Homecoming [David’s blog on saturday morning smack-dab]

Kerri is back.

She disappeared over 4 years ago. A world-class pianist who fell and broke both her wrists. And then, fell again. Her artistry fractured, her community blew apart and then consumed itself. Pandemic isolation. Depression. Confusion. Hurt. Despair.

And then, in a moment that I can only describe as miraculous, in the most-unlikely-scenario, she let it go and laughed. The choice was easy. The heaviness fell from her spirit. Sitting next to her, I felt the light return. It was so startling that I turned and stared. It was like watching a sunrise. There she was. She came back. After 4 years, she came home.

We walked down the hill, hand-in-hand, and got into the car. We drove away. We literally giggled for miles, overwhelmed with the return of spaciousness in her spirit, the bright light shining in her eyes. Ahhh.

Perfect.

read Kerri’s blogpost about HOMECOMING

smack-dab © 2024 kerrianddavid.com

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Chase A Ghost [David’s blog on Merely A Thought Monday]

The question came in through our site from a man who was instrumental in Kerri’s decision to record her compositions. A voice from her past asking a good question.

There are many surface answers to his question. In our case, all would be applicable: to give voice to our thoughts, to build a community, to call attention to our work…This morning, as I ponder his question, I think the purpose of a blog, my blog, might be to chase ghosts.

I began blogging utterly convinced that I had very little of value to say. I’d never considered myself to be a writer. It was a challenge I set for myself. Actually, I had one thing to say and decided I would, every day, attempt to write about it until I ran out of gas. I calculated that the tank would run dry in less than seven days. I was chasing the elusive ghost known as voice. My voice.

The interesting thing about ghost-chasing is that it makes you pay attention to everything. Ghosts can come at you in an instant from any direction and disappear just as quickly. Sometimes you can’t see them at all but feel intensely their icy presence. That was the first thing I learned in my voice-ghost-pursuit: I was paying careful attention, inside and out. It was not intense, not a strain or a struggle. I didn’t have to try. It was natural.

Not surprisingly, paying attention gave me more and more to write about, more to reflect upon. More to offer. “Have you seen this? Do you understand it?”

Chasing ghosts is a great question stimulator. Ghosts are curious and require all manner of suspension of disbelief so they are also terrific curiosity-energizers. Among the first line of questioning is about your self: your perceptions, your beliefs, your ideas of who you are and who you are not. It’s nearly impossible to write about others without exposing your self. Voice chasing leads to an astounding realization: the self/other boundary is permeable. We come to know ourselves relative to how well we know others. We only know our voice because someone out-there is listening and, hopefully, giving voice in return. Contrast principle.

Our basement is unusual in that it has box-after-box of unsold CD’s – the hard evidence of the music industry making a quick pivot to streaming services. The stacks of my unsold paintings take up an entire room. Our filing cabinets are filled with ideas and manuscripts and songs-not-yet-recorded. There are folios of cartoons that didn’t quite make it to syndication, folios of ink gestures, watercolors, and sketches. Another kind of ghost: the work of years past. When we met and married, we began blogging together, originally to try and call attention to the voice-of-work-past-but-not-yet-sold. That ghost, a very sad ghost, quickly left us; the joy of writing together each day overcame the initial intention.

The joy of writing together. We no longer chase the ghost of voice. It was here all along (of course). Now-a-days, we pursue a much simpler spirit: the gift of paying attention, the pure surprise of what shows up when we dive into and write about our daily prompt. “You go first,” I say, since she is wiggling with excitement to read what she just wrote.

read Kerri’s blog about WHAT IS A BLOG?

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buymeacoffee is lending your voice in support of our voice so we can lend our voice to your voice. It’s a circle.

Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.

Feel The Light [David’s blog on saturday morning smack-dab]

We sit squarely in the center of a community of generosity. At night, when we turn out all the lights except those wrapped around our many holiday trees, we close our eyes and breathe it in. We feel it. The quiet grace. The kindness. The support. The friendship.

