Celebrate And Release [David’s blog on DR Thursday]

If this was a painting it would be titled “The View from the Kitchen Window in the Middle of the Polar Freeze.” It’s lovely and abstract yet also carries hints of an impressionist sky. One hundred years of painting history all wrapped up in a single frozen moment.

When I lived on the west coast I experienced my share of earthquakes. They were of varying intensity, some subtle shakers, another knocked my neighbor’s house off the foundation. And although they were different in character and spanned a few decades of time, one thing remained constant: in the moments that followed the quake, the best of human nature stepped forward. People immediately reached to strangers and friends – it didn’t matter – to ensure that everyone was alright. A shared experience, a shaking-to-the-core, loosened all the protective layers. The light came through the frozen facade.

As we’ve written, the polar freeze has driven us into the basement to clean out the stuff-of-life collected over three decades. It’s been a minor fascination that our cleaning process has inspired stories from friends about the time that they cleaned out the stuff-of-their-lives. Amidst the many stories we’ve heard, there is a triple constant: the stuff they saved, just like us, are the artifacts of their children with the intention of someday giving the treasures to their children. Clothes. Finger paintings. Trophies. Sporting equipment. Children’s books…our collection fills many shelves that now dip from the weight of too many books packed onto too small a shelf.

The second constant: the children do not want what the parents have saved. The museum of parenthood. The cleaning commences once the parents realize that saving the artifacts was, in fact, something they did for themselves. And so their life review is called “cleaning out.”

The third constant: the cleanse is actually a portal. A next chapter, another identity, lives on the other side of the purge. New light calls through the frozen memories. The memories warm in the telling. The sharing of the tales of parenthood, lovingly mourned and with gratitude, celebrated and released.

I Will Hold You, 29.75 x 39.25, mixed media

read Kerri’s blogpost about THE FREEZE

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Peel The Layers [David’s blog on Merely A Thought Monday]

We lay awake deep into the night. The window was open and the crisp fall air drove us deep beneath the quilt. And we talked. Lately, for reasons too complex to explain, we’ve been steeped in a comprehensive full-life review. Gently peeling back the layers and bandages of our lives, uncovering the hard choices and left-hand-turns that led us to this place, this cold sleepless night, with the rhythmic rumble of trains in the distance, the lake lapping the shore.

The dark of night rolling into dawn is an ideal time to soul search.

We talked of the times in our lives when we didn’t speak up. We talked of the times when we couldn’t speak up. Fear is a great silencer. We told stories of running from our voices.

We talked of the times when we spoke up and paid a heavy price. We shared the times when we refused to speak up, when we stood in the self-made-fire and balked at screaming. We’ve had our share of fire but do not be fooled: fire does not always purify. What works with minerals does not necessarily work with people.

“It’s like a Viewmaster,” she said. The toy from childhood. “My memories are sometimes like clicking through a wheel of static images.”

More than once, as we shared our memories, I thought of a quote by Hermann Hesse:

“My story isn’t pleasant, it’s not sweet and harmonious like the invented stories, it tastes of folly and bewilderment, of madness and dream, like the life of people who no longer want to lie to themselves.”

As the sun rose on our conversation I understood that our searching souls had at long last arrived at a place of truth-telling. We no longer want to lie to ourselves. It is easy to speak up when there’s no need to hide or run or ignore what we know is true. In loss personal truth is found.

And we both know what is true for us. We know what is ours-to-do.

We lapsed into silence as the light through the window slid from soft grey into subtle pink-and-purple-blue. “We’ve both come a long way,” I thought-but-did-not-say, as we finally slipped into a deep dream-filled sleep.

read Kerri’s blogpost about SPEAK UP

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Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

Protect The Seed [on DR Thursday]

Lately I’ve been applying for many jobs so I’m configuring and reconfiguring resumes and writing cover letters. They essentially serve as a surface-layer life review. This is who I am. This is what I’ve done. Of course, for me, that means I am thinking about art and artistry.

When I write the words “art” and “artistry”, I am aware that they mean something to me that I will never be able to convey through language. They are not “things” that I do or have done, they are not welcome career paths or positive attributes that potential employers desire to see on a resume. I wish I could count the times someone has said to me, “Yes, but what are you really going to do?”

“No, no, no!” I think. “You don’t get it! It’s not something I do.” I’ve learned over time to keep that thought to myself. There’s no point debating the worth of a way-of-life in a world that measures value in dollars and cents. Against this calculus, artistry makes no sense.

