Imagine The Shadow [on KS Friday]

“I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.” ~ Grandma Moses

Among the many reasons I love autumn is the color of the light. Looking out of the kitchen window this morning I was bowled over by plants resplendent in orange and pink. I was so taken by the color that I forgot I was cooking and nearly burned breakfast.

We hiked yesterday. The trail was steep and rocky but, thankfully, the trail wound under the canopy of the forest. It was a hot day and the shade made our path bearable. We stopped often to breathe and enjoy the remarkable shadows cast by the trees. The leaves glowed and waved, backlit by the sun.

Imagination. The capacity to make images in the mind. It is the most basic of human capacities. We spend our lives imaging ourselves in tragedy and in triumph. Yearning and fear are both shades of imagination. “What if…?” is a question borne of imagination.

“Wait!” Kerri suddenly instructs, stopping me in my tracks. When the sun is low in the sky and our shadows make us skinny giants, she likes to capture our distortion. Shadows do not resist the curvature of the earth. They do not try-to-be. They simply conform to the circumstance and, inevitably, moving through a festival of color changes, blend into the purple dusk.

While she focuses her camera on our shadow, I appreciate the glow of the negative spaces, the yellow-autumn warmth heightened by our grey-blue silhouette. I giggle imagining we are as skinny-tall as the shadows we cast. “Hold still,” she whispers, not realizing my giggle is making the shot impossible. While stilling my shadow, in my mind, we reach and pluck the reddest of leaves from the tippy top of the maple tree.

Waiting (from Joy)

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about SHADOWS


waiting/joy © 1998 kerri sherwood

Chisel [on DR Thursday]

The conversation in the car was about astrology. I am an Aquarius. Confusingly, the water-bearer is an air sign. Kerri is Aries; fire. “Air is necessary for fire,” she laughed. As in most metaphors and models, each element transforms the others. It’s creation-in-motion. Life is a great shapeshifter. A single element is undefinable without the others.

The same is true with people. We only know who we are relative to the others in our lives. The heat of our relationships transform us. Transformation is a daily reality, a common experience, but so ubiquitous that it goes unseen. We only notice it when the volcano erupts or when we wake up one day and say to ourselves, “I am different now.”

The beautiful canyons in Utah were, over eons, carved by water. Zion. Arches. The Grand. Everyday, water meets earth. Heat and wind. Sculpture.

Long drives bring reminiscence. Something sparked our conversation about the canyons we’ve carved in our lives. Everyday, trickles of water. Relationship. Slow, almost imperceptible changes. One day, after years and years, you look in the mirror and see the colors revealed by erosion and time. The chiseled shape. Pieces and parts that felt essential, washed away. What remains?

Beautiful. Crucial. Elemental. Still transforming.

read Kerri’s blogpost about WATER

face the rain © 2019 david robinson

Heed The Call [on Not So Flawed Wednesday]

“There must be more to life than having everything.” ~ Maurice Sendak

They are sent to bed without supper and sail to islands with monsters. On the island, they conquer their fear and return home to a hot supper.

They push through the wardrobe to discover magical worlds. Before returning home, they save the world.

They journey to where the sidewalk ends. They enter the 100 Aker Woods to find kindness and Pooh.

They are us. Telling our children tales of magical lands, adventure, and hope triumphant. They are us giving full reign to the imagination.

Peter lost his shadow and Wendy wakes. She helps Pan reattach it. Her gift of story garners an invitation to adventures in Never-Never-Land.

The call comes from the shadows. The pull of imagination lives in the image-shapes cast upon the wall.

I’ve heard countless people insist that they are not creative. I ask them if they’ve ever told their baby-child a story? I ask them, as a child, did they alert their parents to the scary monster scratching around the closet or hiding beneath the bed?

read Kerri’s blogpost about THE WEST WALL

Speak Back To It [on Two Artists Tuesday]

Noguchi might have designed this unintentional sculpture. A massive stone made delicate, the smaller carrying the weight of the greater. The shapes are not precise; they tend. As a final touch, the piece is set at water’s edge. Elemental commentary, a sculpture exposing the meeting of forces.

My favorite part: no one intended it. Yet, had Noguchi or Andy Goldsworthy walked by, they would have made flowing sketches, taken photographs, and rushed away to make it their own. Nature inspires. A happy accident. I suspect all great art comes into being this way.

Kerri often talks about placing her piano on a seashore or atop a mountain. Composing by responding to what nature presents. The sound of wind through trees, the pull of water rushing away from the beach. Once, she sat at her piano with a stack of image-phrases. She pulled one from the stack, closed her eyes, and played. I was a most happy witness to the wonders of creation.

