Unlock The Door [David’s blog on Two Artists Tuesday]

Lodgepole pine cones require the heat of fire to open and release their seeds. Fire is necessary to unlock the door to the next generation of possibility. It is the reason our dear J, as part of her wedding gift, gave us a box filled with Lodgepole pine cones . She was encouraging us to light a fire in each other. And so we have.

As part of our solstice observance, as the sun set, we started a small fire in the fire pit, selected ten pine cones from J’s box, made wishes and set intentions for the seeds-of-opportunity that the fire would unlock, and committed our pine-cone-wishes to the flames. Moving into a new stage of life, we set targets for the next generation of our possibilities.

As I stared into the waning fire, I hoped that the hot authoritarian forest fire roaring through our nation might unlock the door to the next generation of democratic possibility. I hoped that the heat of the fire might once-and-for-all clear the tangle-weeds of white supremacy and hate, remove the undergrowth of thuggery and elitism and prepare the forest floor for new seedlings of fairness, equality and the fulfillment of democracy’s promise. I hoped that it might burn away the strangle-hold private money has on our government so we might trust that our elected officials are public servants and not greedy profiteers.

Rather than repeat the cycle, yet another go-round with oligarchy and near-authoritarianism, I wished for the nation to break the cycle of denial and dysfunction and move into a new, healthier stage of life, a democracy fully committed to democracy: a government of the people that follows a single north star: liberty and justice for all.

We hold within us the seeds.

[Since I wrote this post, we entered a war with Iran. The heat of the authoritarian forest fire just escalated and somehow…somehow…the Republican Congress remains silent. Complicit. One wonders if we must become a smoldering wreckage before they remember they are servants of a Constitution and not a political party or a pariah.]

read Kerri’s blogpost about THE PINE CONE

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An Audacious Thing [David’s blog on Two Artists Tuesday]

I love it when the parks department rakes the beach. It reminds me of a Zen garden. Yohaku-no-bi: “The beauty of blank space.” I read that Zen gardens are meant for contemplation rather than meditation. Intentional thought rather than quieting the mind. What could be a better topic of contemplation than the beauty of blank space?

I have given much of my life to sitting before a blank canvas contemplating possibilities. Raking the sand in my garden.

Today Dwight flies to Portugal where he will embark on a pilgrimage. I love what he wrote as he prepared for his adventure: “…what audacious thing might occur to me when I let my mind get quiet?” Embracing the opportunity and the unknown!”

I flipped his words for contemplation: When I let my mind get quiet what audacious thing might occur to me?” Following a sentiment attributed to Aristotle, if “nature abhors a vacuum”, then a quiet mind is an invitation to the audacious.

A blank canvas. A quiet mind. An audacious thing. An embrace of the unknown opportunity. Beauty.

I didn’t intend it but I just wrote a haiku, a send off for Dwight using his own words:

An audacious thing:

An embrace of the unknown.

Opportunity.

Walk in quiet beauty, my friend.

read Kerri’s blogpost about THE BEACH

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Upside Down and Wide Open [David’s blog on KS Friday]

Years ago I had a dream. It was visceral and has stuck with me. In my dream the world flipped upside-down. What was heavy was now light. What was difficult became easy. And vice-versa. What I once did effortlessly was suddenly impossible. I could move a mountain but I could not lift a paintbrush. I awoke from my dream both frightened and enthralled.

What is possible? What is impossible? These are good questions to ask on the threshold of a new year. Earlier this week I sat down to write some intentions for the new year and the page is still blank. I’ve decided it is best to leave the possibilities wide open. A blank page has become my intention.

This morning a quote by Noam Chomsky rolled across my screen: “If you assume that there is no hope, you guarantee that there will be no hope.”

I was entering 2025 with a sense of dread and then, in a matter of 24 hours, my picture for what’s possible completely flipped over. An unreachable opportunity sparked a series of heart-conversations. My heavy dread dissipated like fog meeting a warming sun. My eyes refocused on the essential instead of the periphery. I stepped across the dateline filled with hope.

Sometimes, when you least expect it, mountains move. Sometimes the world flips over. Sometimes dreams come true.

Riverstone on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about REFLECTIONS

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Feel It [David’s blog on saturday morning smack-dab]

I worked in or consulted with many schools and businesses. I was always amazed at how much the organization mirrored the personality of the principal or CEO. An angry boss always made for an angry organization. A bright light at the top of the org chart shone in every corner and heart of the community.

