Existence [David’s blog on KS Friday]

Moon and contrail had a conversation.

One was short-lived, appreciating a few moments of life. The other celebrates birthdays that run into the billions of years.

One is made of water while the other is made of metal and stone.

One moves in circular orbits. The other is known for its straight lines.

One is made by humans in motion. The other is made by planets in motion.

Both experience transformation. One began as tiny vapor and morphed into liquid. The other began as tiny bits of earth-debris and transmuted into a solid orb. A satellite.

Although alien to each other in contrast, they recognized their similarity in comparison: their very existence depends upon the movement of others, forces out of their control. The collision of planets. The exhaust of airplanes. People attempting to “get there”. The pull of gravity. Stars tumbling ever further to find what simply may not exist: the boundary, the end of the universe, creating dust in their tumble that reconstitutes as beings on a teeny-tiny blue planet, people imagining planes that make contrails, and rockets that might reach for the moon.

Bonus Track (God Be With You Until We Meet Again) © 1996 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about MOON AND CONTRAIL

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Our Real Riches [David’s blog on Two Artists Tuesday]

Since rarely in life have we had excess, we’ve become experts of austerity and yet we seldom feel wanton or that we are lacking in any way. Quite the opposite! We usually walk in rich abundance – the kind that is not connected to possession or attainment or access. We appreciate to our core the gift of being alive, our time together, the plenty that comes from our friendships, the affluence of our artistry. There is no end to the ideas we chase or the moments we cherish. For us, each walk on the trail is extraordinary. We never take it for granted.

The gift of our strict no-spending orientation is that, when we do afford ourselves a treat, the pleasure is amplified; a tiny moment elevated to the exceptional. For instance, yesterday while shopping for gifts we did something that we rarely allow ourselves to do: we stopped at a bakery, bought a pastry and a cup of coffee. We were giddy with excitement. We savored every bite. We cherished sitting in the warm cafe on a cold wet day and sipping a hot, bold cup of coffee. A seasonal sensual pleasure. We promised each other that someday we would do it again.

Our real riches are in our eyes, our seeing. Kerri’s eyes see beauty in everything. At the first dusting of snow she dashed outside to capture the textures and color on the deck. “Lookit!” she said, showing me her discovery, nose red from the cold.

My eyes see movement and connectivity. Busy streets often appear to me as a dance. In a past life I adored teaching because I could see ideas ripple and discoveries flow through the class. I adored watching audiences join in what I came to understand as a single heart beat. Perhaps that was what called me to the theatre. I am only now beginning to understand what calls me to paint.

We moved our old wooden glider, deck furniture, into our living room. A well-used, very old studio lamp, a treasure found at an antique sale for five dollars, serves as a reading lamp. Next to the glider is a tall branch, painted white, wrapped in happy lights and adorned with holiday crystals. It’s become a favorite place to sit. Our happy hour has migrated from the kitchen table to the living room glider where we can appreciate our holiday decorations and watch the world pass by outside the front window.

‘I love it here,” she says, giving Dogga a nibble of cracker. Me, too. I love it here.

***

After writing my post, while waiting for Kerri to finish hers, I opened my email and read the latest of Maria Popova’s The Marginalian:

“The destination, rather than a place, is a state of being — the recompense of paying everything in our path the gratitude and reverence it is due for merely existing. For we forget, too, that dignity — this deepest reverence for being — is not something we can ever have for ourselves unless we accord it to everything and everyone else.”

read Kerri’s blogpost about APPRECIATION

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Witness The Impossible [David’s blog on DR Thursday]

We heard, in some locations this summer, people experienced a veritable plague of cicadas. They shoveled them off of their driveways like so much snow. Not here. We finally heard their song late in the season. We found a few empty shells floating in the pond or attached to fence, evidence that they’d emerged and transformed. They were present in vibrational rhythmic sound. They remained invisible to our eyes.

Sitting quietly on the deck one evening in August, enjoying the cicada symphony, Kerri said, “It’s not summer until I hear the cicadas.” Markers of our passage around the sun. Symbols of the cycle. The first color on the leaves. First snow. The first dandelion of spring. The first turtle emerging from the muddy river. Cicada song.

