A Time Of Water [David’s blog on KS Friday]

And just before the autumn equinox, the last day lily had her brilliant orange moment in the sun and then closed up shop for the winter. It was poignant. We watched her drink in the sun and then fold.

The nights grow longer than the day. The plumes on the grasses are radiant when they catch the evening light. The leaves on the pepper plant have yellowed. The sweet potato vine, once a vibrant uniform lime green, now displays a pattern of color, red-brown and crimson.

We’re emerging from a few weeks of sickness, a bad cold moved in and took much of the wind from our sails. Our limited energy allowed for a few shaky-leg slow walks by the lake. Slow walking allows for better seeing. I marvel at how unimportant most things become – how my perspective simplifies and clarifies when I have limited energy; when my body demands my attention. We sat in our adirondack chairs facing the sun. I felt like the day lily, drinking it in. The sun is good medicine.

Better seeing. Clarity.

I did not know that the word “winter” comes from an old Germanic word and means “time of water.” The snow, the ice, the freezing rain. We pull inside. We retreat to the root to recuperate and gather energy for renewal.

Each week Kerri chooses one of her compositions for our Friday posts. This week, in trying to decide between two pieces, she chose both: one piece from her first album, entitled In Transition, and one from her most recent album – her 15th – entitled Transience. I was moved when listening to the pieces side-by-side: the same theme separated by a decade and a half of life. Transitory life, cycles of production and retreat, generation and rest, exploring and recognizing.

Transitory life looks differently when you are older than it does when you are young.

We are having an extended conversation with our son about artistry. He is an EDM artist and is taking full possession of his gifts. It’s thrilling to watch him move from becoming to being. He is fully inhabiting a time of fire. He is running fast. Chasing.

We – Kerri and I – are fully in a time of water, from being to becoming. We are slow walking. Gathering energy. No longer trying to arrive in a life that is constantly moving. We are the dream we chase. Appreciating the transitory. Savoring our moment, this one glorious never-to-have-again day. We are like the last day lily drinking in the sun and storing that warm heart energy for the coming of spring.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE DAY LILY

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No Space. No Time. [David’s blog on Two Artists Tuesday]

Our saturday-morning-smack-dab-cartoon was about feeling wistful in the fall. We very intentionally prompted something non-political, non-news-of-the-day-ish, so we might give our hearts and minds a break from railing against the incessant assault on our democratic way of life. And then I read something that deeply upset me. Instead of writing about wistfulness, I wrote about our national incapacity of dealing with the truth.

And then, at the end of my post, I wrote an apology for once again shaking my metaphoric fists and railing at the lies.

And then, I erased my apology. I did not want to lie. In truth, I was not sorry for railing at the lies and misinformation and abuse of the public trust. I call myself an artist and the very epicenter of that role is to hold a mirror up to my community. Sometimes the image in the mirror is ugly.

We were walking on the Des Plaines river trail, just north of Chicago, when two fighter jets ripped across the sky just above the tree line. The earth shook. It was the same day that the authoritarian wanna-be, in a meme no less…, declared war on Chicago. I made the assumption that the fighter jets were an opening salvo, a demonstration of power by a weak little man meant to shake the populace.

“Can you believe it?” she asked.

Isn’t it sad that my first assumption was that the president of the united states sent war planes over the region to startle the populace? Isn’t it sad that, in these times, even though my assumption was wrong, it was not an outlandish proposition, not a sci-fi-speculation, but actually within the realm of possibility?

Many of her recent photographs capture fading flowers. I am drawn to them. The brittle shapes. The muting colors. Life energy pulling away from the blossom and retreating to the root to rest and re-energize. It produces a different kind of beauty.

It is this waning beauty, this retreat into the root that has always evoked my wistfulness. I realized that this autumn I will probably not feel my usual wistfulness. The yearning of fall is made delicious because of the promise of spring emerging from dark winter. Wistfulness is letting go to open space for renewal. I realized, watching the fighter jets, aghast that a president would resort to such a childish meme to declare his ugliest of intentions, to turn the military on its citizens, that I do not know if our democratic nation will be here in the spring.

There is no space for wistfulness. There is no time for apologies. There is no longer any doubt that a fascist dark winter is descending. We are fools to think that it will lead to a democratic spring.

read Kerri’s blogpost about WANING FLOWERS

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Popcorn Trail [David’s blog on KS Friday]

Late at night, standing on the platform awaiting the train to take us home, the moon and clouds gave us a spectacular show. I knew that the moon was a waxing gibbous and realized that, although I’d known and used the word since I was young, I had no idea what the word “gibbous” actually meant. It sounds like something related to gibbons, small apes that swing through trees. Is the moon gibbous because it swings through the sky? No! The moon is gibbous because it is greater than a semi-circle yet less than a circle. Gibbous describes the shape! Bulbous. Convex. Protruding.

