Realize It [on KS Friday]

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Years ago, at the retreat center on Whidbey Island, Kendy talked with me about her budding meditation practice. She was having difficulty quieting her mind chatter. To help, a teacher gave her a mantra to use in her meditation. The mantra gave her busy mind a focal point. It was a simple phrase: I Am. I Am. “It’s the craziest thing,” she said, “I feel like I need to add a description, I Am…what? I am happy? I am fulfilled? I am a loser? I am bored? And then it occurred to me that it’s the descriptor I’m trying to quiet! Why do I need to define everything? Judge everything? Assign a score to everything? Isn’t the whole point to realize how profound it is to be alive? I Am.”

There is a photograph of my uncle Al, just months before he died of cancer, fulfilling a dream of flying on a trapeze. At the moment of letting go of the bar, he reaches into space. The catcher is not in the frame. Al’s face, wracked with his disease, is shining with the joy of his moment. The simple pleasure of his moment of I Am.

There is a lyric in Kerri’s song, I Am Alive, that brings me back to my conversation with Kendy and the enormity of her realization. It makes me miss Al. The lyric goes like this: we are bonded by the power of this dream that is I Am.

Cut through all the chatter-of-the-day and it’s plain enough. It’s simple enough. Add the final descriptive word to the I Am. Realize, as Al did in that gorgeous moment of flight, of not-here-or-there. I Am Alive.

I AM ALIVE on the album AS SURE AS THE SUN is available on iTunes & CDBaby

 

read Kerri’s blog post about I AM ALIVE

 

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i am alive/as sure as the sun ©️ 2002 kerri sherwood

 

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Do A Rough Draft [on DR Thursday]

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the field in early october: a morsel

I love seeing artists’ rough drafts. One of my all time favorite art exhibits was the hundreds of drawings and sketches John Singer Sargent executed en route to his painting, El Jaleo.

I’m more interested in the process than the final piece. I’m more captivated by the search than the find. That includes my own work as well. For me, the final painting is less a finished piece and more of a pause in the conversation.

It bothers me when a curator tells people what a painting is about or what the artist intended. I’ve squirmed many times during openings of shows when the gallery curator, introducing my work, tells people what my paintings mean. It locks people out. It prevents them from having THEIR relationship with my painting. I squirm equally when the work is not mine. I want a more pure experience.

To me, art is a doorway to the sacred, to the deeper things that words often cannot reach. It is a passage back to the beginning, to the fingerpainter, the child freely playing – prior to the time when a judge is planted between the painter and the piece, the painting and the viewer. That is where the riches are. And in that place it is all a rough draft.

 

read Kerri’s blog post about THE FIELD IN EARLY OCTOBER

 

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a field in early october/morsel ©️ 2018 david robinson & kerri sherwood

 

Appraise It [on Flawed Wednesday]

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The first time we visited Hippie Tom’s Serendipity Farm, Kerri said, “It’s like being inside someone’s disease.” The farm is a hoarder’s dream. Stuff piled upon stuff. Stuff packed into corners, hung from rafters, tucked under shelves. Most of the stuff is exposed to the heat and cold, rain and snow. Having the stuff is more important than the caring for the stuff, a 3-D philosophical statement. Certainly there are treasures to be found, curiosities that are heartier than the mildew and rust or perhaps have not yet been on the farm for a cycle of seasons.

In the barn there is a room for chairs. Chairs stacked to the ceiling though I use the term ‘stacked” loosely. Piled, perhaps. It reminds me a scene post tsunami, what remains after the waters have retreated. The artifacts of lives-now-gone. It would be a brilliant set for a play, metaphors abound. The sickness of acquisition. Or, perhaps it is not sickness so much as the inevitable destination of stuff after the story connection is lost.

The power of story. The value is never in the stuff, it is in the shared narrative invested into it. A diamond has no value without people to appraise it.

Once, I visited Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico. It was spartan. And I loved it. A few chairs. And, oh-my-god the paintings. The view and vibrant connection to the natural world. It was like being inside someone’s happiness. So many years after her passing it felt alive – a place of life. That’s my appraisal.

