Appreciate The Caper [on KS Friday]

Kerri’s photos serve as our writing prompts. Sometimes I know exactly what I want to write about. I lead. Sometimes, like today, I stare and follow the first thought that comes to mind, whether or not it makes sense. I let the thought lead me.

Sometimes I follow. Sometimes I lead. Inevitably, during the writing, the process flips. The follower takes charge and leads. The leader gives over and listens. It’s a nice description of a creative process, a tennis match between the intuitive and intentional.

Today’s first thought? It’s perfect design. A still shot masks the truth that this flower is designed for motion. Time-lapse photography reveals the pulse of life, opening and closing. Petals and sepals, pistils and stamen, folding and unfolding with the delicate movement of the planet spinning around the sun. And those tiny hairs on the stem and sepal? Trichome – absorbing life, protecting the dance.

It occurs to me that the word “design” implies a designer and there we go again bumbling into the morass of the godhead. How to explain such perfection? This miracle of life, utter interdependence, as seen in a purple coneflower.

Perhaps it’s enough to acknowledge that my mind is way too limited to grasp the enormity of the concert. I dabble in the power of imagination but will never grasp the infinite, contain the uncontainable, neither in word or way.

Perhaps my desire to affix a definition to the undefinable, to understand the boundless, is no different than staring at a writing prompt. Sometimes I know exactly what I want to write. Sometimes I have no idea. Sometimes I lead. Sometimes I follow. Intuition dances with intention yet neither are capable of explaining the boundless, of measuring the immeasurable, describing the indescribable.

It is enough to perform my part and fully appreciate the caper.

silent days/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CONEFLOWERS

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Look Both Ways [on DR Thursday]

I love our smack-dab cartoon. In a cartoon, dogs can talk, people can transmogrify, we can laugh at the worst of ourselves and reveal the best of ourselves. In other words, anything is possible. I think that’s why cartooning has long been an aspect of Kerri and my relationship. Anything is possible.

Our first cartoon idea popped up when we were punchy on a roadtrip. We asked a “what if” question. What if we’d met earlier in life and had children. What would we have named our little pot roast? Miles of hilarity ensued because we landed on Chicken Marsala. Our boy Chicken was born and for the rest of the trip, the voice of our imaginary child chimed in with commentary about his parents. We submitted five rounds of Chicken Marsala cartoons to the syndicates. Chicken strips and single panel Chicken nuggets (clever, no?). The imaginary child of two artists who met late in life. What a great premise! Especially since the two artists were hot messes and the child was grounded, capable of scaring them into sensibility and taunting them into play. Idealists, all.

It used to be that when I asked a “what if” question I zoomed into the outer reaches of inner space. That’s still true though now I have a second, equally powerful path to imagination. Look close-in at the miracle shapes of plants. Look close-in at the worlds at play all around us. I give full credit to Kerri’s compulsion to photograph minutiae. “Lookit!” she proclaims and shows me a miracle image. I’ve picked up the pattern. I rarely photograph what I see but I am just as apt to look close-in as I am to fly into the Netherworld. I am on a daily basis gobsmacked by color or texture or shape or sound or smell or taste of this amazing world. Look at the lavender! Just look! No, really. Slow down and look.

This morning I read a definition of imagination: thinking that is not bound by real world constraints. I wanted to add this: senses that are capable of experiencing real world detail.

It’s a great polarity, the spectrum of potential between “anything is possible” and “I never could have imagined it.” Chicken tried to tell us to look both ways but, you know, it’s harder than you think to listen to your imaginary child, especially when they understand more about life than you ever will.

my perpetually almost but not quite as yet incomplete holding pen of a website

read Kerri’s blogpost about LAVENDER

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Name It [on Merely A Thought Monday]

The artist, Joe, had us write our names again and again until the lines lost their meaning, until we realized the lines were…lines. And shapes. Until we realized that our names were drawings. Unique and easy. His message? Everyone draws. And, more importantly though less obvious, the lines do not carry the meaning, the person infuses the line with meaning.

