Stumble Forward [on KS Friday]

I stared at the print in our Airbnb. It made me smile. A happy sloth sitting for a portrait. My children’s book-story-imagination ran amok with the possibilities. This sloth might be pals with Pooh.

The image is by Simon Te Tai. He’s a photographer and manipulates his images using other technologies. He alters the personality. He sometimes adds human characteristics.

I’m paying attention to the uproar in the art community over text-to-image software, like Dall-e. Type a simple phrase into the generator and it will produce an image. “It’s the end!” frightened artists cry!

It’s curious to me. A camera is a technology that, when first introduced, produced the same cry from artists. “It’s the end.” And then artists worked with it. The world would not have a Van Gogh or a Matisse without the camera. The camera freed artists from the necessities of realism. It opened paths to other vibrant explorations.

I remember the first time I saw Photoshop. “The end of truth as we know it,” I thought. A photograph was no longer proof that something happened. It was a shock. Disorienting. Now, I sit next to Kerri everyday as she manipulates our cartoons, produces our blog-boxes, and tweaks photos. It is common, everyday. Liberating.

There isn’t an art form that hasn’t been fundamentally altered by technology. Amplification of sound made it possible for us to attend a concert in a stadium of people. The swirling lights, the moving images playing behind Elton John were sophisticated and an integral part of the experience.

Our language is being altered by technology. The text. The tweet. The emoji. The pendulum is swinging back toward the image, the symbol, and away from the written word. Pictographs on screens rather than chipped into the walls of pyramids.

It’s a push-me-pull-you, this dance we do with technology. Something is rendered obsolete while something gained is not-quite-understood. Change is like that, especially the rapid changes introduced by technology. We stumble forward like a drunken sailor, never quite knowing where we’re going because we understand ourselves by where we’ve been.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE SLOTH

bridge/as it is © 2004 kerri sherwood

Stop And Rest [on KS Friday]

At the height of the pandemic she recorded music on her phone and posted it for the community. It was a warm blanket, a comfort sent to people separated by the virus. Yesterday, she stumbled upon the recordings. There are hundreds. She played one for me. Pressing pause, she looked surprised and said, “These were good.”

I appreciated her honesty. I smiled at her surprise. Having been taught that it’s not nice to brag, she rarely acknowledges the scope and depth of her gift. Her pat response when I genuinely gush about her latest composition: “It’s okay.” It is good medicine for a gifted artist to say to herself, “My work is good.”

Also yesterday, she had a “talk” with me. She advised that I be less hard on myself. “Hold yourself softly,” she said. She was spot on. She can see it in me because she can see it in herself. She was telling me that, like her, my work is good. I swallowed my immediate response, “It’s okay.”

“Okay” is a hard word. It comes from a long road of vulnerability and a dedication to getting better and better. Minimizing is both armor and a practice. The path of artistic passion runs through, “Love what you do.” Yes, love it, but don’t get lost in it.

A life of mastery is built upon a mountain-range of mistakes and a dedication to never arriving. Keep walking. Keep growing and opening. Keep discovering ways to say more with less. Every once in awhile, it’s nourishing for the artistic soul to stop for a rest and crawl under the warm generous blanket of, “My work is good.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about QUILTS

and goodnight/and goodnight…a lullaby album © 2005 kerri sherwood

Imagine The Shadow [on KS Friday]

“I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.” ~ Grandma Moses

Among the many reasons I love autumn is the color of the light. Looking out of the kitchen window this morning I was bowled over by plants resplendent in orange and pink. I was so taken by the color that I forgot I was cooking and nearly burned breakfast.

We hiked yesterday. The trail was steep and rocky but, thankfully, the trail wound under the canopy of the forest. It was a hot day and the shade made our path bearable. We stopped often to breathe and enjoy the remarkable shadows cast by the trees. The leaves glowed and waved, backlit by the sun.

Imagination. The capacity to make images in the mind. It is the most basic of human capacities. We spend our lives imaging ourselves in tragedy and in triumph. Yearning and fear are both shades of imagination. “What if…?” is a question borne of imagination.

“Wait!” Kerri suddenly instructs, stopping me in my tracks. When the sun is low in the sky and our shadows make us skinny giants, she likes to capture our distortion. Shadows do not resist the curvature of the earth. They do not try-to-be. They simply conform to the circumstance and, inevitably, moving through a festival of color changes, blend into the purple dusk.

While she focuses her camera on our shadow, I appreciate the glow of the negative spaces, the yellow-autumn warmth heightened by our grey-blue silhouette. I giggle imagining we are as skinny-tall as the shadows we cast. “Hold still,” she whispers, not realizing my giggle is making the shot impossible. While stilling my shadow, in my mind, we reach and pluck the reddest of leaves from the tippy top of the maple tree.

Waiting (from Joy)

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about SHADOWS


waiting/joy © 1998 kerri sherwood

Modify The Plan [on saturday morning smack-dab.]