Last week we talked about stew and soups rather than watermelon and burgers on the grill. In this way, in old and new recipes, we chase the coming season. Anticipation and imagination.

We found the cicada on the driveway. It was in its last minutes of life. Crawling like a drunken sailor, it could no longer fly; one wing undamaged but seemingly useless. “It’s so sad,” she said as she knelt to take a photo.

Reverence overcame the sadness. “Look at the color! How beautiful!” she whispered, showing me the photo. We knelt again to witness the dying cicada.

Appreciation. Sometimes I think our only purpose on this earth is to cherish its treasures, to recognize something so small and impossibly grand as the movement of life.

read Kerri’s blogpost about THE CICADA

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A Tale of Whoa! [David’s blog on Not So Flawed Wednesday]

We take so much for granted. Flip a switch and the lights come on. Twist a knob and water pours from the faucet. Turn the key or touch the button and the car starts. Flip open the computer and access the entire info-world. And then, one day, with little or no warning, the flip, the turn, the twist, the touch doesn’t produce the expected result. Easy-life evaporates.

For us, these easy-life-evaporations usually arrive in hard-clusters of three. For instance, a few weeks ago, Kerri’s computer ceased to compute. A few days later our trusty LittleBabyScion went down for the count. And then, to complete the trio, in a surprise move, our kitchen sink, in coordination with our bathroom sink, refused to drain. No amount of plunging, baking-soda-and-vinegar-elixirs, pipe-removal, coaxing or cursing…made any difference. To taunt us, black stinky muck arose from the depths. There was nothing to be done but call the plumber who listened to our tale-of-whoa! and recommended that we skip his services and call the drain guy.

There’s a nice metaphor at play in our tragic tale. First, after the drain guy successfully cleared our pipes (the blockage was deep in the system), we decided that, just like our pipes, we also had a deep blockage that required clearing. The pipe-clog not only stopped the drains from working, it also stopped us from working – something we desperately needed to do. Take a break. Think about something else for awhile. Clear our minds.

Yesterday on our hike I asked Kerri what she was thinking about and she replied, “Nothing really. My mind is just wandering.” There could be no better answer. An un-fixated mind. Thought-flow with no blockage. Spaciousness.

The computer. The car. The drains. Three modes of movement, together locking up and inhibiting our movement. They made us slow down. They made us stop. They made us hyper-aware and appreciative of our easy-life and how quickly it can evaporate.

Each morning since the drain guy came, we run to the bathroom sink and turn on the water. Full blast. “It’s draining!” we cheer. Then, we race to the kitchen. “Look!” we high-five in celebration of successful drainage. Something so simple. Something so completely taken for granted. But, for a few glorious days, before the gratitude disappears into the easy-life-expectation, we will celebrate the flow of water, the light at the flick of switch, the turn of a key that easily sparks the heart of LittleBabyScion into life. Each time, we will look at each other and sing with gratitude, ‘It works!”

read Kerri’s blogpost about SINKS

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How To Harmonize [David’s blog on Not So Flawed Wednesday]

“Nature, in the intimate and in the vast, is not designed. It is designing. Our own nature confirms it.” ~ N.J. Berrill, You and the Universe (via The Marginalian)

 In one of our famous conversations, Horatio suggested I read Ernest Becker’s Pulitzer Prize winning book, The Denial of Death. So, I did. Horatio has never led me astray. Boiled down to an essence, as a unifying principle for religion and science, it unpacks the human dilemma of being a finite animal with an unlimited imagination. We are unique among creatures because we know we will die yet we have the capacity to imagine ourselves infinite. And so, to live beyond the veil, we think we must leave a mark, to serve a greater purpose. We must seek or give meaning to our limited time. No other animal carries so great a burden, this split-dance of separation and unity.

It is an understatement to suggest that it has set me to thinking. It is the ultimate in creative tension.

For ages, artists have painted the Danse Macabre. Some are a painting a warning: it’s coming so be ready! Some are painting an appeal: it’s precious so live every moment of it!

And this is what Horatio’s recommendation has me thinking: It’s a cycle of movement, like the tides or the cycle of the seasons, the movement of the earth, spinning around the sun…It is movement. Life is movement.

