reading about discrepancy: what is the difference between where you are right now and what you want to create? I read that most people try to remove or deny their discrepancies. They try to eliminate the tension. Artists, on the other hand, understand their discrepancies as fuel. Creative tension. Discrepancy ignites the imagination. The last thing an artist wants to do is blunt their imagination, deny the discrepancy. An artist uses it. It’s a “process focus” rather than an “achievement focus”.

At the stop sign she stopped just shy of the bumper of the car in front of us, pulled out her camera and snapped a photo of the sticker on the window: I hope something good happens to you today. “Now that’s refreshing,” she said. In our travels we see plenty of aggressive bumper messages. Almost daily Kerri asks, “Why would they put THAT on their car? Jeeeeez!”

A wish for something good to happen to you. Today. What is the distance between us-as-a-nation right now, in this very dark moment, and a community that actually hopes for something good to happen to and for everyone? Can you imagine it? Walking in the world with a hope in your heart for good things to happen to everyone you meet, to everyone whose path you cross?

It is an understatement to suggest that there’s quite a discrepancy between what-is and what-could-be. There is a veritable chasm between the incoming angry nightmare and those who voted for hope, decency and kindness. And so it’s a vital time to be an artist. There’s rarely been a time more in need of imagination to counter the backward-looking-conservative-fascist-fantasy.

There’s plenty of fuel for the imagination borne of our massive discrepancy. Hoping for something good to happen to you today – whoever you are – is a great place to start.

read Kerri’s blogpost about SOMETHING GOOD

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Embrace Invisibility [David’s blog on Two Artists Tuesday]

In a recent documentary about his life and work, artist Anselm Kiefer said, “Being is nothingness and nothingness is being.” He was pondering how small and insignificant we are in the scope of the infinite universe, and how, for him, our smallness relieves the stresses of having to succeed. He added, “I fail before I begin.”

The best advice I’ve received recently? Horatio’s suggestion that I go into the studio and “Paint crap.” In other words, loosen up, have fun, completely detach from outcomes. Fail before I begin. Sage counsel: paint for pure pleasure and for no other reason. Drop the measuring stick and reclaim the child who loved to paint. The other stuff will take care of itself.

We regularly check in on Martijn Doolaard. He’s reconstructing old stone buildings as his homestead in the Italian Alps. His weekly update films are gorgeous. His way of working is more so. In his own words, he focuses on process. There are goals, certainly, but everything he does, he does beautifully. He is attentive even in the most tedious of tasks, working, not to get through it, but to do it well.

Staring out the window over the kitchen sink, we switched on the backyard light so we might see the arrival of the snow. The season’s first snowfall came in the night. I thought about a post I wrote and then erased, about achieving invisibility. It wasn’t a complete thought and I wasn’t certain whether I was writing about my fear or my freedom. Anselm made an appearance in my mind as I marveled at the flurry of snow made visible by the light: Being is nothingness and nothingness is being. Embrace invisibility and dance with abandon in the fields beyond failure and success. What else?

read Kerri’s blogpost about THE FIRST SNOW

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In Our DNA [David’s blog on Two Artists Tuesday]

Often, if you pay attention, the smallest pattern of action is a fractal revealing the bigger picture.

For instance, a small pattern of action: when Kamala Harris first became the Democratic nominee for president, many of our neighbors had to display their yard signs from inside their houses; if left outside their signs disappeared.

Bigger picture: the maga-candidate and his supporters promise to erase all voices of opposition. It is their pledge, their vow, the entirety of their platform.

Our democracy is a two-party system founded on the principle of healthy debate. In other words, opposition, the active engagement with opposing points of view is the magic ingredient of our form of governance . Our vote is the sacred epicenter of the ongoing, healthy debate. Our vote is literally our voice in the debate. It is how we sustain and perpetuate the gift of democracy.

Democracy is never finished. It is not a place of arrival. It is not a noun. It is an ongoing, living process, imperfect and messy, that generation to generation strives toward a more perfect union. It is an action, a verb. We are what we do. Today -and every day – we are the stewards of this high ideal: government of the people, by the people, for the people.

Today, unlike any other vote of our lives or our parents’ or grandparents’ lives, our great-grandparents’ lives – democracy in on the ballot. Kamala Harris has been clear: she will ensure that voices of opposition have a seat at the table. That is the way of democracy.