Hippie Tom loves his farm, I’m sure. As for me, I think I’d rather walk the path with Georgia. Less stuff. More life.

 

read Kerri’s blog post about STUFF

 

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Measure The Distance [on Two Artists Tuesday]

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I am surrounded by reminders of how quickly this life passes – or, perhaps, how much has changed in the span of my life.  Joseph Campbell told the story of, as a boy, seeing one of the first flights of a new invention, an air-o-plane. “It was like a flying bicycle,” he said. He finished his remembrance by remarking, “My God, now we are on the moon.” We are among the first human beings to measure our lives according to the blazing changes brought by technological advancement.

What is the distance between three channels, rabbit ears on a black and white television, and HULU available on all of our “devices?” Last night we watched the Barbara Streisand, Kris Kristofferson version of A Star Is Born and laughed heartily at the eight track tape players and telephones attached by cords to the wall. What is the distance between Stars Being Born in 1976 and those about to be Born in 2018?

Kerri and I like to poke around antique stores. It is common for us to stop and point at something, saying, “Hey, we had that.” Or, the more amusing variation, “Hey, those are our mixing bowls!” When a ten year old computer is considered a dinosaur, a 20 year old mixing bowl becomes an antique. “They’d put our stove in a museum,” Kerri quips. And what about those tv trays, Swanson frozen dinners (what was really in that Salisbury steak and those “mashed potatoes?”), the Carol Burnett show, and Gilligan’s Island?

Seems like yesterday. Seems like so long ago.

 

read Kerri’s blog post about TV TRAYS

 

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Follow The Trail [on Merely A Thought Monday]

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Max Ehrmann died. His poem, Desiderata, was mostly unknown. He did not write it for fame and few poets, unless they are delusional, write for fortune. Desiderata found its way to the light because it struck a chord, people shared it. Today it is known and treasured all over the world.

Vincent Van Gogh died. His paintings were mostly unknown. They were mostly rejected. Only one of his paintings sold in his lifetime.  He did not paint them to increase his fame and few painters, unless they are delusional, paint for fortune. His paintings found their way to the light because they struck a chord, people sought them out. Today, they are known and treasured all over the world.

No one knows the impact of their work. No one controls the ripples that they send. Everyone knows the truth of their intention, the source from which they act. Max Ehrmann wrote his poems during a life that spanned world wars. Vincent Van Gogh endured a lifetime of intense internal warfare and painted in response. Amidst the intensity of chaos they reached for more eternal things.

John told me that my job was to paint the paintings, not to determine how they are seen or received. In this age in which the arts have been detached from all things sacred, I sometimes feel our poems, our music, our dance, our paintings serve as a popcorn trail that point, not in the direction of personal gain or achievement, but to the soul’s home. That place where we sit together and experience the bigger things that live beyond words or names, beyond the nonsense and power games. The popcorn trail reminds us amidst the fighting to stand back and remember that neither side in any fight wins. Not really. The oppressed becomes the oppressor. Ripples and time.

For perspective, look to the stars at night. Poets and painters try to touch the vastness. The popcorn trail reminds us not to forget the center.

 

read Kerri’s blog post on DESIDERATA

 

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Long And Stand Still [on KS Friday]

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It’s been a week. How’s that for a non-statement statement? It reminds me of a phrase Roger taught me years ago. It’s an emergency phrase to pull out when the play you’ve just seen is rotten and the director wants to know what you think. He said, “Simply smile and exclaim, ‘Now that was a play!'”

We write posts everyday. Sometimes the real story we are trying to tell is found in the overview, where the posts are juxtaposed. For instance, the difference between what I wrote Tuesday: a nod to all the special people willing to help, and what I wrote Wednesday: routinely checking for exits, not feeling safe in a gun crazy culture, reads like a study in opposites or the ravings of a schizophrenic. And then, to ice my polarity cake, yesterday I wrote about the universal wisdom of finding the middle way. This is the moment when you would smile at me and exclaim, “Now that was some writing!”