What am I really going to do? Paint. Write. Perform. And bring my artist’s sensibility to an organization. The people who hire me will fully realize the benefit of someone who sees through my eyes, someone whose artistry permeates everything they do. At this stage in my life, I’ve run companies, I’ve saved companies, I’ve held people’s hands and led them into and through impossible conversations, I’ve stood in organizational fires and, sometimes, taken Tom’s advice and let the place close-down. “Make space for something new to enter.”

As I write my resumes, I am daily reminded that we are embroiled in a culture war. We are standing in a historical teachable moment: we will either tell our full story and grow or we will do what we’ve done in the past and ignore our addiction to fantasy and opt for history-censorship. There’s never been a better or more necessary time to be an artist. Artists hold, express, and reflect the identity of their community. Nihilism has brought us here and that empty “anti-woke” sun is setting.

What we say matters. That’s an artist’s thought. How we say what we say matters. That, too, is an artist’s thought. Mattering is a word of relationship. Consideration of others is the province of mattering. That, too, is an artist’s thought. It’s an artist’s imperative: tell all sides of the story.

Kerri and I walk the trails to clear our minds and our walks have provided me with a perfect metaphor; artists are pine cones. The pine cone holds the seeds. It’s a protective, nurturing organism . It’s “…the female reproductive structure of the tree.” It’s the keeper of the essence and promise of the next generation.

From the deep archive. A painting from another century. From the estate of Marian Jacobs

read Kerri’s blogpost about PINE CONES

painting from another century (I can’t recall the title) © 1990, 2023 david robinson

Call Awe [on Merely A Thought Monday]

“The love you take is equal to the love you make.” ~ The Beatles, The End

Last week was unusual in that I had a sneak-peek at my end-of-life-review. When a trusted doctor looks at you and says, “This is bad,” when tests that ordinarily might be scheduled a few weeks out are rushed into the next few hours, when the palette of available options are mostly shades of black and all include the word “dire,” the life-movie-reel begins to roll. Mine did.

I’ve known for years that among the few choices we really have is 1) where we choose to focus, and 2) where we choose to stand as we focus. Point-of-view, labels slapped onto experience, the story we tell is a story we project onto the world. Rolling through the CT-scan doughnut, I looked at the story I’ve called into the forest. I listened for the story it reflected back at me, as me.

“Take a deep breath,” the machine instructed, “and hold it.” Holding my breath, I saw a single story comprised of many, many chapters. There are the life-pages that I lived in confidence, and pages that I wrote confusion. The shattering, the story of the pieces of my life scattered in four directions. Kintsugi. The pages of the phoenix. Pages written running from my art and the matching pages of running toward it. The chapter of standing still. The pages of betrayal and the balance pages of being betrayed. “Release your breath,” the machine chirped. “Breathe naturally.”

The forest will show me fear. The forest will offer grace. The forest will reflect back to me peace if peace is what I bring to it. Someday, rather than project onto the forest, I will walk into it, become it. A reflector of projections.

Take a deep breath. I’ve never been so appreciative of breath. Hold it. What a gift. Breathe naturally. Call awe into the forest.

read Kerri’s blogpost about THE FOREST

Learn A Thing Or Two [on KS Friday]

A decade ago I wrote and self-published a book. I called it The Seer. The see-er. A few days ago I pulled it off the shelf and began a slow-read-through. It’s a good book! I’m actually learning a few things from my younger self.

Yesterday I made a spreadsheet (I’ll never again confess to making a spreadsheet so appreciate this moment). The purpose of my spreadsheet was to build a database for Kerri of the cartoons that I’ve drawn for work. She takes my pencil drafts and digitizes them, colorizes them, and adds some quirky dynamics. They begin as mine and complete as ours. To finish my database it was necessary to open every file and look at each cartoon. They made me laugh. I’m proud of those cartoons, our work. I’m excited to share them beyond the small circle of eyes that currently see them. I know I’ve learned a few things because they are so simple.

We have a few sparse analytics on our blogs so can see when someone reads a post from the deep past. Lately, when someone reads a post from several years ago, we read it, too. “Where did that thought come from,” Kerri asked herself after rereading her long-ago-post. Often, after I dive into the archive, I want to rewrite what I read. I’m a much better writer now that I have a great editor reviewing my posts every day. The grammar police should have sent me to the gulag years ago. I am fortunate now to have a daily read through and revision with the-daughter-of-beaky-who-won’t-tolerate-improper-grammar. It’s too soon to know but I might be learning a thing or two.