Earlier this year, traveling through our metaphoric miles of very rough road. Kerri said, “We should lean into the light more.” That’s why we sit in the twinkling light of the trees, eyes closed. We feel the light.

This we know: we are rich beyond measure.

read Kerri’s blog post about FEELING IT

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buymeacoffee is twinkling light wrapped around a holiday tree…

Live Your Words [David’s blog on Merely A Thought Monday]

Language is among the most powerful yet rarely acknowledged and mostly discounted forces on earth. We name our experiences, we story our lives with words. Alter a single word this way or that and the story of a lifetime takes on a completely different cast. Success. Failure. Together. Alone.

Currently we are witness to an aspiring autocrat label fellow citizens as vermin and thugs. A well-worn page from the despot playbook. Dehumanization of others is the first step in approving, priming, unleashing, and then normalizing violence. If history teaches us anything it is that language is not only capable of creating unspeakable beauty, it is also capable of unleashing unimaginable horror. This is not playground rhetoric or locker room talk. This is laying the groundwork for brutality. White. Black. Supremacy. Equality. Community. Tribe. Division. Togetherness.

Language matters (education matters).

Consider this simple phrase chalked onto a park bench: I With. This phrase struck me as particularly potent yet unappreciated. I accompany you. I am with you. I walk with you through this life. I choose to stand with you. With. I.

No word is more dynamic and intoxicating than “I”. There is no more necessary or formidable preposition than “with”. I with love? I with hate? I with unity? I with division? I with open-heart? I with closed-mind? I fear. I embrace.

The great power in language is in the words we choose to live.

read Kerri’s blogpost about I WITH

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buymeacoffee is a phrase formed of individual words meant to initiate a possible action of support for the continued work of artists you appreciate.

Embrace The Contrast [David’s blog on DR Thursday]

In art it’s called the contrast principle. The pairing of elements that are opposite from one another. Or somehow different. Man made next to nature made. Fabric next to steel. Autumn color next to grey and white.

Contrast principle is a fundamental, not only in art but in perception. We only know ourselves through relationship with others. I am a son, a husband, a friend. These designations are also examples of the contrast principle. I know myself, I perform myself, based on the others that I am with.

Contrast need not be oppositional. It can be a complement. Red and green. Blue and orange. Relationships that change the individual colors. Together they are bold. Lively in their contrast.

A single color on a canvas, a single idea in a brainstorm, a single party in a congress, is static. Bland. Lifeless. Ellsworth Kelly placed his wall-size blue canvas next to a wall size yellow next to a wall size red. Primaries in contrast capable of snapping your head back when first you see them. Dynamic. Alive.

A community with contrast, a community of color and varied ideas, a community that embraces the value and power of the contrast principle, is capable of anything. The illumination of each other. The best kind of harmony.

read Kerri’s blogpost about LEAF AND PILLOW

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buymeacoffee is a study in contrasts that affords you the opportunity to support the work of the artists you may or may not appreciate.

Eternal Thanks [David’s blog on Two Artists Tuesday]

Eight years ago today, 10-10, at 11:11am, Kerri and I were married. Our guests teased us that our reception started at 12:12. The food truck was delayed in showing up and arrived one minute late at 1:02.

The altar was awash in daisies. Susan made daisy cupcakes. The first day I met Kerri she was holding a daisy so that I might recognize her at the airport. Daisies have been our flower ever since. She carried a bouquet of daisies as she walked down the aisle to join me.

Kerri wrote and recorded a song for me that played when I entered the church. It was a blue jeans wedding, our guests wore white shirts so we could wear our beloved black.

So many of our friends and family made food, decorated the beach house for our reception, fetched wine and coffee, built the bonfire on the beach. Kerri’s choir circled us and sang We Are Family. I like to think of our wedding as a barn-raising. My sister and niece jumped in to organize the moving pieces. So many people showed up and pitched in. Judy played her magic harp. Jim played his guitar. The ukulele band sang What A Wonderful World. Kerri and I shared words from our Roadtrip. Arnie and 20 were at my side. Kirsten and Craig stood beside Kerri.