Visiting a pal in the hospital, I watched a heart monitor. More lines. Pattern. Waves. Visual indications of the drumbeat of the body. The drumbeat of the body propels the rhythm of the poet’s pen. Iambic pentameter. Short, loooong. Short, loooong. The poet’s lines reach through time and space, heart-meaning yearning to pulse through another person, to perhaps synchronize with their heart-wave pattern. Centuries may have passed between the inky scribbles from the poet’s pen to the person absorbing the meaning into their beating heart. Time travel. Ancient heart touches the living. “When to the sessions of sweet silent thought/ I summon up remembrance of things past…”

Watch a child learning to “write” their alphabet. Assigning meaning to shape. Crayon fist making lines. The refined adults see the shaky line as crude. Cute. Titanic imagination squeezes itself into alphabetic parameter. The little hand becomes a giver of meaning to shape and line. Expression. Learning to combine the limited shapes for greater and greater complexity. The conundrum: among the first lines we learn to scrawl are our names yet these few lines carry a question that can never be answered. Who am I?

The artist, Joe, had us dash off our names again and again until the lines seemed nothing more than a doodle. The meaning is not found in the lines; the lines and shapes merely point the way to the question.

read Kerri’s blogpost about THE CONTRAIL LINE

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Encounter The Plantimal [on Two Artists Tuesday]

Suddenly, stretching its neck beyond the leafy cover of the forest green, a Wild Giraffe Flower looms above us, scrutinizing. We stand very still. Though not dangerous, a Wild Giraffe Flower sighting is rare and their behavior is largely unknown. Our guidebook cautioned us not to run away but to stop all motion, take deep breaths to calm ourselves, and appreciate the moment. I whispered, “Remember. Be still. Breathe!” Wild Giraffe Flowers are skittish around humans. Kerri managed to get this single photograph. Any more movement and she feared the skittery plant critter would quickly disappear.

Traditionally, Wild Giraffe Flowers are thought to be one species: giraffa taraxacum officinale. We read that there are most certainly subspecies but scientists have had little opportunity to gather data so the question remains open. They are hard to track. Hard to find.

“Wasn’t that incredible,” Kerri said, showing me the photo of the Giraffe Flower. “I can’t believe I caught it!” We were still breathless from our encounter with such a rare plantimal.

“I can’t believe it stayed with us for so long.” I replied. “We’re sooo lucky!”

“True,” she sighed. “It’s a good thing I caught the photograph. No one would believe us otherwise.”

“Yes, I’m sure they’d think we’re just making this stuff up. Like it was only a dandelion or something.”

read Kerri’s blogpost on WILD GIRAFFE FLOWERS

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Foster Appreciation [on KS Friday]

In addition to the bunny nest in our yard, I discovered some abandoned nests behind the tall grasses that line the fence. Elegant and intricate constructions meant to protect new life.

The distinction is in the words “meant to”. The critters creating the nests are not necessarily concerned with the aesthetics. Their concern is function. We two-legged critters can’t stroll down a beach without stacking stones, organizing driftwood, or picking the most interesting rock to nestle into the curious pocket found in the wood. Our action is purely to communicate. To leave a trace. To make a mark. To convey something beautiful.

I suppose it’s the same reason that critters make nests. They can’t help it. Nature demands their construction. New life is coming.

We can’t help it, either. Our nature demands playing with possibility. Function need not be a part or party to our frolic. Our creative impulse needs expression. Our active imagination, our spontaneous recognition of opportunity, an intrinsic curiosity and hands-with-thumbs make even the most mundane stroll a canvas-for-the-painting.

We have friends who tell me that they lack creativity. I know better. I’ve walked with them through the woods, across frozen lakes, and strolled down beaches. Rocks are stacked. Flowers gathered. Wood is spontaneously arranged. Not because a nest is necessary. No. Their gathering of texture and color and curiosity is meant to foster appreciation. Inside and out. The function is enjoyment.

No other reason is necessary. No other reason is more essential to us two-legged critters. Nothing better defines us than our innate desire-to-play with the great “What if…”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STONE AND WOOD

dawn at crab meadow/blueprint for my soul © 1997 kerri sherwood

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Eat And Wait [on KS Friday]

“Neither the hummingbird nor the flower wonders how beautiful it is.” ~ unknown

Jay, Gay, and Kerri are waiting. They are watching for the return of the hummingbirds. The anticipation is palpable. Each day I come upon Kerri, staring out the kitchen window at the untouched feeder. She turns, and, mimicking a voice-over from a commercial for the television show, Wicked Tuna, she asks “WhehAuhThey?” I shrug. She returns to her watch.