I was hired at the software start-up, not because I know anything about technology or coding, but because I see movement. Dynamic whole systems. In my brief foray into the start-up, I learned that, in order to be successful, software has no end. It is never finished. It must constantly iterate. It must never assume a completion. It is, in that way, like a human being, constantly becoming, cycling through periods of stability and periods of chaos, through lostness and found-ness, each generation supporting the cycle of the next generation.

We confuse ourselves by seeking an answer to our end, as if the design is finished. As if we are complete. That is a statement of our denial. We are movement. Relationship. Cycle. Never complete.

She knelt to take a photograph of the daisies, each at various points in their life cycle. A perfect visual for the single question-with-no-answer at the core of our short season on earth:

“…how to harmonize our cosmic smallness with the immensity of our creaturely experience…” ~ N.J. Berrill

read Kerri’s blogpost about DAISIES

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Language Blossoms [David’s blog on Two Artists Tuesday]

I just experienced something new: a visual route to a find synonym. That might not seem like a big deal but for a visual-guy like me it fundamentally changes my relationship with language.

I wanted another word for “shine” and, instead of finding a static linear list, a blossom of interconnectivity unfolded on my screen. Shine in the center, five interconnected primary synonyms, with each of the five subsequently sprouting five fingers of word possibility. I was gobsmacked. Like a child with a new toy, I clicked back into the site again and again so I might see the word bloom.

I’ve directed (and loved) many of Shakespeare’s plays. I am an avid reader. I write everyday and spend more time than I care to admit chasing down words. Yet, had you met me when I was a wee-lad of 22, none of these things would have seemed possible. It hurt to read. The worst hell imaginable for me was diagraming sentences. My knuckles were rapped by stern-faced English teachers more than once for poor use of language, rotten sentence construction. And, although I had an undeniable enthusiasm for the theatre, I literally hated reading plays when I was in high school.

Linear sequential is not my friend.

One day in my 24th year an actor introduced me to Shakespeare. Active language. Delicious sounds and living images. The penny dropped. The world opened. I have been a voracious eater-of-language ever since. When rehearsing, I dance my words.

Words matter. They are alive when not forced to toe-the-line. Symbol and sound, makers of meaning, each intimately connected to the other. When I come back to this earth I will hopefully be a poet, attempting to capture in language that which is impossible to articulate. The beauty of a pink tulip. A flower selected by a mother for a rare visit from her daughter. Our daughter. Our daughter: a surprising and remarkable combination of words I never thought I’d utter.

Language unfolds and reaches deep into pools of meaning. Words blossom. And nothing is ever the same.

read Kerri’s blogpost about PINK TULIPS

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Learn About Silence [David’s blog on KS Friday]

Sometimes an action is not what it seems. For instance: she decided to sell her cello. It sounds so simple, doesn’t it?

When she broke both of her wrists in the same fall, she worried that she’d lose the ability to play her many instruments. To bow a cello requires a flexible and strong wrist. It healed and she recovered. Bowing the cello was not a problem. And then there was the second fall. A newly mopped floor with no signage. Her first words, laying on the wet linoleum, writhing in pain, holding her right wrist: Oh God! Oh, god, I can’t believe it!”

She lost degrees of movement in the second fall. It sounds mathematical, doesn’t it? Simple math. On a good day she has half the degrees of movement that she had before she met the wet floor. Enough to open a door but far short of bowing a cello.

After three years and countless hours learning about degrees of silence, she decided to sell the cello. “It needs to be played,” she said. “It deserves to be with someone who can play it.”

A simple action. A very complicated story. A heartbreaking moment when the luthier handed her a check. She touched her cello, turned, head down so the man could not see her tears, and walked away.

Last I Saw You/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE CELLO

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Life Spilling Out [David’s blog on KS Friday]

If this beautiful winter skeleton of Queen Anne’s Lace was a sculpture – my sculpture – it would be titled The Impossibility of Containment. Trying to hold on to the magic movement of life. It spills out in every direction.

I once had an espresso martini in Aspen, Colorado. It was the single best drink I’ve ever had. It was so good I did something I never do: I had two. I savored every sip. Occasionally since then, in other watering holes on earth that offer a drink by the same name, I’ve tried to replicate the past. To no avail. The bar in Aspen no longer exists so, like a good sand painting, my espresso martini revelry lives where it belongs, on the wind and in my yearning.