We had occasion to revisit 2015. We didn’t mean to but were looking for a picture of a lanai and a pizza. It was the year we produced and performed The Lost Boy, illustrated and produced the first of Beaky’s books, we lost her a few weeks after the book release party, we were married in the fall of that year, we inadvertently created our first cartoon character, Chicken Marsala. “We’re content-creating monsters,” I said during our reminiscence. “We’ve learned a few things,” Kerri replied.

We walked to the channel. The last time we took this walk was before Covid. It seemed like a stroll into the past. A walk into a former life. So much has changed. We stopped at the waterpark to take some photographs. Children danced in the fountains. Parents smiled. Innocence at play. Elders occupied benches.

“Look at this,” she said, showing me the picture of the fountain. “I think maybe I’ve learned a thing or two.”

read Kerri’s blogpost about THE FOUNTAIN

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good moments/this part of the journey © 1997/2000 kerri sherwood

Stroll [on Two Artists Tuesday]

Yesterday, for some reason, I revisited days of early childhood. I played four-square in the driveway. I threw dirt clods at the site of new home construction. I raced my cars off the side of the abandoned building above Del and Dorothy’s house in the mountains; the cars tumbled and I ran to retrieve them so I might send them flying again and again. I ran home in a panic the day I learned that Nancy’s little sister had drowned in utility hole that was filled with water. It was on the route I walked to school and passing the hole filled me with trepidation, it was a dark portal, my first experience of death. I didn’t really understand it.

Late at night, Kerri and I sometimes talk about everything that has happened in the short time of our relationship. We’ve lost parents and lost careers, spiraled in a free fall of uncertainty, had surgeries and broken bones. We’ve also climbed mountains, watched sunrises and meteor showers, we hold hands when we walk, we write together every day. We dance in the kitchen. I am the sous chef to her cooking artistry.

I’m not sure if we practice paying attention to our moments or it’s something that has come naturally to us. She is rarely without her camera, noticing the smallest flower, capturing the angry sky. I hold the space and hope someday she stops apologizing for stopping again to take a photo; I love watching her discover the shapes and colors of this world. Besides, I get to see what she captures in her lens with an excited, ‘Lookit!”

Today the plumber comes. Yesterday we appealed to the company that destroyed our yard replacing the waterline to come back and strip off the top layer of soil, now filled with hardware and concrete and asphalt. Slowly, we are digging out, repairing and replacing all that was destroyed or delayed in our free fall. Our lessons seem to be about stress – or, rather – not stressing. We are having experiences, rich and varied. Some things we can control. Most, we cannot. The best we can do is hold hands and stand together in each experience. Appreciate them no matter whether they look like tragedy or comedy. We’ll make meaning of them later down the road.

The artist dances with death. The appreciation of the fragility of life. Each day I walk by that metaphoric utility hole, only now it does not fill me with trepidation. It makes me squeeze her hand and fills me with gratitude for this life, this moment, this shadow we cast together as we take our time strolling through the garden.

read Kerri’s blogpost about THE SHADOW

Look Back [on Not So Flawed Wednesday]

Our 3am conversation was about the horrible clothes we once wore. We both lived through the 70’s and 80’s so there was plenty of fodder for shudders and laughter. I couldn’t be more delighted that cameras in that era used film that was expensive to process, and were not ubiquitous, so there’s limited visual proof of the alarming garments of my past.

Looking back. My favorite aspect of our horrible-clothes-conversation is how much we loved the offending items when we wore them. I had a Huckapoo shirt that was only worn on special occasions. I’d scream and run from that shirt if I opened my closet and found it there today. Kerri described a favorite periwinkle blue dress with black polka dots that had me crying with laughter. The woman I know would faint in fright if she awoke wearing that dress. “Get it off! Get it off,” she’d scream, as if it was a spider.

For two people who spend most of their lives wearing black thermal shirts and blue jeans, it was delicious to trace our past lives through the costumes we’ve worn. The people we were. The investments we made. The colors we donned.

What was sacred is now profoundly silly. What was serious is now grin-worthy. What seemed so important turned out to be so-much-powder.