Yesterday, for the first time in months, I pulled out my sketchbook and drew. The previous day, we visited the Botanic Gardens and I took dozens of photographs. The patterns and shapes of leaves. Startling color. I drew the shapes. I sketched the patterns. No expectation save the movement of hand and pencil. I felt as if I was blowing the dust out of my system. The patterns moved me.

The best news for any artist? We will never match the power and majesty that we find in nature as we reach to discover and express our own nature. The best we can do is draw from it, play in it, speak back to it, simply saying, “Thank you for the inspiration.”

read Kerri’s blogpost about ROCKS

Make Some Sense [on Merely A Thought Monday]

When standing at life’s crossroads, there is a choice to be made. Take the right-hand path or the left-hand path? Or, turn around and go back. Turning around is never an option since it’s akin to going back in time. So, right or left?

Symbolically, the right hand path represents the safe path. The conservative choice. The path that “makes sense.”

The “road less travelled” is to the left. Destination unknown!

It’s never made sense to me (ahem) that choosing the path to the right is considered the sensible choice. We’re a culture that celebrates the cowboy! We’re a nation that prides itself on its rugged individualism. We stomp across the wilderness, aim for the moon, yet the clear message to our children is “know where you’re going.” Choose the sensible path, “Go to the right.”

Sometimes I wonder why these two paths are set in opposition to each other. There can be no further-left-hand-path than the one free-solo climber Alex Honnold has taken, yet he is studied, methodical in his passion. Some of our greatest historians are actors and dramaturges; it takes precise study to be the mirror of a culture.

To act like you “got some sense” does not mean to ignore your heart. Every high wire artist begins with a net. Michelangelo and Leonardo were intense studiers on their left-hand-path, scientists both. Going to the left does not mean recklessness but it does imply vulnerability to new experiences. Curiosity. Sailing toward the horizon. Opening to the awe of being alive. Taking chances; try, try again. Following an impulse.

Knowing the value of a mistake as the vital necessity of learning.

What could make more sense than that?

read Kerri’s blogpost about GOT SOME SENSE

Modify The Plan [on saturday morning smack-dab.]

When you are an artist, you begin your career with the understanding that retirement is not really an option. You will work as hard or harder as any of your friends. You will have satisfaction in your work that few people can imagine. And, you will, most likely, unless you are very lucky or have a surprise trust fund, never experience lasting financial security.

Also, when you are an artist, you can’t imagine not making art so “retirement” generally means the-big-dirt-nap.

We have, since our great-double-wrist-break-and-financial free-fall of 2020-21, changed our approach. It’s less easy to improvise when the world perceives you as old-and-should-be-retired (non-dirt-nap-variety). Your networks collapse. Your mask obscures your capabilities.

We’ve modified our plan. We’ve modified our expectations. Now, we need only live long enough to break the Guinness Book of World Records as the oldest living artists. Anything is possible! That belief, a hard-core dedication to abundant possibility, is what makes us artists in the first place!

Retirement (non-dirt-nap-variety), here we come!

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Speak In Softer Tones [on KS Friday]

On stormy days the sound of the lake greets us in the morning. If we didn’t know better, we’d think it was the Atlantic Ocean. And then there are the days when the lake is glassy smooth. The silence of the lake invokes silence in us; we speak in softer tones.

We are on the road this morning. The sounds that greet us are different. New. In this small town there’s a cricket symphony that accompanies the sunrise. I stood for a moment on the balcony and enjoyed the performance. Masterful. Pink and purple sky.

In a few hours we’ll be back on the road. Unlike yesterday, we’ll drive the backroads. Lately, we are resistant to the frenetic freeway, the angry trucks, the anxious sedans. Sometimes the freeway is unavoidable. Knowing there will be quieter sounds today – and a slower pace – makes us breathe easier. Sound and pace are cousins.

Today is a “we’ll-get-there-when-we-get-there” day. I learned years ago that pace and frenetic energy are a team sport. People feed the frantic in each other. People are also capable of creating quiet in each other. Sometime, for an experiment, try and slow walk down a busy-business-walker street. To remain slow you have to ride your inner brakes.

The same is true with sound. We seek the thumping clubs and concerts when we want to amp up. We seek the slow-walk meadows when we want to gear down.

Today is a gear down day. The crickets must have known. They set a perfect starting tone for a backroads intention. We’ll speak in softer timbre, just like the lake.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about THE LAKE

adrift/blueprint for my soul © 1997 kerri sherwood

Ramble [on DR Thursday]

I’m like a two-year old: I want to know “Why?” For instance, the lichen growing on the birch tree is Hypogymnia physodes, but it’s also known as “Monk’s Hood.” Why?