The maga-candidate has been clear: he intends to arrest and silence all voices of opposition. He will, if necessary, use the military to do it. He’s labeled voices of opposition as “the enemy within”. That is the way of fascism.

Removing opposition silences the debate and smothers the breath of democracy.

Small pattern: over time, more and more Harris/Walz signs showed up in yards, moving from inside the house to the outside where they belong.

Big picture: the voice of opposition grows stronger, louder, more vibrant, when tyrants attempt to repress it. That, too, is an American tradition. It’s in our dna, our national character. We don’t like it when we are stripped of our freedoms. As Kamala Harris reminded us, our nation was established when a petty tyrant tried to suppress our voices and restrict our rights; when the petty tyrant tried to eliminate our freedoms he unleashed an uncontrollable voice of opposition. We the people.

248 years later, another petty tyrant promises, if elected (ironically) to remove all voices of opposition. Opposition stands in the way of his lust for absolute power. He vows to abolish the magic ingredient. He is committed to the eradication of democracy, the birth of fascism. He’s already begun his erasure of opposition by once again claiming without evidence that our elections are corrupt.

And so, today, our choice could not be clearer. Today, we exercise our right of voice. We will either carry forward our inheritance of healthy opposition or we will fall into the petty divide and end it.

Today we weigh in on the debate. Democracy or fascism? We vote.

read Kerri’s blogpost about VOTE

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A Different Understanding [David’s blog on Not So Flawed Wednesday]

Sometimes color stops me in my tracks. The color of a sunset. The color of a canyon. The color of a flower. This hot coral coneflower stopped all engines.

David Hockney is a colorist. Henri Matisse. Judy Chicago. Piet Mondrian. Sonia Delaunay. There are so many painters whose use of bold color, like the coneflower, stops me in my tracks. Ellsworth Kelly. Mark Rothko.

With my love of color you’d think I’d be a colorist painter. Although I’ve had my moments, mostly I sort to earth tones. The neutrals. Once, a viewer of my painting, Unfettered, asked “Were you going for stone?” I wrinkled my nose and let the question hang unanswered.

Many years ago I mimicked David Hockney’s colors. I pushed myself to live in vibrancy. I loved the exploration but was rarely comfortable living in so much visual enthusiasm. I am too much the introvert to comfortably scream from my canvases.

I just washed over my latest painting, County Rainy Day. Kerri was appalled but I’d veered off course and hit color saturation too soon. I needed to reset. I generally work things out in process – instead of doing studies – so wiping off or washing over a canvas is not unusual. Like Kerri, John K used to chastise me, too, saying “Do versions or variations!” Versions and variations are expensive and I’ve rarely had abundant resources in my life. Every action has a history.

Recently Andrew Wyeth has once again caught my fancy. I’d never suggest that he is not a master of color – he is – but his paintings tend toward the neutrals. He captures something deeper, his visual language is as much that of a poet as a painter. A different understanding of color.

I imagine that, like me, on his daily walk, the color of a coneflower or the shape of a leaf stopped him in his tracks. And, one way or another, that startling moment of appreciation found its way into his heart and onto his canvases.

reset: County Rainy Day (detail)

read Kerri’s blogpost about SALMON CONEFLOWER

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Be Better At Bad [David’s blog on DR Thursday]

I am painting very badly. It’s not a surprise. It’s been a while since I have consistently been in the studio so it will take a while to loosen up, to stop thinking about the next step. Artistry is not so different from athletics; it takes a while to get back into shape.

Previous iterations of myself would have felt badly for painting badly. That guy would have hidden his clumsy images and too-tight-brush-strokes. These days I’m better at being bad. I like the dance. I’m more interested in cultivating a healthy process so I’m less invested in how I look. How “it” looks. “Bad” is a process step, an opportunity to learn or laugh rather than the judgement that it used to be.

It’s easy to write about the necessity of throwing many pots or writing ten-bad-pages-to get-to-one-good-page. It’s another thing to do it. Celebration of the bad is a necessary step in finding flow. And, after such a long studio hiatus, flow is nowhere to be found. Artists do not train to clear a hurdle or master the pommel horse. Artists train for flow.

We nearly lost Breck-the-aspen-tree. We kept her in a pot for too long. And then we planted her in a place that was less than optimal. She withered so we quickly moved her to another spot. It was a guess since we thought the first spot was prime. That was three years ago and today she is thriving. She is as tall as the garage and growing fast. Her trunk is no longer pencil thin. It is robust, sturdy. Birds perch in her branches. Last year she was like a gawky teenager and produced weirdly sized leaves. This year she has come into her own.