Yesterday I unrolled many small canvases and pinned them to the wall in my studio. They are like a small flame I’ve kept for alive for over 35 years. They refer back to a large odd shaped canvas I stapled to the deck of my apartment on a sunny day, overlooking Hollywood. I had a very limited paint supply, a few cans of paint used for animation (computer animation was not yet possible so artists painted images on cells with acrylic paints), grey, blue, and white. I had a small jar of cadmium red. I taped a few housepainting brushes to long sticks and made myself a promise to “have fun and not think too much.” And I did. I had fun. I didn’t think too much. I played. In those few short hours, I painted the single piece that would influence my work for the rest of my life. I knew it was special. It was pure. It sold before I could adequately document it (remember the age before the ease of digital cameras?). It sold before I had the opportunity to install it in a gallery and show it.

I call the many small canvases my “narrative paintings”. They are a popcorn trail that I dropped as I wandered into the forest of my artistry. Some of the pieces are studied and lifeless. Some are playful and shallow. Some are raw and heart-full. I tacked them all to the wall to guide me back to the original impulse, that moment of artistic purity.

I am gibbous though, at this age, I am no longer waxing. I am greater than a semi-circle but have not yet completed my full life circle. In my time on earth I have been what Kerri calls a “strider”, someone trying-too-hard to climb the ladder of success. I have pursued my artistry like it was a wild animal, setting traps to capture what I could not easily understand. I have finally learned, or have lived long enough to realize, that I am and have always been what I chase. No traps necessary.

I follow the popcorn trail back to what I experienced that day in Los Angeles: the simple joy of being alive. A conscious moment enthusiastically expressed through a little grey, blue and white paint, punctuated with some surprise cadmium red.

IN THE NIGHT on the album THIS PART OF THE JOURNEY © 1998 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE MOON AND CLOUDS

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Cycles Of Change [David’s blog on DR Thursday]

“Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late.” ~ Joseph Campbell, The Hero With A Thousand Faces

It is a warm evening. The breeze has shifted and comes off the lake, blessed cool. The bird alights on the pinnacle of our roof. Like us it pauses in the refreshing breeze. It drinks it in and rests. This image, this moment, is ancient and I am taken by it.

In the midst of the chaos of the country, the seeming unprecedented circumstances we now face, it is somehow comforting (to me) to remember that no one escapes the cycles of mythology. Mythology is a universal growth pattern, cutting across culture, delivered through story. It is a human-life-map. It is unwise to confuse mythology with make-believe.

Our collapse of moral authority in leadership is not unique in history. Neither is the rise of our tyrant. Neither is the corruption of our court Supremes or the silent cowardice of Congress. We follow a historical pattern just as we perform a mythological cycle.

The Roman Empire fell for much the same reasons that the American Experiment is now wobbling: political corruption, the widening gap between the haves and have-nots eroding social cohesion (maga, the impact of inanity like “trickle-down-economics”, unfair taxation, granting “personhood” to corporations…), the exploitation of division, overspending on the military, limits imposed on innovation and education (the impact of DOGE and the decimation of research among other things).

When servant leadership is upended by self-serving-leadership, the path becomes explicit. It doesn’t happen all it once. It is gradual, this erosion of the foundation takes time. This is a mythological death.

Of course, each death signals the birth of something new. As Joseph Campbell wrote of times like these, it is wrongheaded and naive to try and go back in time to capture some imaginary heyday. It is equally misguided to try to force the fulfillment of some imagined ideal. Both facilitate dismemberment.

Our protests of autocracy, our resistance to brutality, plant the seeds of our transfiguration. We will never restore our democratic republic as we’ve known it. Neither will we fulfill it as first conceived: exclusive; democracy for the few. Fire transforms and what will emerge from this hot collapse is anybody’s guess. I will probably not live long enough to see it. Gestation like this takes time, too.

However, I take heart knowing that the cycle will eventually present us with a new generation of servant leaders, people who rise from the wreckage and sacrifice personal gain for the common good. People who were transformed by this current fire. They will carry in their hearts the pain of their ancestors’ regret.

The bird on the pinnacle served as a herald of that distant day. The wind shifts, cutting through the heat, bringing with it sweet relief and the promise of the cycles of change.

read Kerri’s blogpost about THE BIRD

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Witness The Impossible [David’s blog on DR Thursday]

We heard, in some locations this summer, people experienced a veritable plague of cicadas. They shoveled them off of their driveways like so much snow. Not here. We finally heard their song late in the season. We found a few empty shells floating in the pond or attached to fence, evidence that they’d emerged and transformed. They were present in vibrational rhythmic sound. They remained invisible to our eyes.

