Life Spilling Out [David’s blog on KS Friday]

If this beautiful winter skeleton of Queen Anne’s Lace was a sculpture – my sculpture – it would be titled The Impossibility of Containment. Trying to hold on to the magic movement of life. It spills out in every direction.

I once had an espresso martini in Aspen, Colorado. It was the single best drink I’ve ever had. It was so good I did something I never do: I had two. I savored every sip. Occasionally since then, in other watering holes on earth that offer a drink by the same name, I’ve tried to replicate the past. To no avail. The bar in Aspen no longer exists so, like a good sand painting, my espresso martini revelry lives where it belongs, on the wind and in my yearning.

This week I completed another trip around the sun. I look in the mirror and am sometimes surprised by the face that stares back at me. My eyes remain consistent, yet what my eyes are capable of now seeing has changed dramatically. Although I occasionally yearn for my younger face, I would never exchange my current eyes for my former sight.

I see possibility spilling out in every direction. Simplicity. I see extraordinary friends all around. Each morning I open my eyes to the one face that fills my heart to bursting. I am, as Nietzsche suggests, loving my fate. Every pothole, every mountain-to-climb, every seeming obstacle, every frustration, a magic moment, a heart-seed leading to who-knows-where. Life spilling out in every direction.

I’m practicing the skill of opening wide my arms, welcoming the impossibility of containment.

Sweet Ballet/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about QA LACE

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buymeacoffee is a possibility cast onto the winds of time.

Stand In A Word [David’s blog on KS Friday]

Poets and philosophers have been trying to define beauty for eons. What is beautiful? It’s an impossible task since beauty is not a “thing.” It’s an experience, meaning that it is a relationship – so it is not possible to squeeze it into a fixed word definition. Like all rivers and relationships, beauty is fluid. The best we can do it recognize and appreciate being part of the relationship. We can approach it through language but will never capture it.

The English language is hard. It turns everything into a noun, a thing. I just wrote “being part of the relationship.” Even if I’d written, “being a participant in the relationship,” I’d still be stuck in the noun-trap. Participant (a thing) in another thing called “relationship”. It’s no wonder we have such difficulty wrapping our small-noun-minds around huge-global-relationships like climate change. Through language we can easily compartmentalize the most intimate of interrelationships; as a dedicated thing, climate, has nothing to do with me, also a thing. Two things rather than one relationship. Where’s a verb when you need it?

It’s always there. Our language prejudices us against our interconnectivity.

If Kerri and I have a cathedral, a place of worship, it is nature. Our trails. We go there to get quiet. To clear our busy minds. We go there when we have questions too big to merely solve. We go there when we are overwhelmed and need to ground ourselves. We go there to fill up on inspiration. We go there for the same reason we each go to our studios – to enter a conscious relationship with something bigger than our little selves. To experience that which cannot be defined. We go there to release the noun-mind, the problem-solver, and enter the relationship with beauty. To stand in another word that, like beauty, is a flowing river, impossible to contain: possibility.

Always With Us/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CATHEDRALS

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buymeacoffee is an action, a verb, that has positive impact on the pronoun in the phrase.

Stir It [David’s blog on Two Artists Tuesday]

Kerri explained to the woman at the shop that she rarely uses things for their intended purpose. For instance, we have a collection of old coffee pots that she uses as canisters in the kitchen. The end-table beside our couch is the drawer section of an old desk. It was sawed-off when she found it. Our walls sport old window frames and screen doors. We have a stack of old suitcases that we call “special boxes”. They hold the memorabilia of our life together: programs to performances, adventure day train tickets, cards from friends…

Things used as other things. It’s the hallmark of a creative mind. It’s the joy of her creative mind.

At the time, she wasn’t sure what she was going to do with the chunk of concrete. She just knew it had to come home with us. The woman at the shop had no idea what the chunk of concrete was originally used for – and the mystery made it more attractive to Kerri. It was signed and dated on the bottom. More mystery. More attraction. “What are we going to do with it?” I asked, wondering if I could actually lift it into the truck.

“I don’t know yet,” her eyes sparkled, the imagination-wheels turning. “Something.”