Last week, after painting especially bad, suffocatingly tight and small-brush-clumsy, I sat outside with Breck. She asked me to remember her freakish leaves. She reminded me of the strange unwieldy branch that reached like a beanstalk above all the others. It was so unusual that we worried for her survival. We worried a giant might come looking for a goose. “Growth is tricky,” she said and quaked.

Yes. Growth is tricky. Sometimes it takes a chat with the aspen tree to remember to take a breath, reach for the sun and celebrate right where you are on the path.

County Rainy Day…in process. Too tight too soon…a step on the way to flow…

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Welcome This [David’s blog on DR Thursday]

My series, Earth Interrupted, is as yet incomplete. I started it like I start most things – a happy accident – or more accurately, my brush giving voice to something rising from the deep that had not yet hit my brain. I completed five canvases and then stepped away. It needed to simmer. I needed to simmer.

The Lost Boy – my play with-and-about Tom Mck – took over a decade to germinate and find its place on the stage. My new play, Diorama, is an idea that has been with me, stewing, for many years. Last fall it rolled out of me in a process that felt easy though I know better. It took a long time to find “easy”. Now the real work comes: finding the path to performance and release into the world.

I spent the morning looking at my Earth Interrupted series. I’ve not visited these pieces since just prior to the pandemic – so it’s been awhile. The original impulse must have stewed long enough because the series is calling me back – though not in the usual sense. I have no images in my mind. I have no real passion to explore the initial notion behind them. I do, however, want to get lost in what I know will be the slow evolution, the process of allowing the image to find me, not through my mind, but through my quiet. I yearn for the quiet. I quite literally ache for the stillness that I experience when I paint. It’s the process that calls.

This series began as a meditation. It feels as if the sun is reaching through a thick layer of clouds. I am lucky. I listen for the voice rising from the deep. It’s been a long time. I welcome this meditation returning, breaking the surface at long last, and signaling that it’s time to come back home.

Earth Interrupted 1, 48″x53″, mixed media

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Maple Dreams [David’s blog on Not So Flawed Wednesday]

Tiny helicopters capable of catching the wind and carrying the seeds of a maple, each a pod of wild-tree-possibility.

They require something more than luck to let-go and launch into space. With no control over the direction or force of the breezes, once aloft, they twirl to their seemingly random destiny. Some will find fertile soil and ample light. Most will not. The strategy of the mother tree is nothing more or less than to freely scatter potential, to litter the area with maple-dreams. The evolution of hope.

Some pods never launch just as some ideas never take hold. No matter. Creativity in all its permutations is an infinite game. The idea that lands in just the right spot at just the right moment may, in time, grow into a mighty tree. It may not. The perfection is in the process of plenty, not in the illusion of a single flawless ideal. “Throw many pots.”

On her piano is a notebook of songs and compositions. Hieroglyphs to me but she need only open her burgeoning notebook, decipher the magic writing, and play a song or composition capable of making me weep. Or smile. Or feel something so deeply that I lack words to express it. Her compositions are pods waiting to launch. Pages of plenty, ideas-in-sound, waiting for the force of the unpredictable wind to carry them…somewhere.

She is like the might-maple-mom. Freely scattering potential, littering our lives and those around us with ideas in word and music and paint. She’s so abundant – her idea-pods so ever-present – that we take them for granted. Each carrying the pip of a mighty potential, the germ of a forest of possibility. They are everywhere.

Some have found her intimidating and tried to constrain her promise, to lasso her imagination. Too bad.

Today she completes another spin around the sun. I can already see the next generation of magic seed pods forming. I can’t wait to see what wonder-of-her-spirit will take root and reach for the sky.

[happy birthday]

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Expect The Burst [David’s blog on saturday morning smack-dab.]

It’s alright. I know she will inevitably burst and I’ll be covered head-to-toe in her thoughts and opinions.

She’s the same way with gifts. She can’t buy presents ahead of time because she gets too excited to give them. Overwhelmed with gift-giving-anticipation, she bursts.

She’s the same way with ideas. There’s too little space in her heart and mind to contain so many burgeoning ideas. She bursts several times a week. It’s why she’s a pile-organizer. Her good ideas stack up because they have no where else to go.

What’s not to love?

read Kerri’s blogpost about BURSTING

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