When you are an artist, you begin your career with the understanding that retirement is not really an option. You will work as hard or harder as any of your friends. You will have satisfaction in your work that few people can imagine. And, you will, most likely, unless you are very lucky or have a surprise trust fund, never experience lasting financial security.

Also, when you are an artist, you can’t imagine not making art so “retirement” generally means the-big-dirt-nap.

We have, since our great-double-wrist-break-and-financial free-fall of 2020-21, changed our approach. It’s less easy to improvise when the world perceives you as old-and-should-be-retired (non-dirt-nap-variety). Your networks collapse. Your mask obscures your capabilities.

We’ve modified our plan. We’ve modified our expectations. Now, we need only live long enough to break the Guinness Book of World Records as the oldest living artists. Anything is possible! That belief, a hard-core dedication to abundant possibility, is what makes us artists in the first place!

Retirement (non-dirt-nap-variety), here we come!

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

See Beyond [on Two Artists Tuesday]

Breck, the small aspen tree in our backyard, is beginning to change its colors for the season. Although we have yet in our neighborhood to smell autumn in the air, Breck is giving us a heads-up.

A decade ago I wrote that, in order to see beyond preconception (thought), artists and entrepreneurs need to master two skills: pattern recognition and metaphor. Look for patterns and you will eventually see beyond them. See beyond the pattern and, as Ash Bhoopathy said, “The familiar will become strange and the strange will become familiar.” What an amazing definition of metaphor.

In this pattern cycle, the green becomes brilliant golden yellow as Breck turns her summer attention from the sun and sends her focus into the root for winter nourishment.

Kerri’s photographs are often extreme close-ups. She has a bit of Georgie O’Keeffe in her artist’s eye. Often, when showing me the latest photo, she pulls the-already-close-up-image into a detail. I am always amazed at the pattern beneath the pattern beneath the pattern. The plumes of the grasses are a festival of pattern. The many feet of the caterpillar, perfect suction cups.

Despite our dedication to our perceived differences, we, too are a festival of pattern. The operative word is “perceived.” Pull the lens close-in and our divisions disappear as rapidly as our skin color. Pull the focus farther out and we move together in a sweet-and-sour ballet. Koyannisqatsi. History repeats, a pattern, like the cycle of the seasons. Order moves to chaos to order to chaos…mainly in our minds. Order is what we crave, so purblind are we to seeing the ubiquity of pattern.

The plumes explode pink and red on the grasses The chipmunks have picked up their foraging pace. The geese have reappeared. The miracles are in the familiar, strange and surprising when seen again for the first time. The feel of the hand of the one you love. The moon on a clear cold night. The yellow rim reaching through the green quaking leaves.

read Kerri’s blogpost about BRECK’S LEAVES

Turn And Look [on KS Friday]

Sometimes in the middle of the night the monsters come out and dance through my mind. Last night was one of those nights. I’ve learned not to take them seriously. I’ve learned that their visit is meant to inspire gratitude. Rather than fight, forgive. Rather than run, turn and look.

I’ve always felt deeply connected to birds of prey, especially hawks. Many years ago, during an “art as transformation” class, an elder came to teach us how to make medicine shields. We gathered and designed our symbols, bent willow, stretched hide. I was visited by a hawk as I walked the mountain so the sun side of my shield includes a hawk. I keep it in my studio.

There’s a hawk in our neighborhood. We know it’s around when the crows explode in alarm. To see the hawk, follow the crows’ relentless assault.

While planting pampas grass against the fence, Kerri gasped and whispered, “Turn around slowly.” Before I could reposition, the hawk disappeared. It had perched on the fence above our heads. A ghost. No crow alarm. Kerri and the hawk looked each other in the eye. “It was huge!” she said.

Moments later, the planting complete, the hawk flew through and landed in the neighbor’s tree. Squirrels froze in place. The crows, sleeping sentinels, awoke. The alarm went out. The hawk paid it no heed.

A visit. A monster in the dreams of squirrels and chipmunks, I felt nothing but awe. The hawk remained in the tree for a long time. We looked at it. It looked at us. Gratitude.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE HAWK

take flight/this part of the journey © 1998 kerri sherwood

Be The Feast [on DR Thursday]

This time of year, if you want to walk the Des Plaines river trail, do it early in the day. The mosquitoes come out in the afternoon. They are vicious little critters.

The Des Plaines mosquitoes are subject to one of the great mysteries in my life. At home – in fact, everywhere else on the planet – the mosquitoes prefer Kerri. I can be mosquito-free while she’s a mosquito-buffet. Not true at Des Plaines. Those wicked flying needles feast on me and give her a pass. Why?

Last week we started our walk a little later than planned. It’s as if the folks in the Des Plaines control room throw a switch. One moment, there’s not a mosquito to be found. The next moment, the mosquito dinner bell is rung and I am the main course. I run-walk, slap and silly dance my way back to the relative safety of the car. Kerri walks leisurely asking, “Are there any on me?”

It’s been a great equalizer in our relationship. For years, in the early summer evenings, writhing, she asks in desperation, “Are you getting bitten?” My smug response has always been, “No. Are they out?” Now, as I wiggle and swat my way through the forest, she strolls and smiles and asks, “What’s the matter?”