“Something,” I gasped, hoisting the chunk of concrete to the tailgate of the truck. I was grateful that it was round and rolled it the rest of the way into the bed. “You are something. You will be used for something.” I sat on the tailgate, catching my breath as Kerri and the woman disappeared into the shop to look at things-used-for-other-things.

I remembered once, running a spotlight for a show, the light broke mid-performance and I fixed it between cues with a frostie cup from Wendy’s, duct tape, and the sleeve of a jacket. It’s a valuable skill in the theatre: things used as other things. Ask any prop-master. The entire art form is recognizing the multitude of potential uses inherent in the most mundane objects.

My artist group once challenged me to explore beyond of my known art form so I sculpted crows from found objects. Wood, clamps and wire hangers. I loved it. It stirred my imagination.

Stirring the imagination. It’s what I appreciate about the home Kerri creates. Nothing is what it was intended to be. Everything is a wonder and can be transformed. Even a chunk of unidentifiable concrete. After a move into the house that made me appreciate the toil involved in building the pyramids, the chunk of concrete has now met its destiny. It is a side table and sports an old-school iPod sounddock. It couldn’t be more perfect. “I love it,” she says every day.

Me, too.

read Kerri’s blogpost about the CHUNK OF CONCRETE

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buymeacoffee is anything you can imagine it to be.

Breathe Again [David’s blog on DR Thursday]

To say I sobbed is a bit of an overstatement. I’d been raking leaves all morning. It was clear and crisp. I’d just finished stuffing the last green bio-bag in the front yard and hauled it to the curb for pick-up. All that remained was to collect the bags from the backyard and move them to the curb. That’s when I heard her playing the piano. I couldn’t believe it! I slipped beneath her studio window and listened. This was no small moment.

She played after she fell and broke both her wrists. She couldn’t open a doorknob or button her shirt but, somehow, she found a way to play. She had to. The pandemic had already taken one of our jobs. Her bosses could not find the heart or moral compass to afford her time off to heal. One hand in a cast. One hand in a splint. Nine useful fingers and an immobilized thumb. She played. Nine months later, nearing complete healing, she fell again. A wet floor. No signs. This time, the injury was debilitating. The depression that followed was a deep dark crevasse. She stopped playing altogether. She sometimes stood at the door of her studio but rarely entered.

These past few years I can count on one hand – well, two fingers – the times she played. When Rob visited I asked her to play for him. She chose a few pieces. Rob was moved to tears. I could tell it hurt her. She was asked by an old friend to play for a transgender memorial service. With her brace she was able to play the two 15 minute sections.

Sitting beneath her studio window, listening, the pain and loss, the weight of the past few years flowed out of my eyes. A flood of relief. She was playing. For herself. For no other reason than to feel the muse. It was a step forward. A step toward. A step back into the light. A moment of possibility.

I felt as if I’d been holding my breath these many years. Now, perhaps, on this crisp fall day, it was time to breathe again.

read Kerri’s blogpost about LEAVES

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buymeacoffee is a moment of possibility, a sigh of relief at the continued creation of the artists you value.

See Hope [David’s blog on Two Artists Tuesday]

The sun had set. The pond lights aglow. The night was quiet with occasional bursts of the cicada chorus. We were exhausted from the day. I saw its silhouette when Dogga ran his usual circuit by the pond. It leapt across the light and plopped into the water. A frog.

“What are you doing?” Kerri asked as I jumped from my chair.

“But it’s late September!” I said. She narrowed her eyes, my reply too random for synapse connection. “I just saw a frog!” I announced and she was instantly by my side. We stayed by the water for several minutes, searching, but saw no further sign. “I didn’t imagine it,” I whispered. “I saw it. We have a frog.”

“I know.”

I’d like to say that we didn’t need some sign of hope, some whisper of encouragement, but it would be a lie. This unlikely frog, coming so late in the season, seemed like a sign or at least we decided to make it so. “Things are going to change for the better,” she said. I nodded. I was so tired I wanted to blubber with giddy-frog-inspired-relief.

“I’ll take my hope anyway I can get it,” I said.

“That’s what we should name it!” she replied. “Hope.”