We skipped out of the church just as we skipped out of the airport on the day we met.

Each day, every single day, I am grateful for the second chance that life brought to me. I. Am. The. Luckiest. Man. Alive.

If for a moment you doubt that this universe is generous, all you need do is think of me. Think of us.

and now © 2015 kerri sherwood

read Kerri’s blogpost about OUR ANNIVERSARY

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Share Through Your Eyes [David’s blog on Not So Flawed Wednesday]

We slept on the living room floor last night. Our chugga-chugga air conditioner doesn’t reach our bedroom at the back of the house. Record breaking heat drove us to improvisation. “We’re camping!” we exclaimed, spreading blankets on the throw-rug, Dogga jumping with enthusiasm into our bed-making-attempts, ruffling our efforts.

In the morning, we could barely move. “My shoulder is killing me!” I whined.

“My hips are burning,” she frowned.

We laughed and together howled, “OUCH!” I creaked to the kitchen to make coffee.

While waiting for the coffee to brew I thought of the underpass. On Saturday we explored a new part of the river trail that ran beneath several busy roads, including the interstate highway. As we left the heat of the sun and entered the cool of the underpass, Kerri asked, “Do you think people sleep under here?”

“Yes, I do.”

Standing at the coffeemaker I was awash with thankfulness. I slept on the floor by choice. Our dog woke us this morning nuzzling our faces. Our ancient air conditioner kept us cool through a brutally hot night. We laughed at our aches and pain.

It’s funny the way thoughts tumble and connect with memory, constellating into well-worn images or plowing new conceptual pathways. Udayana University, Bali. One of my graduate school peers had just completed a presentation on homelessness in the United States. The Udayana faculty was horrified. “But you are the richest country on earth,” a wide-eyed Balinese professor stuttered. “How can you let a member of your community go without a home?” To him, it was the height of shame for a community not to care for their own. It was, in fact, inconceivable. This moment was central to my memory: I saw in his eyes the high esteem he held for us fall into the dark basement. He was suddenly very proud to be Balinese. His community might not have financial resources but they had a form of wealth that made paupers of his American guests.

“It’s the contrast principle”, 20 says. Oppositions illuminate. Cultural differences clarify. What we normalize we cease seeing. I’ve stepped over people sleeping in the street. In Seattle, I routinely rode my bike on paths under a freeway lined with tents and shopping-cart-possessions. In Bali, a man stopped his work in the fields and walked with me because it was rude to let a guest walk alone. We did not speak because we did not share a common language. When I reached my destination, we nodded and shared through our eyes that most universal of gratitudes: genuine appreciation for the companionship of the other; an authentic wish for the well-being of all.

read Kerri’s blogpost about THE UNDERPASS

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Sun Dry [on DR Thursday]

“…people find what they are looking for. If you’re looking for beauty, you’ll find beauty. If you’re looking for conspiracies, you’ll find conspiracies. It’s all a matter of setting your mental channel.” ~ Roger von Oech, A Whack On The Side Of The Head

Our time on Washington Island was multi-layered. Half of the people on the island saw us as invaders. The other half saw us as welcome progress. We were hired to manage the performing arts center which, out of the chute, served as a divisive symbol for the local community. We were the first “non-islanders” to manage the TPAC. Division upon division. And, although we were the focal point of the contention, none of it had to do with us, not really. Our status as invader or progress originated in the eye of the beholder.

Because the actual job was a festival of landmines, I especially appreciated the simplicity – and sanctuary -of our little house, a home provided to us for the summer-on-island-months. Our refuge sat on the shore of Lake Michigan. It was as peaceful as the job was contentious.