Equalizer. Compassion-builder. Though, now I understand why she suggested a later start for our walk in the woods. “What about the mosquitoes?” I asked.

She smiled.

read Kerri’s blogpost about MOSQUITOES

earth interrupted I © 2012 david robinson

Melt And Hammer [on Merely A Thought Monday]

We are easily entertained. Once, we nearly crashed the car laughing-so-hard at the names we gave to our alter-egos. Who drives around naming their alternative selves? We do. Sit us in a corner and we’re pretty good at finding something to do.

Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

Igneous is volcanic. Fiery. A few weeks ago we painted rocks to put on the trail. Since we’re both cycling through an artistic-growth-crisis, we painted and fantasized about our new career intentions. When Kerri suggested we call ourselves “igneous artists” I howled. The layers of meaning are too vast to count. Plus, I thought it sounded suspiciously close to “ignorant artists” and I liked that, too. “We should hang out a shingle,” she said, “For Hire!”

Igneous artists.

Art is standing with one hand extended into the universe and one hand extended into the world, and letting ourselves be a conduit for passing energy.” ~ Albert Einstein

Because we tend to riff on everything, while painting rocks, we rolled around our new art-moniker until we had an appropriate clever (to us) sub-phrase. “It sounds like a lyric,” I announced, mostly as enticement for my lyricist wife to spin out a theme song. She did not take the bait.

Igneous artists with sedimentary souls.

‘Layers of soul’ is a yummy image. Especially if the layers are born of elements like fire. Like all artists, we’ve been forged, melted in a hot furnace and hammered into shape. The smith hammers out the impurities. “People don’t change,” Kerri often quips, “They become more of who they already are.”

I could stand to lose a few impurities. I look forward to becoming what I am already.

“To draw you must close your eyes and sing.” ~ Pablo Picasso

read Kerri’s blogpost about IGNEOUS ARTISTS

Stop At The Oasis [on KS Friday]

It was the end of a brutally hot day. The chipmunk peered over the edge of the deck, located the dog, and calculated the risk. It decided to go for it. Popping onto the deck, it raced along the wall, hopped onto the edge of Dogga’s metal watering bowl, reached down and took a hearty deep drink. Checking to see if Dogga remained oblivious, it took another long quaff, jumped down and raced to safety.

Alarmed at the idea of thirsty chipmunks, Kerri leapt to her feet. “We have to put water in safe places!” she chirped and ran into the house. 20 and I reminisced about the Ely chipmunk she’d trained to sit on her lap and take peanuts from her hand. We named it Humpy because of the large hump on its back. Ever since Kerri bonded with Humpy, all chipmunks are related to Humpy. They are family.

She returned with a deep plate, something that held plenty of water but, unlike the dog’s water bowl, didn’t put them in danger of drowning. “I wouldn’t have thought of that,” said 20, “You?”

“Nope,” I replied. “I’d have found a chipmunk swimming pool. They can swim, right?” 20 shrugged. Kerri narrowed her eyes so we hastily sipped our wine.

We watch their travels every day so know the chipmunk trails through the yard. The chipmunk highway runs beneath the potting bench and there’s a gate that prevents Dogga from getting in. The new chipmunk watering plate went there. “It’ll keep the sun off, too,” she said.

A chipmunk oasis. Roadside chipmunk assistance. First, we gave them Hotel Barney (the piano) for shelter that also provides high ground to mock Dogga while also enjoying pilfered bird seed in relative peace and comfort. Now, a safe watering hole.

“Do you suppose they’ll write an email to Humpy” 20 quipped. “He should know how well you’re taking care of his kin.”

“I hope so!” I said as Kerri gave us the evil eye for a second time. “Do you need a refill?” I chirped, suddenly feeling a kinship with the chipmunks. I scoped Kerri’s location, grabbed 20’s glass from his hand, and raced for the relative safety of the house.

read Kerri’s blogpost about CHIPMUNKS

Kerri’s albums are available on iTunes & streaming on Pandora

sweet ballet/released from the heart © 1995 kerri sherwood

Embrace The Frenzy [on saturday morning smack-dab.]

I’ve written before of Kerri’s brochure addiction. She’s been in and out of treatment but nothing has helped. Her vivid imagination and roadtrip imperative collide in the common brochure. There’s nothing to be done but lean into it. During trips I stash paper sacks under the seat of the car to contain the newest editions to her already mountainous collection. I am – I have become – her brochure enabler.

I confess that I like feeding her imagination. As we drive from the welcome center with the paper bag full of newly acquired possibilities, she tells me of where we might travel and what we might find there. She nearly lifts off her seat (another good reason to buckle up) recounting what she discovered in her brochure frenzy. Her enthusiasm for life and its limitless destinations warms my heart.

All that remains is the logistics. When enthusiasm meets brochure, all things become possible.

read Kerri’s blogpost about BROCHURES

smack-dab. © 2022 kerrianddavid.com