Competing narratives. Seeing the pervasive kindness in a culture saturated in violence. We want things to be one way or another and it rarely is. It is both/and. We want Hollywood endings and Hallmark predictability all the while yearning for a life of unpredictability and excitement. We story a past that we claim was better than today, forgetting or editing, the hard parts, the ugly parts. “History repeats itself,” we caution out of one side of our mouths while, in the next breath insisting, “Things were better back then.” Competing narratives.

Sometimes I long to go back and make different choices. Sometimes I am intensely grateful that I’ve walked this rich and broken path; I wouldn’t change a thing. Longing is like that, I think. And, Kerri has caught perfectly both sides of longing, the collision of narratives in competition, the desire to go back in time, the utter appreciation of standing right here.

 

LONGING on the album AS IT IS is available on iTunes & CDBaby

 

read Kerri’s blog post about LONGING

 

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longing/as it  is ©️ 2004 kerri sherwood

 

Fly Between The Poles [on DR Thursday]

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a morsel from ‘angel.’ kerri calls it ‘you can’t hold the sun’

Icarus‘ wings were made of wax and feathers. His father, Daedalus, made them so he and Icarus could escape their imprisonment. Before taking flight, Daedalus warned Icarus not to fly too low nor too high. Icarus flew too close to the sun, the wax melted and his wings fell apart. He fell from the sky and drowned.

We see most of the Greek stories sifted through a post-Greek moralistic lens. Fly to high, hubris. Fly too low, complacency. The world as defined by polarities. Heaven, hell. Good, bad. Right, wrong. There’s another possibility.

Quinn used to tell me that the point of all the world’s religions, the message in all the great stories, is to find the middle way. To live in the center. This world, he said, will try its best to tug you to the extremes. It will dose you with propaganda, half truths. It will glorify US and demonize THEM. It will bamboozle you into twisted notions like ‘the dehumanization of others is okay.’ It is the lucky person that realizes that it is impossible to strip others of their humanity without also losing their own. Polarities are like that.

So, seek balance. Walk between the tug of the poles. It is the point of presence – live here, not in the scary future nor the regrettable past. Fly, not too close to either pole, but through the middle. Now. It’s possibly the point of the story.

This morsel is called You Can’t Hold The Sun. It’s true. You can’t stop time. No moth can withstand the flame. The sun will melt your waxy wings. The sea will make your feathers heavy with dew. Either way, you fall.

In the face of too much moralizing, Kerri will say, “If it’s not about kindness or joy, it’s not about anything.” That’s a statement from the center. I like to think that this center place, this middle way that Quinn told me about, is what we call love.

 

 

 

 

www.kerrianddavid.com

 

you can’t hold the sun/angel ©️ 2018/2004 David Robinson

Look For The Exit [on Flawed Wednesday]

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Two decades ago, living in Los Angeles, on a beautiful crystal clear morning, I walked to the corner market to buy a Sunday newspaper and milk for coffee. With my milk and newspaper in hand, I circled the store pretending to shop with the rest of my fellow shoppers. We delayed checking out because another customer, enraged, was having a heated argument with the cashier.  We were afraid and unwilling to step in the way of an escalating confrontation. When the angry man slapped the counter, the rest of us – the entire group of shoppers – spontaneously hit the deck. We thought it was a gun shot. Laying on the tile floor looking at the panicked faces, I had a realization. I must be afraid all of the time; low-grade fear. Gun violence was so prevalent that it was my first thought, my first expectation, not the last.  And then, the most remarkable thing happened. We slowly stood up, brushed ourselves off, picked up our items from the floor and put them back into our baskets – and never said a word to each other. We paid for our purchases. We pretended it didn’t happen. Fear is like that.

“California is ten years ahead of the rest of the nation.” At the time I heard this sentiment often. “If it’s happening here it will be happening in the rest of the nation within a decade.”