Sitting quietly on the deck one evening in August, enjoying the cicada symphony, Kerri said, “It’s not summer until I hear the cicadas.” Markers of our passage around the sun. Symbols of the cycle. The first color on the leaves. First snow. The first dandelion of spring. The first turtle emerging from the muddy river. Cicada song.

Last week we talked about stew and soups rather than watermelon and burgers on the grill. In this way, in old and new recipes, we chase the coming season. Anticipation and imagination.

We found the cicada on the driveway. It was in its last minutes of life. Crawling like a drunken sailor, it could no longer fly; one wing undamaged but seemingly useless. “It’s so sad,” she said as she knelt to take a photo.

Reverence overcame the sadness. “Look at the color! How beautiful!” she whispered, showing me the photo. We knelt again to witness the dying cicada.

Appreciation. Sometimes I think our only purpose on this earth is to cherish its treasures, to recognize something so small and impossibly grand as the movement of life.

read Kerri’s blogpost about THE CICADA

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How To Harmonize [David’s blog on Not So Flawed Wednesday]

“Nature, in the intimate and in the vast, is not designed. It is designing. Our own nature confirms it.” ~ N.J. Berrill, You and the Universe (via The Marginalian)

 In one of our famous conversations, Horatio suggested I read Ernest Becker’s Pulitzer Prize winning book, The Denial of Death. So, I did. Horatio has never led me astray. Boiled down to an essence, as a unifying principle for religion and science, it unpacks the human dilemma of being a finite animal with an unlimited imagination. We are unique among creatures because we know we will die yet we have the capacity to imagine ourselves infinite. And so, to live beyond the veil, we think we must leave a mark, to serve a greater purpose. We must seek or give meaning to our limited time. No other animal carries so great a burden, this split-dance of separation and unity.

It is an understatement to suggest that it has set me to thinking. It is the ultimate in creative tension.

For ages, artists have painted the Danse Macabre. Some are a painting a warning: it’s coming so be ready! Some are painting an appeal: it’s precious so live every moment of it!

And this is what Horatio’s recommendation has me thinking: It’s a cycle of movement, like the tides or the cycle of the seasons, the movement of the earth, spinning around the sun…It is movement. Life is movement.

I was hired at the software start-up, not because I know anything about technology or coding, but because I see movement. Dynamic whole systems. In my brief foray into the start-up, I learned that, in order to be successful, software has no end. It is never finished. It must constantly iterate. It must never assume a completion. It is, in that way, like a human being, constantly becoming, cycling through periods of stability and periods of chaos, through lostness and found-ness, each generation supporting the cycle of the next generation.

We confuse ourselves by seeking an answer to our end, as if the design is finished. As if we are complete. That is a statement of our denial. We are movement. Relationship. Cycle. Never complete.

She knelt to take a photograph of the daisies, each at various points in their life cycle. A perfect visual for the single question-with-no-answer at the core of our short season on earth:

“…how to harmonize our cosmic smallness with the immensity of our creaturely experience…” ~ N.J. Berrill

read Kerri’s blogpost about DAISIES

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Step Out. Step In [David’s blog on Merely A Thought Monday]

“In rivers, the water you touch is the last of what has passed and the first of that which comes: so it is with time present.” ~ Leonardo da Vinci

I might say that, in the mountains, in the sanctuary, we stepped out of time.

We sometimes forget that time is a relatively new invention in human history. The mechanical measurement of our moments. So, when we say that we “stepped out of time”, I literally mean that we temporarily exited the quantification of our moving experience. Future/past. To-do lists and locators. It begs the question, “If we step out of time what do we step into?”

Everyone knows the word “present”. The present. It’s a very big little word. The English language would have us understand it as a place. An arrival. We look for it, strive for it and, paradoxically, we enter it by forgetting to look or strive. It is where we are – always – and yet we so rarely know it. It’s where meaning is found and connection. It’s where peace and beauty are realized.

A poet might write that to die is to step out of time. To be born is to step into it. It’s the epicenter of our mythology, this cycle of dying and rebirth. Into and out of time. Winter and spring.

We stepped into the sanctuary and stepped out of time. Our cares dropped away. We took a deep breath. Sometime later, we stepped back into time and both felt renewed. Of course.

read Kerri’s blogpost about THE PRESENT

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Edge Of Time [David’s blog on KS Friday]

It was here for a moment. The snow on the wall. The tall grasses bowing beneath the weight. Today the grass is standing. Time moves on. Circumstances flow and change.