And so it goes for nations. This week I had two important calls with dear friends that I have not seen for over a decade. Both commented on the lightness of spirit they feel since Kamala Harris became the Democratic nominee for President. Hope is in the air. A leader who laughs. A candidate who speaks of opportunity, equality and possibility…The energy of optimism is palpable, the uplift is trickling down. You can feel it.

read Kerri’s blogpost about TRICKLE DOWN

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Lean Into The Lull [David’s blog on KS Friday]

“I’m trying to immerse in the lull,” Kerri said and smiled.

We find ourselves with a square or two on the calendar with nothing written in it. A wise friend suggested we embrace the lull and cultivate a bit of quiet mind. We have some big decisions looming but not yet pressing. Fortunately, we have a trip up north that meshes with our empty calendar. There’s a canoe calling our name.

“Nothing needs deciding today,” our wise friend suggested.

Krishnamurti wrote that no problem can truly be solved until the mind is still. Constantly chewing on the question rarely leads to anything but more problem creation. Panic. Or blindness to possibility.

Usually “letting go” for a day or two is a difficult task but we’re finding exhaustion is a great helper. “I don’t have a thought in my head!” I said this morning, staring into space.

“Good!” Kerri said. “That’s the whole point!”

Actions for leaning into the lull: Hug the exhaustion. Send the weighty decisions to sleep-away-camp. Keep the calendar space as empty as the mind. Paddle the canoe. Take a nap.

Peace will find us there.

Peace on the album As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about PEACE

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Be Better At Bad [David’s blog on DR Thursday]

I am painting very badly. It’s not a surprise. It’s been a while since I have consistently been in the studio so it will take a while to loosen up, to stop thinking about the next step. Artistry is not so different from athletics; it takes a while to get back into shape.

Previous iterations of myself would have felt badly for painting badly. That guy would have hidden his clumsy images and too-tight-brush-strokes. These days I’m better at being bad. I like the dance. I’m more interested in cultivating a healthy process so I’m less invested in how I look. How “it” looks. “Bad” is a process step, an opportunity to learn or laugh rather than the judgement that it used to be.

It’s easy to write about the necessity of throwing many pots or writing ten-bad-pages-to get-to-one-good-page. It’s another thing to do it. Celebration of the bad is a necessary step in finding flow. And, after such a long studio hiatus, flow is nowhere to be found. Artists do not train to clear a hurdle or master the pommel horse. Artists train for flow.

We nearly lost Breck-the-aspen-tree. We kept her in a pot for too long. And then we planted her in a place that was less than optimal. She withered so we quickly moved her to another spot. It was a guess since we thought the first spot was prime. That was three years ago and today she is thriving. She is as tall as the garage and growing fast. Her trunk is no longer pencil thin. It is robust, sturdy. Birds perch in her branches. Last year she was like a gawky teenager and produced weirdly sized leaves. This year she has come into her own.

Last week, after painting especially bad, suffocatingly tight and small-brush-clumsy, I sat outside with Breck. She asked me to remember her freakish leaves. She reminded me of the strange unwieldy branch that reached like a beanstalk above all the others. It was so unusual that we worried for her survival. We worried a giant might come looking for a goose. “Growth is tricky,” she said and quaked.

Yes. Growth is tricky. Sometimes it takes a chat with the aspen tree to remember to take a breath, reach for the sun and celebrate right where you are on the path.

County Rainy Day…in process. Too tight too soon…a step on the way to flow…

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read Kerri’s blogpost about BRECK

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Accept The Invitation [David’s blog on Merely A Thought Monday]

Master Marsh once asked me why I was compelled to run and jump off every edge I found. His question was rhetorical which was a good thing since I had no answer. I wasn’t really aware of the compulsion he was asking me to consider. I knew I was a restless soul. Most of my life I felt as if I was a suffocating man in a desperate search for air to breath. His question served to slap some consciousness into my wandering nature. His question introduced the idea that I might actually catch my breath if, instead of moving, moving, moving…, I sat down and took a breather.

Edges are invitations into the unknown.

Paintings, writing plays or this blog- any creative process – is an invitation into the unknown. To see what is as yet unseen. To open to something beyond. I’ve come to understand that opening-to-the-unknown is the essential practice of an artist. It is air-to-breathe. And the opportunity presents itself every single day, on the move or sitting still.

I thought of Master Marsh and his question the moment we stepped beyond the caution sign into the water. After so much rain the river spilled out of its banks and onto the floodplain, it overwhelmed portions of the trail. We could have turned around and returned to the car. We could have kept our feet dry. We’d walked this trail many times and could see that the water crossings were not dangerous. Calf deep with a smidge of current. And so we looked at each other, smiled a “why not” smile, and stepped.