There’s a wildflower also known as Monk’s Hood. I read that the flower gets its name because its petals resemble the cowls once worn by monks. However, the flower is also known as “Wolfsbane.” Why? What does the bane of a wolf have to do with the hood of a monk? I’m capable of inventing a slew of possible connections but they will be just that: inventions.

In an attempt to bore you beyond rescue, I’ve lately been fascinated by how much of our world is a blizzard of unhinged information in search of a context. For instance, conceptual art needs an explanation. Without a curator, it’s nothing more than a banana taped to a wall. Twine with a dirty sponge. Oddity seeking to be taken seriously.

In the 21st century, we measure relevance by the number of followers, not by the substance-of-the-matter-being-followed. It’s a popularity contest. Lots and lots of flowing information, most of it useless. Without use. Without substance. And, scarily for us: without being questioned.

What is empty content pushed through a fabricated context? “Breaking” news. MAGA. Q.

It occurs to me that society needs more two year olds! A healthy practice of asking “Why” would spare us from certain death-by-bloviation.

A cowl, by the way, is both a monk’s hood AND a loose neckline in contemporary women’s clothing. Wouldn’t the monks be surprised if they’d confused their cowls!

Now, get out there and find context for this bit of useless information.

read Kerri’s blogpost about LICHEN

pieta with paparazzi © 2010 david robinson

Move The Mountain [on Not So Flawed Wednesday]

“Give what you have. To someone, it may be better than you dare to think.” ~ Henry Wadsworth Longfellow

The box of avocados arrived like a gift a familial love. It was. Kerri’s sister sent them and they found us like surprise Christmas. “Holy Smokes!” Kerri, said, lifting the first football-sized avocado from the box. “This is too much!” Eyes filling with tears. She misses her sister.

It takes so little. Avocados in a box.

The day following my health scare, my older brother called. I fell immediately into my role of younger brother and was comforted-to-the-bone to hear his voice. He has always been a rock. Stable ground when the world tilts.

A phone call. A small gesture. Profound in impact. Stable ground.

It seems a cliche’ yet remains the human-seminar that is most difficult to grasp. The grand gesture is fine, but mountains are moved by the small reach. A touch on the shoulder. A call to check in. Simple presence. A box of avocados.

read Kerri’s blog post about AVOCADOS

Find Your Flower [on Two Artists Tuesday]

“A good traveler has no fixed plans and is not intent on arriving.” ~ Lao Tzu

Lately I am learning that I don’t need to immediately accomplish every task. Our house has been an excellent teacher and I have gained the useful phrase, “delayed maintenance.”

Kerri and I have two different operating styles. Mine is a straight line and hers is a circle. She can start a project and leave it and think nothing about it. On the other hand, if I start a project, I can’t stop thinking about it until it is complete. I am only now learning that I tend toward the obsessive. I have a gift for the myopic.

I thought I was kind of a zen guy, easy going, and am shocked to discover that I can be a hot mess of fixation. Thus is the nature of self-discovery. Life is helping me loosen up.

We sat on the deck last night and talked of our childhood homes. The games we played. I drew pictures on typing paper with a #2 pencil for hours and hours. The world disappeared. I’d wait until the rest of my family was asleep and then I ‘d get up and paint on my wall. I thrived in the quiet of the night. I suppose myopic comes naturally to me. Single focus. Disappearing into my work.

I marvel that butterflies seem like drunken sailors, careening this way and that, yet they always clear the fence. They always alight on the flower of their intention. My career has been like the flight of a butterfly. I dare anyone to make linear sense of my resume. Drunken sailor. Yet, somehow, I clear the fence. I find my flower.

People ask me if I like my job and I tell them I love it. They, of course, want to know why I love it and I tell them that I never know in the morning what I am going to do that day. Each day the work is good. I fall into my myopic ways, sail into my conceptual universe, but have no expectation of completion. It’s like wrestling with a shape-shifter. And, so, to keep in the match, I, too, must shift my shape. I’m honing my inner chameleon.

There is a post-it note on the wall next to my desk. It reads, “Live as if the universe was tipped in your favor.”

Fly like a drunken sailor. Like Dogga, run in circles of delight. Learn to love your myopic ways, yet do as the Balinese taught: know that “it’ll happen when it happens.” What else? Sight – seeing the flower (myopic and otherwise) – is fully available when practiced without expectation.

read Kerri’s blogpost about WHITE MOTHS