Yesterday we sat at a counter in the Public Market and ate gumbo. Kerri and the server, a young woman, talked about the oddities of aging. It was Kerri’s 65th birthday so the topic was vital and current. Both women laughed at how out-of-sync they feel relative to the number of their spins around the sun. “What is this supposed to feel like?” they asked in unison. The old man sitting next to us almost spit out his salmon.

We arrived at the art museum an hour before closing. She said, for her birthday, she wanted to visit her boys: Richard Diebenkorn. Ellsworth Kelly, and Mark Rothko. We sat in front of the Rothko for several minutes and I swear, like a good wine, the painting opened. The longer we sat with it the more it beckoned. The richer the color became. “I wish there was a bench in front of Richard,” she said. She loves her other boys but Diebenkorn is her favorite.

On our way out we stopped by the enormous Anselm Kiefer painting, Midgard. The mythical serpent doing battle at the end of the world. It’s a metaphor in darkness: cycles of renewal amidst constant destruction. A crucible. I always visit Anselm as he is a favorite of my friend David. I sent him a photo of the painting and realized that it has been almost eight years since I have seen him.

Catching a glimpse of my image in the window and not fully recognizing the man that looked back, I said, “This time thing is crazy.” She squeezed my hand.

“Tell me about it,” she said. And then asked, “So, what’s the next part of our adventure?”

Boundaries/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SNOW

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Look At Them Now [on Not So Flawed Wednesday]

Kerri hit the nail on the head. “Most people wouldn’t do this,” she said. “They’d think it was the same. They’d be bored” True. Too true.

She made her observation while we were walking our usual trail. We don’t walk it everyday but often enough to call it “ours” or “the usual.” Although we walk the same trail, to us it is never the same. Never. For instance, a few days ago the Mayapples bloomed. A single white flower hides beneath the leafy canopy. Last week we checked but the flowers hadn’t yet appeared. They’ll be gone by Father’s Day, the flower and the plant, just as the mystery cowboy told us. Walk the same path long enough and you’re likely to converse with a mystery cowboy.

It’s an exercise in seeing. Or, perhaps, it’s an exercise in not taking the surrounding world for granted. It is constantly moving. Dynamic. A crane flew right over our heads! The turtles are barely visible buried in the mud of the river. Tender green shoots broke through the devastated landscape and now, only a few weeks later, a blanket of vibrant viridian covers the forest floor. Tiny purple and blue flowers soon followed. The honeysuckle have now made an appearance. The thunderous frog song has all but disappeared.

And then there is the light. Dear god, the light. The colors shape-shift as the sun moves across the sky. The cloudy days evoke entirely different tones. There’ a reason filmmakers call the impending sunset “golden hour.” The winter palette is a world away from the summer hues.

We hold hands. We walk slow enough to see, slow enough to immerse. Slow enough to give our attention to the unique-within-the-same. Each day uncommon. Seeing it is a practice of challenging the assumption of “sameness.”

The practice of the trail has become the practice of our lives – or vice versa. Move slow enough to see. Pay attention. Give attention.

Across the yard from the farmhouse porch stand two guardian trees. “Look!” she exclaimed, running to show me the latest photo. “They’re so amazing,” she said, showing me the growing series. “They’re entirely different in the morning than they are in this light…” she said, turning her focus and camera back to the trees. “Geez! Look at them now!”

read Kerri’s blogpost about THE TREES

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Study Flow [on Not So Flawed Wednesday]

Kerri just reflected that, so far this week, my posts have been cynical. “Now that wasn’t snarky at all!” she said after reading my Tuesday post. The unintentional theme of the week has been the silencing of people. That makes me sarcastic. Irritable. Sad. She suggested that I lean over and read my Post-It-note-life-reminder: Grace. Questions not answers.

It’s true. I need daily to remind myself to move toward rather than push against. Flow rather than resistance. I am more of an idealist than I care to admit so resistance comes easy. Seeing what-is-wrong-with-the-world is embedded in my DNA. It’s the dark-side of the idealist moon.

Because resistance is natural, flow has been my study. It is my life lesson. It is why I am drawn to tai-chi. Yoga, the physical art of opposition. Polarity and the other Hermetic principles. Circles and cycles rather than lines and achievements. These are my masterclass of balance: there is a time for resistance. There is a time for flow. Both/And.

Grace is a word of flow. Nimbleness. Poise. Ease.

The water flowing off the roof of our neighbor’s garage froze the vines on the fence into a crystal ice chandelier. The watercourse way slowed so we might appreciate it. It slowed so I might understand it: flow and resistance are two forms of the same thing. Ice is water. Water is ice.

Grace. Nature is an excellent teacher. Better than my Post-It note. Sans cynicism. Gorgeous in its lessons.

read Kerri’s blogpost about FLOW