This week I completed another trip around the sun. I look in the mirror and am sometimes surprised by the face that stares back at me. My eyes remain consistent, yet what my eyes are capable of now seeing has changed dramatically. Although I occasionally yearn for my younger face, I would never exchange my current eyes for my former sight.

I see possibility spilling out in every direction. Simplicity. I see extraordinary friends all around. Each morning I open my eyes to the one face that fills my heart to bursting. I am, as Nietzsche suggests, loving my fate. Every pothole, every mountain-to-climb, every seeming obstacle, every frustration, a magic moment, a heart-seed leading to who-knows-where. Life spilling out in every direction.

I’m practicing the skill of opening wide my arms, welcoming the impossibility of containment.

Sweet Ballet/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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buymeacoffee is a possibility cast onto the winds of time.

Go Glacial [David’s blog on Not So Flawed Wednesday]

The rain has washed away the snow. Our world this week is cold and damp. Our backyard is part lake, part mud pit. We’re feeling the lack of fresh air, the need to get out onto a trail. We’ve been housebound too long. Later today we’ll bundle up against the rain and walk the neighborhood. We’ll skirt the lake. We will breathe. We won’t be in a hurry to arrive anywhere.

The winter has always been good for slowing down. It’s not advisable to race to-and-fro on icy roads. It’s contrary to the message of the machine. The rule of more/faster.

During these past several months I have learned something about myself. I’ve been working on a new play though I’ve only had a few hours a week to dedicate to its development. The work has been glacially slow. In old times, in colder climates, people used to keep their water running a trickle so their pipes didn’t freeze and burst. I started writing this play for much the same reason: to keep my creative energy flowing so my pipes didn’t burst. I had no other expectation beyond keeping the channel open through this time of freeze. Much to my surprise, glacial is a great process for me. This play is good. I’m coming to believe that most of the really bad playwriting that I’ve done in the past – most of the atrocious painting – is the result of working too fast. And, now that I think about it, most of the pieces I am most proud of took years to mature. The Lost Boy took over a decade – and multiple iterations – to finally find the stage.

Last night as I lay awake listening to the rain patter against the window, I had a wild idea. What if…?

And, what if my wild “What if…?” was not a complete idea, a fully formed god jumping from my brain, but merely the tiny thought-spark that starts my ice age rolling? A little bit of light calling for my attention. I’ll let this one simmer for a spell. In the meantime, I have a walk to enjoy, some air to breathe.

read Kerri’s blogpost about RAIN IN WINTER

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buymeacoffee is a trickle of energy capable of keeping the pipes from bursting.

Appreciate The Caper [on KS Friday]

Kerri’s photos serve as our writing prompts. Sometimes I know exactly what I want to write about. I lead. Sometimes, like today, I stare and follow the first thought that comes to mind, whether or not it makes sense. I let the thought lead me.

Sometimes I follow. Sometimes I lead. Inevitably, during the writing, the process flips. The follower takes charge and leads. The leader gives over and listens. It’s a nice description of a creative process, a tennis match between the intuitive and intentional.

Today’s first thought? It’s perfect design. A still shot masks the truth that this flower is designed for motion. Time-lapse photography reveals the pulse of life, opening and closing. Petals and sepals, pistils and stamen, folding and unfolding with the delicate movement of the planet spinning around the sun. And those tiny hairs on the stem and sepal? Trichome – absorbing life, protecting the dance.

It occurs to me that the word “design” implies a designer and there we go again bumbling into the morass of the godhead. How to explain such perfection? This miracle of life, utter interdependence, as seen in a purple coneflower.

Perhaps it’s enough to acknowledge that my mind is way too limited to grasp the enormity of the concert. I dabble in the power of imagination but will never grasp the infinite, contain the uncontainable, neither in word or way.

Perhaps my desire to affix a definition to the undefinable, to understand the boundless, is no different than staring at a writing prompt. Sometimes I know exactly what I want to write. Sometimes I have no idea. Sometimes I lead. Sometimes I follow. Intuition dances with intention yet neither are capable of explaining the boundless, of measuring the immeasurable, describing the indescribable.

It is enough to perform my part and fully appreciate the caper.

silent days/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CONEFLOWERS

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