“Time just rolls. It just keeps rolling,” she said. The hard times and the good times. Hang on long enough and what-is will become what-was and a new-thing will have replaced the previous thing. “It just rolls on through.” At 3am, what matters in life could not be more clear. It’s the conversation. The laughter at our foibles, the sweet, “Shall we try and get some sleep?” It’s what we will see of this age when time rolls on and, late one sleepless night, we look back.

read Kerri’s blogpost about LOOKING BACK

Know The Moment [on KS Friday]

“A work needs to relax toward finality. It cannot be pushed, it cannot be worried, it cannot be analyzed to completion. Pushing against the natural rhythms of creation will just churn up the waters. Clarity comes only when the waters settle and the air clears.” ~Kent Nerburn, Dancing With The Gods

Because I tend to speak in metaphors in a world enamored with goals, what I say often, at first, goes unheard. Skip is stewarding an amazing creation and has, from my perspective, just passed a significant milestone. I told him that, in working with many playwrights and painters and actors, there is an initial phase in every creative process in which the creator works for form. It’s like the tide going out, dumping everything down on the page to gather and find the story-form. Then, in a beautifully mysterious moment, the tide turns and finding form is no longer the intention. Clarity becomes the aim. Skip is a listener. Metaphors tossed into an analytic frame generally seem out of place or perhaps arrive too early to the party. But I’ve learned they are seeds that, when planted, begin to work their way up through the crusty soil.

John Guare said that a writer has to write ten bad pages to arrive at a single good page. The ten bad pages are the search for form. Reducing ten into an essence of one is the work of clarity. The phases, the exhale for form and the inhale of clarity, are two different yet interrelated energies.

When I am working on a canvas I might evolve the image for days. Sketching, painting, wiping, adjusting, wiping, sketching, painting. The search for form. Adding and subtracting. Moving the composition, tilting the symmetry. And then, something clicks and I know. The painting is formed and now the pursuit is to hold its hand and bring it into the light. Inhale.

Because my father recently passed, followed hard upon by my dear Ruby, I have been reviewing much of my life. Roger used to say that the first 30 years of life were about trying to become something and then, one day, you realize that you are that thing you were trying to become. The rest is learning how to be it. Searching for form. And then, clarifying. I think Roger was half-right. Becoming and being are cycles, not arrivals.

The cycles of my life are explicit. I enter into worlds that I know nothing about – either by accident or invitation. That I know nothing about the world is precisely why I’m invited in – or bumble in. I see it. I bring it metaphors. It is uncomfortable to not-know so I learn about the world as an outsider. It helps me see more clearly. I know the moment when form turns toward clarity. I see when the process roils into an eddy. I understand how to free stuck energy. I’m a midwife to creative process, a guide across unseen bridges.

We stood in the November sun admiring the giant flowers against the blue sky. I loved the idea that I was experiencing an ant’s view. These past many years I have been looking for the new form. Pushing. What was I? What am I now? And, in a beautifully mysterious moment, I realized that the tide was at long last coming in.

read Kerri’s blog post about GIANT FLOWERS

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See The Shape [on DR Thursday]

The Balinese would call this an auspicious day. They would never perform a funeral rite on a day that was not promising. This soul will come back in seven generations and requires a providential sending.

The Greeks placed coins on the eyes of their departed loved ones. Fare for safe passage over the river Styx.

Columbus’ son will give his eulogy. His son-in-law will guide the ritual. His granddaughter will sing for him. His daughter-in-law will play her compositions, prelude and postlude, and sing a special song for him. His coins are his family. They will pay his passage. Actually, that his family will perform every aspect of his service – his sending – is testament to his earth-passage, what he did during his time while walking on this planet.

Heart.

We laughed while driving across Kansas. The day was fraught with obstacles. Breakdowns and high winds. “Columbus is making this trip eventful,” I said. He was full of mischief.

“I can see that sparkle in his eye,” Kerri responded. Nothing was going to stop us from getting to his service. Nothing. Not even mischief.

I have often been asked, “What is the shape of your day?” A curious question to ask a visual artist. “Not flat nor two-dimensional,” I think but do not say. “Certainly organic. Not geometric. My days are rarely geometric.” I never know what lines-of-thought or surprise events actually close to give definition to my day until the end, when I stand back and look at the whole. That is true for all of us. No one knows the shape of their day at sunrise.

Today, the lines have closed so we gather to look at the shape of Columbus’ life.

Heart. Big heart.

read Kerri’s blog post about HEART LEAVES

Columbus circa 1998