I thought of Master Marsh and his question because this trail was known to us and, on this day, was completely unknown. We saw it again for the first time. Master Marsh is a great steward and studier of nature. His drawing of plants and trees and rivers and birds and…are first class. They’d make John Muir proud. For many years he cared for a stretch of the Calaveras River. Each day there was something new. Something previously unknown discovered.

The water crossings, I counted six of them, made us feel remote. Distant from civilization. We saw fish swim across the trail, heard sounds we’d never before encountered. The meadows exploded with color. A lone deer watched us and then disappeared like Merlin.

Edges come in many forms. On this day, it looked like water spilling over the trail. It was a welcome bonus to step beyond the sign, to spend some time in an unknown-known and have a quiet memory-walk with one of my favorite people.

read Kerri’s blogpsot about WATER ON THE TRAIL

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One And The Same [David’s blog on Two Artists Tuesday]

[Embrace of Life by Mimi Webster in the John Denver Sanctuary]

She shared a video posted by a friend: elephants drinking from a watering hole. The opportunity of a lifetime to see it. Yet, it is something that happens everyday if you live in that part of the world. The ordinary and the miraculous, one-and-the-same.

He wrote that he was helping his granddaughter move from college for summer break. His love was palpable. The task was nothing more or less than an opportunity for shared time. Time shared, nothing better.

We took a walk along the lake, my dear-friend, long lost and newly found. We were catching-up on missed chapters and yet talked as if we were picking up a conversation that we started yesterday, as if no time passed between our last meeting and today. In the telling we consciously wove together the rich tapestry of our friendship-story, the necessary sharing of triumphs and tragedies. All important colors on the palette.

“When was the last time we were here?” she asked as we crossed the bridge into the sanctuary. More than a few years. “So much has happened,” she whispered. So much. We are different than the couple who held hands and crossed this bridge in the past. We no longer swim against the current. The wisdom of exhaustion. She saw the sculpture, Embrace of Life, turned and threw open her arms, mimicking the pose and said, “Yes!”

read Kerri’s blogpost about EMBRACE OF LIFE

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Clean White Slate [David’s blog on Two Artists Tuesday]

The snow fell and the world grew quiet. It seemed that the universe was affording us a much needed pause, an opportunity to be still and reflect. The snow appeared to be our ally, a guardian made of ice crystals wearing a blanket of muted white.

And so, we rested. We agreed that no decisions needed to be made, no projects required completion, no questions needed to be answered, no horizons needed to be explored or ideas pursued. No experience needed defending. No choices required justification. We welcomed our exhaustion and sank into it like a soothing warm bath. Prior to rejuvenation, we recognized the utter imperative of emptying space, the necessity of draining the glass completely so it might someday be fully refilled.

Later I marveled how rare it is in my experience to rest. To truly rest. To just rest. To give myself permission to be. To hold no thoughts, to hold no grudges, to hold no importance, to hold no intention. To open hands and heart and let go. It is not in either of our natures to do nothing.

On a sunny day we would not have been capable of absolute rest. Had it been a sunny warm spring day, our empty tank, our need for rejuvenation, would likely have taken a different route. We would have walked. We would have recounted and debriefed. We would have puzzled. We would have made pictures. We would have turned our faces toward the warm sun piercing the cool breeze.

Instead, the snow-ally brought us a surprise gift. A rare and welcome opportunity. A noiseless mind. A quiet heart. A clean white slate made of a deep appreciation for the essential things.

read Kerri’s blogpost about SNOW

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A New Day [David’s blog on DR Thursday]

A new day.

Sometimes it takes a storm blowing through to make you realize what has value and what does not. The tornado takes the house, scatters the possessions, but the family is safe. No one is harmed. The wind takes the clutter and leaves a certain clarity.

I once knew an accomplished artist who lost his life’s work in a house fire. What I assumed would be tragic, for him was an opportunity: “I’m alive,” he said, elated. “Now I have a completely clean slate and can discover my work all over again.”

The storm comes. The veil falls. The Great and Powerful Oz is nothing more than a man with levers and illusions of grandeur hiding his real face behind a curtain. Dorothy suddenly knows without doubt what is true and what is fabrication. It’s quietly liberating.

She watches The Great and Powerful drift away in his hot air balloon and clumsy illusion. Dorothy realizes that no one can give her what she already possesses, an integrity of purpose, a vibrant spirit, surrounded by honest people who love her in a place she calls “home.”

A new day.

Nap with DogDog & BabyCat, 36″x48″, mixed media

read Kerri’s blogpost about A NEW DAY

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