A line from a book flashed into my mind. “I can think. I can wait. I can fast.” Siddhartha replies to the beautiful Kamala when she asks what he can do. Hold on! Waiting is a marketable skill! Of course!

Inside my mind, I practice my answer in an imaginary job interview: “Now, tell me, Mr. Robinson, what are your most valuable skills?”

“I can think. I can wait.” I say to the too-serious-HR manager. Note how I cleverly omitted the part about fasting. As a rule I’m hungry all of the time. I want to create the illusion of value without having to outright lie. If I don’t eat, I can’t think. Period. And, if I can’t think, waiting-to-eat is virtually impossible. Just ask Kerri about that day in Minturn, Colorado. It was almost ugly. I have a long way to go before I add fasting to my short list of valuable skills.

In my mind I don’t get a second interview. “We want someone who can fast,” the too-serious-HR manager smiles thinly.

“I’m certain I can work on my delayed gratification skills,” I say as I’m escorted to the door. Wow. Another lie. I’ve been working on delayed gratification for a lifetime and have made very little progress. “I didn’t want that job anyway!” I declare as I stumble onto the noisy street-in-my-mind.

All of this fantasy lying to myself has made me hungry. “Do you want to eat something?” I ask Kerri who’s keeping her hummingbird vigil. “I’m starving.”

“Yes,” she says. “When do you think they’ll get here?” she asks, suddenly becoming a 5 year old. “How will they find us?”

“They’ll be here soon,” I say, perhaps telling another fib. I have no idea when they will be here. “All we can do is wait,” I offer, quickly adding, “So, what do you want to eat while we wait?”

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about HUMMINGBIRDS

waiting/joy! a christmas album © 1998 kerri sherwood

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Thank Dale [on Two Artists Tuesday]

Dale is back. And he has an attitude. The people in the neighborhood know better than to approach Dale. He wants to be left alone on his daily constitutional and will answer even the friendliest “Hello!” with a harsh retort. Gobble-gobble.

We saw the young couple before we saw Dale. They were frozen, mouths a-gaping. They were pushing a stroller and were caught between curiosity and caution. Spelled. You’d have thought they just spied a Leprechaun strutting down the street. We slowed the car, stopped, and followed their gaze. A turkey was in the hood. Dale was just outside our door. Strutting down the sidewalk. He warned us to mind our own business and crossed the street behind our car just to make his point.

Here’s the weird idea that flashed through my mind as Dale stomped across the street: he reminded me of Scrooge. Suddenly, my imagination was awash in the turkey version of The Christmas Carol. I was particularly taken by the possibilities of the ghosts! How might the turkey Jacob Marley appear to the Scrooge-like Dale? The Ghost of Christmas future? The options were hysterical and inspiring. I wanted to thank Dale for the idea but he was already strutting far down the opposite sidewalk. I wanted to tell Kerri but she’d had enough of me for one day. I kept my idea to myself.

The young couple were suddenly released from their spell and the husband looked at us, child-like, “Turkey!” he pointed and smiled.

“Yes,” Kerri replied in a sing-song affirmation, “We saw it, too.”

I wondered at the final scene in my Turkey Carol. Dale, after a night of ghost-visits, flings open his window to the morning light, unable to fully comprehend what he’d just experienced. He asks a small child on the street, “Boy! You there! What day is it?”

The boy, taken aback by the sudden question coming from a notoriously unfriendly bird, replies, “It’s Christmas, sir!”

Dale, newly made, throws his wings above his head and dances with relief.

read Kerri’s blogpost about DALE

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Celebrate The Symphony [on Two Artists Tuesday]

The return of the frogs. No, it’s not the title of a b-grade-horror film. It’s one of our favorite rites of spring. Their chorus is deafening, a sound celebration of the season’s cycle into renewal. We look forward to and celebrate the day of their return.

A short month ago we walked across a snowy field, still a bit in shock at the scrape-clearing of the tall grasses and brush. Broken bits of stick and root poked through the snow. The picture of devastation. In just a few short weeks, the field became a bog – evidently the perfect performance hall for the musician-frogs signaling life’s return with their playing.