I am now twenty years beyond my corner market floor dive. I routinely look for the exits when I enter a movie theatre. We avoided attending open air concerts after Las Vegas. School shootings and workplace massacres are more common than not. There is training offered by experts on what to do if you are caught in a mass shooting. The palaver rolling out of Congress is like a dusty old play. We know the script and it goes nowhere.

“There’s been another one,” we say and shake our heads, upset that a few weeks ago we’d walked the street where the latest young man was killed. He was going to the store. A student who needed to buy hangers. “It could have been us.” And, so, once again, we pick ourselves up, brush ourselves off, put the items of our day back into our basket, realizing, not too late, that it did happen. It is happening to us.

 

read Kerri’s blog post about ROGER’S PARK

 

 

See What’s There [on Two Artists Tuesday]

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On this Two Artists Tuesday we give a nod to all the special people who are willing to help – even when it makes no sense. They are everywhere though, because they eschew drama, they remain largely unseen. They put down what they are carrying to open doors for complete strangers. Late for a meeting, they slow their pace and cross the busy intersection, an invisible shield for an elderly crosser. Sometimes, at night, they are servers at restaurants, kind and patient with everyone, even after a long day working their first job. They make soup for hungry people they’ve never met. They leave fifty dollar tips for ten dollar tabs. They step into the street to shield a dog-on-the-loose from oncoming traffic. They walk into the wind and rain to deliver packages and junk mail. They carry a snowboard out to a car to reassure a mother that her daughter’s snowboard will, indeed, fit in the back.

Kindness. Paying attention. Little acts, big ripples. It’s breathtaking. It’s everywhere.

read Kerri’s blog post about THE THINGS PEOPLE DO

 

 

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Bring A Little Hope [on Merely A Thought Monday]

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“Multiculturalism asserts that people with different roots can co-exist, that they can learn to read the image-banks of others, that they can and should look across frontiers of race, language, gender and age without prejudice or illusion, and learn to think against this background of a hybridized society. It proposed – modestly enough – that some of the most interesting things in history and culture happen at the interface between cultures. It wants to study border situations, not only because they are fascinating in themselves, but because understanding them may bring with it a little hope for the world.” ~ Robert Hughes

I read in my newspaper that tribalism is the new normal [insert eye roll here]. There’s nothing new in tribalism. Fear-full people lost in a very small Us-N-Them tale is as old as the old gods. It’s pulled out and paraded about when power structures are shifting.

I marveled at the utter absurdity of it. No one can deny that our airwaves and e-waves are choked with noisy proclamations of division and fear.  However, it only takes a quick scan through the rest of my newspaper to grasp the undeniable reality of our situation: global markets, global economies, populations on the move, United Nations, NATO, WTO, multinational corporations, Bitcoin, international space stations, satellites, not to mention some of our greatest challenges like global warming, and invasive plant and insect species (made possible through global shipping and the necessity of sharing/exploiting resources). Take a stroll down the aisle of your local supermarket and educate yourself on the scope, depth and breadth of your food sources. Count the countries represented on the shelves.

Tribalism is not new. It was normal a few centuries ago. Nowadays it is a construct, an old dry log to toss on a fire to stoke divisions and create distractions.  It’s a headline to sell newspapers. Division sells. Good theatre requires hot conflict. People are easier to control when divided. There’s nothing new there, either.

There is a truism in change processes: people hold on tightest to what they know just before releasing their fear and walking into the unknown future. They take a step back, temporarily entrench, before answering the call of growth and change. Call that tribalism if you must, or denial, or the conservative impulse. It’s a process step. “Age and stage,” as 20 likes to say.

What’s actually new? All the world is now a crossroads. People with different roots ARE coexisting – that, after all, IS the great experiment and central promise of these United States. Looking across the frontiers of race, language, gender and age – without prejudice or illusion – is the hope in our emergence. It is the cathedral we are building.

The other direction can only bring our decrease. And, as history has taught us again and again, that’s an ugly path. There’s nothing new in that, either.

 

read Kerri’s blog post on EMERGING HUMANS EMERGING