Yes. Hope. A silhouette flashing across the light on an otherwise quiet dark night. A leap. A glimpse. And suddenly, anything is possible.

read Kerri’s blogpost about THE FROG

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Lay On Your Side [David’s blog on Not So Flawed Wednesday]

“We are fragile creatures, and it is from this weakness, not despite it, that we discover the possibility of true joy.” ~ Desmond Tutu, The Book of Joy

The heart-leaf lay on its side. Light peaked through its cracking surface. I was afraid to touch it lest it crumble in my fingers.

Only a few short months ago it was vibrant green, connected, durable. It’s destiny was -and is – as certain as mine. My surface is beginning to crack. Only a short time ago I felt myself vibrant. I thought of myself as indestructible. I am, and always have been, on my way to brittle.

It is this very fact that reminds me to slow down, to turn and feel the sun on my face. It is my limited time on earth that prompts me to lay on my side on warm grass so I might see the full beauty of the delicate tilted heart. To feel the warm hand that squeezes mine.

read Kerri’s blogpost about HEART

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Look Both Ways [on DR Thursday]

I love our smack-dab cartoon. In a cartoon, dogs can talk, people can transmogrify, we can laugh at the worst of ourselves and reveal the best of ourselves. In other words, anything is possible. I think that’s why cartooning has long been an aspect of Kerri and my relationship. Anything is possible.

Our first cartoon idea popped up when we were punchy on a roadtrip. We asked a “what if” question. What if we’d met earlier in life and had children. What would we have named our little pot roast? Miles of hilarity ensued because we landed on Chicken Marsala. Our boy Chicken was born and for the rest of the trip, the voice of our imaginary child chimed in with commentary about his parents. We submitted five rounds of Chicken Marsala cartoons to the syndicates. Chicken strips and single panel Chicken nuggets (clever, no?). The imaginary child of two artists who met late in life. What a great premise! Especially since the two artists were hot messes and the child was grounded, capable of scaring them into sensibility and taunting them into play. Idealists, all.

It used to be that when I asked a “what if” question I zoomed into the outer reaches of inner space. That’s still true though now I have a second, equally powerful path to imagination. Look close-in at the miracle shapes of plants. Look close-in at the worlds at play all around us. I give full credit to Kerri’s compulsion to photograph minutiae. “Lookit!” she proclaims and shows me a miracle image. I’ve picked up the pattern. I rarely photograph what I see but I am just as apt to look close-in as I am to fly into the Netherworld. I am on a daily basis gobsmacked by color or texture or shape or sound or smell or taste of this amazing world. Look at the lavender! Just look! No, really. Slow down and look.

This morning I read a definition of imagination: thinking that is not bound by real world constraints. I wanted to add this: senses that are capable of experiencing real world detail.

It’s a great polarity, the spectrum of potential between “anything is possible” and “I never could have imagined it.” Chicken tried to tell us to look both ways but, you know, it’s harder than you think to listen to your imaginary child, especially when they understand more about life than you ever will.

my perpetually almost but not quite as yet incomplete holding pen of a website

read Kerri’s blogpost about LAVENDER

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Cheer The Artist [on Merely A Thought Monday]

Even with our earplugs, the music was loud. Our son was the artist on stage, his spontaneous composition making movement irresistible. We danced. The crowd whirled and cheered. I was proud. It was the first time we’d seen him perform live. He was fully in his element. This is what he is supposed to do: Make music that sets people free.

In our current world I can imagine nothing more potent or necessary. I wish his music might reach into the cold heart of Texas, dispel the manufactured fears of Florida. I hope his music rattles the foundations of the tightly held and airless “norm”. It is imaginary. Norm depends upon where you stand and, last I knew, there were many places to choose – all of them central to one. I will cheer on the day that his music pierces the veil of man-made-ugly-and-exclusive rules that are attributed to one angry god or another.

The best artists practicing the best of their artistry erase boundaries and lead people into their shared, common center: a place called love. It’s a boundless place, a place where people celebrate each other, where people dance for the joy of being alive, for the deep appreciation of being-just-who-they-are: unique in all the universe.