They’ve always played in this spot along the trail but this year their symphony is made particularly poignant by the seeming wreckage of their environment. This year, to our ears, they perform a rousing song of perseverance. A composition of resilience.

They’ve also awakened a question in us. We ask it every year but this time it is made more mysterious because the bog is exposed. We can see everything except the frogs. The air is alive with sound while the water is still. We’ve stood, awash in the noisy vibration, yet can see nary a ripple in the surface.

How is it possible to shake the limbs of trees with joyous sound without disturbing the fen? The musicians are invisible.

There can only be one explanation: They are magic, these frogs in their spring renewal, popple-free playing while stirring our hearts and imaginations.

read Kerri’s blogpost about FROG BOG

Appreciate It [on KS Friday]

“…where there are people, there is art.” ~ Alex Grey, The Mission of Art

Have you ever Googled the definition of art? I have: (noun) the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

It’s necessary to pay attention to the two phrases comprising the definition: 1) expression or application of human creative skill and imagination…2) to be appreciated primarily for their beauty or emotional power. Appreciated expression. The value measurement is beauty or emotional power.

A deeply personal expression that touches the universal. The art in a small child scribbling is not in what’s “produced” – it’s in our witness to the beauty of a new-human being discovering the joy of expression. Moms, full to overflowing with appreciation, hang the scribble on the refrigerator. There is no purer experience of art.

Very few children survive the moment when free expression tangles with expectation: now we make art. Scribble meets intention. Appreciation is less easy to attain when the circle grows beyond mom’s refrigerator. “Art” meets a bottom line valuation where beauty and emotional power sometimes take a back seat.

It sounds bleak until you look around and recognize what you see. People pointing cameras everywhere. Painted rocks on the trail. A chalk drawing on the sidewalk. Homes decorated. Magazines with recipes and gorgeous shots of possibility. Sculpture on the beach. Youtube videos abound. Architecture and the design of apps. Music! My god, the music. I passed a man whistling a tune that lifted his step and mine.

Expression. Appreciation. Imagination run amok. Mom’s refrigerator is everywhere. What could be more human?

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about ICE

nurture me/released from the heart © 1995 kerri sherwood

Shape The Story [on KS Friday]

“It’s amazing how a little tomorrow can make up for a whole lot of yesterday.” ~ John Guare

Jen’s question sparked a many-days-conversation between Kerri and me. She asked about my favorite childhood birthday memory. I stared into space. My memory pool was empty. There was nothing but white noise between my ears. I sputtered something about awkward valentines in elementary school. Later, on the drive home, I confessed to Kerri how unnerved I was to have little or no distinct memory to recount. Both Jen and Brad had palpable stories to tell – and many of them.

Since that evening we’ve talked about the power of reminiscing. Neither of us has lived near our families. We’ve had relatively few opportunities to sit around a table and tell stories of childhood, recount foibles, ask questions, laugh at where we’ve been and what we’ve done with the people who shared the experiences with us. During our recent trip to Florida I was startled at Bill’s precise memories of his time in Vietnam. Each year he gathers with the surviving members of his squad and they tell stories of their service. His memories are clear because he regularly tells and hears the stories. It’s a ritual meant to keep vital the thread of connection to the past. Shared story is the glue that holds together a family, found-family or otherwise.

Last night we were wide awake at 3am. We turned on the light and returned to our conversation about the power of reminiscence. The power of enlivening stories with others who hold the same memory. Kerri can tell me stories about raising her children but I wasn’t there. We were not parents together so I am able ask questions but I am unable to spark a visceral memory with, “Do you remember when we…” A one way street is not as accessible as a memory street shared by two.

Inevitably, as the sun began to rise on our sleepless night, our conversation turned toward what we want to create. Together. What are the shapes of our dreams? We began to tell stories in the other direction. We imagined and, so, we created. The power of reminiscence balanced by the power of aspiration. We laughed and built metaphoric houses. We populated studios with creations. Kerri challenged me to paint in a new way, not images but to give color and shape to my feelings.

Feelings. Suddenly, I remember a birthday from a time I was very young, single digits. In the basement, made from refrigerator boxes, Columbus built a birthday surprise. A train or an airplane? I can’t remember. But I felt like it was yesterday, the thrill of running down the stairs to see what my father had made for me.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TRACKS

meander/as it is © 2004 kerri sherwood