My favorite symbolic act at the little house was hanging the clothes to dry. When we arrived the clothesline was in disrepair. We re-strung the poles with new line purchased at the local hardware store. We quickly grew accustomed to carrying the wet clothes outside. We learned that the wind off the lake sometimes required strategy to what-is-pinned-in-front-of-what. Double clothespins on sheets and shirts was always a good idea. Mostly, I appreciated how the clothesline slowed our pace. It brought us into the sun and in relationship with the wind. The real stuff.

It helped set our mental channel. Hands on, tactile, slow-paced, generous, the power and presence of the lake filled us with awe. So, to our work, we brought awe. Literally. We were in awe of these people that cared so much for their community. Like most communities, they had more than one idea of how to protect it. Progress or conservation.

We understood that these two paths-to-the-same-goal need not be oppositional.

We learned that our job was to build bridges where they had fallen. We understood that, in this divided community, we had to pay attention to what-is-pinned-in-front-of-what. We learned that double pins on big ideas was sometimes a good idea because ideas often generated big wind. Listening was the best idea of all. We understood that if we brought our awe to both sides of the coin, we might one day build a single bridge that could not be burned.

We learned that there was no rushing the process, just as there is no way to rush the clothes drying on the line.

a day at the beach, mixed media, 38x52IN © 2017

my site. yes. as yet incomplete. a testament of continued indecision of my purpose and intention.

read Kerri’s blogpost about the CLOTHESLINE

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Steward The Radical [on Merely A Thought Monday]

I’m reading Gordon MacKenzie’s brilliant book, Orbiting The Giant Hairball: A Corporate Fool’s Guide To Surviving With Grace. There’s plenty to love in this little book that extrapolates beyond the corporate cubicle. This morning I laughed heartily when he compared two organizational systems, the pyramid and the plum tree. Traditional versus Holistic. Mechanistic versus Organic.

For me, the point of his Fool’s argument, sketched on yellow-pad-paper, comes down to this: the traditional pyramid, a hoosegow of compartmentalization, kills collaboration and snuffs the creative. It is purposeful division. The holistic plum tree, an integrated dynamic continuum, enhances collaboration and stimulates the creative. He draws an arrow pointing to the words “Enhancement of collaboration,” and writes, “This is radical.” [his underline]

It might seem radical to suggest that a system that intends collaboration is radical until you consider our current state of affairs. The latest attack on “the woke” by “the traditional” is, in essence, a pyramid that fears a plum tree. Pyramid people have an investment in exclusion, in standing on the top. Supremacy, white or otherwise. Keeping the cubicles intact, keeping the hierarchy in place.

Plum tree people, the proudly “woke,” reach across and eliminate division because they recognize the truth and power of the continuum, “integrated in a single creative ecology” otherwise known as a “community.” It is the opposite of supremacy. Float all boats.

There’s a race to the bottom in these un-united united states: the recent scrubbing of diversity, equity, and inclusion initiatives, the banning of books, red-legislators knocking themselves out trying to bleach our history, bury our past, snuff a questioner’s right to question (i.e. to learn), eliminate a woman’s right to choose; to squeeze gender-identity into a too-tight-airless-box…

In this environment, to suggest a system that intends collaboration, a system that enhances collaboration, is radical. Of course, democracy, by definition, is a system that intends collaboration. It is a system that needs collaboration to survive. It is a plum tree. The real and present danger of the pyramid, as Gordon MacKenzie points out: a pyramid is a tomb.

Democracy is radical. That people of diverse backgrounds and orientations might come to the table together with full respect for their differences – in fact a celebration of their differences, and intend to create “a more perfect union” is-as-has-always-been, a bright star to follow. It is a radical dream that demands open eyes, the capacity to ask questions of ourselves and each other, to tell our full history, to consider the perspective of all the human-beings sitting across the shared table. A radical dream, an ongoing creation stewarded into the future by the radical collaborators, keepers of the dream, the proudly woke.

read Kerri’s blogpost about PROUD BUTTONS

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