I saw it this weekend. Of the artist and the bountiful revelers I can truly say I am Proud.

read Kerri’s blogpost about PROUD

Sail Anew [on KS Friday]

It’s hard to know what to believe. For instance, each day I cross paths with an advertisement showing me what to do if I experience tinnitus. The ad is muted so what I see is a smiling woman yanking repeatedly on her earlobes. And, each day, I think the same thing: this has to be some trickster-ish plot to get masses of people to pull on their ears. Invisible theatre worthy of the great Augusto Boal. I’m considering jumping on the city bus, taking a center seat, and without comment, begin tugging my lobes. I’ll either clear the bus, make friends or, in these United States, most likely be shot by an armed citizen whose only answer to the unknown is to shoot it. I suppose that sounds cynical but we citizens of the U.S.A. are living proof of the adage, “If a hammer is the only tool in your toolbox, then everything looks like a nail.” If a gun is your only solution, you’ll kill a teenager who accidentally pulled in your driveway or shoot someone who mistakenly knocked on your door. We read about it everyday. Every single day.

There’s another ad I appreciate appealing to people to check-the-facts before forwarding or liking what they read. “We are awash in misinformation…” it warns. “Amen, advertisement!” I cheer, “What took you so long?” With so much mis-info-noise ringing in our ears, we either need to regularly check what we hear or smile and yank our earlobes. My theory is that yanking our lobes will occupy our fingers so we can’t like or forward info-dreck. By-the-way, the statistics on gun deaths are easy to check. No one is making up the story of neighbors killing neighbors rather than talking to them. Of course, in one horrific case, a neighbor killed his neighbors because they talked to him. Sometimes the factual stuff is so disturbing it’s better to yank on your ears than consider how out of control it’s all become. Our elected officials are certainly yanking on their ears to make our noise go away.

My hope? My fantasy? We are trying to bust out of our cocoon. A caterpillar transformed can’t know it has become a different critter until it breaks out of its hard protective shell. Escape from a cocoon is not an easy process. It looks ugly. It’s not meant to be easy. The difficult cocoon-exit is essential for the next stage of butterfly survival and thriving. An arduous rebirth is necessary for the caterpillar to fulfill its transformation. Flight, an utter impossibility prior to the protective cocoon, the next part of the story. The fulfillment of possibility beyond imagining. Maturity. Wings dry while the butterfly catches its breath following the struggle. And then, the newly-minted butterfly takes its first step off the branch, releasing the old story, and sails anew into the world. Or, sails into a new world.

A new world. People protecting each other as civilized people are meant to do. All grown up. Listening. A bag full of tools for every situation. No guns needed. No longer a necessity to yank on its ears.

taking stock/right now © 2010 kerri sherwood

Kerri’s albums can be found at iTunes or streaming on Pandora or iHeart Radio

read kerri’s blogpost about BUTTERFLIES

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Foster Appreciation [on KS Friday]

In addition to the bunny nest in our yard, I discovered some abandoned nests behind the tall grasses that line the fence. Elegant and intricate constructions meant to protect new life.

The distinction is in the words “meant to”. The critters creating the nests are not necessarily concerned with the aesthetics. Their concern is function. We two-legged critters can’t stroll down a beach without stacking stones, organizing driftwood, or picking the most interesting rock to nestle into the curious pocket found in the wood. Our action is purely to communicate. To leave a trace. To make a mark. To convey something beautiful.

I suppose it’s the same reason that critters make nests. They can’t help it. Nature demands their construction. New life is coming.

We can’t help it, either. Our nature demands playing with possibility. Function need not be a part or party to our frolic. Our creative impulse needs expression. Our active imagination, our spontaneous recognition of opportunity, an intrinsic curiosity and hands-with-thumbs make even the most mundane stroll a canvas-for-the-painting.

We have friends who tell me that they lack creativity. I know better. I’ve walked with them through the woods, across frozen lakes, and strolled down beaches. Rocks are stacked. Flowers gathered. Wood is spontaneously arranged. Not because a nest is necessary. No. Their gathering of texture and color and curiosity is meant to foster appreciation. Inside and out. The function is enjoyment.

No other reason is necessary. No other reason is more essential to us two-legged critters. Nothing better defines us than our innate desire-to-play with the great “What if…”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STONE AND WOOD

dawn at crab meadow/blueprint for my soul © 1997 kerri sherwood

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